7.1 Issues of Festival Programming

 

Armatage, Kay. “Material Effects: Fashions in Feminist Programming.” There She Goes: Feminist Filmmaking and Beyond, edited by Corinn Columpar and Sophie Mayer, Wayne State Univ. Press, 2009, pp. 92–104.

Atkinson, Justine. “Curating an African Film Festival in Scotland: The Recognition of Difference.” Third Text, vol. 31, 5-6, 2017, pp. 681–98. doi:10.1080/09528822.2018.1433115.

Baker, Kelly. Introduction. Behind the Screens: Programmers Reveal How Film Festivals Really Work. Reel Plan Press, 2012, pp. 1–3.

Boehringer, Kathe, and Stephen Crofts. “The Triumph of Taste.” The Australian Journal of Screen Theory, vol. 8, 1980, pp. 69–79.

Bonetti, Mahen. “Programming African Cinema at the New York African Film Festival.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 189–200.

Bosma, Peter. Film Programming: Curating for Cinemas, Festivals, Archives, Wallflower, 2015. Short cuts, vol. 59.

Bruveris, Klara. “Programming the Baltic Film Festival: Delineating Mainstream and Community Festivals.” Studies in Australasian Cinema, vol. 9, no. 2, 2015, pp. 211–22. doi:10.1080/17503175.2015.1058650.

Burgess, Diane. “Charting the course of the Pacific New Wave.” CineAction, vol. 61, 2003, pp. 29–33.

Chan, Felicia, and Dave Chua. “Programming Southeast Asia at the Singapore International Film Festival.” Film Festival Yearbook 3: Film Festivals and East Asia, edited by Dina Iordanova and Ruby Cheung, St Andrews Film Studies, 2011, pp. 125–41.

Cherchi Usai, Paolo; Francis, David; Horwath, Alexander; Loebenstein, Michael. editors. Film Curatorship: Archives, Museums and the Digital Marketplace, Synema – Gesellschaft für Film und Medien, 2008.

Czach, Liz. “Film Festivals, Programming, and the Building of a National Cinema.” The Moving Image, vol. 4, no. 1, 2004, pp. 76–88.

de Valck, Marijke. “Finding Audiences for Films: Programming in Historical Perspective.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 25–40.

Dönmez-Colin, Gönül. “Film Festivals in Turkey: Promoting National Cinema While Nourishing Film Culture.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 101–16.

Elton, Zoë. “24 Hours @ 24FPS: A Programme Director’s Day.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 117–34.

Fishman, Nancy. “Programmgestaltung für Community-Filmfestivals.” Übers. Ludger Wedding. Bildschön: 20 Jahre Lesbisch Schwule Filmtage Hamburg, edited by Dorothée von Diepenbroick and Skadi Loist, Männerschwarm, 2009, pp. 208–10.

Fung, Richard. “Programming the Public.” [Queer Publicity: A Dossier on Lesbian and Gay Film Festivals]. GLQ: A Journal of Lesbian and Gay Studies, vol. 5, no. 1, 1999, pp. 89–93.

Gerow, Aaron. “A Retrospective on Japanese Retrospectives.” Undercurrent, no. 6, 2010, fipresci.hegenauer.co.uk​/​undercurrent/​issue_​0609/​gerow_​retro.htm.

Gimello-Mesplomb, Frédéric, and Loredana Latil. “Une politique de cinéma: La sélection française pour Cannes.” [A film policy: The French selection for Cannes]. Protée, vol. 31, no. 2, 2003, pp. 17–28. doi:10.7202/008750ar.

Givanni, June. “A Curator’s Conundrum: Programming ‘Black Film’ in 1980s–1990s Britain.” The Moving Image, vol. 4, no. 1, 2004, pp. 60–75.

Gizycki, Marcin. “Just What Is It That Makes Today’s Animation Festivals So Different, So Appealing?” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 59–68.

Hagin, Boaz, and Raz Yosef. “Festival Exoticism: The Israeli Queer Film in a Global Context.” GLQ: A Journal of Lesbian and Gay Studies, vol. 18, no. 1, 2011, pp. 161–78. doi:10.1215/10642684-1422188.

Haslam, Mark. “Vision, Authority, Context: Cornerstones of Curation and Programming.” The Moving Image, vol. 4, no. 1, 2004, pp. 48–59.

Heijs, Jan and Frans Westra. Que le tigre danse: Huub Bals, een biografie, Otto Cramwinckel Uitgever, 1996.

Higgins, Nick. “’Tell Our Story to the World’: The Meaning of Success for ‘A Massacre Foretold’ – A Filmmaker Reflects.” Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, St Andrews Film Studies, 2012, pp. 133–45.

