9.2.d.3 Human Rights Film Festivals

Blažević, Igor. 2012. “Film Festivals as a Human Rights Awareness Building Tool: Experiences of the Prague One World Festival.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 109–20. St Andrews: St Andrews Film Studies.

Bowles, Ryan. 2013. “Screening Human Rights: A Media Ethnography of the Human Rights Film Network and Its Festivals.” PhD Thesis, Film and Media Studies, University of California, Santa Barbara.

Colta, Alexandra Maria. 2019. “Creative and Emotional Labour: Programming Human Rights Film Festivals as Practice-Led Ethnography.” Alphaville, no. 17: 128–45. https://doi.org/10.33178/alpha.17.08.

Colta, Alexandra-Maria. 2019. “Politics and Programming Practices at Human Rights Film Festivals: A Study of Document Human Rights Film Festival.” PhD Thesis, School of Culture and Creative Arts, College of Arts, University of Glasgow.

de Jong, Matthea, and Daan Bronkhorst. 2017. “Human Rights Film Festivals: Different Approaches to Change the World.” In Activist Film Festivals: Towards a Political Subject, edited by Sonia M. Tascon and Tyson Wils, 105–20. London: intellect.

Fales, Ludovica. 2014. “Landscapes of Creative Dissent, Protest and Freedom of Speech: Witnessing, Testifying and Narrating Dissent in Human Rights Film Network Between 2011-2013.” Cinergie (6): 34–41. http://www.cinergie.it/?p=4983. Accessed May 15, 2015.

Fischer, Alex. 2012. “From Local to Global: The Growing Pains of the Human Rights Watch International Film Festival: An Interview with Bruni Burres, Festival Director (1991-2008).” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 201–14. St Andrews: St Andrews Film Studies.

Grassilli, Mariagiulia. 2012. “Human Rights Film Festivals: Global/Local Networks for Advocacy.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 31–47. St Andrews: St Andrews Film Studies.

Iacob, Raluca. 2012. “Combining the Foreign with the Familiar: An Interview with Jasmina Bojic, Founder and Director of the United Nations Association Film Festival.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 215–23. St Andrews: St Andrews Film Studies.

Killick, Anthony. 2020. “Re-Thinking Human Rights Film Festivals: A Radical Perspective.” In Contemporary Radical Film Culture: Networks, Organisations and Activists, edited by Steve Presence, Mike Wayne, and Jack Newsinger, 163–74. London, New York: Routledge.

Kulhánková, Hana, Matthea de Jong, María Carrión, and Ryan Bowles Eagle, eds. 2015. Setting up a Human Rights Film Festival, Vol. 2. Prague: People in Need. Accessed May 31, 2020. http://www.moviesthatmatter.nl/media/documenten/film-festival-guide-vol-2.pdf.

Muller, Clare. 2012. “Human Rights Film Festivals and Human Rights Education: The Human Rights Arts and Film Festival (HRAFF), Australia.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 165–73. St Andrews: St Andrews Film Studies.

Pócsik, Andrea. 2008. “Their Life and Our Vicarious Experiences: On Human Rights Films and Festivals.” Politics and Culture (2). http://aspen.conncoll.edu/politicsandculture/page.cfm?key=623. Accessed January 09, 2009.

Rosenstone, Robert A. 2012. “Mediterranean Encounters in Rabat: Rencontres méditerranéennes cinéma et droits de I’Homme.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 157–63. St Andrews: St Andrews Film Studies.

Stancu, Radu. 2009. “Festivalul De Film Documentar Dedicat Drepturilor Omului One World Romania Sau ‘Republica Oamenilor Bine Intenţionaţi’.” [Documentary Film Festival of Human Rights One World Romania or ‘Republic of well-intentioned people’]. Revista Arhivelor | Archives Review (1): 363–68.

Tadeo Fuica, Beatriz. 2012. “Table 1: Human Rights Film Festivals.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 281–85. St Andrews: St Andrews Film Studies. Listing.

Tascon, Sonia M. 2012. “Considering Human Rights Films,Representation, and Ethics: Whose Face?” Human Rights Quarterly 34 (3): 864–83.

Tascon, Sonia M. 2015. Human Rights Film Festivals: Activism in Context. London, New York: Palgrave Macmillan.

Torchin, Leshu. 2010. “Traffic Jam: Film, Activism and Human Trafficking.” In Moving People, Moving Images: Cinema and Trafficking in the New Europe, edited by William Brown, Dina Iordanova, and Leshu Torchin, 218–36. St. Andrews: Univ. of St. Andrews.

Torchin, Leshu. 2012. “Just Vision and the Uses of a Festival Circuit: An Interview with Ronit Avni, Executive Director of Just Vision.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 235–43. St Andrews: St Andrews Film Studies.

Torchin, Leshu. 2012. “Traffic Jam Revisited: Film Festivals, Activism and Human Trafficking.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 95–106. St Andrews: St Andrews Film Studies.

Wils, Tyson. 2017. “Refusal to Know the Place of Human Rights: Dissensus and the Human Rights Art and Film Festival.” In Activist Film Festivals: Towards a Political Subject, edited by Sonia M. Tascon and Tyson Wils, 121–37. London: intellect.

(Last updated: 29. April 2024)