There are only a few publications that explicitly deal with the transnational quality of film festivals in relation to South America. Julianne Burton, for instance, stresses the impact of the political, left-wing Italian film festival in Pesaro on the circulation of South American cinema in Europe and North America in her 1975 festival report. Clara Kriger (2004) and Núria Triana-Toribo (2007) examine Argentina’s Mar del Plata Film Festival.
Agosta, Diana, and Patricia Keeton. 1994. “One Way or Another: The Havana Film Festival and Contemporary Cuban Film.” Afterimage (Sept).
Albano, Sebastião Guilherme. 2016. “A Mão E a Luva: Os Festivais Como Dispositivos Para O World Cinema.” [The Hand and the Glove: Festivals as Devices for World Cinema]. RMC 9 (9): 189–210. https://doi.org/10.22409/ppgmc.v9i9.9787.
Alencar, Miriam. 1978. O Cinema Em Festivais E Os Caminhos Do Curta-Metragem No Brasil. Rio de Janeiro: Artenova.
Araújo, Sérgio Onofre Seixas de, Ana Paula Flôres Carvalho, and Jony Peterson Valeriano Nunes. 2018. “O Festival De Cinema Universitário De Alagoas: O Olhar Da Comunidade E Do Turista.” [The Festival of University Cinema of Alagoas: Another Look of the Community and the Tourist]. Revista Extensão em Debate 4: 51–70. https://www.seer.ufal.br/index.php/extensaoemdebate/article/view/6259/4419.
Barrow, Sarah. 2016. “Constraints and Possibilities: Lima Film Festival, Politics and Cultural Formation in Peru.” New Review of Film and Television Studies 14 (1): 132–48. https://doi.org/10.1080/17400309.2015.1109354.
Binimelis Adell, Mar. 2011. “La geopolítica de las coproducciones hispanoamericanas: Un análisis a través de su presencia en los festivales de cine clase A (1997-2007).” [The geopolitics of Spanish-American co-productions: An analysis through their presence in class A film festivals]. PhD Thesis, Departamento de Estudios de la Comunicación, Universidad Rovira y Virgili. Accessed April 14, 2020. http://www.tdx.cat/bitstream/handle/10803/51762/TESIS_DEF_COMPLETA.pdf.
Broyles, Y.J. 1993. “Chicano Film Festivals: An Examination.” In Chicano Cinema: Research, Reviews and Recources, edited by Gary Keller. 2. print., 116–20. Tempe, AZ: Bilingual Review Press. (1985).
Bueno, Zuleika de Paula. 2021. “Olhares Para a Infância E Juventude: Os Festivais De Cinema Para Crianças E Jovens Na América Do Sul.” In NUEVAS MUTACIONES DEL CONSUMO CULTURAL EN EL SIGLO XXI: TECNOLOGÍAS, ESPACIOS Y EXPERIENCIAS, edited by Rosario Radakovich and Ana Wortman, 107–16. Lima, Peru: Asociación Latinoamericana de Sociología. [Looking at Childhood and Youth: Film Festivals for Children and Youth in South America].
Burton, Julianne. 1975. “The Old and the New: Latin American Cinema at the (Last?) Pesaro Festival.” Jump Cut (9): 33–35. Accessed December 07, 2008.
Calderón Acero, Camilo Andrés. 2020. “Gestión de festivales de cine en Bogotá: Más allá de la formación de públicos.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 108–19. [Managing Bogota Film Festivals: Beyond Audience Formation].
Calderón Acero, Camilo Andrés. 2020. “Industria Cinematográfica Y Exhibición En Colombia: Apuntes Para Una Oferta Alternativa.” [Film Industry and Exhibition in Colombia: Notes for an Alternative Exhibition]. Mediaciones 16 (24): 8–21. https://doi.org/10.26620/uniminuto.mediaciones.16.24.2020.8-21.
