10. Publications Dedicated to Individual Film Festivals

The last section of our annotated film festival bibliography collects articles, book chapters and books that have been created with varying purposes. There are several books that have been edited to celebrate major anniversaries of festivals; some of those focus on the glamour and highlights (e.g. Baecque 2007; Toubiana 1997 etc.), while others strive for a contextualization and critical remembrance (e.g. Behnken 2004; Schenk 2007). Among the books, chapters, and articles are pieces collecting and describing a festival history (Stanfield 2008), or analyzing specific discourses and issues using a specific case study (e.g. Hope/Dickerson 2006a, b, c; Martini 2007).

 

Ambrosioni, Dalmazio (1998). Locarno città del cinema: I cinquant’anni del Festival internazionale del film. Locarno: A. Dadò.

Anderson, John (2000). Sundancing: Hanging Out and Listening in at America’s Most Important Film Festival. New York: Spike.

Bart, Peter (1997). Cannes: Fifty Years of Sun, Sex & Celluloid: Behind the Scenes at the World’s Most Famous Film Festival. New York: Hyperion.

Beauchamp, Cari, and Henri Béhar (1992). Hollywood on the Riviera: The Inside Story of the Cannes Film Festival. New York: W. Morrow and Co.

Behnken, Klaus, ed. (2004). Kurz und klein: 50 Jahre Internationale Kurzfilmtage Oberhausen. Ostfildern-Ruit: Hatje Cantz.

Berry, Chris (2007). “10 Years Young: The Shanghai International Film Festival.” Senses of Cinema 45 (2007). <http://www.sensesofcinema.com/2007/festival-reports/shanghai-iff-2007/>. (15 Sep. 2010)

Beyer, René, and Alfred Georg Frei, eds. (2008). Die Traumfabrik von gestern: Merseburger DEFA-Filmtage. Halle: Projekte.

Billard, Pierre (1997). Festival de Cannes: d’Or et de Palmes. Paris: Gallimard.

Bono, Francesco (2001). “EXTASE am Lido: Chronik eines Skanals.” Ekstase. Ed. Armin Loacker. Vienna: Filmarchive Austria. pp. 115–145.

Bono, Francesco (1992). “Venezia 1932: Il Cinema Diverta Arte.” Biennale. Venice: Fabbri Editori. pp. 91–109.

Bono, Francesco (1991). “La Mostra del Cinema di Venezia: Nascita e Sviluppo nell’Anteguerra (1932–1939).” Storia Contemporanea 22:3 (Aug. 1991): 513–549.

Cascais, António Fernando, and João Ferreira, eds. (2014). Cinema e Cultura Queer | Queer Film and Culture: Queer Lisboa – Festival Internacional de Cinema Queer | International Queer Film Festival. Lisboa.

Cazzaro, Davide, and Darcy Paquet (2015). BIFF x BIFF. Foreword by Lee Chang-dong. Busan: Busan International Film Festival.

Cheung, Ruby (2009). “Corporatising a Film Festival: Hong Kong.” Film Festival Yearbook 1: The Festival Circuit. Eds. Dina Iordanova, and Ragan Rhyne. St. Andrews: St. Andrews Film Studies. pp. 99–115.

Corless, Kieron and Chris Darke (2007). Cannes: Inside the World’s Premier Film Festival. London: Faber and Faber.

Cowie, Peter (2010). The Berlinale: The Festival.| Die Berlinale: Das Festival. (two language editions) Bertz + Fischer.

Čulík, Jan, and Emma Čulík (2010). “Karlovy Vary International Film Festival 2009: A Remarkable Showcase of Contemporary Cinema.” Studies in Eastern European Cinema 1:1 (2010): 119–126.

De Baecque, Antoine, ed. (2007). Les leçons de cinéma du Festival de Cannes. Paris: Panama.

Deleau, Pierre-Henri (1998). Les réalisateurs de la Quinzaine: Festival de Cannes 20e anniversaire. Paris: Asnières.

Deleau, Pierre-Henri, ed. (1993). La Quinzaine des Réalisateurs à Cannes: Cinéma en Liberté (1969–1993). Paris: Èditions de la Martinière.

Diepenbroick, Dorothée von, and Skadi Loist, eds. (2009). Bildschön. 20 Jahre Lesbisch Schwule Filmtage Hamburg. Hamburg: Männerschwarm.

Francia, Aldo (1990). Nuevo cine latinoamericano en Viña del Mar. Santiago de Chile: CESOC Ediciones ChileAmérica.

