6.5 Latin America

There are only a few publications that explicitly deal with the transnational quality of film festivals in relation to South America. Julianne Burton, for instance, stresses the impact of the political, left-wing Italian film festival in Pesaro on the circulation of South American cinema in Europe and North America in her 1975 festival report. Clara Kriger (2004) and Núria Triana-Toribo (2007) examine Argentina’s Mar del Plata Film Festival.

 

Agosta, Diana, and Patricia Keeton. 1994. “One Way or Another: The Havana Film Festival and Contemporary Cuban Film.” Afterimage (Sept).

Allouche, Claire. 2024. “2019, année de condensation pour le cinéma brésilien périphérique ?” [2019, a year of condensation for peripheral Brazilian cinema?]. In Films, festivals et mondes contemporains: Pour une anthropologie du visuel, edited by Julie Amiot Guillouet, Pietsie Feenstra, and Julie Savelli, 275–95. Film cultures vol. 12. Lausanne: Peter Lang.

Araújo, Sérgio Onofre Seixas de, Ana Paula Flôres Carvalho, and Jony Peterson Valeriano Nunes. 2018. “O Festival De Cinema Universitário De Alagoas: O Olhar Da Comunidade E Do Turista.” [The Festival of University Cinema of Alagoas: Another Look of the Community and the Tourist]. Revista Extensão em Debate 4: 51–70. https://www.seer.ufal.br/index.php/extensaoemdebate/article/view/6259/4419.

Arredondo, Isabel. 2020. “Early International Super 8 Film Festivals: The Case of Caracas 1976–1980.” In Global Perspectives on Amateur Film Histories and Cultures, edited by Masha Salazkina and Enrique Fibla, 278–95. Bloomington, IN: Indiana University Press.

Barrow, Sarah. 2016. “Constraints and Possibilities: Lima Film Festival, Politics and Cultural Formation in Peru.” New Review of Film and Television Studies 14 (1): 132–48. https://doi.org/10.1080/17400309.2015.1109354.

Binimelis Adell, Mar. 2011. “La geopolítica de las coproducciones hispanoamericanas: Un análisis a través de su presencia en los festivales de cine clase A (1997-2007).” [The geopolitics of Spanish-American co-productions: An analysis through their presence in class A film festivals]. PhD Thesis, Departamento de Estudios de la Comunicación, Universidad Rovira y Virgili. Accessed April 14, 2020. http://www.tdx.cat/bitstream/handle/10803/51762/TESIS_DEF_COMPLETA.pdf.

Broyles, Y.J. 1993. “Chicano Film Festivals: An Examination.” In Chicano Cinema: Research, Reviews and Recources, edited by Gary Keller. 2. print., 116–20. Tempe, AZ: Bilingual Review Press. (1985).

Bueno, Zuleika de Paula. 2021. “Olhares Para a Infância E Juventude: Os Festivais De Cinema Para Crianças E Jovens Na América Do Sul.” In NUEVAS MUTACIONES DEL CONSUMO CULTURAL EN EL SIGLO XXI: TECNOLOGÍAS, ESPACIOS Y EXPERIENCIAS, edited by Rosario Radakovich and Ana Wortman, 107–16. Lima, Peru: Asociación Latinoamericana de Sociología. [Looking at Childhood and Youth: Film Festivals for Children and Youth in South America].

Burton, Julianne. 1975. “The Old and the New: Latin American Cinema at the (Last?) Pesaro Festival.” Jump Cut (9): 33–35. Accessed December 07, 2008.

Calderón Acero, Camilo Andrés. 2020. “Industria Cinematográfica Y Exhibición En Colombia: Apuntes Para Una Oferta Alternativa.” [Film Industry and Exhibition in Colombia: Notes for an Alternative Exhibition]. Mediaciones 16 (24): 8–21. https://doi.org/10.26620/uniminuto.mediaciones.16.24.2020.8-21.

Campos, Minerva. 2012. “El circuito de financiación de los cines latinoamericanos | Le circuit de financement des cinémas latino-américains: [The circuit of funding for Latin American cinema].” En Cinémas d’Amérique Latine (20): 172–80.

Campos, Minerva. 2015. “Film (Co)Production in Latin America and European Festivals: The Cases of Production Companies Fabula & Control Z.” In “Dispositive der Kulturfinanzierung.” edited by Steffen Höhne, Verena Teissl, and Martin Tröndle. Special issue, Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft 1. (1): 95–108.