Campos, Minerva. 2012. “El circuito de financiación de los cines latinoamericanos | Le circuit de financement des cinémas latino-américains: [The circuit of funding for Latin American cinema].” En Cinémas d’Amérique Latine (20): 172–80.
Campos, Minerva. 2015. “Film (Co)Production in Latin America and European Festivals: The Cases of Production Companies Fabula & Control Z.” In “Dispositive der Kulturfinanzierung.” edited by Steffen Höhne, Verena Teissl, and Martin Tröndle. Special issue, Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft 1. (1): 95–108.
Campos, Minerva. 2018. “Lo (Trans)Nacional Como Eje Del Circuito De Festivales De Cine: Una Aproximación Histórica Al Diálogo Europa-América Latina.” [The (trans)national as the axis of the film festival circuit: A historical approach to the Europe-Latin America dialogue]. Imagofagia (17): 11–40. Accessed May 20, 2018.
Campos-Rabadán, Minerva. 2020. “Inequalities Within the International Film Arena: A Framework to Studying Latin American Film Festivals.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 70–82. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57224/68413.
Campos-Rabadán, Minerva. 2020. “Tensiones en el circuito cinematográfico internacional: modelo para el estudio de los festivales latinoamericanos.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 72-84. [Inequalities within the International Film Arena: A Framework to Studying Latin American Film Festivals]. Accessed June 02, 2021. https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/57224.
Cerqueira, Jean Fábio Borba. 2016. “Da Natureza Da Animação À Animação Da Natureza: Discursos Ambientais Nas “Enviro-Toons” Brasileiras Veiculadas Nos Festivais Fica, Festcineamazônia E Filmambiente.” Doktorarbeit, Centro de Artes e Comunicação, Universidade Federal de Pernambuco. Accessed January 07, 2023. https://repositorio.ufpe.br/bitstream/123456789/18554/1/TESE_JEANCERQUEIRA_PPGOM_CAC_UFPE_2016.pdf.
Cerquera, Natalia López. 2023. “From the Festival-as-Event to the Festival-as-Process: A Journey Through Community Film Festivals in Colombia.” In Small Cinemas of the Andes: New Aesthetics, Practices and Platforms, edited by Diana Coryat, Christian León, and Noah Zweig, 179–96. Cham: Palgrave Macmillan.
Cesar, Amaranta, Ana Rosa Marques, Fernanda Pimenta, and Leonardo Costa, eds. 2020. Desaguar em cinema: Documentário, memória e ação com o CachoeiraDoc. Salvador: EDUFBA. [‘Desaguar Em Cinema’: Documentary, Memory and Action with CachoeiraDoc].
Chávez Carvajal, Hugo. 2017. “Circulación Y Distribución De Cine Etnográfico En América Latina.” [Circulation and Distribution of Ethnographic Films in Latin America]. Universitas XV (27): 19–43. https://doi.org/10.17163/uni.n27.2017.01.
Corrêa, Paulo Vitor Luz. 2019. “Os Festivais/ Mostras Audiovisuais Em 2018: Geografia E Virtualização.” https://issuu.com/pauloluzcorrea/docs/v1_os_festivais-mostras_audiovisuai. [The Festivals/Audiovisual Shows in 2018: Geography and Virtualization].
Cruz Melo, Izabel. “Jornada Internacional De Cinema Da Bahia: Espaço De Reflexão E Resistência (1972-1975).” [International Film Journey of Bahia: space for reflection and resistance (1972-1975)]. O Olhoda Historia 2004: 1–8.
Diestro-Dópido, Mar. 2017. “The Film Festival Circuit: Identity Transactions in a Translational Economy.” In A Companion to Latin American Cinema, edited by Maria M. Delgado, Stephen M. Hart, and Randal Johnson, 99–113. Chichester, W. Sussex: Wiley Blackwell.
Diestro-Dópido, Mar. 2021. “BAFICI, Buenos Aires Festival Internacional De Cine Independiente: The Festival as International Platform.” In Film Festivals: Cinema and Cultural Exchange, 33–86. Cambridge: Legenda; Modern Humanities Research Association.
