8.1 Festival Audiences

Campos Rabadán, Minerva. 2024. “Quand les cinéastes, publics et industries locales pèsent sur le circuit international des festivals.” [When Filmmakers, Audiences and Local Film Industries Matter within the International Festival Circuit]. In Festivals et dynamiques cinématographiques transnationales, edited by Amanda Rueda, 115–33. Champs visuels. Paris: L’Harmattan.

Del Águila Reátegui, Elsa Mariela. 2010. “El Consumo De Cine Latinoamericano: Apuntes Sobre El Festival De Lima.” [Consumption of Latin American Cinema. Sketches on the Festival of Lima]. Masters in Communication, Pontificia Universidad Católica de Perú. Accessed July 25, 2025. https://tesis.pucp.edu.pe/items/78784dd4-304e-4a0b-a73c-7f483309e79d.

Dickson, Lesley-Ann. 2017. “‘Beyond Film’ Experience: Festivalizing Practices and Shifting Spectatorship at Glasgow Film Festival.” In Live Cinema: Cultures, Economies, Aesthetics, edited by Sarah Atkinson and Helen W. Kennedy, 83–100. New York: Bloomsbury Academic & Professional.

Radakovich, Rosario. 2019. “Festival Empieza Con Fe: Públicos De Festival.” [Festival begins with the“F”of Faith: Film Festivals Audiences]. Imagofagia (19): 427–51. https://imagofagia.asaeca.org/index.php/imagofagia/article/view/149. Accessed July 25, 2025.

Stevens, Kirsten. 2017. “Between Like and Love: Cinephilia and Connected Viewing in Film Festival Audiences.” Participations 14 (2): 660–81. http://www.participations.org/Volume%2014/Issue%202/34.pdf. Accessed June 22, 2021.

Vallejo, Aida, and María Paz Peirano-Olate. 2021. “Iniciativas De Educación Cinematográfica En Los Festivales De Cine De Iberoamérica (2005-2019).” [Initiatives of Film Education in Iberoamerica 2005-2019]. Arte, Individuo y Sociedad 33 (3): 791–818. https://doi.org/10.5209/aris.70186.

Vivar, Rosana. 2019. “‘You’re Sick If That Turns You on!’: Female Participation and Gender Identities at San Sebastian Horror and Fantasy Film Festival.” In Gender and Contemporary Horror in Comics, Games and Transmedia, edited by Robert Shail, Steven Gerrard, and Samantha Holland, 151–65: Emerald Publishing Limited.

(Last updatet: 16. May 2025)