9.2.4.4 Indigenous Film Festivals

Córdova, Amalia. 2012. “Towards an Indigenous Film Festival Circuit.” In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 63–80. St Andrews: St Andrews Film Studies.

Klimek, Caroline. 2018. “From Programmer to Curator: How Film Festivals Are Pushing the Boundaries of New Media and Expanded Cinema.” CJFS 27 (1): 73–87. https://doi.org/10.3138/cjfs.27.1.2017-0016.

Monani, Salma. 2013. “Indigenous Film Festival as Eco-Testimonial Encounter: The 2011 Native Film + Video Festival.” NECSUS 2 (1 (#3)): 285–91. https://doi.org/10.5117/NECSUS2013.1.MONA.

Monani, Salma, and Miranda Brady. 2013. “ImagineNATIVE 2012: Ecocinema and the Indigenous Film Festival.” Reconstruction 13 (3/4). https://cupola.gettysburg.edu/cgi/viewcontent.cgi?article=1069&context=esfac. Accessed May 31, 2020.

Peirano, María Paz. 2016. “NATIVe: A Journey into Indigenous Cinema at the 65th Berlin International Film Festival, 5th-15th February 2015. Focus Latin America.” Vis Anthropol Rev 32 (1): 91–93. https://doi.org/10.1111/var.12099.

Peirano, María Paz. 2017. “Ethnographic and Indigenous Film Festivals in Latin America: Constructing Networks of Film Circulation.” In Film Festivals and Anthropology, edited by Aida Vallejo and Maria-Paz Peirano, 73–87. Cambridge: Cambridge Scholars Publishing.

Thornley, Davinia. 2017. “ImagineNATIVE Film + Media Arts Festival: Collaborative Criticism Through Curatorship.” In Activist Film Festivals: Towards a Political Subject, edited by Sonia M. Tascon and Tyson Wils, 199–212. London: intellect.

Windolph, Janine, and Sheila Petty. 2025. “’Stories Are in Our Bones!’ from Mispon to Ācimowin: A Conversation with Janine Windolph, in Memory of Trudy Stewart.” Alphaville, no. 28: 56–70. https://doi.org/10.33178/alpha.28.04.

 

(Last updated: 30. March 2025)