Diestro-Dópido, Mar. 2021. Film Festivals: Cinema and Cultural Exchange. Cambridge: Legenda; Modern Humanities Research Association.
Duarte, Donária Coelho, and Kezya Silva Coelho Lima. 2019. “Turismo Responsável E Eventos: Uma Análise Sobre a Responsabilidade No Festival Internacional De Cinema E Video Ambiental (FICA) – Goiás/GO.” [Responsible Tourism and Events: An Analysis on Responsibility at the International Festival of Cinema and Environmental Video (FICA) – Goiás / GO]. Revista Cenário 7 (12): 73–89. https://doi.org/10.26512/revistacenario.v7i12.21188.
Duarte, Durango. 2017. A Sétima Arte Em Manaus. 1st ed. Manaus: DDC Comunicações LTDA. [The Seventh Art in ManausThe Seventh Art in Manaus]. Accessed November 25, 2022. https://idd.org.br/livros-durango-duarte/a-setima-arte-em-manaus-durango-duarte.pdf.
Dylan, Emerson. 2019. “O Festival E a Cidade: A Mostra Internacional De Cinema De São Paulo Como Um Espaço De Sociabilidade Na Capital Paulista.” [The Festival and the City: the São Paulo International film festival as a space of sociability in the paulista capital]. CSOnline, no. 29: 33-44. https://doi.org/10.34019/1981-2140.2019.26382.
Falicov, Tamara Leah. “Film Funding Opportunities for Latin American Filmmakers: A Case for Further North-South Collaboration in Training and Film Festival Initiatives.” 85–98.
Falicov, Tamara Leah. 2010. “Migrating from South to North: The Role of Film Festivals in Funding and Shaping Global South Film and Video.” In Locating Migrating Media, edited by Greg Elmer, Charles H. Davis, Janine Marchessault, and John McCullough, 3–21. Lanham, MD: Lexington Books.
Falicov, Tamara Leah. 2013. “‘Cine En Construcción’/‘Films in Progress’: How Spanish and Latin American Film-Makers Negotiate the Construction of a Globalized Art-House Aesthetic.” TRAC 4 (2): 253–71. https://doi.org/10.1386/trac.4.2.253_1.
Falicov, Tamara Leah. 2019. Latin American Film Industries. London, New York, NY: Bloomsbury; British Film Institute.
Fechine, Mariana Quirino. 2016. “As Relações Entre Cultura E Desenvolvimento a Partir Dos Festivais De Cinema Da Paraíba: [The Relationship Between Culture and Development Through the Film Festivals in Paraíba].” Universidade Estadual Da Paraíba. Accessed November 13, 2022. https://node1.123dok.com/dt05pdf/123dok_br/original/2021/01_29/v0amyx1611896048.pdf?X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=7PKKQ3DUV8RG19BL%2F20221113%2F%2Fs3%2Faws4_request&X-Amz-Date=20221113T203528Z&X-Amz-SignedHeaders=host&X-Amz-Expires=600&X-Amz-Signature=b2eb86d7136b0e238ac7e60e07f813805d53ef2bb0548697366f30cc7309ced3.
Francia, Aldo. 1990. Nuevo cine latinoamericano en Viña del Mar: [New Latin American cinema in Viña del Mar]. Santiago de Chile: CESOC Ediciones ChileAmérica. https://books.google.de/books?id=zMYuAAAAYAAJ.
Freitas, Luciana. 2019. “Olhar Comum Às Visões Plurais: Os Festivais De Cinema Indígena No Brasil.” [Common Gaze to Plural Visions: Indigenous Film Festivals in Brazil]. RELACult 5:1–24. https://doi.org/10.23899/relacult.v5i5.1510.
Garcia Rivas, Carlos Daniel. 2020. “Estrategias de vigilancia policial en el Festival Internacional de Cine de Mar del Plata entre 1959 y 1960.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 85-95. [Police Surveillance Strategies at the Mar del Plata Film Festival between 1959 and 1960]. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57282/64244.
