6.7 North America

 

Alexander, Neta. “Margaret Mead Film Festival: Four Decades of World Picture(s).” Film Festivals and Anthropology, edited by Aida Vallejo and Maria-Paz Peirano, Cambridge Scholars Publishing, 2017, pp. 165–78.

Anderson, John. Sundancing: Hanging Out and Listening in at America’s Most Important Film Festival, Spike, 2000.

Berra, John. “Selective Exhibition: The Sundance Film Festival and Its Significance to the Independent Sector.” Declarations of Independence: American Cinema and the Partiality of Independent Production, intellect, 2008, pp. 143–60.

Biskind, Peter. Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film, Simon & Schuster, 2004.

Burgess, Diane. “Bridging the Gap: Film Festival Governance, Public Partners and the ‘Vexing’ Problem of Film Distribution.” Canadian Journal of Film Studies | Revue Canadienne d’Études Cinématographiques, vol. 21, no. 1, 2012, pp. 2–20.

Burgess, Diane. “Why Whistler Will Never Be Sundance, and What This Tells Us About the Field of Cultural Production.” Canadian Journal of Film Studies | Revue Canadienne d’Études Cinématographiques, vol. 23, no. 1, 2014, pp. 90–108.

Burgess, Diane. Negotiating Value: A Canadian Perspective on the International Film Festival. PhD Thesis, Simon Fraser University, 2008, summit.sfu.ca​/​system/​files/​iritems1/​9173/​etd4165.pdf.

Cable, Umayyah. Cinematic Activism: Film Festivals and the Exhibition of Palestinian Cultural Politics in the United States. PhD Thesis, University of Southern California, 2016.

Cervenan, Amy Martina. Placing the Festival: A Case Study of the Toronto International Film Festival. PhD Thesis, University of Toronto, 2017, hdl.handle.net​/​1807/​80945.

Craig, Benjamin. Sundance: A Festival Virgin’s Guide: Surviving and Thriving in Park City at America’s Most Important Film Festival, Cinemagine Media, 2004.

Dayan, Daniel. “Looking for Sundance: The Social Construction of a Film Festival.” Moving Images, Culture and the Mind, edited by Ib Bondebjerg, Univ. of Luton Press, 2000, pp. 43–52.

Kredell, Brendan. “T.O. Live With Film: The Toronto International Film Festival and Municipal Cultural Policy in Contemporary Toronto.” Canadian Journal of Film Studies | Revue Canadienne d’Études Cinématographiques, vol. 21, no. 1, 2012, pp. 21–37.

Lacasse, Germain. “Chasse au Godard d’Abbittibbi:: Chronotope d’une culture cinématographique régionale.” [Abbittibbi’s Godard hunt: Chronotope of a culture]. Synoptique, vol. 3, no. 2, 2015, pp. 29–48. synoptiqueblog.files.wordpress.com​/​2018/​07/​3-​germain-​lacasse-​chasse-​au-​godard-​dabbittibbi-​chronotope-​dune-​culture-​cinecc81matographique-​recc81gionale.pdf.

Lutkehaus, Nancy C. “The Sundance Film Festival: Notes Towards an Ethnography of a Film Festival.” Visual Anthropology Review, vol. 11, no. 2, 1995, pp. 121–29.

Mirvish, Dan. The Cheerful Subversive’s Guide to Independent Filmmaking: From Preproduction to Festivals and Distribution, Routledge Focal Press, 2017.

Mitchell, Sarah Elaine Dillard. “Programmer as Festival Spokesperson: Information Management Strategies at the Toronto International Film Festival.” Film Festivals and Anthropology, edited by Aida Vallejo and Maria-Paz Peirano, Cambridge Scholars Publishing, 2017, pp. 305–21.

Mitchell, Sarah Elaine Dillard. Glamorous Work: An Ethnographic Study of the Toronto Interntational Film Festival. PhD Thesis, Indiana University, 2017.

Peña, Richard. “Setting the Course: Directors and Directions at the New York Film Festival, 1963-2010.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 77–87.

Petrychyn, Jonathan. “The Queer Film Festival Quandary.” Briarpatch, vol. 46, no. 3, 2017, pp. 24–28. briarpatchmagazine.com​/​articles/​view/​the-​queer-​film-​festival-​quandary.

Rae, Ian, and Jessica Thom. “The Rise and Fall of the Stratford International Film Festival.” Canadian Journal of Film Studies | Revue Canadienne d’Études Cinématographiques, vol. 25, no. 1, 2016, pp. 67–87.

Rastegar, Roya Zahra. Cinematic Spaces of Freedom & the Challenge of American Film Festivals. PhD Thesis, University of California, Santa Cruz, 2011.

Rastegar, Roya Zahra. “Curating ‘Physical Cinema’ at Sundance’s New Frontier.” The Scholar and Feminist Online, vol. 10, no. 3, 2012, sfonline.barnard.edu​/​feminist-​media-​theory/​curating-​physical-​cinema-​at-​sundances-​new-​frontier/​.

Rastegar, Roya Zahra. “Evolving Narrative Structures Forge New Cine-Love at the 2012 Sundance Film Festival.” Camera Obscura: Feminism, Culture, and Media Studies, vol. 27, 3 (#81), 2012, pp. 149–57. doi:10.1215/02705346-1727491.

Rastegar, Roya Zahra. “The Curatorial Crisis in Independent Films: How Do the Spaces in Which We Watch Films Shape the Way We See and Make Meaning?” CSW Update Newsletter, 2012, escholarship.org​/​uc/​item/​4mb0f534.

Richards, Stuart James. The Queer Film Festival: Popcorn and Politics, Palgrave Macmillan, 2016. Framing Film Festivals.

Richards, Stuart. “Frameline’s Conservative Hoax: Smashing Frameline’s Homonormative Image to Reveal a Socially Empowering Organisation.” antiTHESIS: A Postgraduate Journal of Interdisciplinary Studies, no. 22, 2012, pp. 123–37.

Ruby, Jay. “Temple University’s Conferences on Visual Anthropology: A First Person, Clearly Biased Report on an Experiment.” Film Festivals and Anthropology, edited by Aida Vallejo and Maria-Paz Peirano, Cambridge Scholars Publishing, 2017, pp. 143–63.

Ruoff, Jeffrey. “Programming the Old and the New: Bill and Stella Pence on the Telluride Film Festival.” Coming Soon to a Festival Near You: Programming Film Festivals, edited by Jeffrey Ruoff, St Andrews Film Books, 2012, pp. 135–54.

Ruoff, Jeffrey. Telluride in the Film Festival Galaxy, St Andrews Film Studies, 2016.

Smith, Lory. Party in a Box: The Story of the Sundance Film Festival. 1st ed., Gibbs Smith, 1999.

Su, James Yantao. “Chinese American Film Festival Establishing a Maritime Silk Road between the East and West.” International Communication of Chinese Culture, vol. 2, no. 1, 2015, pp. 93–98. doi:10.1007/s40636-015-0015-0.

Winton, Ezra. Good for the Heart and Soul, Good for Business: The Cultural Politics of Documentary at the Hot Docs Film Festival. PhD Thesis, Carleton University, 2013, curve.carleton.ca​/​system/​files/​theses/​27612.pdf.

Zimmermann, Patricia R. “Humanist and Poetic Activism: The Robert Flaherty Film Seminar in the 1950s.” Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, St Andrews Film Studies, 2012, pp. 175–89.

 

(Last update: 19 January 2021)

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