The third subcategory for section (7) Programming responds directly to the recent trend among film festival scholars to scrutinize the ways in which festivals influence film production aesthetically. We believe that the new heading better represents the important work (in progress) on the notion of festival films and on the genre of international art cinema.
Andrews, David (2010). “Art Cinema as Institution, Redux: Art Houses, Film Festivals, and Film Studies.” Scope: An Online Journal of Film & TV Studies 18 (2010). <http://www.scope.nottingham.ac.uk/article.php?issue=18&id=1245>. (12. Dec. 2010)
Majumdar, Neepa (2011). “Importing Neorealism, Exporting Cinema: Indian Cinema and Film Festivals in the 1950s.” Global Neorealism: The Transnational History of a Film Style. Eds. Saverio Giovacchini, and Robert Sklar. Jackson: University Press of Mississippi. pp. 178–193.
(Last updated: 1 November 2012)