Garcia Rivas, Carlos Daniel. 2020. “Police Surveillance Strategies at the Mar Del Plata Film Festival Between 1959 and 1960.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 83-93. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57282/68414.
González, Sebastián. 2020. “FICValdivia and Its Role in Contemporary Chilean Cinema.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 94–105. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/57288/68484.
Gutiérrez, Carlos A., and Monika Wagenberg. 2013. “Meeting Points: A Survey of Film Festivals in Latin America.” TRAC 4 (2): 295–305. https://doi.org/10.1386/trac.4.2.295_1.
Harris, Audrey A. 2018. “Perspectives from a Mexican Newcomer: An Interview with Daniela Michel and Chloë Roddick of the Morelia International Film Festival.” In International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes, edited by Tricia Jenkins, 237–57. London, New York: I.B.Tauris.
Isaza, Laura Rodriguez. 2012. “Branding Latin America: Film Festivals and the International Circulation of Latin American Films.” PhD Thesis, School of Modern Languages and Cultures, Centre for World Cinemas, University of Leeds. Accessed April 14, 2020. http://etheses.whiterose.ac.uk/id/eprint/3408.
Jenkins, Tricia. 2018. “Building IFF Panama from the Ground up: An Interview with Executive Director Pituka Ortega-Heilbron and Artistic Director Diana Sánchez.” In International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes, edited by Tricia Jenkins, 223–36. London, New York: I.B.Tauris.
Jurado Martín, Montserrat. 2020. “Aproximación a los certámenes cinematográficos de realidad virtual, aumentada e inmersiva en América Latina.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 132–43. [Latin American Film Festivals of Virtual, Augmented, and Immersive Reality: An Overview]. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/56993/68485.
Jurado Martín, Montserrat. 2020. “Latin American Film Festivals of Virtual, Augmented, and Immersive Reality: An Overview.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 132–43. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/56993/68485.
Kriger, Clara. 2004. “’Inolvidables jornadas vivió Mar del Plata’: Perón junto a las estrellas.” [Unforgettable days lived Mar del Plata]. Archivos de la filmoteca (46): 118–31.
LatAm cinema, ed. 2014. “Festivales de cine latinoamericano: Cine + público + industria.” Special issue, LatAm Cinema, no. 8. [Latin American Film Festivals: Film + Audience + Industry]. Accessed May 22, 2020. http://issuu.com/latamcinema/docs/numero_08.
LatAm cinema, ed. 2015. “Festivales: El inicio del viaje del cine latinoamericano.” Special issue, LatAm Cinema, no. 13. [Festivals: The beginning of the journey of Latin American cinema].
Lauer, Jean Anne. 2013. “From ‘Expresión En Corto’ to Guanajuato International Film Festival: The Rise of Regional Support for Mexican Cinema in National and International Contexts.” TRAC 4 (2): 273–93. https://doi.org/10.1386/trac.4.2.273_1.
Lopes Wanderley, Natália. 2016. “O Que Porra É Cinema De Mulher? A Mostra De Cinema De Mulher E O Desvelar Do Machismo No Audiovisual Pernambucano.” Dissertation, Centro de Artes e Comunicação, Universidade Federal de Pernambuco. Accessed November 20, 2022. https://repositorio.ufpe.br/bitstream/123456789/23077/1/Dissertacao_biblioteca%20central_reduzida.pdf.
Mattos, Tetê. 2018. “O Festival Do Rio E as Configurações Da Cidade Do Rio De Janeiro.” Doktorarbeit, The Rio Festival and the Configurations of the City of Rio de Janeiro, The Rio Festival and the Configurations of the City of Rio de Janeiro. Accessed December 04, 2022. https://www.bdtd.uerj.br:8443/handle/1/8843.
