7.1 Issues of Festival Programming

Akbulut, Hasan. 2022. “Ulus-Ötesi Bir Festivalin Anatomisi: Londra Türk Filmleri Festivali.” In Film Festivalleri E-Kitabi 1: 10-11 Kasim 2021, Ankara, edited by Hakan Erkılıç, 72–97. Ankara: De Ki Basim Yayim. [Anatomy of a Transnational Film Festival: London Turkish Film Festival].

Armatage, Kay. 2009. “Material Effects: Fashions in Feminist Programming.” In There She Goes: Feminist Filmmaking and Beyond, edited by Corinn Columpar and Sophie Mayer, 92–104. Detroit: Wayne State Univ. Press.

Atkinson, Justine. 2017. “Curating an African Film Festival in Scotland: The Recognition of Difference.” Third Text 31 (5-6): 681–98. https://doi.org/10.1080/09528822.2018.1433115.

Baker, Kelly. 2012. “Introduction.” In Behind the Screens: Programmers Reveal How Film Festivals Really Work, 1–3. Washington, DC: Reel Plan Press.

Bao, Hongwei. 2020. “’Communist International of Queer Films’: The Radical Culture of the Beijing Queer Film Festival.” In Contemporary Radical Film Culture: Networks, Organisations and Activists, edited by Steve Presence, Mike Wayne, and Jack Newsinger, 190–202. London, New York: Routledge.

Boehringer, Kathe, and Stephen Crofts. 1980. “The Triumph of Taste.” The Australian Journal of Screen Theory 8: 69–79.

Bonetti, Mahen. 2012. “Programming African Cinema at the New York African Film Festival.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 189–200. St. Andrews: St Andrews Film Books.

Bosma, Peter. 2015. “Cinephilia as a Curatorial Element.” In Film Programming: Curating for Cinemas, Festivals, Archives, 20–32. Short cuts 59. New York: Wallflower.

Bosma, Peter. 2015. “Curating Film Festivals.” In Film Programming: Curating for Cinemas, Festivals, Archives, 68–81. Short cuts 59. New York: Wallflower.

Bosma, Peter. 2015. Film Programming: Curating for Cinemas, Festivals, Archives. Short cuts 59. New York: Wallflower.

Bruveris, Klara. 2015. “Programming the Baltic Film Festival: Delineating Mainstream and Community Festivals.” Studies in Australasian Cinema 9 (2): 211–22. https://doi.org/10.1080/17503175.2015.1058650.

Burgess, Diane. 2003. “Charting the Course of the Pacific New Wave.” CineAction 61: 29–33.

Burgess, Diane. 2023. “From Showcase to Lightbox: Programming the National on the Festival Circuit.” In Canadian Cinema in the New Millennium, edited by Lee Carruthers and Charles Tepperman, 370–94. Montreal: McGill-Queen’s University Press.

Calderón Acero, Camilo Andrés. 2020. “Gestión de festivales de cine en Bogotá: Más allá de la formación de públicos.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 108–19. [Managing Bogota Film Festivals: Beyond Audience Formation].

Chan, Felicia, and Dave Chua. 2011. “Programming Southeast Asia at the Singapore International Film Festival.” In Film Festival Yearbook 3: Film Festivals and East Asia, edited by Dina Iordanova and Ruby Cheung, 125–41. St. Andrews: St Andrews Film Studies.

Cherchi Usai, Paolo, David Francis, Alexander Horwath, and Michael Loebenstein, eds. 2008. Film Curatorship: Archives, Museums and the Digital Marketplace. Wien: Synema – Gesellschaft für Film und Medien.

Colta, Alexandra Maria. 2019. “Creative and Emotional Labour: Programming Human Rights Film Festivals as Practice-Led Ethnography.” Alphaville, no. 17: 128–45. https://doi.org/10.33178/alpha.17.08.

Colta, Alexandra-Maria. 2019. “Politics and Programming Practices at Human Rights Film Festivals: A Study of Document Human Rights Film Festival.” PhD Thesis, School of Culture and Creative Arts, College of Arts, University of Glasgow.

