7.4 Films and Filmmakers on the Festival Circuit

 

DeCuir, Greg, Jr. (2012). “‘Connect Me with Activism, and Film Practice, Not Activism and Film Festivals!’: An Interview with Želimir Žilnik, Filmmaker.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 245–252.

De Valck, Marijke (2013). “Sites of Initiation: Film Training Programs at Film Festivals.” The Education of the Filmmaker in Europe, Australia, and Asia. Ed. Mette Hjort. New York: Palgrave Macmillan. pp. 127–145.

Farnel, Sean (2012). “Towards a Filmmaker Bill of Rights for Festivals.” Point of View: Independent Documentary Media Culture  (2012). <http://povmagazine.com/articles/view/towards-a-filmmaker-bill-of-rights-for-festivals>. (19. Nov. 2012) | Reprinted in The Film Festivals Reader. Ed. Dina Iordanova. St Andrews: St Andrews Film Studies. pp. 223–229.

Hannemann, Mahelia (2016). Accept Diversity! Accept Equality? Eine analytische Untersuchung des Anspruchs und der Realität von Gleichstellung in der Filmindustrie mit Hinblick auf die Funktion des internationalen Filmfestivals Berlinale. Frankfurt am Main: Peter Lang.

Higgins, Nick (2012). “‘Tell Our Story to the World’: The Meaning of Success for ‘A Massacre Foretold’ – A Filmmaker Reflects.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova, and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 133–145.

Isaza, Laura Rodriguez (2012). “Branding Latin America: Film Festivals and the International Circulation of Latin American Films.” PhD Thesis. Leeds: University of Leeds, School of Modern Languages and Cultures, Centre for World Cinemas. (2012). <http://etheses.whiterose.ac.uk/id/eprint/3408>. (23. Aug. 2013)

Kocer, Suncem (2013). “Making Transnational Publics: Circuits of Censorship and Technologies of Publicity in Kurdish Media Circulation.” American Ethnologist  40:4 (2013): 721–733.

Lacasse, Germain (2015). “Le Festival comme lieu d’un cinéma populaire: le cas du Festival de cinéma international en Abitibi-Témiscamingue (FCIAT).” Synoptique 3:2 (2015): 29–48. <http://synoptique.hybrid.concordia.ca/index.php/main/article/view/82>. (12 Mar. 2015)

Lee, Nikki J. Y. and Julian Stringer (2012). “Ports of Entry: Mapping Chinese Cinema’s Multiple Trajectories at International Film Festivals.” A Companion to Chinese Cinema. Ed. Yingjin Zhang. Oxford: Wiley-Blackwell. pp. 239-261.

Porton, Richard (2009c). “A Director on the Festival Circuit: An Interview with Atom Egoyan.” Dekalog 3: On Film Festivals. Ed. Richard Porton. London: Wallflower. pp. 169–181.

Straayer, Chris, and Thomas Waugh, eds. (2008). “Queer Film and Video Festival Forum, Take Three: Artists Speak Out.” [Contributions by Bill Basquin, Maureen Bradley, Q. Allan Brocka, Olivier Ducastel, Su Friedrich, Barbara Hammer, Jacques Martineau, and Onir] GLQ: A Journal of Lesbian and Gay Studies 14:1 (2008): 121–137.

Sun, Yi (2015). “Shaping Hong Kong Cinema’s New Icon: Milkyway Image at International Film Festivals.” Transnational Cinemas 6:1 (2015): 67–83.

Torchin, Leshu (2012). “How to Leverage a Film Festival: An Interview with Judith Helfand, Filmmaker and Co-founder of Chicken & Egg Pictures and Working Films.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 253–262.

Vallejo, Aida (2015). “Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace.” Post-1990 Documentary: Reconfiguring Independence. Eds. Camille Deprez, and Judith Pernin. Edinburgh: Edinburgh University Press. pp. 171–187.

van Hemert, Tess (2013). “International Acclaim: The Role(s) of the International Film Festival in Supporting Emerging Women’s Cinema.” PhD Thesis. Queensland University of Technology, Film, Screen and Animation; School of Media, Entertainment and Creative Arts, Creative Industries Faculties. (2013). <http://eprints.qut.edu.au/63269/1/Tess_Van_Hemert_Thesis.pdf>. (27 Nov. 2013)

 

(Last updated: 26 July 2017)

 

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