Campos, Minerva. 2018. “Lo (Trans)Nacional Como Eje Del Circuito De Festivales De Cine: Una Aproximación Histórica Al Diálogo Europa-América Latina.” [The (trans)national as the axis of the film festival circuit: A historical approach to the Europe-Latin America dialogue]. Imagofagia (17): 11–40. Accessed May 20, 2018.

Campos-Rabadán, Minerva. 2020. “Inequalities Within the International Film Arena: A Framework to Studying Latin American Film Festivals.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 70–82. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57224/68413.

Campos-Rabadán, Minerva. 2020. “Tensiones en el circuito cinematográfico internacional: modelo para el estudio de los festivales latinoamericanos.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 72-84. [Inequalities within the International Film Arena: A Framework to Studying Latin American Film Festivals]. Accessed June 02, 2021. https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/57224.

Carvalho, Graça Fátima Pires de. 2002. Evolução Histórica Dos Festivais De Cinema E Vídeo No Maranhão. São Luis: UFMA. [Historical Evolution of Film and Video Festivals in Maranhão].

Cerquera, Natalia López. 2023. “From the Festival-as-Event to the Festival-as-Process: A Journey Through Community Film Festivals in Colombia.” In Small Cinemas of the Andes: New Aesthetics, Practices and Platforms, edited by Diana Coryat, Christian León, and Noah Zweig, 179–96. Cham: Palgrave Macmillan.

Chávez Carvajal, Hugo. 2017. “Circulación Y Distribución De Cine Etnográfico En América Latina.” [Circulation and Distribution of Ethnographic Films in Latin America]. Universitas XV (27): 19–43. https://doi.org/10.17163/uni.n27.2017.01.

Chura, Claudia, Ángel Torres Toukoumidis, Gerardo Karbaum, and Andrea de Jesús Oré. 2024. “Innovative Strategies for Audiovisual Literacy at Film Festivals: The Case of Peru.” Proceedings of the International Conference on Communication and Applied Technologies 2024 (ICOMTA 2024) 28:480–92. https://doi.org/10.2991/978-94-6463-596-6_42.

Corrêa, Paulo Vitor Luz. 2019. “Os Festivais/ Mostras Audiovisuais Em 2018: Geografia E Virtualização.” https://issuu.com/pauloluzcorrea/docs/v1_os_festivais-mostras_audiovisuai. [The Festivals/Audiovisual Shows in 2018: Geography and Virtualization].

Cruz Melo, Izabel. “Jornada Internacional De Cinema Da Bahia: Espaço De Reflexão E Resistência (1972-1975).” [International Film Journey of Bahia: space for reflection and resistance (1972-1975)]. O Olhoda Historia 2004: 1–8.

Diestro-Dópido, Mar. 2017. “The Film Festival Circuit: Identity Transactions in a Translational Economy.” In A Companion to Latin American Cinema, edited by Maria M. Delgado, Stephen M. Hart, and Randal Johnson, 99–113. Chichester, W. Sussex: Wiley Blackwell.

Diestro-Dópido, Mar. 2021. “BAFICI, Buenos Aires Festival Internacional De Cine Independiente: The Festival as International Platform.” In Film Festivals: Cinema and Cultural Exchange, 33–86. Cambridge: Legenda; Modern Humanities Research Association.

Diestro-Dópido, Mar. 2021. Film Festivals: Cinema and Cultural Exchange. Cambridge: Legenda; Modern Humanities Research Association.

Duarte, Donária Coelho, and Kezya Silva Coelho Lima. 2019. “Turismo Responsável E Eventos: Uma Análise Sobre a Responsabilidade No Festival Internacional De Cinema E Video Ambiental (FICA) – Goiás/GO.” [Responsible Tourism and Events: An Analysis on Responsibility at the International Festival of Cinema and Environmental Video (FICA) – Goiás / GO]. Revista Cenário 7 (12): 73–89. https://doi.org/10.26512/revistacenario.v7i12.21188.

Dylan, Emerson. 2019. “O Festival E a Cidade: A Mostra Internacional De Cinema De São Paulo Como Um Espaço De Sociabilidade Na Capital Paulista.” [The Festival and the City: the São Paulo International film festival as a space of sociability in the paulista capital]. CSOnline, no. 29: 33-44. https://doi.org/10.34019/1981-2140.2019.26382.