Jelenković, Dunja. “Politics, Ideology, and Programming Practices: How the Yugoslav Documentary and Short Film Festival Abandoned the Idea of Yugoslavia.” New Review of Film and Television Studies, vol. 14, no. 1, 2016, pp. 76–92. doi:10.1080/17400309.2015.1108818.

June, Jamie L. “Defining Queer: The Criteria and Selection Process for Programming Queer Film Festivals.” CultureWork, vol. 8, no. 2, 2004.

Kerkinos, Dimitris. “Programming Balkan Films at the Thessaloniki International Film Festival.” Film Festival Yearbook 1: The Festival Circuit, edited by Dina Iordanova and Ragan Rhyne, St Andrews Film Studies, 2009, pp. 168–75.

Kinoshita, Sayoko. “The Spirit of the Hiroshima International Animation Festival, 1985-2010.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 201–13.

Klippel, Heike, editor. “The Art of Programming”: Film, Programm und Kontext, LIT, 2008.

Klippel, Heike. “’The Art of Programming’.” “The Art of Programming”: Film, Programm und Kontext, edited by Heike Klippel, LIT, 2008, pp. 7–17.

Krach, Aaron. “Unlocking the Secret of the Screening Committee.” The Independent: Film and Video Monthly, vol. 26, no. 3, 2003, pp. 44–46.

Lee, Nikki J. Y., and Julian Stringer. “Counter-Programming and the Udine Far East Film Festival.” Screen, vol. 53, no. 3, 2012, pp. 301–09. doi:10.1093/screen/hjs030.

Lee, Sangjoon. “It’s ‘Oscar’ Time in Asia! The Rise and Demise of the Asia-Pacific Film Festival, 1954-1972.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 173–87.

Lee, Toby. “Festival, City, State: Cultural Citizenship at the Thessaloniki International Film Festival.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 89–100.

Lehrer, Jeremy. “But Will It Play in Peoria: Two Festival Curators Assess the Audience for Experimental Media Today.” The Independent: Film and Video Monthly, vol. 22, no. 6, 1999, pp. 28–31.

Loist, Skadi. “A Complicated Queerness: LGBT Film Festivals and Queer Programming Strategies.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 157–72.

Loist, Skadi. “Queer Fun in Boy_Girl Shorts: Programmstrategien bei LGBT/Q-Filmfestivals.” Un/verblümt: Queere Ästhetiken und Theorien, edited by Josch Hoenes and Barbara Paul, Revolver, 2014, pp. 136–53.

Marks, Laura U. “The Ethical Presenter: Or How to Have Good Arguments over Dinner.” The Moving Image, vol. 4, no. 1, 2004, pp. 35–47.

McNamara, Joshua. “Thoughts on a Curation of ‘the Political’ in Film: The ‘Filming Tomorrow’ seminar at Film Africa 2012.” Journal of African Cultural Studies, vol. 25, no. 1, 2013, pp. 128–32. doi:10.1080/13696815.2013.766587.

Peary, Gerald. “Memories of a Film Festival Addict.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 41–58.

Peña, Richard. “Setting the Course: Directors and Directions at the New York Film Festival, 1963-2010.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 77–87.

Peñaloza, Fernanda. “Screening Latin America: The Sydney Latin American Film Festival.” Mapping South-South Connections: Australia and Latin America, edited by Fernanda Peñaloza and Sarah Walsh, Springer, 2019, pp. 223–39.

Rastegar, Roya Zahra. “Authenticity, Biography, and Race: A Critique of the 2013 Film Festival Circuit.” American Quarterly, vol. 65, no. 4, 2013, pp. 905–13. doi:10.1353/aq.2013.0053.

Rastegar, Roya Zahra. “Difference, Aesthetics and the Curatorial Crisis of Film Festivals.” Screen, vol. 53, no. 3, 2012, pp. 310–17. doi:10.1093/screen/hjs022.

Rastegar, Roya Zahra. “Seeing Differently: The Curatorial Potential of Film Festival Programming.” Film Festivals: History, Theory, Method, Practice, edited by Marijke de Valck et al., Routledge, 2016, pp. 181–95.

Rastegar, Roya Zahra. “The Curatorial Crisis in Independent Films: How Do the Spaces in Which We Watch Films Shape the Way We See and Make Meaning?” CSW Update Newsletter, 2012, escholarship.org​/​uc/​item/​4mb0f534.

Ruoff, Jeffrey, editor. Coming Soon to a Festival Near You: Programming Film Festivals, St Andrews Film Books, 2012.

Ruoff, Jeffrey. “Introduction: Programming Film Festivals.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 1–21.

Ruoff, Jeffrey. “Programming the Old and the New: Bill and Stella Pence on the Telluride Film Festival.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 135–54.

Sandlos, Karyn. “Curating and Pedagogy in the Strange Time of Short Film and Video Exhibition.” The Moving Image, vol. 4, no. 1, 2004, pp. 17–33.

