6.5 Latin America

There are only a few publications that explicitly deal with the transnational quality of film festivals in relation to South America. Julianne Burton, for instance, stresses the impact of the political, left-wing Italian film festival in Pesaro on the circulation of South American cinema in Europe and North America in her 1975 festival report. Clara Kriger (2004) and Núria Triana-Toribo (2007) examine Argentina’s Mar del Plata Film Festival.

 

Agosta, Diana, and Patricia Keeton. “One Way or Another: The Havana Film Festival and Contemporary Cuban Film.” Afterimage, Sept, 1994,

Barrow, Sarah. “Constraints and Possibilities: Lima Film Festival, Politics and Cultural Formation in Peru.” New Review of Film and Television Studies, vol. 14, no. 1, 2016, pp. 132–48. doi:10.1080/17400309.2015.1109354.

Binimelis Adell, Mar. La geopolítica de las coproducciones hispanoamericanas: Un análisis a través de su presencia en los festivales de cine clase A (1997-2007) [The geopolitics of Spanish-American co-productions: An analysis through their presence in class A film festivals], PhD Thesis, Universidad Rovira y Virgili, 2011, www.tdx.cat​/​bitstream/​handle/​10803/​51762/​TESIS_​DEF_​COMPLETA.pdf.

Broyles, Y.J. “Chicano film festivals: An examination.” (1985). Chicano Cinema: Research, Reviews and Recources, edited by Gary Keller, 2. print., Bilingual Review Press, 1993, pp. 116–20.

Burton, Julianne. “The old and the new: Latin American cinema at the (last?) Pesaro Festival.” Jump Cut: A Review of Contemporary Media, no. 9, 1975, pp. 33–35.

Campos, Minerva. “El circuito de financiación de los cines latinoamericanos | Le circuit de financement des cinémas latino-américains: [The circuit of funding for Latin American cinema].” En Cinémas d’Amérique Latine, no. 20, 2012, pp. 172–80.

Campos, Minerva. “Film (Co)Production in Latin America and European Festivals: The Cases of Production Companies Fabula & Control Z.” Dispositive der Kulturfinanzierung, edited by Steffen Höhne et al., 1., Aufl, transcript, 2015, pp. 95–108. 1.

Campos, Minerva. “Lo (trans)nacional como eje del circuito de festivales de cine: Una aproximación histórica al diálogo Europa-América Latina.” [The (trans)national as the axis of the film festival circuit: A historical approach to the Europe-Latin America dialogue]. Imagofagia: Revista de la Asociación Argentina de Estudios de Cine y Audiovisual, no. 17, 2018, 11–40. www.asaeca.org​/​imagofagia/​index.php/​imagofagia/​article/​view/​1441.

Campos, Minerva. “Producir en festivales: Oportunidades, derivas y tendencias (a veces provocadas) del documental iberoamericano.” [Producing at Festivals: Opportunities, Drifts and Trends (Sometimes Triggered) of Iberoamerican Documentary Film.]. TSN – Transatlantic Studies Network. Revista de Estudios Internacionales, no. 5, 2018, pp. 1–9.

Diestro-Dópido, Mar. “The Film Festival Circuit: Identity Transactions in a Translational Economy.” A Companion to Latin American Cinema, edited by Maria M. Delgado et al., Wiley Blackwell, 2017, pp. 99–113.

Falicov, Tamara Leah. “‘Cine en Construcción’/‘Films in Progress’: How Spanish and Latin American Film-Makers Negotiate the Construction of a Globalized Art-House Aesthetic.” Transnational Cinemas, vol. 4, no. 2, 2013, pp. 253–71. doi:10.1386/trac.4.2.253_1.

Falicov, Tamara Leah. “Film Funding Opportunities for Latin American Filmmakers: A Case for Further North-South Collaboration in Training and Film Festival Initiatives.” A Companion to Latin American Cinema, edited by Maria M. Delgado et al., Wiley Blackwell, 2017, pp. 85–98.

Falicov, Tamara Leah. “Migrating from South to North: The Role of Film Festivals in Funding and Shaping Global South Film and Video.” Locating Migrating Media, edited by Greg Elmer et al., Lexington Books, 2010, pp. 3–21.

Francia, Aldo. Nuevo cine latinoamericano en Viña del Mar: [New Latin American cinema in Viña del Mar], CESOC Ediciones ChileAmérica, 1990, books.google.de​/​books​?​id=​zMYuAAAAYAAJ.

Gutiérrez, Carlos A., and Monika Wagenberg. “Meeting Points: A Survey of Film Festivals in Latin America.” Transnational Cinemas, vol. 4, no. 2, 2013, pp. 295–305. doi:10.1386/trac.4.2.295_1.

Isaza, Laura Rodriguez. Branding Latin America: Film Festivals and the International Circulation of Latin American Films. PhD Thesis, University of Leeds, 2012, etheses.whiterose.ac.uk​/​id/​eprint/​3408.

Kriger, Clara. “’Inolvidables jornadas vivió Mar del Plata’: Perón junto a las estrellas.” [Unforgettable days lived Mar del Plata]. Archivos de la filmoteca: Revista de estudios históricos sobre la imagen, no. 46, 2004, pp. 118–31.

LatAm cinema, editor. Festivales de cine latinoamericano: Cine + público + industria. [Latin American Film Festivals: Film + Audience + Industry]. Edited by LatAm cinema. Spec. issue of LatAm Cinema 82014,

LatAm cinema, editor. Festivales: El inicio del viaje del cine latinoamericano. [Festivals: The beginning of the journey of Latin American cinema]. Edited by LatAm cinema. Spec. issue of LatAm Cinema 132015,

Lauer, Jean Anne. “From ‘Expresión en Corto’ to Guanajuato International Film Festival: The Rise of Regional Support for Mexican Cinema in National and International Contexts.” Transnational Cinemas, vol. 4, no. 2, 2013, pp. 273–93. doi:10.1386/trac.4.2.273_1.

