6.5 Latin America

There are only a few publications that explicitly deal with the transnational quality of film festivals in relation to South America. Julianne Burton, for instance, stresses the impact of the political, left-wing Italian film festival in Pesaro on the circulation of South American cinema in Europe and North America in her 1975 festival report. Clara Kriger (2004) and Núria Triana-Toribo (2007) examine Argentina’s Mar del Plata Film Festival.

 

Agosta, Diana, and Patricia Keeton (1994). “One Way or Another: The Havana Film Festival and Contemporary Cuban Film.” Afterimage (Sep. 1994).

Barrow, Sarah (2016). “Constraints and Possibilities: Lima Film Festival, Politics and Cultural Formation in Peru.” New Review of Film and Television Studies  14:1 (2016): 132–148.

Binimelis Adell, Mar (2011). “La geopolítica de las coproducciones hispanoamericanas: Un análisis a través de su presencia en los festivales de cine clase A (1997-2007).” PhD Thesis. Tarragona: Universidad Rovira y Virgili, Departamento de Estudios de la Comunicación. (2011). <http://www.tdx.cat/bitstream/handle/10803/51762/TESIS_DEF_COMPLETA.pdf>. (15 May 2015)

Broyles, Y.J. (1993). “Chicano film festivals: An examination.” (1985). Chicano Cinema: Research, Reviews and Resources. Ed. Gary Keller. 2. print. Tempe, AZ: Bilingual Review Press. pp. 116–120.

Burton, Julianne (1975). “The old and the new: Latin American cinema at the (last?) Pesaro Festival.” Jump Cut: A Review of Contemporary Media no. 9 (1975): 33–35. <http://www.ejumpcut.org/archive/onlinessays/JC09folder/PesaroReport.html>. (7 Dec. 2008)

Campos, Minerva (2012). “El circuito de financiación de los cines latinoamericanos | Le circuit de financement des cinémas latino-américains. [The circuit of funding for Latin American cinema].” En Cinémas d’Amérique Latine  20 (2012): 172–180.

Campos, Minerva (2015). “Film (Co)Production in Latin America and European Festivals: The Cases of Production Companies Fabula & Control Z.” Dispositive der Kulturfinanzierung. Spec. Issue of Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft 1:1. Eds. Steffen Höhne, Verena Teissl, and Martin Tröndle. Bielefeld: transcript. pp. 95–108.

Diestro-Dópido, Mar (2017). “The Film Festival Circuit: Identity Transactions in a Translational Economy.” A Companion to Latin American Cinema. Eds. Maria M. Delgado, Stephen M. Hart, and Randal Johnson. Chichester, W. Sussex: Wiley Blackwell. pp. 99–113.

Falicov, Tamara (2010). “Migrating from South to North: The Role of Film Festivals in Funding and Shaping Global South Film and Video.” Locating Migrating Media. Eds. Greg Elmer, Charles H. Davis, Janine Marchessault, and John McCullough. Lanham, MD: Lexington Books. pp. 3–21.

Falicov, Tamara L. (2013). “‘Cine en Construcción’/‘Films in Progress’: How Spanish and Latin American Film-Makers Negotiate the Construction of a Globalized Art-House Aesthetic.” Transnational Cinemas  4:2 (2013): 253–271.

Falicov, Tamara (2017). “Film Funding Opportunities for Latin American Filmmakers: A Case for Further North-South Collaboration in Training and Film Festival Initiatives.” A Companion to Latin American Cinema. Eds. Maria M. Delgado, Stephen M. Hart, and Randal Johnson. Chichester, W. Sussex: Wiley Blackwell. pp. 85–98.

Francia, Aldo (1990). Nuevo cine latinoamericano en Viña del Mar. Santiago de Chile: CESOC Ediciones ChileAmérica.

Gutiérrez, Carlos A., and Monika Wagenberg (2013). “Meeting Points: A Survey of Film Festivals in Latin America.” Transnational Cinemas  4:2 (2013): 295–305.

Isaza, Laura Rodriguez (2012). “Branding Latin America: Film Festivals and the International Circulation of Latin American Films.” PhD Thesis. Leeds: University of Leeds, School of Modern Languages and Cultures, Centre for World Cinemas. (2012). <http://etheses.whiterose.ac.uk/id/eprint/3408>. (23. Aug. 2013)

Kriger, Clara (2004). “‘Inolvidables jornadas vivió Mar del Plata’: Perón junto a las estrellas.” Archivos de la filmoteca: Revista de estudios históricos sobre la imagen 46 (2004): 118–131.