Dylan, Emerson, and Luis Ferla. 2021. “Festivais De Cinema E Georreferenciamento: Um Estudo Sobre O Território Ocupado Pela Mostra Internacional De Cinema De São Paulo Em Seus Primeiros Anos.” [Film festivals and georeferencing: A study on the territory occupied by Mostra São Paulo International Film Festival in its first years]. REBECA 10 (2): 99–122. https://doi.org/10.22475/rebeca.v10n2.791.

Falicov, Tamara Leah. “Film Funding Opportunities for Latin American Filmmakers: A Case for Further North-South Collaboration in Training and Film Festival Initiatives.” 85–98.

Falicov, Tamara Leah. 2010. “Migrating from South to North: The Role of Film Festivals in Funding and Shaping Global South Film and Video.” In Locating Migrating Media, edited by Greg Elmer, Charles H. Davis, Janine Marchessault, and John McCullough, 3–21. Lanham, MD: Lexington Books.

Falicov, Tamara Leah. 2013. “‘Cine En Construcción’/‘Films in Progress’: How Spanish and Latin American Film-Makers Negotiate the Construction of a Globalized Art-House Aesthetic.” TRAC 4 (2): 253–71. https://doi.org/10.1386/trac.4.2.253_1.

Falicov, Tamara Leah. 2019. Latin American Film Industries. London, New York, NY: Bloomsbury; British Film Institute.

Francia, Aldo. 1990. Nuevo cine latinoamericano en Viña del Mar: [New Latin American cinema in Viña del Mar]. Santiago de Chile: CESOC Ediciones ChileAmérica. https://books.google.de/books?id=zMYuAAAAYAAJ.

Garcia Rivas, Carlos Daniel. 2020. “Estrategias de vigilancia policial en el Festival Internacional de Cine de Mar del Plata entre 1959 y 1960.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 85-95. [Police Surveillance Strategies at the Mar del Plata Film Festival between 1959 and 1960]. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57282/64244.

Garcia Rivas, Carlos Daniel. 2020. “Police Surveillance Strategies at the Mar Del Plata Film Festival Between 1959 and 1960.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 83-93. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57282/68414.

González, Sebastián. 2020. “FICValdivia and Its Role in Contemporary Chilean Cinema.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 94–105. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57288/68484.

Gutiérrez, Carlos A., and Monika Wagenberg. 2013. “Meeting Points: A Survey of Film Festivals in Latin America.” TRAC 4 (2): 295–305. https://doi.org/10.1386/trac.4.2.295_1.

Harris, Audrey A. 2018. “Perspectives from a Mexican Newcomer: An Interview with Daniela Michel and Chloë Roddick of the Morelia International Film Festival.” In International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes, edited by Tricia Jenkins, 237–57. London, New York: I.B.Tauris.

Isaza, Laura Rodriguez. 2012. “Branding Latin America: Film Festivals and the International Circulation of Latin American Films.” PhD Thesis, School of Modern Languages and Cultures, Centre for World Cinemas, University of Leeds. Accessed April 14, 2020. http://etheses.whiterose.ac.uk/id/eprint/3408.

Jenkins, Tricia. 2018. “Building IFF Panama from the Ground up: An Interview with Executive Director Pituka Ortega-Heilbron and Artistic Director Diana Sánchez.” In International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes, edited by Tricia Jenkins, 223–36. London, New York: I.B.Tauris.

Jurado Martín, Montserrat. 2020. “Aproximación a los certámenes cinematográficos de realidad virtual, aumentada e inmersiva en América Latina.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 132–43. [Latin American Film Festivals of Virtual, Augmented, and Immersive Reality: An Overview]. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/56993/68485.

Jurado Martín, Montserrat. 2020. “Latin American Film Festivals of Virtual, Augmented, and Immersive Reality: An Overview.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 132–43. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/56993/68485.

Kriger, Clara. 2004. “’Inolvidables jornadas vivió Mar del Plata’: Perón junto a las estrellas.” [Unforgettable days lived Mar del Plata]. Archivos de la filmoteca (46): 118–31.

LatAm cinema, ed. 2014. “Festivales de cine latinoamericano: Cine + público + industria.” Special issue, LatAm Cinema, no. 8. [Latin American Film Festivals: Film + Audience + Industry]. Accessed May 22, 2020. http://issuu.com/latamcinema/docs/numero_08.

LatAm cinema, ed. 2015. “Festivales: El inicio del viaje del cine latinoamericano.” Special issue, LatAm Cinema, no. 13. [Festivals: The beginning of the journey of Latin American cinema].

