Alexander, Maarten. Filmfestivals in Transitie: Een literatuurstudie en een kwalitatief onderzoek naar de veranderende rol van filmfestivals [Film festivals in Transition: A literature study and a qualitative research into the changing role of film festivals], MA Thesis, Universiteit Gent, 2009, lib.ugent.be/fulltxt/RUG01/001/393/306/RUG01-001393306_2010_0001_AC.pdf.
Alonso, Juan Manuel. Públicos De Cine E Investigación Aplicada: Un Abordaje Empírico Y Cuantitativo De Los Asistentes Al Festival Internacional De Cine De Mar Del Plata (MPIFF) [Film audiences and applied research: An empirical and quantitative approach to the Mar del Plata International Film Festival (MPIFF)], MA Thesis, Universidad Nacional de Tres de Febrero, 2018.
Bauer, Olga. Fund-raising for Film Festivals in Europe: A Comparative Study, LAP LAMBERT Academic Publishing, 2010.
Bories, Jana. Roter Teppich für das Publikum: Besuchertypen bei Filmfest Hamburg. BA Thesis, Universität Hamburg, 2013.
Cardona Montoya, Claudia Cristina. Al Otro Lado Del Espejo: Representación Y Homosexualidad En El Festival De Cine LGBT “El Lugar Sin Límites” De Ecuador [On the other side of the mirror: Representation and homosexuality in the LGBT film festival “El Lugar sin límites” in Ecuador], MA Thesis, Flacso Ecuador, 2015, hdl.handle.net/10469/8079.
Caselles, Eric/M Ll. Entzaubert Film Festival: Eine empirisch-theoretische Rekonstruktion der Queerness eines queeren Raumes. BA Thesis, Humboldt Universität, 2013.
Damiens, Antoine. Publics et spectateurs hétérosexuels du Festival Ecrans Mixtes 2012: Des différentes utilisations et interprétations du festival-comme-hétérotopie-sexuée [Audiences and heterosexual spectators of the 2012 Ecrans Mixtes Festival: Different uses and interpretations of the festival-as-sexed-heterotopia], MA Thesis, Université de Lyon; Université Lumière Lyon 2, 2012, doc.sciencespo-lyon.fr/Ressources/Documents/Etudiants/Memoires/Cyberdocs/MFE2012/damiens_a/damiens_a.pdf.
Dawood, Hayder. 2022. „Seeking legitimacy through specialization and diversification: How do film festivals select films.“, MA Industrial Management and Innovation, Uppsala University.
Deller, Stefan. Public Relations von Filmfestivals: Allgemeine Analysen sowie eine Befragung bei 147 Filmfestivals weltweit. MA Thesis, Universität Salzburg, 2005.
Ferrelli, J. Celebrating Out Media Heritage with FILMOUT: The San Diego Lesbian, Gay, Bisexual, and Transgender Film Festival. Queer By Any Other Name. MA Thesis, San Diego State University, 1999.
Finger, Viola Mariol. Die Berlinale im Wandel: Explorative Studie zur strukturellen Veränderung eines Filmfestivals. MA Thesis, Leuphana Universität, 2012.
Giliberti, Michele. Film Festival Studies: Mappatura di un Sistema in Divenire. Masterarbeit, Università Ca’ Foscari Venezia, 2020, hdl.handle.net/10579/17706. Accessed 4 June 2021.
Grady, Fergus. Film Festivals in the Emerging Emirates. BComm Thesis, Royal Melbourne Institute of Technology (RMIT) University, 2010, labsome.rmit.edu.au/files/Final%20Emerging%20Emirates%20Final.pdf.
Hannemann, Mahelia. Accept Diversity! Accept Equality? Berlinale: Eine analytische Untersuchung des Anspruchs und der Realität von Gleichberechtigung in der Filmindustrie mit Hinblick auf die Spiegelfunktion des internationalen Filmfestivals. MA Thesis, Filmuniversität Babelsberg Konrad Wolf, 2015.
Hermans, Bram. Film Needs Festival: A Mapping of Festival Functions Anno 2010. MA Thesis, Katholieke Universiteit Leuven, 2010.
June, Jamie L. Is It Queer Enough? An Analysis of the Criteria and Selection Process for Programming Films Within Lesbian, Gay, Bisexual, Transgender and Queer Film Festivals in the United States. MA Thesis, University of Oregon, 2003, scholarsbank.uoregon.edu/xmlui/bitstream/handle/1794/221/june_j.pdf?sequence=1.
Jurzik, Anna. Deutsche Nachwuchsfilme und Festivals: Eine Analyse der mittellangen Abschlussfilme von fünf deutschen Filmhochschulen des Jahrgangs 2006 in Hinblick auf ihre Festivalkarrieren. MA Thesis, Hochschule für Film und Fernsehen „Konrad Wolf“, 2010.
