7.1 Issues of Festival Programming

 

Armatage, Kay (2009). “Material Effects: Fashions in Feminist Programming.” There She Goes: Feminist Filmmaking and Beyond. Eds. Corinn Columpar and Sophie Mayer. Detroit: Wayne State Univ. Press: 90–104.

Boehringer, Kathe, and Stephen Crofts (1980). “The Triumph of Taste.” The Australian Journal of Screen Theory 8 (1980): 69–79.

Bonetti, Mahen (2012). “Programming African Cinema at the New York African Film Festival.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 189–200.

Bosma, Peter (2015). Film Programming: Curating for Cinemas, Festivals, Archives. New York: Wallflower.

Burgess, Diane (2003). “Charting the course of the Pacific New Wave.” CineAction 61 (2003): 29–33.

Chan, Felicia, and Dave Chua (2011). “Programming Southeast Asia at the Singapore International Film Festival.” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 125–141.

Cherchi Usai, Paolo, et al., ed. (2008). Film Curatorship: Archives, Museums and the Digital Marketplace. Vienna: Synema – Gesellschaft für Film und Medien.

Czach, Liz (2004). “Film Festivals, Programming, and the Building of a National Cinema.” The Moving Image 4:1 (2004): 76–88.

de Valck, Marijke (2012). “Finding Audiences for Films: Programming in Historical Perspective.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 25–40.

Dönmez-Colin, Gönül (2012). “Film Festivals in Turkey: Promoting National Cinema While Nourishing Film Culture.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 101–116.

Elton, Zoë (2012). “24 Hours @ 24FPS: A Programme Director’s Day.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 117–134.

Fishman, Nancy (2009). “Programmgestaltung für Community-Filmfestivals.” Bildschön: 20 Jahre Lesbisch Schwule Filmtage Hamburg. Eds. Dorothée von Diepenbroick and Skadi Loist. Hamburg: Männerschwarm. pp. 208–210.

Fung, Richard (1999). “Programming the Public.” [Queer Publicity: A Dossier on Lesbian and Gay Film Festivals]. GLQ: A Journal of Lesbian and Gay Studies 5:1 (1999): 89–93.

Gerow, Aaron (2010). “A Retrospective on Japanese Retrospectives.” Undercurrent 6 (2010). <http://www.fipresci.org/undercurrent/issue_0609/gerow_retro.htm>. (19. May. 2010)

Gimello-Mesplomb, Frédéric, and Loredana Latil (2003). “Une politique de cinéma: La sélection française pour Cannes.” Protée 31:2 (2003): 17–28. . (14 Dec. 2009)

Givanni, June (2004). “A Curator’s Conundrum: Programming ‘Black Film’ in 1980s–1990s Britain.” The Moving Image 4:1 (2004): 60–75.

Gizycki, Marcin (2012). “Just What Is It That Makes Today’s Animation Festivals So Different, So Appealing?” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 59–68.

Haslam, Mark (2004). “Vision, Authority, Context: Cornerstones of Curation and Programming.” The Moving Image 4:1 (2004): 48–59.

Heijs, Jan, and Frans Westra (1996). Que Le Tigre Danse: Huub Bals een Biografie. Amsterdam: Otto Cramwinckel.

Higgins, Nick (2012). “‘Tell Our Story to the World’: The Meaning of Success for ‘A Massacre Foretold’ – A Filmmaker Reflects.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova, and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 133–145.

June, Jamie L. (2004). “Defining Queer: The Criteria and Selection Process for Programming Queer Film Festivals.” CultureWork 8:2 (2004). <http://aad.uoregon.edu/culturework/culturework26.html>. (7 Dec. 2008)

Kerkinos, Dimitris (2009). “Programming Balkan Films at the Thessaloniki International Film Festival.” Film Festival Yearbook 1: The Festival Circuit. Eds. Dina Iordanova, and Ragan Rhyne. St. Andrews: St. Andrews Film Studies. pp. 168–175.

Kinoshita, Sayoko (2012). “The Spirit of the Hiroshima International Animation Festival, 1985-2010.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 201–213.

Klippel, Heike, ed. (2008). “The Art of Programming”: Film, Programm und Kontext. Münster: LIT.

Klippel, Heike (2008). “‘The Art of Programming’.” “The Art of Programming”: Film, Programm und Kontext. Ed. Heike Klippel. Münster: LIT. pp. 7–17.

Krach, Aaron (2003). “Unlocking the Secret of the Screening Committee.” The Independent: Film and Video Monthly 26:3 (2003): 44–46.

Lee, Nikki J. Y., and Julian Stringer (2012). “Counter-Programming and the Udine Far East Film Festival.” Screen  53:3 (2012): 301–309.

Lee, Sangjoon (2012). “It’s ‘Oscar’ Time in Asia!  The Rise and Demise of the Asia-Pacific Film Festival, 1954-1972.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 173–187.

Lee, Toby (2012). “Festival, City, State: Cultural Citizenship at the Thessaloniki International Film Festival.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 89–100.

Lehrer, Jeremy (1999). “But Will It Play in Peoria: Two Festival Curators Assess the Audience for Experimental Media Today.” The Independent: Film and Video Monthly 22:6 (1999): 28–31.