Lauer, Jean Anne. 2013. “From ‘Expresión En Corto’ to Guanajuato International Film Festival: The Rise of Regional Support for Mexican Cinema in National and International Contexts.” TRAC 4 (2): 273–93. https://doi.org/10.1386/trac.4.2.273_1.

Lopes Wanderley, Natália. 2016. “O Que Porra É Cinema De Mulher? A Mostra De Cinema De Mulher E O Desvelar Do Machismo No Audiovisual Pernambucano.” [What the Fuck is Women’s Cinema? The Exhibition of Women’s Cinema and the Unveiling of Machismo in Pernambuco’s Audiovisual Sector]. MA Thesis, Centro de Artes e Comunicação, Universidade Federal de Pernambuco. https://repositorio.ufpe.br/bitstream/123456789/23077/1/Dissertacao_biblioteca%20central_reduzida.pdf.

Lora Krstulovic, Rosa Claudia, Bianca Salles Pires, Ana Isabel León Fernández, Ana Rosa Marques, and Estrella Sendra. 2025. “The Muestra De Cine Afrodescendencias in Costa Chica: Intersections of Afrodescendance and Decoloniality in Curatorial Practice.” Alphaville, no. 28: 71–90. https://doi.org/10.33178/alpha.28.05.

Mattos, Tetê. 2018. “O Festival Do Rio E as Configurações Da Cidade Do Rio De Janeiro.” Doktorarbeit, The Rio Festival and the Configurations of the City of Rio de Janeiro, The Rio Festival and the Configurations of the City of Rio de Janeiro. Accessed December 04, 2022. https://www.bdtd.uerj.br:8443/handle/1/8843.

Mattos, Tetê, and Antonio Leal. 2009. “Festivais Audiovisuais Brasileiros: Um Diagnóstico Do Setor.” In Políticas Culturais: Reflexões E Ac̣ões, edited by Lia Calabre, 201–23. São Paulo, Rio de Janeiro: Itaú Cultural; Edições Casa de Rui Barbosa. [Brazilian audiovisual festivals: a diagnosis of the sector].

Muylaert, Juliana. 2024. “Les échanges transnationaux dans les circuits de festivals ethnographiques: Mostra Internacional do filme etnográfico.” [Transnacional Exchange within the Ethnographic Film Festival Circuits: Mostra Internacional do filme etnográfico.]. In Festivals et dynamiques cinématographiques transnationales, edited by Amanda Rueda, 83–113. Champs visuels. Paris: L’Harmattan.

Oubiña, David. 2009. “La vocación de alteridad (festivales, críticos y subsidios del nuevo cine argentino).” In Historias extraordinarias: Nuevo cine argentino, 1999-2008, edited by Jaime Peña, 15–24. Madrid: T&B Editores. [The vocation of otherness (festivals, critics and subsidies of the new Argentine cinema)].

Peirano, Maria Paz. 2018. “FIDOCS y la formación de un campo de cine documental en Chile en la década de 1990.” [FIDOCS and the formation of a documentary film sector in Chile in the 1990s]. Cine Documental (18): 62–89. http://revista.cinedocumental.com.ar/fidocs-y-la-formacion-de-un-campo-de-cine-documental-en-chile-en-la-decada-de-19901/. Accessed May 16, 2021.

Peirano, Maria Paz, and Aida Vallejo, eds. 2020. “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.” [Film Festivals in Latin America: Histories and New Perspectives] Special issue, Comunicación y Medios 29, no. 42. Accessed June 04, 2021. https://doi.org/10.5354/0719-1529.2020.60660. https://comunicacionymedios.uchile.cl/index.php/RCM/issue/view/5545.

Peirano, María Paz. 2016. “Pursuing, Resembling, and Contesting the Global: The Emergence of Chilean Film Festivals.” New Review of Film and Television Studies 14 (1): 112–31. https://doi.org/10.1080/17400309.2015.1109345.

Peirano, María Paz. 2017. “Ethnographic and Indigenous Film Festivals in Latin America: Constructing Networks of Film Circulation.” In Film Festivals and Anthropology, edited by Aida Vallejo and Maria-Paz Peirano, 73–87. Cambridge: Cambridge Scholars Publishing.