Costa Villaverde, Elisa. 2016. “Film Festivals and Cinematic Events Bridging the Gap Between the Individual and the Community: Cinema and Social Function in Conflict Resolution.” IAFOR J Media Commun Film 3 (1). https://doi.org/10.22492/ijmcf.3.1.06.

Czach, Liz. 2004. “Film Festivals, Programming, and the Building of a National Cinema.” Moving Image 4 (1): 76–88.

Dawood, Hayder. 2022. “Seeking Legitimacy Through Specialization and Diversification: How Do Film Festivals Select Films.” MA Industrial Management and Innovation, Uppsala University.

de Valck, Marijke. 2012. “Finding Audiences for Films: Programming in Historical Perspective.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 25–40. St. Andrews: St Andrews Film Books.

de Witt, Helen, Maria M. Delgado, Aduke King, Sarah Lutton, and Leigh Singer. 2022. “Sixteen Things We Learned About Programming for Film Festivals Under COVID.” Contemporary Theatre Review 32 (3-4): 305–9. https://doi.org/10.1080/10486801.2022.2119225.

DeRoo, Rebecca J. 2021. “Agnès Varda and Le Collectif 50/50 En 2020: Power and Protest at the Cannes Film Festival.” Camera Obscura: Feminism, Culture, and Media Studies 36 (1): 127–53. https://doi.org/10.1215/02705346-8838577.

Dönmez-Colin, Gönül. 2012. “Film Festivals in Turkey: Promoting National Cinema While Nourishing Film Culture.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 101–16. St. Andrews: St Andrews Film Books.

Dramani-Issifou, Farah Clémentine. 2023. “Curating as Care: La Semaine De La Critique and the Marrakech International Film Festival in the Age of Covid-19.” In Rethinking Film Festivals in the Pandemic Era and After, edited by Marijke de Valck and Antoine Damiens, 255–66. Cham: Palgrave Macmillan.

Elton, Zoë. 2012. “24 Hours @ 24FPS: A Programme Director’s Day.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 117–34. St. Andrews: St Andrews Film Books.

Fischer, Alex. 2018. “The Fully Clickable Situation: From Tyranny to Monopoly to a Filmfreeway.” In International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes, edited by Tricia Jenkins, 49–69. London, New York: I.B.Tauris.

Fishman, Nancy. 2009. “Programmgestaltung für Community-Filmfestivals.” In Bildschön: 20 Jahre Lesbisch Schwule Filmtage Hamburg, edited by Dorothée von Diepenbroick and Skadi Loist, 208–10. Hamburg: Männerschwarm. Übers. Ludger Wedding.

Fung, Richard. 1999. “Programming the Public.” [Queer Publicity: A Dossier on Lesbian and Gay Film Festivals]. GLQ 5 (1): 89–93.

Garrett, Adriano. 2020. “A Curadoria Em Cinema No Brasil Contemporâneo: Festivais De Cinema E O Caso Da Mostra Aurora (2008-2012).” Masterarbeit, Universidade Anhembi Morumbi. Accessed January 07, 2023. https://portal.anhembi.br/wp-content/uploads/2022/05/Dissertacao-ADRIANO-RAMALHO-GARRETT.pdf.

Gerow, Aaron. 2010. “A Retrospective on Japanese Retrospectives.” Undercurrent (6). http://fipresci.hegenauer.co.uk/undercurrent/issue_0609/gerow_retro.htm. Accessed May 20, 2020.

Gimello-Mesplomb, Frédéric, and Loredana Latil. 2003. “Une politique de cinéma: La sélection française pour Cannes.” [A film policy: The French selection for Cannes]. Protée 31 (2): 17–28. https://doi.org/10.7202/008750ar.

Givanni, June. 2004. “A Curator’s Conundrum: Programming ‘Black Film’ in 1980s–1990s Britain.” Moving Image 4 (1): 60–75.

Gizycki, Marcin. 2012. “Just What Is It That Makes Today’s Animation Festivals so Different, so Appealing?” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 59–68. St. Andrews: St Andrews Film Books.

González, Sebastián. 2020. “FICValdivia and Its Role in Contemporary Chilean Cinema.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 94–105. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57288/68484.

