As this year’s NECS Conference in Paris is coming closer, here is a handy list of the panels and workshops sponsored by the Film Festival Research workgroup. Listed below is also our workgroup meeting, taking place Thursday evening. Please swing by!
B13: FILM AUDIENCES & FESTIVAL EXPERIENCE I: SENSES, BODY & AFFECT
Thursday, June 29, 11.30-13.15, Room D39
Chair: Marijke De Valck, Utrecht University
- Dorota Ostrowska, Birkbeck College, London: Embodied Celluloid Spectres: Photographing Stars at Cannes Film Festival
- Peter Virginas, Babes-Bolyai University / Romanian Institute for Research on National Minorities: Rhythms on the Festival Screen
- Lin Che, Chinese Academy of Social Sciences, Beijing: The Film Carnival Unit and Carnivalesque Experience in Beijing International Film Festival
- Lesley-Ann Dickson, Queen Margaret University: Space-Text-Audience: Festivalisation Practices and Shifting Spectatorship at Glasgow Film Festival
C13: FILM AUDIENCES & FESTIVAL EXPERIENCE II: RITUALS, POLITICS & CINEPHILIA
Thursday, June 29, 13.30-15.15, Room D39
Chair: Lin Che, Chinese Academy of Social Sciences, Beijing
- Sonia M. Tascón, Western Sydney University: The Human Rights Film Festival Spectator: Community, Phenomenology, and Social Change
- Patricia Caillé, Université de Strasbourg: A Powerful and Ritualized Storytelling: FIFAK, or the Mise-En-Scène of the Political Resistance in Tunisia
- Marijke de Valck, Utrecht University: Cinephiles in the Making? IFFR’s Light Users and Incidental Visitors
Respondent: Dina Iordanova, University of St. Andrews
D13: FILM AUDIENCE & FESTIVAL EXPERIENCE III: REFRAMING HISTORICAL EVENTS
Thursday, June 29, 15.30-17.15, Room D39
Chair: Patricia Caillé, Université de Strasbourg
- Carlos Daniel and Garcia Rivas, In the Same Shot: Surveillance at the Mar del Plata International Film Festival in 1959
- Elena Razlogova, Concordia University: “They Mob the Pix”: Soviet Fans Assail Foreign Senses at Moscow and Tashkent Film Festivals
- Tanja Krainhöfer and Thomas Wiedemann, Filmfestival Studien.de: Do Movies and Stories Really Have No Boundaries? Examining the Diversity of the Berlin International Film Festival (1980–2016)
WORKGROUP MEETING Film Festival Research
Thursday, June 29, 17.15-18.00, Université Sorbonne Nouvelle – Paris 3, D Building
F11: FILM FESTIVALS AND HISTORY/IES: ARCHIVES, MEMORY, AND TRACES
Friday, June 30, 11.00-12.45, Room D35
Chair: David Archibald, University of Glasgow
- Alexandra Colta, University of Glasgow: Historicising the Festival and the Self
- María Paz Peiran, Universidad de Chile: Mapping Histories and Archiving Ephemeral Landscapes: Challenges and Strategies Researching Film Festivals
- Dunja Jelenkovic, Université Versailles Saint-Quentin-en-Yvelines: Film Festival Histories: From Archives to Programs, and Back
- Katharina Kamleitner, University of Glasgow: The Epistemological and Methodological Challenges of Researching Women’s Film Festivals
F13: RESONANCE, MEMORY AND SOLIDARITY: QUEER FILM FESTIVALS AND AUDIENCE ENGAGEMENT
Friday, June 30, 11.00-12.45, Room D39
Chair: Saige Walton, University of South Australia
- Stuart Richards, University of Melbourne: Queer Outwardly Australian Films and the Film Festival Circuit
- Antoine Damiens, Concordia University: Visualising Queerness: LGBT Festivals as Archives and Cultural Memory
- Clinton Glenn, McGill University: “We Are Not Errors”: Documentary Film and LGBT Activist Narratives in Russia
Respondent: Skadi Loist, University of Rostock
G2: THE USES OF FILM FESTIVALS
Friday, June 30, 13.00-14.45, Room D3
Chair: Pierre Barrette, Université du Québec à Montréal
- Frédéric Gimello-Mesplomb, Université d’Avignon: Examining the Heritagization Process of Film Festivals as a Method of Approach
- Pierre Barrette, Université du Québec à Montréal: Mapping the Current Offer of Audiovisual Festivals and Their Audiences in Montreal: Re-Thinking the Movie-Going Experience
- Jean-Marc Leveratto, Université de Lorraine: Cinema Festivals and Ethnicity
- Olivier Moeschler, Université de Lausanne: Reconstructing the Body, Augmenting the Senses. Integrating Film Festivals into Swiss Cultural Statistics