Mattos, Tetê, and Antonio Leal. 2009. “Festivais Audiovisuais Brasileiros: Um Diagnóstico Do Setor.” In Políticas Culturais: Reflexões E Ac̣ões, edited by Lia Calabre, 201–23. São Paulo, Rio de Janeiro: Itaú Cultural; Edições Casa de Rui Barbosa. [Brazilian audiovisual festivals: a diagnosis of the sector].
Melo, Izabel de Fátima Cruz. 2016. Cinema é mais que filme: Uma história das Jornadas de Cinema da Bahia (1972-1978). Salvador: EDUNEB. [Cinema Is More than Just Film. A History of the Bahia Days of Cinema (1972-1978)].
Melo, Izabel de Fátima Cruz. 2018. “Cinema, Circuitos Culturais E Espaços Formativos: Sociabilidades E Ambiência Na Bahia (1968-1978).” Masterarbeit, Escola de Comunicação e Artes, Universidade do Estado de São Paulo.
Oubiña, David. 2009. “La vocación de alteridad (festivales, críticos y subsidios del nuevo cine argentino).” In Historias extraordinarias: Nuevo cine argentino, 1999-2008, edited by Jaime Peña, 15–24. Madrid: T&B Editores. [The vocation of otherness (festivals, critics and subsidies of the new Argentine cinema)].
Peirano, Maria Paz. 2018. “FIDOCS y la formación de un campo de cine documental en Chile en la década de 1990.” [FIDOCS and the formation of a documentary film sector in Chile in the 1990s]. Cine Documental (18): 62–89. http://revista.cinedocumental.com.ar/fidocs-y-la-formacion-de-un-campo-de-cine-documental-en-chile-en-la-decada-de-19901/. Accessed May 16, 2021.
Peirano, Maria Paz, and Aida Vallejo, eds. 2020. “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.” Special issue, Comunicación y Medios 29, no. 42. [Film Festivals in Latin America: Histories and New Perspectives]. Accessed June 04, 2021. https://comunicacionymedios.uchile.cl/index.php/RCM/issue/view/5545.
Peirano, María Paz. 2016. “Pursuing, Resembling, and Contesting the Global: The Emergence of Chilean Film Festivals.” New Review of Film and Television Studies 14 (1): 112–31. https://doi.org/10.1080/17400309.2015.1109345.
Peirano, María Paz. 2017. “Ethnographic and Indigenous Film Festivals in Latin America: Constructing Networks of Film Circulation.” In Film Festivals and Anthropology, edited by Aida Vallejo and Maria-Paz Peirano, 73–87. Cambridge: Cambridge Scholars Publishing.
Peirano, María Paz. 2020. “Learning to Be ‘Global’: Chilean Filmmakers at International Film Festivals.” In Chilean Cinema in the Twenty-First-Century World, edited by Vania Barraza and Carl Fischer, 33–49. Contemporary film and media series. Detroit, Baltimore, MD: Wayne State University Press.
Peirano, María Paz, and Gonzalo Ramírez. 2023. “Chilean Film Festivals and Local Audiences: Going Online?” In Rethinking Film Festivals in the Pandemic Era and After, edited by Marijke de Valck and Antoine Damiens, 129–51. Cham: Palgrave Macmillan.
Peirano, María Paz, and Aida Vallejo. 2020. “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 11–13. [Film festivals in Latin America: Histories and new perspectives].
Peirano, María Paz, and Aida Vallejo. 2020. “Film Festivals in Latin America: Histories and New Perspectives.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 11–13. Accessed January 09, 2022. https://revistaestudiosarabes.uchile.cl/index.php/RCM/article/view/60660/68408.
Peñaloza, Fernanda. 2019. “Screening Latin America: The Sydney Latin American Film Festival.” In Mapping South-South Connections: Australia and Latin America, edited by Fernanda Peñaloza and Sarah Walsh, 223–39. New York, NY: Springer.
Pinto, Carlos Eduardo Pinto de. 2019. “Festival Cinematográfico Do Distrito Federal (1953-1959): A Paisagem Imaginada.” In XIV Semana De História Política, edited by UERJ, 139–50. [Film Festival of the Federal District (1953-1959): The Imagined Landscape].
