Alexander, Maarten (2009). “Filmfestivals in Transitie: Een literatuurstudie en een kwalitatief onderzoek naar de veranderende rol van filmfestivals.” MA Thesis. Gent: Universiteit Gent, Communicatiewetenschappen afstudeerrichting Film- en Televisiestudies. <http://www.ibknet.be/files/Alexander,%20M.%20%282009%29.%20FILMFESTIVALS%20IN%20TRANSITIE.%20Gent,%20Universiteit%20Gent.pdf>. (23 Jul. 2010)
Bauer, Olga (2007). “Fund-Raising for Film Festivals in Europe.” MA Thesis. Rotterdam: Erasmus University, Arts and Cultural Studies: Cultural Economics and Cultural Entrepreneurship. (24. Aug. 2007). <http://hdl.handle.net/2105/4287>. (23 Dec. 2007)
Deller, Stefan (2005). “Public Relations von Filmfestivals: Allgemeine Analysen sowie eine Befragung bei 147 Filmfestivals weltweit.” MA Thesis. Salzburg: Universität Salzburg, Fachbereich für Kommunikationswissenschaft.
Ferrelli, J. (1999). “Celebrating Out Media Heritage with FILMOUT: The San Diego Lesbian, Gay, Bisexual, and Transgender Film Festival: Queer By Any Other Name.” MA Thesis. San Diego, CA: San Diego State University.
Grady, Fergus (2010). “Film Festivals in the Emerging Emirates.” BComm Thesis. Melbourne: Royal Melbourne Institute of Technology (RMIT) University, School of Applied Communication. (31. Oct. 2010). <http://labsome.rmit.edu.au/files/Final%20Emerging%20Emirates%20Final.pdf>. (10. Dec. 2010)
Hermans, Bram (2010). “Film Needs Festival: A Mapping of Festival Functions Anno 2010.” MA Thesis. Leuven: Katholieke Universiteit Leuven, Faculteit Letteren.
June, Jamie L. (2003). “Is It Queer Enough? An Analysis of the Criteria and Selection Process for Programming Films Within Lesbian, Gay, Bisexual, Transgender and Queer Film Festivals in the United States.” MA Thesis. University of Oregon, Arts and Administration Program, M.S. in Arts Management. <https://scholarsbank.uoregon.edu/dspace/bitstream/1794/221/1/june_j.pdf>. (16 May 2007)
Jurzik, Anna (2010). “Deutsche Nachwuchsfilme und Festivals: Eine Analyse der mittellangen Abschlussfilme von fünf deutschen Filmhochschulen des Jahrgangs 2006 in Hinblick auf ihre Festivalkarrieren.” MA Thesis. Potsdam-Babelsberg: Hochschule für Film und Fernsehen „Konrad Wolf“.
Lang, Philipp (2010). “Filmfestivals und Publikumsinteressen: Ergebnisse einer Befragung unter Arthouse-Kinobesuchern in Berlin und Potsdam.” MA Thesis. Potsdam-Babelsberg: Hochschule für Film und Fernsehen „Konrad Wolf“.
Laopodi, Maria-Louisa (2002). “Cultural Democracy: The Way Festivals Affect Society.” MSc Thesis. Edinburgh: Queen Margaret University, MSc Festival Producing & Management. <www.dissertation.com/library/1121865a.htm>. (29 Jul. 2008)
Lloyd, Matthew (2008). “How the Movie Brats Took Over Edinburgh: The Impact of Cinephilia on Edinburgh International Film Festival, 1968-1980.” MA Thesis. Edinburgh: University of Edinburgh.
Mason, Iain (1997). “The Audience at the 43th Melbourne International Film Festival: A Psychographic Analysis.” MA Thesis. Melbourne: Victoria University of Technology, School of Hospitality Tourism and Marketing, Master of Business in Tourism Development. (1997). <http://eprints.vu.edu.au/15391/>. (15 Sep. 2010)
Nogueira, Julia C. (2009). “Film and Video Festivals in South America: A Contemporary Analysis of Flourishing Cultural Phenomena.” MA Thesis. College of Fine Arts of Ohio University, Film Scholarship (Fine Arts). <http://www.ohiolink.edu/etd/view.cgi?acc_num=ohiou1230612139>. (29 Jun. 2009)
Olivieri, Federico (2009). “The Representation of Africa within (Contemporary) Spaces for African Cinema’s Exhibition: A case study of the African Film Festival of Tarifa (Spain – FCAT, Festival de Cine Africano de Tarifa).” MA Thesis. London: University of London, School of Oriental and African Studies, MA Global Media and Post-National Communication. <http://www.fcat.es/FCAT/descargas/Olivieri%20Federico,%202009,%20Africa%20representation%20and%20the%20FCAT,%20SOAS%20Ma%20dissertation,%20reading%20version_copy%20note.pdf>. (23 Jul. 2010)
Peleikis, Lena, and Maje Rasch (2007). “Filmfestivalbesucher: Zur Publikumsstruktur des Filmfest Hamburg 2007. Eine empirische Untersuchung.” MA Thesis. Lüneburg: Universität Lüneburg, Angewandte Kulturwissenschaften, Studiengebiet Sprache und Kommunikation.
Penney, Renee (2010). “Desperately Seeking Redundancy? Queer Romantic Comedy and the Festival Audience.” MA Thesis. Vancouver: Univ. of British Columbia, Film Studies. (April 2010). <https://circle.ubc.ca/bitstream/handle/2429/23496/ubc_2010_spring_penney_renee.pdf>. (23 Jul. 2010)
Ponomareva, Galina (2011). “Lesbisch-schwule Filmfestivals und deren Entwicklung in der Russischen Föderation: Eine Analyse am Beispiel des LGBT International Film Festival ‘Bok o Bok’ (engl. ‘Side by Side’).” BA Thesis. Hamburg: Universität Hamburg, Institut für Medien und Kommunikation. (Jan. 2011).
Syniawa, Paula (2010). “Profile deutscher Filmfestivals: Eine vergleichende Analyse der deutschen Festivallandschaft.” MA Thesis. Potsdam-Babelsberg: Hochschule für Film und Fernsehen „Konrad Wolf“, Studiengang Medienwissenschaft: Analyse, Ästhetik, Publikum.
Vrettos, Alexandros (2006). “The Economic Value of Arts & Culture Festivals: A Comparison of four European Economic Impact Studies.” MA Thesis. Maastricht: University of Maastricht, Master Program Arts & Heritage. <http://www.efa-aef.eu/newpublic/upload/efadoc/11/Comperative%20Analysis%20A.%20Vrettos.pdf?-session=s:42F9410B11d3029DC0uJs25B23DB>. (31 Jul. 2008)
YANG, Yang (2010). “De ‘Queer’ à ‘Tongzhi’: Etude comparative transnationale des festivals de films thématiques ayant trait aux questions de la sexualité et du genre en Belgique et dans les trois Chines.” MA Thesis. Bruxelles: Université libre de Bruxelles, Faculté de philosophie et lettres, Master en gestion culturelle. (Aug. 2010)
(Last updated: 15 May 2011)