Lang, Philipp. Filmfestivals und Publikumsinteressen: Ergebnisse einer Befragung unter Arthouse-Kinobesuchern in Berlin und Potsdam. MA Thesis, Hochschule für Film und Fernsehen „Konrad Wolf“, 2010.
Laopodi, Maria-Louisa. Cultural Democracy: The Way Festivals Affect Society. MSc Thesis, Queen Margaret University, 2002, www.bookpump.com/dps/pdf-b/1121865b.pdf.
Lloyd, Matthew. How the Movie Brats Took Over Edinburgh: The Impact of Cinephilia on Edinburgh International Film Festival, 1968-1980. MA Thesis, University of Edinburgh, 2008.
MacDonald, Janelle. ‘Who Designed These Boxes Anyway?’: Queer Film Festivals in Canada: The Economics and Politics of Queer Space. MA Thesis, Carlton University, 2010.
Majsa, Barbara. Communication, Diversity and Internationalism: A Comparative Analysis of Gothenburg International Film Festival and Clandestino Festival from a PR Perspective. MSc Thesis, University of Gothenburg, 2014, gupea.ub.gu.se/handle/2077/36323.
Mason, Iain. The Audience at the 43th Melbourne International Film Festival: A Psychographic Analysis. MBA Thesis, Victoria University of Technology, 1997, eprints.vu.edu.au/15391/.
Nogueira, Julia C. Film and Video Festivals in South America: A Contemporary Analysis of Flourishing Cultural Phenomena. MA Thesis, College of Fine Arts of Ohio University, 2009, www.ohiolink.edu/etd/view.cgi?acc_num=ohiou1230612139.
Olivieri, Federico. The Representation of Africa within (Contemporary) Spaces for African Cinema’s Exhibition: A case study of the African Film Festival of Tarifa (Spain – FCAT, Festival de Cine Africano de Tarifa). MA Thesis, University of London, 2009, www.fcat.es/FCAT/descargas/Olivieri%20Federico,%202009,%20Africa%20representation%20and%20the%20FCAT,%20SOAS%20Ma%20dissertation,%20reading%20version_copy%20note.pdf.
Peleikis, Lena, and Maje Rasch. Filmfestivalbesucher: Zur Publikumsstruktur des Filmfest Hamburg 2007. Eine empirische Untersuchung. MA Thesis, Universität Lüneburg, 2007.
Penney, Renee. Desperately Seeking Redundancy? Queer Romantic Comedy and the Festival Audience. MA Thesis, Univ. of British Columbia, 2010, open.library.ubc.ca/cIRcle/collections/ubctheses/24/items/1.0069751.
Ponomareva, Galina. Lesbisch-schwule Filmfestivals und deren Entwicklung in der Russischen Föderation: Eine Analyse am Beispiel des LGBT International Film Festival ‘Bok o Bok’ (engl. ‘Side by Side’). BA Thesis, Universität Hamburg, 2011.
Smart, Scott. Being Seen Making Scenes: An Archival Exploration of Ottawa’s First Gay and Lesbian Film and Video Festival. Master Thesis, Carleton University, 2020.
Syniawa, Paula. Profile deutscher Filmfestivals: Eine vergleichende Analyse der deutschen Festivallandschaft. MA Thesis, Hochschule für Film und Fernsehen „Konrad Wolf“, 2010.
Vilhjálmsdóttir, Linda. A Documentary Film Festival Circuit and Film Festivals as Field-Configuring Events, Adapting to Digitalization: “… to Get Together and to Really Talk about Strategies”. MA Thesis, Bifröst University, 2011, skemman.is/stream/get/1946/10293/25587/3/MAritger%C3%B0.pdf.
Vrettos, Alexandros. The Economic Value of Arts & Culture Festivals: A Comparison of Four European Economic Impact Studies. MA Thesis, University of Maastricht, 2006, www.yumpu.com/en/document/read/10316007/the-economic-value-of-arts-culture-festivals-efa.
Walters, Elizabeth. ‘Cinematic Art in all Its Forms’: Netflix and the Film Festival Network. MFA Thesis, Boston University, 2020, hdl.handle.net/2144/41044.
Webber, Pauline. History of the Sydney Film Festival 1954-1983. MA Thesis, University of Technology, 2005, epress.lib.uts.edu.au/dspace/handle/2100/252.
YANG, Yang. De ‘Queer’ à ‘Tongzhi’: Etude comparative transnationale des festivals de films thématiques ayant trait aux questions de la sexualité et du genre en Belgique et dans les trois Chines [From ‘Queer’ to ‘Tongzhi’: Transnational comparative study of thematic film festivals dealing with sexuality and gender issues in Belgium and the three Chinas], MA Thesis, Université libre de Bruxelles, 2010
(Last updated: 23 November 2023)