7.2 Interviews with Programmers

 

Acciari, Monia (2014). “In Conversation with Selvaggia Velo, Director of the River to River Florence Indian Film Festival.” Cinergie: Il cinema e le altre arti 6 (2014): 50–53. <http://www.cinergie.it/?p=4970>. (15 May. 2015)

Barnes, Heather L. (2013). “Screening the Past at the Museum of Modern Art: An Interview with Joshua Siegel, Associate Curator of Film at MoMA and Co-founding Curator of To Save and Project: The MoMA International Festival of Film Preservation.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 265–270.

Camporesi, Enrico (2014). “Oberhausen: An interview with Lars Henrik Gass.” NECSUS: European Journal of Media Studies 3:1 (2014): 352–359. <http://www.necsus-ejms.org/oberhausen-interview-lars-henrik-gass/>. (13 Jun. 2014)

Cheung, Ruby (2011). “‘We Believe in ‘Film as Art’: An Interview with Li Cheuk-to, Artistic Director of the Hang Kong International Film Festival (HKIFF).” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 196–207.

Cicchetti, Pasquale (2013). “The Past Lives of Images: Curatorial Practices and Marketing Strategies in Archival Cinema. An Interview with Nick Varley, Managing Director of Park Circus.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 243–251.

Fischer, Alex (2012). “Hot Docs: A Prescription for Reality: An Interview with Sean Farnell, Former Director of Programming at Hot Docs Canadian International Documentary Festival.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 225–234.

Fujiwara, Chris (2011). “‘It’s Very Simple. We Like to Give the Audience the Chance to See Good Films’: An Interview with Hayashi Kanako and Ichiyama Shozo of TOKIO FILMeX.” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 214–233.

Gann, Jon (2012). Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press.

Gann, Jon (2012). “Why Did My Film Not Get In?!” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 5–6.

Gann, Jon (2012). “‘Evaluate. Curate. Collect.’: Laura Henneman, Napa Valley Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 7–26.

Gann, Jon (2012). “‘Film Fabulous Films’: Cevin Cathell, Sonoma International Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 27–38.

Gann, Jon (2012). “‘Select. Build. Party.’: Patrick Van Hauwaert, Razor Reel Fantastic Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 39–48.

Gann, Jon (2012). “‘Woman on Tightrope’: Amy Ettinger, Scottsdale Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 123–134.

Gann, Jon (2012). “‘Create a Great Experience.’: Jeannie Roshar, LA Comedy Shorts Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 57–66.

Gann, Jon (2012). “‘Watch. Plan. Party.’: Lela Meadow-Conner and Gretchen Mitchell, Tallgrass Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 67–82.

Gann, Jon (2012). “‘Fascinating. Challenging. Demanding.’: Susan Barocas, Washington Jewish Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 95–106.

Gann, Jon (2012). “‘The Film History Business.’: Richard Peña, New York Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 83–93.

Gann, Jon (2012). “‘Storyteller. Activist. Transformer.’: John Scagliotti, Director, Film Festival Founder and Organizer.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 49–56.

Gann, Jon (2012). “‘Inspire. Educate. Entertain.’: Dustin Kaspar and Beth Barrett, Seattle International Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 107–121.

Gann, Jon (2012). “‘Watch. Feel. Think.’: J’aimee Skippon-Volke, Byron Bay International Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 135–148.

Gann, Jon (2012). “‘Develop Meaningful Relationships’: Joanne Feinberg, Ashland Independent Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 167–178.

Gann, Jon (2012). “‘Dream Big. Never Settle. Give Everything.’: Roberta Marie Munroe, Producer and Film Consultant.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 191–203.

Gann, Jon (2012). “‘Mediate. Curate. Fascilitate.’: Sky Sitney, SILVERDOCS.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 149–165.

Gann, Jon (2012). “‘Look. Worry. Interact.’: Helen Stephenson, Prescott Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 179–190.

Gann, Jon (2012). “‘Your Film Is Not for Every Festival.’: Jon Gann, DC Shorts Film Festival.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 205–224.

Gramann, Karola (2008). “‘Man nehme…’: Ein Gespräch mit Heide Schlüpmann.” “The Art of Programming”: Film, Programm und Kontext. Ed. Heike Klippel. Münster: LIT. pp. 127–140.