Pires, Bianca Salles. 2019. “A Formação De Públicos Cinéfilos: Circuitos Paralelos, Museus E Festivais Internacionais.” Doktorarbeit, Universidade Federal do Rio de Janeiro.
Pires, Bianca Salles. 2019. “Janelas Para O Mundo: A Mostra Internacional De Cinema De São Paulo E O Festival De Cinema Do Rio Como Palcos Para a Festa De Seus Públicos.” In De Vidas Artes, edited by Paula Guerra and Lígia Dabul, 91–111. Porto: Universidade do Porto. Windows to the World: The Mostra Internacional de Cinema de São Paulo and Festival do Rio as Stages for Their Publics’ Feast].
Póvoa, Débora. 2023. “‘The Festival Is Ours’: Power Dynamics of Community Participation in the Alter Do Chão Film Festival.” International Journal of Cultural Studies 26 (2): 200-215. https://doi.org/10.1177/13678779231154288.
Robinson, Meredith N. 2010. “Ciné Woulé, Ciné En Progrès: An Investigation of the Francophone Caribbean Film Circuit, 1968-2010.” Small Axe 14 (3): 45–68. https://doi.org/10.1215/07990537-2010-021.
Rocha, Adriano Medeiros, and Emmanuelle Dias Vaccarini. 2015. “A Difusão Do Cinema Brasileiro E O Cine Festival Inconfidentes: O Audiovisual Verde Amarelo Conquistando O Interior De Minas Gerais.” [The Diffusion of Brazilian Cinema and the Cine Festival Inconfidentes: The Yellow-Green Audiovisual Conquering the Interior of Minas Gerais]. Experiência. Revista Científica de Extensão 1 (1). https://doi.org/10.5902/17982.
Rocha, Flavio Rogerio. 2015. “Super Festivais Do GRIFE: Produção, Circulação E Formação De Cineastas No Super8 Brasileiro (1973-1983).” Dissertation, Centro de Educação e Ciências Humanas, Universidade Federal de São Carlos. Accessed November 12, 2022. https://repositorio.ufscar.br/bitstream/handle/ufscar/10471/ROCHA_Flavio_2018.pdf?sequence=8&isAllowed=y.
Rodovalho, Beatriz. 2020. “Festival Da Libertação Tecnopobre: Sobre CachoeiraDoc.” Aniki 7 (2): 245–52. https://doi.org/10.14591/aniki.v7n2.710.
Rodríguez Isaza, Laura. 2014. “De ‘gira’ por los festivales: Patrones migratorios del cine latinoamericano. [Touring the Film Festival Circuit: Migrating Patterns of Latin American Cinema].” In “Festivales Cinematográficos [Film Festivals].” edited by Aida Vallejo. Special issue, Secuencias: Revista de Historia del Cine. (39): 65–82.
Ross, Miriam. 2010. “Film Festivals and the Ibero-American Sphere.” In Film Festival Yearbook 2: Film Festivals and Imagined Communities, edited by Dina Iordanova and Ruby Cheung, 171–87. St. Andrews: St Andrews Film Studies.
Ross, Miriam. 2011. “The Film Festival as Producer: Latin American Films and Rotterdam’s Hubert Bals Fund.” Screen 52 (2): 261–67. https://doi.org/10.1093/screen/hjr014.
Saito, Carlos Hiroo, and Kelley Marques. 2010. “Educação Ambiental Numa Perspectiva Dialógico-Problematizadora E O XI Festival Internacional De Cinema E Vídeo Ambiental (FICA).” [Environmental Education in a Dialogical Problem-Solving Perspective and the XIth International Environmental Film and Video Festival (FICA)]. Revista Brasileira de Educação Ambiental (RevBEA) 5:104–12. https://doi.org/10.34024/revbea.2010.v5.1724.