Schager, Nick. “The Short Story at Sundance: Behind the Scenes with the Short Film Programmers.” The Independent: Film and Video Monthly, vol. 29, no. 1, 2006, pp. 32–35.

Schamus, James. “See Here Now: Festival Red Carpets and the Cost of Film Culture.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 69–74.

Schulte Strathaus, Stefanie. “Andere Filme anders zeigen: Kino als Resultat filmischen Denkens.” “The Art of Programming”: Film, Programm und Kontext, edited by Heike Klippel, LIT, 2008, pp. 89–103.

Schulte Strathaus, Stefanie. “Showing Different Films Differently: Cinema as a Result of Cinematic Thinking.” The Moving Image, vol. 4, no. 1, 2004, pp. 1–16.

Searle, Samantha. “Film and Video Festivals: Queer Politics and Exhibition.” Meanjin, vol. 55, no. 1, 1996, pp. 47–59.

Siegel, Marc. “Spilling out onto Castro Street.” Jump Cut: A Review of Contemporary Media, no. 41, 1997, pp. 131–36. www.ejumpcut.org​/​archive/​onlinessays/​JC41folder/​OnCastroStreet.html.

Sölter, Arpad-Andreas. “Festival Circus, Golden Gnomes and Cultural Diplomacy: The Audi Festival of German Films in the Context of Multicultural Festivals in Australia.” Studies in Australasian Cinema, vol. 9, no. 2, 2015, pp. 190–204.

Straayer, Chris, and Thomas Waugh. “Queer Film and Video Festival Forum, Take One: Curators Speak Out.” GLQ: A Journal of Lesbian and Gay Studies, vol. 11, no. 4, 2005, pp. 579–603.

Stringer, Julian. “Neither One Thing nor the Other: Blockbusters at Film Festivals.” Movie Blockbusters, edited by Julian Stringer, Routledge, 2003, pp. 202–13.

Stringer, Julian. “Raiding the Archive: Film Festivals and the Revival of Classic Hollywood.” Memory and Popular Film, edited by Paul Grainge, Manchester Univ. Press, 2003, pp. 81–96.

Teissl, Verena. “Korrektiver Blickwechsel Postkoloniale Einflüsse auf die Programmpolitik spezialisierter Filmfestivals.” Kulturelle Übersetzer: Kunst und Kulturmanagement im transkulturellen Kontext, edited by Christiane Dätsch, transcipt, 2018, pp. 135–52. Edition Kulturwissenschaft Band 103.

Thévenin, Olivier. “Le cinéma d’auteur au Festival de Cannes à la S.R.F. et à la Quinzaine des Réalisateurs.” [“The auteur cinema at Cannes in SRF and the Directors’ Fortnight.”]. Territoires contemporains, no. 3, 2012, tristan.u-bourgogne.fr​/​CGC/​publications/​Festivals_​societes/​O_​Thevenin.html.

Thomson, Patricia. “Clutterbusters: Programmers at Five Leading Festivals Expound on Heady Process of Selecting Films.” Variety, 18 Aug. 2003, variety.com​/​2003/​scene/​markets-​festivals/​clutterbusters-​1117891042/​.

Tryon, Chuck. “Reinventing Festivals: Curation, Distribution, and the Creation of Global Cinephilia.” On-Demand Culture: Digital Delivery and the Future of Movies. Rutgers University Press, 2013, pp. 155–72.

van Hemert, Tess. “Searching for a Feminist Voice: Film Festivals and Negotiating the Tension Between Expectation and Intent.” eJournalist, vol. 11, no. 1, 2011, eprints.qut.edu.au​/​42521/​1/​42521.pdf.

Vick, Tom. “Washington, Pusan, Rotterdam, Udine and Back: Programming East Asian Films for American Audiences.” Film Festival Yearbook 3: Film Festivals and East Asia, edited by Dina Iordanova and Ruby Cheung, St Andrews Film Studies, 2011, pp. 90–98.

Wolf, Reinhard W. “Kurzfilm-Vorstellungen Programmieren Und Kuratieren Teil 1: Der Kurzfilm Im Festivalprogramm.” shortfilm.de: Das KurzfilmMagazin [shortfilm.de], 6 Sep. 2016, www.shortfilm.de/kurzfilm-vorstellungen-programmieren-und-kuratieren-teil-1-der-kurzfilm-im-festivalprogramm/. Accessed 24 June 2021.

Wolf, Reinhard W. “Programming and Curating Short-Film Screenings Part 1: Short Film in a Festival Programme.” shortfilm.de: Das KurzfilmMagazin [shortfilm.de], 6 Sep. 2016, www.shortfilm.de/en/kurzfilm-vorstellungen-programmieren-und-kuratieren-teil-1-der-kurzfilm-im-festivalprogramm/. Accessed 21 Mar. 2017.

(Last update: 29 July 2021)

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