J12: INTERNATIONAL FESTIVAL OF AUDIOVISUAL PROGRAMS: THE CURRENT TRANSFORMATIONS OF SCREENS AND THE AUDIENCES
Saturday, July 1, 13.00-14.45, Room D37
Chair: Frédéric Gimello-Mesplomb, Université d’Avignon
- Kira Kitsopanidou, Université Sorbonne Nouvelle – Paris 3: Television and New Media Festivals and the Attention Economy
- Mariana Medeiros Seixas, Université d’Avignon: The Fashion Synesthesia : Spectatorship Experience and the Fashion Film Festivals
- Olivier Thevenin, Université Sorbonne Nouvelle – Paris 3: The Paris Virtual Film Festival and Its Relation to Human Sensory Experience
- Christophe Cariou, Université Sorbonne Nouvelle – Paris 3: The Place of the Festival for Crowdfunded Films and Documentaries
K6: TRACES: FILM FESTIVALS AND HISTORY (Workshop)
Saturday, July 1, 15.00-16.45, Room D27
Chair: Dorota Ostrowska, Birkbeck College, University of London
Participants:
- Philippe Meers, University of Antwerp
- Dorota Ostrowska, Birkbeck College, University of London
- Malte Hagener, Philipps-Universität Marburg
- Dina Iordanova, University of St Andrews
- Caroline Moine, Université de Versailles
- Elena Razlogova, Concordia University
- Aida Vallejo, University of the Basque Country
In addition there are a few panels which also feature individual papers related to film festivals:
A4: Live and Experiential Cinema: Sensorial Excess in Immersive and Participative Film Spectatorship
Thursday, June 29, 9.30-11.15, Room D39
Chair: Lesley-Ann Dickson, Queen Margaret University
- Rosana Vivar, University of Granada Spain: “Nowadays Is Not Only the Girlfriends That Come”: Exploring Gender Roles at San Sebastian Horror and Fantasy Film Festival
- Sarah Atkinson, King’s College London: An Electric Shock to The Tongue – Fusing Cinema, Theatre, and Sensorial Augmentation
- Helen W. Kennedy, University of Brighton: Funfear Attractions: the Playful Affects of Carefully Managed Terror in Immersive 28 Days Later Live Experiences
- Brendon Wocke, University of Perpignan: Eating With Your Eyes: Edible Cinema and Participatory Synaesthesia
E7: Between Documentary and Experimental Realms: Avant-Doc, Past and Present
Friday, June 30, 9.00-10.45, Room D29
Co-sponsored by the Workgroups “Documentary Film” and “Cinema & Contemporary Visual Arts”
- Chair: María Paz Peirano, Instituto de la Comunicación y la Imagen, Universidad de Chile
- Greg de Cuir Jr, Independent Researcher/Curator, Belgrade: Circles, Lines, and Documentary Designs: Tomislav Gotovac’s Belgrade Trilogy
- Juliana Froehlich, University of Antwerp/CAPES – Ministry of Education of Brazil (UA/CAPES): The Sensorial Reality abstraction and the Experimental Practice in A Margem | The Margin (1967), Ozualdo Candeias
- Chris Cagle, Temple University: Structural Documentary on the Festival Circuit
- Aida Vallejo, University of the Basque Country UPV/EHU: From the Festival to the Museum. Expanded Formats in Documentary Film.
H14: Queer Sensibilities
Saturday, July 1, 9.00-10.45, Room D32
Chair: tba
- Fanni Feldmann, University of Debrecen: See With Your Tongue: Taste as an Alternative Gaze in Abdellatif Kechiche’s Blue is the Warmest Color (2013)
- Theresa Heath, King’s College, London: Queer Film Festivals and New Sexual Geographies: The Mobilization of the Queer Body as a Tool of Space Reclamation
- Jules O’Dwyer, University of Cambridge: Ekphrasis and the Queer Sensibilities of French Experimental Cinema
- Ger Zielinski, Ryerson University: Queer Scenes in Transmedial Adaptations from Paris to Vancouver to Toronto
L2: Touching, Performing, Sharing, Curating: A Compilation of Cinematic Gestures
Saturday, July 1, 17.00-18.45, Room D3
Sponsored by the Workgroup “Cinema & Contemporary Visual Arts”
Chair: Kevin B. Lee, Art Institute of Chicago
- Julian Ross, University of Westminster: Artist Moving Image in the Age of Swipe and Scroll
- Miriam De Rosa, Coventry University: On Gesturality: Cinematic Images En Train De Se Faire.
- Thomas Pringle, Brown University: Machine Intimacy: Habits of Sharing and the Mediation of Climate at Scale
- David Richler, Carlton University: The Unifying Discourse of “World Cinema” at International Film Festivals and the Curatorial Gesture of Audiovisual Criticism