University of Bradford, Bradford School of Media
EM4059D Film Programming
Level 7: 20 credits
Semester 1 – 2013/14
Module Co-ordinator: Mark Goodall
Module Associate: Tom Vincent
Schedule of Work/Topics
- Introduction to Module
- Lecture: Screening and programming task
- Lecture: Programmers in context: Henri Langlois and Amos Vogel
- Lecture: Film Festival programme case studies
- Tutorials
- Screening (LAPI), programming practice in the digital age
- Film festivals in context, geopolitics and curation
- Distribution and sales (Universal)
- Reading tutorials
- Discussion of programme ideas, consultation
- Presentations
- Presentations
Key Texts
- Mark Jancovich, The Place of the Audience: Cultural Geographies of Film Consumption (London: BFI Modern Classics)
- Alex Marlow-Mann, Film Festival Yearbook 5: Archival Film Festivals (St Andrews Film Studies)
- Scott MacDonald, Amos Vogel, Cinema 16: Documents Toward a History of the Film Society: Documents Towards a History of the Film Society (Philadelphia: Temple University Press)
- Richard Roud, A Passion for Films: Henri Langlois and the Cinémathèque Française, (Baltimore: Johns Hopkins University Press)
- Richard Porton (ed), On Film Festivals: 03 (Dekalog) (London: Wallflower Press)
- Marijke de Valck, Film Festivals: From European Geopolitics to Global Cinephilia, (Amsterdam University Press)