7.4 Films and Filmmakers on the Festival Circuit

 

DeCuir, Greg, Jr. (2012). “‘Connect Me with Activism, and Film Practice, Not Activism and Film Festivals!’: An Interview with Želimir Žilnik, Filmmaker.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 245–252.

De Valck, Marijke (2013). “Sites of Initiation: Film Training Programs at Film Festivals.” The Education of the Filmmaker in Europe, Australia, and Asia. Ed. Mette Hjort. New York: Palgrave Macmillan. pp. 127–145.

Farnel, Sean (2012). “Towards a Filmmaker Bill of Rights for Festivals.” Point of View: Independent Documentary Media Culture  (2012). <http://povmagazine.com/articles/view/towards-a-filmmaker-bill-of-rights-for-festivals>. (19. Nov. 2012) | Reprinted in The Film Festivals Reader. Ed. Dina Iordanova. St Andrews: St Andrews Film Studies. pp. 223–229.

Higgins, Nick (2012). “‘Tell Our Story to the World’: The Meaning of Success for ‘A Massacre Foretold’ – A Filmmaker Reflects.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova, and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 133–145.

Isaza, Laura Rodriguez (2012). “Branding Latin America: Film Festivals and the International Circulation of Latin American Films.” PhD Thesis. Leeds: University of Leeds, School of Modern Languages and Cultures, Centre for World Cinemas. (2012). <http://etheses.whiterose.ac.uk/id/eprint/3408>. (23. Aug. 2013)

Kocer, Suncem (2013). “Making Transnational Publics: Circuits of Censorship and Technologies of Publicity in Kurdish Media Circulation.” American Ethnologist  40:4 (2013): 721–733.

Lacasse, Germain (2015). “Le Festival comme lieu d’un cinéma populaire: le cas du Festival de cinéma international en Abitibi-Témiscamingue (FCIAT).” Synoptique 3:2 (2015): 29–48. <http://synoptique.hybrid.concordia.ca/index.php/main/article/view/82>. (12 Mar. 2015)

Lee, Nikki J. Y. and Julian Stringer (2012). “Ports of Entry: Mapping Chinese Cinema’s Multiple Trajectories at International Film Festivals.” A Companion to Chinese Cinema. Ed. Yingjin Zhang. Oxford: Wiley-Blackwell. pp. 239-261.

Porton, Richard (2009c). “A Director on the Festival Circuit: An Interview with Atom Egoyan.” Dekalog 3: On Film Festivals. Ed. Richard Porton. London: Wallflower. pp. 169–181.

Straayer, Chris, and Thomas Waugh, eds. (2008). “Queer Film and Video Festival Forum, Take Three: Artists Speak Out.” [Contributions by Bill Basquin, Maureen Bradley, Q. Allan Brocka, Olivier Ducastel, Su Friedrich, Barbara Hammer, Jacques Martineau, and Onir] GLQ: A Journal of Lesbian and Gay Studies 14:1 (2008): 121–137.

Sun, Yi (2015). “Shaping Hong Kong Cinema’s New Icon: Milkyway Image at International Film Festivals.” Transnational Cinemas 6:1 (2015): 67–83.

Torchin, Leshu (2012). “How to Leverage a Film Festival: An Interview with Judith Helfand, Filmmaker and Co-founder of Chicken & Egg Pictures and Working Films.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 253–262.

Vallejo, Aida (2015). “Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace.” Post-1990 Documentary: Reconfiguring Independence. Eds. Camille Deprez, and Judith Pernin. Edinburgh: Edinburgh University Press. pp. 171–187.

van Hemert, Tess (2013). “International Acclaim: The Role(s) of the International Film Festival in Supporting Emerging Women’s Cinema.” PhD Thesis. Queensland University of Technology, Film, Screen and Animation; School of Media, Entertainment and Creative Arts, Creative Industries Faculties. (2013). <http://eprints.qut.edu.au/63269/1/Tess_Van_Hemert_Thesis.pdf>. (27 Nov. 2013)

 

(Last updated: 26 July 2015)

 

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