Mattos, Tetê. “Festivais Pra Quê? Um Estudo Crítico Sobre Festivais Audiovisuais Brasileiros.” [Festivals for what? A critical study of Brazilian audiovisual festivals.]. A Recepção Cinematográfica: Teoria E Estudos De Casos, edited by Mahomed Bamba, EDUFBA, 2013, pp. 117–31.

Mattos, Tetê, and Antonio Leal. “Festivais Audiovisuais Brasileiros: Um Diagnóstico Do Setor.” [Brazilian audiovisual festivals: a diagnosis of the sector]. Políticas Culturais: Reflexões E Ac̣ões, edited by Lia Calabre, Itaú Cultural; Edições Casa de Rui Barbosa, 2009, pp. 201–23.

Oubiña, David. “La vocación de alteridad (festivales, críticos y subsidios del nuevo cine argentino).” [The vocation of otherness (festivals, critics and subsidies of the new Argentine cinema)]. Historias extraordinarias: Nuevo cine argentino, 1999-2008, edited by Jaime Peña, T&B Editores, 2009, pp. 15–24.

Peirano, María Paz. “Ethnographic and Indigenous Film Festivals in Latin America: Constructing Networks of Film Circulation.” Film Festivals and Anthropology, edited by Aida Vallejo and Maria-Paz Peirano, Cambridge Scholars Publishing, 2017, pp. 73–87.

Peirano, María Paz. “FIDOCS y la formación de un campo de cine documental en Chile en la década de 1990.” [FIDOCS and the formation of a documentary film sector in Chile in the 1990s]. Cine Documental, no. 18, 2018, pp. 62–89.

Peirano, María Paz. “Pursuing, Resembling, and Contesting the Global: The Emergence of Chilean Film Festivals.” New Review of Film and Television Studies, vol. 14, no. 1, 2016, pp. 112–31. doi:10.1080/17400309.2015.1109345.

Peñaloza, Fernanda. “Screening Latin America: The Sydney Latin American Film Festival.” Mapping South-South Connections: Australia and Latin America, edited by Fernanda Peñaloza and Sarah Walsh, Springer, 2019, pp. 223–39.

Robinson, Meredith N. “Ciné woulé, ciné en progrès: An Investigation of the Francophone Caribbean Film Circuit, 1968-2010.” Small Axe, vol. 14, no. 3, 2010, pp. 45–68. doi:10.1215/07990537-2010-021.

Rodríguez Isaza, Laura. “De ‘gira’ por los festivales: Patrones migratorios del cine latinoamericano. [Touring the Film Festival Circuit: Migrating Patterns of Latin American Cinema].” Festivales cinematográficos [Film Festivals], edited by Aida Vallejo, MAIA Ediciones, 2014, pp. 65–82.

Ross, Miriam. “Film Festivals and the Ibero-American Sphere.” Film Festival Yearbook 2: Film Festivals and Imagined Communities, edited by Dina Iordanova and Ruby Cheung, St Andrews Film Studies, 2010, pp. 171–87.

Ross, Miriam. “Film Festivals and Validity.” South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Cambridge Scholars Publishing, 2010, www.worldcat.org​/​oclc/​688970306.

Ross, Miriam. “The Film Festival as Producer: Latin American films and Rotterdam’s Hubert Bals Fund.” Screen, vol. 52, no. 2, 2011, pp. 261–67. doi:10.1093/screen/hjr014.

Shaw, Deborah. “Fonds de financement européens et cinéma latino-américain: Altérisation et cinéphilie bourgeoise dans La teta asustada de Claudia Llosa.” [European funding and Latin American cinema: Alterisation and bourgeois cinema in La teta asustada by Claudia Llosa]. Diogène, no. 245, 2014, pp. 125–41. doi:10.3917/dio.245.0125.

Silva, Marcos Aurélio da. “Cinema, Antropologia e a construção de mundos possíveis: o caso dos festivais de cinema da diversidade sexual.” [Cinema, Anthropology and the Making of Possible Worlds: The Case of Film Festivals of Sexual Diversity.]. Aceno: Revista de Antropologia do Centro-Oeste, vol. 2, no. 3, 2015, pp. 17–40.

Silva, Marcos Aurélio da. Territórios do Desejo: Performance, Territoralidade e Cinema no Festival Mix Brasil da Diversidade Sexual [Territories of Desire: Performance, Territoriality and Cinema at Mix Brazil Festival of Sexual Diversity], PhD Thesis, Universidade Federal de Santa Catarina, 2012, repositorio.ufsc.br​/​bitstream/​handle/​123456789/​96283/​310141.pdf​?​sequence=​1&​isAllowed=​y.

Teissl, Verena. “How and Why Film Festivals Contributed and Contribute to the Reception of the Latin American Film.” Latin America, edited by Isabel Maurer Queipo, intellect, 2013, pp. 20–27. Directory of world cinema 17.

Triana Toribio, Nuria. “Building Latin American Cinema in Europe: Cine en Construcción/Cinéma en construction.” Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film, edited by Stephanie Dennison, Tamesis Books, 2013, pp. 89–112. 323.

Triana Toribio, Nuria. “El festival de los cinéfilos transnacionales: Festival Cinematográfico Internacional de la República Argentina en Mar del Plata, 1959-1970.” [The Festival of Transnational Filmmakers: International Film Festival of the Argentine Republic in Mar del Plata, 1959-1970]. Secuencias: Revista de Historia del Cine, no. 25, 2007, pp. 25–45.

 

(Last updated: 22 July 2021)