Gregor, Erika and Ulrich Gregor (2008). “Every Time the Curtain is Going Up, We Are Hoping and Longing… Talking to Dina Iordanova.” Film International 6:4 (2008): 72–76.

Han, Ju Hui Judy, and Marie K. Morohoshi (1998). “Creating, Curating, and Consuming Queer Asian American Cinema.” Q & A: Queer in Asian America. Eds. David L. Eng, and Alice Y. Hom. Philadelphia: Temple Univ. Press. pp. 81–94.

Lee, Seunghee (2011). “A Platform to the World: An Interview with Kim Ji-seok, Programme Director of the Pusan International Film Festival (PIFF).” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 208–213.

Loist, Skadi, and Marijke de Valck (2013). “Trans* Film Festivals: An Interview with Eliza Steinbock.” NECSUS: European Journal of Media Studies  4 (2013). <http://www.necsus-ejms.org/trans-film-festivals-an-interview-with-eliza-steinbock/>. (19 Nov. 2013)

Niederer, Sabine (2008). “The Future of Festivals: Interview with Arjon Dunnewind.” Video Vortex Reader: Responses to YouTube. Eds. Geert Lovink and Sabine Niederer. Amsterdam: Institute of Network Cultures. pp. 203–206.

Noll Brinkmann, Christine (1990). “The Art of Programming: An Interview with Alf Bold, July 1989.” Millennium Film Journal 23/24 (1990): 86–100.

Peirano, Maria-Paz (2013). “‘Each Piece of Film Helps Us to Reconstruct History’: An Interview with Alfredo Barría, Founder and Artistic Director, and Jaime Córdova, Technical Director of the Cine Recobrado Valparaíso Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 253–263.

Peyer, Siri (2010). “Unreal Asia: Interview with Gridithiya Gaweewong and David Teh.” OnCurating.org 3 (2010): 7–9. <http://www.on-curating.org/issue_03.html>. (18 Sep. 2010)

Rangan, Pooja (2010). “Some Annotations on the Film Festival as an Emerging Medium in India.” South Asian Popular Culture 8:2 (2010): 123–141.

Robbins, Papagena, and Viviane Saglier (2015). “Interview with Deirdre Haj, Director of Full Frame Documentary Film Festival.” Synoptique 3:2 (2015): 49–67. <http://synoptique.hybrid.concordia.ca/index.php/main/article/view/88>. (12 Mar. 2015)

Robbins, Papagena, and Viviane Saglier (2015). “Interview with Ezra Winton, Director of Programming at Cinema Politica.” Synoptique 3:2 (2015): 68–85. <http://synoptique.hybrid.concordia.ca/index.php/main/article/view/74/>. (12 Mar. 2015)

Straayer, Chris, and Thomas Waugh, eds. (2005). “Queer Film and Video Festival Forum, Take One: Curators Speak Out.” [Contributions by Michael Barrett, Charlie Bourdeau, Suzy Capo, Stephen Gutwilig, Nanna Heidenreich, Liza Johnson, Giampaolo Marzi, Dean Otto, Brian Robinson, and Katharine Setzer] GLQ: A Journal of Lesbian and Gay Studies 11:4 (2005): 579–603.

Torchin, Leshu (2012). “How to Leverage a Film Festival: An Interview with Judith Helfand, Filmmaker and Co-founder of Chicken & Egg Pictures and Working Films.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova, and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 253-262.

Torchin, Leshu (2012). “Just Vision and the Uses of a Festival Circuit: An Interview with Ronit Avni, Executive Director of Just Vision.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova, and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 235–243.

Wagner, Brigitta B. (2013). “Revival on the Mountain: The Politics of Cinematic Rediscovery at the Telluride Film Festival. An Interview with Tom Luddy, Festival Co-Founder and Co-Director.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 233–242.

Wessels, Chelsea (2013). “Navigating the Archive of Red Westerns: An Interview with Ludmila Cvikova, Head of International Programming, Doha Film Institute.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 271–276.

Zielinski, Ger (2010). “Ger Zielinski in Conversation with Stephen Kent Jusick, Executive Director of MIX Festival of Queer Experimental Film and Video.” Fuse 33:3 (2010): 16–22.
 

(Last updated: 26 May 2015)

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