González Zarandona, José Antonio. 2016. “Making Heritage at the Cannes Film Festival.” International Journal of Heritage Studies 22 (10): 781–98. https://doi.org/10.1080/13527258.2016.1212388.

Hagan, Cara. 2018. “Curatorial Practices for Intersectional Programming.” IJSD 9:133–51. https://doi.org/10.18061/ijsd.v9i0.6046.

Hagin, Boaz, and Raz Yosef. 2012. “Festival Exoticism: The Israeli Queer Film in a Global Context.” GLQ 18 (1): 161–78. https://doi.org/10.1215/10642684-1422188.

Haslam, Mark. 2004. “Vision, Authority, Context: Cornerstones of Curation and Programming.” Moving Image 4 (1): 48–59.

Heijs, Jan, and Frans Westra. 1996. Que Le Tigre Danse: Huub Bals, Een Biografie. Amsterdam: Otto Cramwinckel Uitgever.

Higgins, Nick. 2012. “’Tell Our Story to the World’: The Meaning of Success for ‘a Massacre Foretold’ – a Filmmaker Reflects.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 133–45. St Andrews: St Andrews Film Studies.

Hunter, Russ. 2018. “Genre Film Festivals and Rethinking the Definition of ‘the Festival Film’.” In International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes, edited by Tricia Jenkins, 90–106. London, New York: I.B.Tauris.

Hunter, Russ. 2022. “Capturing European Crime: European Crime Cinema at European Film Festivals.” Alphaville, no. 22: 31–41. https://doi.org/10.33178/alpha.22.02.

Iglesias, Eulàlia. 2020. “Positioning Documentaries at the Cannes International Film Festival: Fahrenheit 9/11 and Beyond.” In Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives, edited by Aida Vallejo and Ezra Winton, 113–30. New York: Palgrave Macmillan.

Ikeda, Marcelo Gil. 2018. “Novos Desafios Na Curadoria E Programação No Cinema Brasileiro Do Século XXI.” In Curadoria, Cinema E Outros Modos De Dar a Ver, edited by Gabriel Menotti, 107–16. Vitória, Spain: EDUFES. [New Challenges in Curating and Programming Brazilian Cinema in the 21st Century].

Jacir, Annemarie. 2006. “’for Cultural Purposes Only’: Curating a Palestinian Film Festival.” In Dreams of a Nation: On Palestinian Cinema, edited by Hamid Dabashi, 23–31. London: Verso.

Jelenković, Dunja. 2016. “Politics, Ideology, and Programming Practices: How the Yugoslav Documentary and Short Film Festival Abandoned the Idea of Yugoslavia.” New Review of Film and Television Studies 14 (1): 76–92. https://doi.org/10.1080/17400309.2015.1108818.

Jermyn, Deborah, and Nuala O’Sullivan. 2023. “’and I Just Thought, “I’m Not Having It. I’m Going to Set up My Own Festival”‘: Curating and Celebrating Older Women in the Women over Fifty Film Festival.” In Women, Ageing and the Screen Industries, edited by Susan Liddy, 221–37. Cham: Palgrave Macmillan.

June, Jamie L. 2004. “Defining Queer: The Criteria and Selection Process for Programming Queer Film Festivals.” CultureWork 8 (2).

Jungen, Christian. 2020. “Forging a Cultural Elite: Nyon and the Age of Festival Programmers.” In Documentary Film Festivals Vol. 1: Methods, History, Politics, edited by Aida Vallejo and Ezra Winton, 123–41. New York: Palgrave Macmillan.

Jurado Martín, Montserrat. 2020. “Aproximación a los certámenes cinematográficos de realidad virtual, aumentada e inmersiva en América Latina.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 132–43. [Latin American Film Festivals of Virtual, Augmented, and Immersive Reality: An Overview]. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/56993/68485.

Jurado Martín, Montserrat. 2020. “Latin American Film Festivals of Virtual, Augmented, and Immersive Reality: An Overview.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 132–43. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/56993/68485.