LatAm cinema, ed. (2014). Festivales de cine latinoamericano: Cine + público + industria. Spec. Issue of LatAm Cinema: Revista Digital 8. <http://issuu.com/latamcinema/docs/numero_08> (15 May 2015)

LatAm cinema, ed. (2015). Festivales: El inicio del viaje del cine latinoamericano. Spec. Issue of LatAm Cinema: Revista Digital 13. <http://issuu.com/latamcinema/docs/numero13> (15 May 2015)

Lauer, Jean Anne (2013). “From ‘Expresión en Corto’ to Guanajuato International Film Festival: The Rise of Regional Support for Mexican Cinema in National and International Contexts.” Transnational Cinemas  4:2 (2013): 273–293.

Mattos, Tetê (2013). “Festivais pra quê? Um estudo crítico sobre festivais audiovisuais brasileiros.” [“Festivals for what? A critical study of Brazilian audiovisual festivals.”] A recepção cinematográfica: Teoria e estudos de casos. Ed. Mahomed Bamba. Salvador: EDUFBA. pp. 117–131.

Mattos, Tetê, and Antonio Leal (2009). “Festivais audiovisuais brasileiros: um diagnóstico do setor.” “Brazilian audiovisual festivals: a diagnosis of the sector.” [“Brazilian audiovisual festivals: a diagnosis of the sector.”] Políticas culturais: Reflexões e ac̣ões. Ed. Lia Calabre. São Paulo, Rio de Janeiro: Itaú Cultural; Edições Casa de Rui Barbosa. pp. 201–223.

Oubiña, David (2009). “La vocación de alteridad (festivales, críticos y subsidios del nuevo cine argentino).” Historias extraordinarias: Nuevo cine argentino, 1999-2008. Ed. Jaime Peña. Madrid: T&B Editores. pp. 15–24.

Peirano, María Paz (2016). “Pursuing, Resembling, and Contesting the Global: The Emergence of Chilean Film Festivals.” New Review of Film and Television Studies  14:1 (2016): 112–131.

Peirano, María Paz (2017). “Ethnographic and Indigenous Film Festivals in Latin America: Constructing Networks of Film Circulation.” Film Festivals and Anthropology. Eds. Aida Vallejo, and Maria-Paz Peirano. Cambridge: Cambridge Scholars Publishing. pp. 73–87.

Robinson, Meredith N. (2010). “Ciné woulé, ciné en progrès: An Investigation of the Francophone Caribbean Film Circuit, 1968-2010.” Small Axe  14:3 (2010): 45–68.

Rodríguez Isaza, Laura (2014). “De ‘gira’ por los festivales: Patrones migratorios del cine latinoamericano. [Touring the Film Festival Circuit: Migrating Patterns of Latin American Cinema].” Festivales cinematográficos [Film Festivals]. Spec. Issue of Secuencias: Revista de Historia del Cine 39. Ed. Aida Vallejo. Madrid: MAIA Ediciones. pp. 65–82.

Ross, Miriam (2011). “The Film Festival as Producer: Latin American films and Rotterdam’s Hubert Bals Fund.” Screen 52:2 (2011): 261–267.

Ross, Miriam (2010). “Film Festivals and Validity.” South American Cinematic Culture: Policy, Production, Distribution and Exhibition. Newcastle Upon Tyne: Cambridge Scholars Publishing. pp. 137–154.

Ross, Miriam (2010). “Film Festivals and the Ibero-American Sphere.” Film Festival Yearbook 2: Film Festivals and Imagined Communities. Eds. Dina Iordanova with Ruby Cheung. St. Andrews: St. Andrews Film Studies. pp. 171–187.

Shaw, Deborah (2014). “Fonds de financement européens et cinéma latino-américain: Altérisation et cinéphilie bourgeoise dans La teta asustada de Claudia Llosa.” Transl. Brigitte Rollet. Diogène 245 (2014): 125–141.

Silva, Marcos Aurélio da (2012). “Territórios do Desejo: Performance, Territoralidade e Cinema no Festival Mix Brasil da Diversidade Sexual.” [“Territories of Desire: Performance, Territoriality and Cinema at Mix Brazil Festival of Sexual Diversity.”] PhD Thesis. Ilha de Santa Catarina: Universidade Federal de Santa Catarina, Programa de Pós-Graduação em Antropologia Social.

Silva, Marcos Aurélio da (2015). “Cinema, Antropologia e a construção de mundos possíveis: o caso dos festivais de cinema da diversidade sexual.” [Cinema, Anthropology and the Making of Possible Worlds: The Case of Film Festivals of Sexual Diversity.]. Aceno: Revista de Antropologia do Centro-Oeste  2:3 (2015): 17–40.

Triana-Toribio, Núria (2007). “El festival de los cinéfilos transnacionales: Festival Cinematográfico Internacional de la República Argentina en Mar del Plata, 1959–1970.” Secuencias: Revista de Historia del Cine 25 (2007): 25–45.

Triana Toribio, Nuria (2013). “Building Latin American Cinema in Europe: Cine en Construcción/Cinéma en construction.” Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. Ed. Stephanie Dennison. London: Tamesis Books. pp. 89–112.

 

(Last updated: 26 July 2017)