Shaw, Deborah. 2014. “Fonds de financement européens et cinéma latino-américain: Altérisation et cinéphilie bourgeoise dans La teta asustada de Claudia Llosa.” [European funding and Latin American cinema: Alterisation and bourgeois cinema in La teta asustada by Claudia Llosa]. Diogène, no. 245: 125–41. https://doi.org/10.3917/dio.245.0125.
Silva, Marcos Aurélio da. 2012. “Territórios do Desejo: Performance, Territoralidade e Cinema no Festival Mix Brasil da Diversidade Sexual.” [Territories of Desire: Performance, Territoriality and Cinema at Mix Brazil Festival of Sexual Diversity]. PhD Thesis, Programa de Pós-Graduação em Antropologia Social, Universidade Federal de Santa Catarina. Accessed May 22, 2020. https://repositorio.ufsc.br/bitstream/handle/123456789/96283/310141.pdf?sequence=1&isAllowed=y.
Silva, Marcos Aurélio da. 2015. “Cinema, Antropologia E a Construção De Mundos Possíveis: O Caso Dos Festivais De Cinema Da Diversidade Sexual.” [Cinema, Anthropology and the Making of Possible Worlds: The Case of Film Festivals of Sexual Diversity.]. Aceno: Revista de Antropologia do Centro-Oeste 2 (3): 17–40.
Teissl, Verena. 2013. “How and Why Film Festivals Contributed and Contribute to the Reception of the Latin American Film.” In Latin America, edited by Isabel Maurer Queipo, 20–27. Directory of world cinema 17. Bristol: intellect.
Triana Toribio, Nuria. 2007. “El festival de los cinéfilos transnacionales: Festival Cinematográfico Internacional de la República Argentina en Mar del Plata, 1959-1970.” [The Festival of Transnational Filmmakers: International Film Festival of the Argentine Republic in Mar del Plata, 1959-1970]. Secuencias: Revista de Historia del Cine (25): 25–45.
Triana Toribio, Nuria. 2013. “Building Latin American Cinema in Europe: Cine en Construcción/Cinéma en construction.” In Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film, edited by Stephanie Dennison, 89–112 323. London: Tamesis Books.
Tzouflas, Konstantinos. 2022. “Films from Countries in Crisis and Switzerland: The New Argentine Cinema, Greek New Wave and Swiss Film Institutions.” Cinergie 11 (22): 69–82. https://doi.org/10.6092/issn.2280-9481/14341.
Vanhaelemeesch, Jasper. 2020. “The Seeds Multiply: The AcampaDOC International Documentary Film Festival.” In “Festivales De Cine En América Latina: Historias Y Nuevas Perspectivas.”: Historias Y Nuevas Perspectivas, edited by Maria P. Peirano and Aida Vallejo. Special issue, Comunicación y Medios 29. (42): 120–33.
Vieira, Mariella Pitombo, and Milene de Cássia Silveira Gusmão. 2017. “O Mercado Audiovisual Brasileiro, O Circuito Alternativo De Exibição, as Mostras E Festivais De Cinema Na Bahia Contemporânea.” [The Brazilian Audiovisual Market, Alternative Circuit of Exhibition, Shows and Movie Festivals in Contemporary Bahia]. Ciências Sociais Unisinos 53 (1). https://doi.org/10.4013/csu.2017.53.1.04.
Villaça, Mariana. 2017. “Os Festivais De Cinema De Marcha E Seu Papel Na Constituição De Um Circuito Cultural De Resistência Política (Uruguai, 1967 E 1968),.” In Cinema E História: Circularidades, Arquivos E Experiência Estética, edited by Carolina A. de Aguiar, Danielle C. Carvalho, Eduardo V. Morettin, Lúcia R. Monteiro, and Margarida M. Adamatti. Porto Alegre, RS: Editora Sulina. [The March Film Festivals and their Role in the Formation of a Cultural Circuit of Political Resistance (Uruguay, 1967 and 1968), ].
(Last updated: 18. April 2024)