6.6 Australia


Benson, Chloe (2016). “Language Matters.” Senses of Cinema 80 (2016). <http://sensesofcinema.com/2016/new-directions/language-matters/>. (21 Jul. 2017)

Herrschner, Irina (2015). “The Role of Art in German Cultural Diplomacy: An Analysis of the Festival of German Films in Melbourne, Australia.” Media Transformations 11 (2015): 124–141.

Hope, Cathy, and Adam Dickerson (2011). “‘Give It a Go You Apes’: Relations Between the Sydney and Melbourne Film Festivals, and the Early Australian Film Industry (1954–1970).” Screening the Past 30 (2011). <http://screeningthepast.com/?p=256>. (12 Aug. 2011)

Hope, Cathy, and Adam Dickerson (2006a). “‘Films for the Intelligent Layman’: The Origins of the Sydney and Melbourne Film Festivals (1952–1958).” Screening the Past no. 19 (2006). <http://www.latrobe.edu.au/screeningthepast/19/sydney-melbourne-film-festivals.html>. (7 Dec. 2008)

Hope, Cathy, and Adam Dickerson (2006b). “‘Ill-Will with the Trade’: The Sydney and Melbourne Film Festivals (1959–1964).” Screening the Past no. 20 (2006). <http://www.latrobe.edu.au/screeningthepast/20/sydney-melbourne-film-festivals-1959-1964.html>. (7 Dec. 2008)

Hope, Cathy, and Adam Dickerson (2006c). “‘Separating the Sheep from the Goats’: The Sydney and Melbourne Film Festivals (1965–1972).” Screening the Past no. 20 (2006). <http://www.latrobe.edu.au/screeningthepast/20/sydney-melbourne-film-festivals-1965-1972.html>. (7 Dec. 2008)

Muller, Clare (2012). “Human Rights Film Festivals and Human Rights Education: The Human Rights Arts and Film Festival (HRAFF), Australia.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova, and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 165–173.

Murray, Virginia, and Katya Johanson (2015). “The Cut-Through Concept: 52 Tuesdays, Festivals and the Distribution of Independent Australian Films.” Studies in Australasian Cinema  9:1 (2015): 52–65.

Popescu, Stefan (2015). “Festival Director’s Report: Sydney Underground Film Festival – A Community of Cinema Junkies.” Studies in Australasian Cinema  9:2 (2015): 205–210.

Richards, Stuart James (2016). The Queer Film Festival: Popcorn and Politics. New York: Palgrave Macmillan.

Richards, Stuart (2016). “Proud in the Middleground: How the Creative Industries Allow the Melbourne Queer Film Festival to Bring Queer Content to Audiences.” Studies in Australasian Cinema 10:1 (2016): 129–142.

Searle, Samantha (1996). “Film and Video Festivals: Queer Politics and Exhibition.” Meanjin 55:1 (1996): 47–59.

Searle, Samantha (1997). Queer-ing the Screen: Sexuality and Australian Film and Television. St. Kilda: Australian Teachers of Media (ATOM).

Sölter, Arpad-Andreas (2015). “Festival Circus, Golden Gnomes and Cultural Diplomacy: The Audi Festival of German Films in the Context of Multicultural Festivals in Australia.” Studies in Australasian Cinema  9:2 (2015): 190–204.

Sölter, Arpad-Andreas (2018). “Strategically Shaping International Cultural Relations in a Changing Competitive Environment: Reflections on Recent German-Australian Encounters.” German-Australian Encounters and Cultural Transfers: Global Dynamics in Transnational Lands. Eds. Benjamin Nickl, Irina Herrschner, and Elżbieta M. Goździak. Singapore: Springer. pp. 3–28.

Stevens, Kirsten (2013). “See It at a Festival Near You: The Film Festival as Exhibition Practice in Melbourne, 1952-2012.” PhD Thesis. Melbourne: Monash, Film and Television Studies, School of English, Communication and Performance Studies.

Stevens, Kirsten (2016). Australian Film Festivals: Audience, Place, and Exhibition Culture. New York: Palgrave Macmillan.

Stevens, Kirsten (2016). “Enthusiastic Amateurs: Australia’s Film Societies and the Birth of Audience-Driven Film Festivals in Post-War Melbourne.” New Review of Film and Television Studies  14:1 (2016): 22–39.

Stevens, Kirsten (2016). “From Film Weeks to Festivals: Australia’s Film Festival Boom in the 1980s.” Studies in Australasian Cinema (2016): 1–14.

van Hemert, Tess (2016). “BIFF to BAPFF: Considering ‘Festival Memory’ in the Face of Change and Innovation.” New Review of Film and Television Studies  14:1 (2016): 164–180.


(Last updated: 9 February 2018)

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