Loist, Skadi (2012). “A Complicated Queerness: LGBT Film Festivals and Queer Programming Strategies.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 157-172.

Marks, Laura U. (2004). “The Ethical Presenter: Or How to Have Good Arguments over Dinner.” The Moving Image 4:1 (2004): 35–47.

McNamara, Joshua (2013). “Thoughts on a Curation of ‘the Political’ in Film: The ‘Filming Tomorrow’ seminar at Film Africa 2012.” Journal of African Cultural Studies  25:1 (2013): 128–132.

Peary, Gerald (2012). “Memories of a Film Festival Addict.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 41–58.

Peña, Richard (2012). “Setting the Course: Directors and Directions at the New York Film Festival, 1963-2010.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 77–87.

Rastegar, Roya (2012). “The Curatorial Crisis in Independent Films: How Do the Spaces in Which We Watch Films Shape the Way We See and Make Meaning?” CSW Update Newsletter  (2012). <http://escholarship.org/uc/item/4mb0f534>. (25 Jul. 2012)

Rastegar, Roya (2012). “Difference, Aesthetics and the Curatorial Crisis of Film Festivals.” Screen  53:3 (2012): 310–317.

Rastegar, Roya Zahra (2013). “Authenticity, Biography, and Race: A Critique of the 2013 Film Festival Circuit.” American Quarterly  65:4 (2013): 905–913.

Ruoff, Jeffrey, ed. (2012). Coming Soon to a Festival Near You: Programming Film Festivals. St. Andrews: St Andrews Film Books.

Ruoff, Jeffrey (2012). “Introduction: Programming Film Festivals.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 1–21.

Ruoff, Jeffrey (2012). “Programming the Old and the New: Bill and Stella Pence on the Telluride Film Festival.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 135–154.

Sandlos, Karyn (2004). “Curating and Pedagogy in the Strange Time of Short Film and Video Exhibition.” The Moving Image 4:1 (2004): 17–33.

Schager, Nick (2006). “The Short Story at Sundance: Behind the Scenes with the Short Film Programmers.” The Independent: Film and Video Monthly 29:1 (2006): 32–35.

Schamus, James (2012). “See Here Now: Festival Red Carpets and the Cost of Film Culture.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 69–74.

Schulte-Strathaus, Stefanie (2008). “Andere Filme anders zeigen: Kino als Resultat filmischen Denkens.” “The Art of Programming”: Film, Programm und Kontext. Ed. Heike Klippel. Münster: LIT. pp. 89–103.

Schulte-Strathaus, Stefanie (2004). “Showing Different Films Differently: Cinema as a Result of Cinematic Thinking.” The Moving Image 4:1 (2004): 1–16.

Searle, Samantha (1996). “Film and Video Festivals: Queer Politics and Exhibition.” Meanjin 55:1 (1996): 47–59.

Siegel, Marc (1997). “Spilling out onto Castro Street.” Jump Cut: A Review of Contemporary Media no. 41 (1997): 131–136. <http://www.ejumpcut.org/archive/onlinessays/JC41folder/OnCastroStreet.html>. (10. Nov. 2006)

Straayer, Chris, and Thomas Waugh, eds. (2005). “Queer Film and Video Festival Forum, Take One: Curators Speak Out.” [Contributions by Michael Barrett, Charlie Bourdeau, Suzy Capo, Stephen Gutwilig, Nanna Heidenreich, Liza Johnson, Giampaolo Marzi, Dean Otto, Brian Robinson, and Katharine Setzer] GLQ: A Journal of Lesbian and Gay Studies 11:4 (2005): 579–603.

Stringer, Julian (2003a). “Neither One Thing nor the Other: Blockbusters at Film Festivals.” Movie Blockbusters. Ed. Julian Stringer. London/New York: Routledge. pp. 202–213.

Stringer, Julian (2003b). “Raiding the Archive: Film Festivals and the Revival of Classic Hollywood.” Memory and Popular Film. Ed. Paul Grainge. Manchester: Manchester Univ. Press. pp. 81–96.

Thévenin, Olivier (2012). “Le cinéma d’auteur au Festival de Cannes à la S.R.F. et à la Quinzaine des Réalisateurs.” [“The auteur cinema at Cannes in SRF and the Directors’ Fortnight.”]. Territoires contemporains  3 (2012). <http://tristan.u-bourgogne.fr/CGC/publications/Festivals_societes/O_Thevenin.html>. (20. Aug. 2013)

Thomson, Patricia (2003). “Clutterbusters: Programmers at Five Leading Festivals Expound on Heady Process of Selecting Films.” Variety.com 18 Aug. 2003. <http://www.variety.com/article/VR1117891042?refcatid=1667>. (7 Dec. 2008)

van Hemert, Tess (2011). “Searching for a Feminist Voice: Film Festivals and Negotiating the Tension between Expectation and Intent.” eJournalist  11:1 (2011). <http://ejournalist.com.au/v11n1/VanHemert.pdf>. (18. May 2011)

Vick, Tom (2011). “Washington, Pusan, Rotterdam, Udine and Back: Programming East Asian Films for American Audiences.” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 90–98.

 

(Last update: 3 August 2015)

Leave a Reply

Your email address will not be published. Required fields are marked *