Kanbur, Ayla. 2022. “Sinema Sanatı Ve Tarihsel Bir BParadoks Olarak Film Festivalleri: Kısa Filmin Konumu Ve Kritik Bir Dönemeç.” In Film Festivalleri E-Kitabi 1: 10-11 Kasim 2021, Ankara, edited by Hakan Erkılıç, 197-222. Ankara: De Ki Basim Yayim. [Art of Cinema and Film Festivals as a Historical Paradox: The Position of Short FIlm at a Critical Moment].

Karlekar, Tilottama. 2023. “Precarity, Innovation, and Survival in the Indian Film Festival Sector.” In Rethinking Film Festivals in the Pandemic Era and After, edited by Marijke de Valck and Antoine Damiens, 231–54. Cham: Palgrave Macmillan.

Kerkinos, Dimitris. 2009. “Programming Balkan Films at the Thessaloniki International Film Festival.” In Film Festival Yearbook 1: The Festival Circuit, edited by Dina Iordanova and Ragan Rhyne, 168–75. St. Andrews: St Andrews Film Studies.

Kinoshita, Sayoko. 2012. “The Spirit of the Hiroshima International Animation Festival, 1985-2010.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 201–13. St. Andrews: St Andrews Film Books.

Klippel, Heike, ed. 2008. “The Art of Programming”: Film, Programm Und Kontext. Münster: LIT.

Krach, Aaron. 2003. “Unlocking the Secret of the Screening Committee.” Independent 26 (3): 44–46.

Lee, Nikki J. Y., and Julian Stringer. 2012. “Counter-Programming and the Udine Far East Film Festival.” Screen 53 (3): 301–9. https://doi.org/10.1093/screen/hjs030.

Lee, Sangjoon. 2012. “It’s ‘Oscar’ Time in Asia! The Rise and Demise of the Asia-Pacific Film Festival, 1954-1972.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 173–87. St. Andrews: St Andrews Film Books.

Lee, Toby. 2012. “Festival, City, State: Cultural Citizenship at the Thessaloniki International Film Festival.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 89–100. St. Andrews: St Andrews Film Books.

Lehrer, Jeremy. 1999. “But Will It Play in Peoria: Two Festival Curators Assess the Audience for Experimental Media Today.” Independent 22 (6): 28–31.

Loist, Skadi. 2012. “A Complicated Queerness: LGBT Film Festivals and Queer Programming Strategies.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 157–72. St. Andrews: St Andrews Film Books.

Loist, Skadi. 2014. “Queer Fun in Boy_Girl Shorts: Programmstrategien bei LGBT/Q-Filmfestivals.” In Un/verblümt: Queere Ästhetiken und Theorien, edited by Josch Hoenes and Barbara Paul, 136–53. Berlin: Revolver.

Lomax, Lance. 2020. “The World Screen: Japan’s Cinematic Reinvention and International Film Festivals.” Journal of Film & Video 72 (1-2): 46–57. https://doi.org/10.5406/jfilmvideo.72.1-2.0046.

López-Gómez, Antía, Aida Vallejo, Mª Soliñ Barreiro, and Amanda Alencar. 2020. “Found in Translation: Film Festivals, Documentary and the Preservation of Linguistic Diversity.” In Documentary Film Festivals Vol. 1: Methods, History, Politics, edited by Aida Vallejo and Ezra Winton, 241–63. New York: Palgrave Macmillan.

Louis, Stéphanie. 2018. “Screens for Historical Awareness: Festivals and the Patrimonialization of Film Art in France Before 1968.” In International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes, edited by Tricia Jenkins, 132–52. London, New York: I.B.Tauris.

Marks, Laura U. 2004. “The Ethical Presenter: Or How to Have Good Arguments over Dinner.” Moving Image 4 (1): 35–47.

McNamara, Joshua. 2013. “Thoughts on a Curation of ‘The Political’ in Film: The ‘Filming Tomorrow’ Seminar at Film Africa 2012.” Journal of African Cultural Studies 25 (1): 128–32. https://doi.org/10.1080/13696815.2013.766587.