Peirano, María Paz. 2020. “Learning to Be ‘Global’: Chilean Filmmakers at International Film Festivals.” In Chilean Cinema in the Twenty-First-Century World, edited by Vania Barraza and Carl Fischer, 33–49. Contemporary film and media series. Detroit, Baltimore, MD: Wayne State University Press.

Peirano, María Paz, and Gonzalo Ramírez. 2023. “Chilean Film Festivals and Local Audiences: Going Online?” In Rethinking Film Festivals in the Pandemic Era and After, edited by Marijke de Valck and Antoine Damiens, 129–51. Cham: Palgrave Macmillan.

Peirano, María Paz, and Gonzalo Ramírez Cruz. 2022. “Festivales de cine en Chile.” Zenodo. https://doi.org/10.5281/zenodo.6987256.

Peirano, María Paz, and Aida Vallejo. 2020. “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 11–13. [Film festivals in Latin America: Histories and new perspectives].

Peirano, María Paz, and Aida Vallejo. 2020. “Film Festivals in Latin America: Histories and New Perspectives.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas [Film Festivals in Latin America: Histories and New Perspectives], edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 11–13. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/60660/68408.

Peñaloza, Fernanda. 2019. “Screening Latin America: The Sydney Latin American Film Festival.” In Mapping South-South Connections: Australia and Latin America, edited by Fernanda Peñaloza and Sarah Walsh, 223–39. New York, NY: Springer.

Pinto, Carlos Eduardo Pinto de. 2019. “Festival Cinematográfico Do Distrito Federal (1953-1959): A Paisagem Imaginada.” In XIV Semana De História Política, edited by UERJ, 139–50. [Film Festival of the Federal District (1953-1959): The Imagined Landscape].

Pires, Bianca S. 2023. “Contra El Silencio Todas Las Voces: Una Mirada a Uno De Los Primeros Festivales De Cine Y Video Documental En México.” [Against Silence All Voices: A look at one of Mexico’s first documentary film and video festivals]. In Cine: Discurso Y Estética: Reflexiones Desde La Multidisciplina [Cinema: Discourse and Aesthetics: Reflections from the multidisciplinary perspective], edited by Cristián Calónico Lucio and Rodrigo Gerardo Martínez Vargas, 130–44. Cine: Discurso y Estética 1. Ciudad de México: Universidad Autónoma Metropolitana Unidad Iztapalapa; Juan Pablos Editor. https://www.academia.edu/106115229/Contra_el_Silencio_Todas_las_Voces_Una_mirada_a_uno_de_los_primeros_festivales_de_cine_y_video_documental_en_M%C3%A9xico. Accessed March 05, 2025.

Pires, Bianca Salles. 2019. “A Formação De Públicos Cinéfilos: Circuitos Paralelos, Museus E Festivais Internacionais.” [The Formation of Film-loving Publics: Parallel Circuits, Museums and International Festivals]. PhD Thesis, Universidade Federal do Rio de Janeiro. Accessed March 03, 2025. https://rebeca.socine.org.br/1/article/view/875/497.

Pires, Bianca Salles. 2019. “Janelas Para O Mundo: A Mostra Internacional De Cinema De São Paulo E O Festival De Cinema Do Rio Como Palcos Para a Festa De Seus Públicos.” [Windows to the World: The Mostra Internacional de Cinema de São Paulo and Festival do Rio as Stages for Their Publics’ Feast]. In De Vidas Artes, edited by Paula Guerra and Lígia Dabul, 91–111. Porto: Universidade do Porto. https://www.academia.edu/44226763/PIRES_Bianca_Salles_Janelas_para_o_mundo_A_Mostra_Internacional_de_Cinema_de_S%C3%A3o_Paulo_e_o_Festival_de_Cinema_do_Rio_como_palcos_para_a_festa_de_seus_p%C3%BAblicos. Accessed March 05, 2025.

Pires, Bianca Salles. 2023. “Memorias y experiencias de los públicos del festival Ambulante Gira de Documentales (2006-2022).” In Claroscuros de la memoria: Culturas cinematográficas y mundos urbanos, edited by Ana Rosas Mantecón and Antonio Zirión Pêrez. Primera edición, 341–73. Ciudades y ciudadanías. Ciudad de México: Universidad Autónoma Metropolitana.