Pan, Sevara. 2020. “A Niche for Creativity: An Interview with Thierry Garrel, Director of the French Department of Documentary Film at TV ARTE (1991-2008).” In Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives, edited by Aida Vallejo and Ezra Winton, 191–99. New York: Palgrave Macmillan.

Peary, Gerald. 2012. “Memories of a Film Festival Addict.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 41–58. St. Andrews: St Andrews Film Books.

Peña, Richard. 2012. “Setting the Course: Directors and Directions at the New York Film Festival, 1963-2010.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 77–87. St. Andrews: St Andrews Film Books.

Peñaloza, Fernanda. 2019. “Screening Latin America: The Sydney Latin American Film Festival.” In Mapping South-South Connections: Australia and Latin America, edited by Fernanda Peñaloza and Sarah Walsh, 223–39. New York, NY: Springer.

Rastegar, Roya Zahra. 2012. “Difference, Aesthetics and the Curatorial Crisis of Film Festivals.” Screen 53 (3): 310–17. https://doi.org/10.1093/screen/hjs022.

Rastegar, Roya Zahra. 2012. “The Curatorial Crisis in Independent Films: How Do the Spaces in Which We Watch Films Shape the Way We See and Make Meaning?” CSW Update Newsletter. http://escholarship.org/uc/item/4mb0f534. Accessed February 25, 2020.

Rastegar, Roya Zahra. 2013. “Authenticity, Biography, and Race: A Critique of the 2013 Film Festival Circuit.” American Quarterly 65 (4): 905–13. https://doi.org/10.1353/aq.2013.0053.

Ruoff, Jeffrey, ed. 2012. Coming Soon to a Festival Near You: Programming Film Festivals. St. Andrews: St Andrews Film Books.

Ruoff, Jeffrey. 2012. “Introduction: Programming Film Festivals.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 1–21. St. Andrews: St Andrews Film Books.

Ruoff, Jeffrey. 2012. “Programming the Old and the New: Bill and Stella Pence on the Telluride Film Festival.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 135–54. St. Andrews: St Andrews Film Books.

Sandlos, Karyn. 2004. “Curating and Pedagogy in the Strange Time of Short Film and Video Exhibition.” Moving Image 4 (1): 17–33.

Schager, Nick. 2006. “The Short Story at Sundance: Behind the Scenes with the Short Film Programmers.” Independent 29 (1): 32–35.

Schamus, James. 2012. “See Here Now: Festival Red Carpets and the Cost of Film Culture.” In Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, 69–74. St. Andrews: St Andrews Film Books.

Schulte Strathaus, Stefanie. 2004. “Showing Different Films Differently: Cinema as a Result of Cinematic Thinking.” Moving Image 4 (1): 1–16.

Schulte Strathaus, Stefanie. 2008. “Andere Filme anders zeigen: Kino als Resultat filmischen Denkens.” In “The Art of Programming”: Film, Programm Und Kontext, edited by Heike Klippel, 89–103. Münster: LIT.

Searle, Samantha. 1996. “Film and Video Festivals: Queer Politics and Exhibition.” Meanjin 55 (1): 47–59.

Šerý, Ondřej, and Pavel Doboš. 2023. “Film Programming Politics Vis-À-Vis Festival Site Politics: The Case of the Mezipatra Queer Film Festival.” Environment and Planning C: Politics and Space 41 (5): 993-1009. https://doi.org/10.1177/23996544231168606.

Siegel, Marc. 1997. “Spilling Out onto Castro Street.” Jump Cut (41): 131–36. http://www.ejumpcut.org/archive/onlinessays/JC41folder/OnCastroStreet.html. Accessed May 25, 2020.

Slováková, Andrea. 2020. “Connecting Festivals, Distributing Films: An Interview with Diana Tabakov, Acquisitions Manager at Doc Alliance Films VOD Platform.” In Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives, edited by Aida Vallejo and Ezra Winton, 201–10. New York: Palgrave Macmillan.

Sölter, Arpad-Andreas. 2015. “Festival Circus, Golden Gnomes and Cultural Diplomacy: The Audi Festival of German Films in the Context of Multicultural Festivals in Australia.” Studies in Australasian Cinema 9 (2): 190–204.

Straayer, Chris, and Thomas Waugh. 2005. “Queer Film and Video Festival Forum, Take One: Curators Speak Out.” GLQ 11 (4): 579–603.

Stringer, Julian. 2003. “Neither One Thing nor the Other: Blockbusters at Film Festivals.” In Movie Blockbusters, edited by Julian Stringer, 202–13. London, New York: Routledge.

Stringer, Julian. 2003. “Raiding the Archive: Film Festivals and the Revival of Classic Hollywood.” In Memory and Popular Film, edited by Paul Grainge, 81–96. Manchester: Manchester Univ. Press.

Teissl, Verena. 2018. “Korrektiver Blickwechsel Postkoloniale Einflüsse auf die Programmpolitik spezialisierter Filmfestivals.” In Kulturelle Übersetzer: Kunst und Kulturmanagement im transkulturellen Kontext, edited by Christiane Dätsch, 135–52. Edition Kulturwissenschaft Band 103. Bielefeld: transcipt.

Thévenin, Olivier. 2012. “Le cinéma d’auteur au Festival de Cannes à la S.R.F. et à la Quinzaine des Réalisateurs.” [“The auteur cinema at Cannes in SRF and the Directors’ Fortnight.”]. Territoires contemporains (3). http://tristan.u-bourgogne.fr/CGC/publications/Festivals_societes/O_Thevenin.html. Accessed May 25, 2020.

Thomson, Patricia. 2003. “Clutterbusters: Programmers at Five Leading Festivals Expound on Heady Process of Selecting Films.” Variety, August 18, 2003. https://variety.com/2003/scene/markets-festivals/clutterbusters-1117891042/.

Tryon, Chuck. 2013. “Reinventing Festivals: Curation, Distribution, and the Creation of Global Cinephilia.” In On-Demand Culture: Digital Delivery and the Future of Movies, 155–72. Piscataway: Rutgers University Press.

Tzouflas, Konstantinos. 2022. “Films from Countries in Crisis and Switzerland: The New Argentine Cinema, Greek New Wave and Swiss Film Institutions.” Cinergie 11 (22): 69–82. https://doi.org/10.6092/issn.2280-9481/14341.

Vallejo, Aida, and Andy Moore. 2022. “The Post-Pandemic Festival: Identity, Crisis, and Curation at Sheffield DocFest 2022.” NECSUS_European Journal of Media Studies 11 (2): 288–300. https://doi.org/10.25969/mediarep/19188.

van Hemert, Tess. 2011. “Searching for a Feminist Voice: Film Festivals and Negotiating the Tension Between Expectation and Intent.” eJournalist 11 (1). https://eprints.qut.edu.au/42521/1/42521.pdf. Accessed May 25, 2020.

Vick, Tom. 2011. “Washington, Pusan, Rotterdam, Udine and Back: Programming East Asian Films for American Audiences.” In Film Festival Yearbook 3: Film Festivals and East Asia, edited by Dina Iordanova and Ruby Cheung, 90–98. St. Andrews: St Andrews Film Studies.

Winton, Ezra. 2020. “Frames of Counterpower: The Politics of Film Programming.” In Contemporary Radical Film Culture: Networks, Organisations and Activists, edited by Steve Presence, Mike Wayne, and Jack Newsinger, 175–89. London, New York: Routledge.

Wolf, Reinhard W. 2016. “Kurzfilm-Vorstellungen Programmieren Und Kuratieren Teil 1: Der Kurzfilm Im Festivalprogramm.” shortfilm.de, September 6, 2016. http://www.shortfilm.de/kurzfilm-vorstellungen-programmieren-und-kuratieren-teil-1-der-kurzfilm-im-festivalprogramm/.

Wolf, Reinhard W. 2016. “Programming and Curating Short-Film Screenings Part 1: Short Film in a Festival Programme.” shortfilm.de, September 6, 2016. http://www.shortfilm.de/en/kurzfilm-vorstellungen-programmieren-und-kuratieren-teil-1-der-kurzfilm-im-festivalprogramm/.

(Last update: 21. April 2024)

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