Pires, Bianca Salles. 2024. “Ciudad, Itinerancia Y Frontera: Festivales De Cine Documental En La Primera Década Del Siglo XXI En México.” [City, roaming and border: Documentary film festivals in the first decade of the 21st century in Mexico]. In Cine: Discurso Y Estética 2: Reflexiones Desde Las Cinematografías Contrahegemónicas [Cinema: discourse and aesthetics 2: Reflections from counter-hegemonic cinematographies], edited by Cristián C. Lucio and Rodrigo Gerardo Martínez Vargas, 76–110. Ciudad de México: Universidad Autónoma Metropolitana Unidad Iztapalapa; Juan Pablos Editor. https://www.academia.edu/attachments/117661353/download_file?s=profile. Accessed March 05, 2025.

Póvoa, Débora. 2023. “‘The Festival Is Ours’: Power Dynamics of Community Participation in the Alter Do Chão Film Festival.” International Journal of Cultural Studies 26 (2): 200-215. https://doi.org/10.1177/13678779231154288.

Ramírez Llorens, Fernando. 2019. “Cine, Autoritarismo Y Política De Medios En Argentina: El Festival De Mar Del Plata De 1968.” [Cinema, Authoritarianism and Media Policy in Argentina: The Mar del Plata Film Festival of 1968]. Hist. Crit., no. 72: 139–60. https://doi.org/10.7440/histcrit72.2019.07.

Robinson, Meredith N. 2010. “Ciné Woulé, Ciné En Progrès: An Investigation of the Francophone Caribbean Film Circuit, 1968-2010.” Small Axe 14 (3): 45–68. https://doi.org/10.1215/07990537-2010-021.

Rocha, Adriano Medeiros, and Emmanuelle Dias Vaccarini. 2015. “A Difusão Do Cinema Brasileiro E O Cine Festival Inconfidentes: O Audiovisual Verde Amarelo Conquistando O Interior De Minas Gerais.” [The Diffusion of Brazilian Cinema and the Cine Festival Inconfidentes: The Yellow-Green Audiovisual Conquering the Interior of Minas Gerais]. Experiência. Revista Científica de Extensão 1 (1). https://doi.org/10.5902/17982.

Rodovalho, Beatriz. 2020. “Festival Da Libertação Tecnopobre: Sobre CachoeiraDoc.” Aniki 7 (2): 245–52. https://doi.org/10.14591/aniki.v7n2.710.

Rodríguez Isaza, Laura. 2014. “De ‘gira’ por los festivales: Patrones migratorios del cine latinoamericano. [Touring the Film Festival Circuit: Migrating Patterns of Latin American Cinema].” In “Festivales Cinematográficos [Film Festivals].” edited by Aida Vallejo. Special issue, Secuencias: Revista de Historia del Cine. (39): 65–82.

Ross, Miriam. 2010. “Film Festivals and the Ibero-American Sphere.” In Film Festival Yearbook 2: Film Festivals and Imagined Communities, edited by Dina Iordanova and Ruby Cheung, 171–87. St. Andrews: St Andrews Film Studies.

Ross, Miriam. 2011. “The Film Festival as Producer: Latin American Films and Rotterdam’s Hubert Bals Fund.” Screen 52 (2): 261–67. https://doi.org/10.1093/screen/hjr014.

Rueda, Amanda. 2019. “Nuevas Condiciones De La Internacionalización De Los Cines De América Latina Y Plataformas Profesionales De Festivales: El Caso De Cine En Construcción.” [New conditions for the internationalization of Latin American cinemas and professional festival platforms: The case of Cine en Construcción]. Archivos de la Filmoteca (77): 59–78. https://ut3-toulouseinp.hal.science/hal-03682612v1/document. Accessed February 04, 2025.

Saito, Carlos Hiroo, and Kelley Marques. 2010. “Educação Ambiental Numa Perspectiva Dialógico-Problematizadora E O XI Festival Internacional De Cinema E Vídeo Ambiental (FICA).” [Environmental Education in a Dialogical Problem-Solving Perspective and the XIth International Environmental Film and Video Festival (FICA)]. Revista Brasileira de Educação Ambiental (RevBEA) 5:104–12. https://doi.org/10.34024/revbea.2010.v5.1724.

Santana Espinosa, Maria Alejandra. 2024. “Institutionnaliser un regard: la circulation des films colombiens.” [Institutionalizing a perspective: the circulation of Colombian films]. In Films, festivals et mondes contemporains: Pour une anthropologie du visuel, edited by Julie Amiot Guillouet, Pietsie Feenstra, and Julie Savelli, 245–61. Film cultures vol. 12. Lausanne: Peter Lang.

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(Last updated: 16. May 2025)