Friers, Pamela, ed. (1998). Abgezoomt das Buch zum Festival: Filme, MacherInnen und Entwürfe. München: KoPäd.

Galán, Diego (2001). Jack Lemmon nunca cenó aquí: Trece años y un día en el Festival de Cine de San Sebastián. Barcelona: Plaza & Janés.

Galán, Diego (2002). 50 años de rodaje. Festival de Cine de San Sebastián = 50 urte jardunean. Donostiako nazioarteko zinemaldia. Donostia-San Sebastián, Madrid: Festival Internacional de Cine de San Sebastián; Ocho y Medio, Libros de Cine.

Galliner, Nicola, ed. (2004). Jewish Film Festival Berlin: Filme, Bilder, Geschichten. Die ersten 10 Jahre. Berlin: be.bra.

Gehler, Fred, ed. (1998). Dialog mit einem Mythos: Ästhetische und politische Entwicklungen des Leipziger Dokumentarfilm-Festivals in vier Jahrzehnten. Leipzig: Leipziger Univ.-Verlag.

Gimello-Mesplomb, Frédéric (2014). Objectif 49: Cocteau et la nouvelle avant-garde. Paris: Séguier.

Hamid, Rahul (2009). “From Urban Bohemia to Euro Glamour: The Establishment and Early Years of the New York Film Festival.” Film Festival Yearbook 1: The Festival Circuit. Eds. Dina Iordanova, and Ragan Rhyne. St. Andrews: St. Andrews Film Studies. pp. 67–81.

Hardy, Forsyth (1992). Slightly Mad and Full of Dangers: The Story of the Edinburgh Film Festival. Edinburgh: Ramsay Head Press.

Hope, Cathy, and Adam Dickerson (2011). “‘Give It a Go You Apes’: Relations Between the Sydney and Melbourne Film Festivals, and the Early Australian Film Industry (1954–1970).” Screening the Past 30 (2011). <http://screeningthepast.com/?p=256>.

Hope, Cathy, and Adam Dickerson (2006a). “‘Films for the Intelligent Layman’: The Origins of the Sydney and Melbourne Film Festivals (1952–1958).” Screening the Past no. 19 (2006). <http://www.latrobe.edu.au/screeningthepast/19/sydney-melbourne-film-festivals.html>. (7 Dec. 2008)

Hope, Cathy, and Adam Dickerson (2006b). “‘Ill-Will with the Trade’: The Sydney and Melbourne Film Festivals (1959–1964).” Screening the Past no. 20 (2006). <http://www.latrobe.edu.au/screeningthepast/20/sydney-melbourne-film-festivals-1959-1964.html>. (7 Dec. 2008)

Hope, Cathy, and Adam Dickerson (2006c). “‘Separating the Sheep from the Goats’: The Sydney and Melbourne Film Festivals (1965–1972).” Screening the Past no. 20 (2006). <http://www.latrobe.edu.au/screeningthepast/20/sydney-melbourne-film-festivals-1965-1972.html>. (7 Dec. 2008)

Huber, Christoph (2009). “Status Quo and Beyond: The Viennale, A Success Story.” Dekalog 3: On Film Festivals. Ed. Richard Porton. London: Wallflower. pp. 131–142.

Internationale Filmfestspiele Berlin; Stiftung Deutsche Kinematik (2010). Die Berlinale. München: Süddeutsche Zeitung.

Jacob, Gilles (2011). Citizen Cannes: The Man behind the Cannes Film Festival. Berlin: Phaidon.

Jacobsen, Wolfgang, ed. (2000). 50 Jahre Berlinale: Internationale Filmfestspiele Berlin; [1951–2000]. Berlin: Nicolai.

Jacobsen, Wolfgang (1990). Berlinale: Berlin International Film Festival. Berlin: Deutsche Kinemathek.

Jelenkovic, Dunja, ed. (2013). Festival Kratkog metra – 60 godina. Monografija Beogradskog festivala dokumentarnog i kratkometražnog filma | The Short Film Fest – 60 Years. Monograph on the Belgrade Documentary and Short Film Festival. [bilingual Serbian|English] Belgrade: FEST Head Office.

Johnson, Brian D. (2000). Brave Films, Wild Nights: 25 Years of Festival Fever. Toronto: Random House Canada.

Kern, Laura, Joanne Koch, and  Richard Peña, eds. (2012). New York Film Festival Anniversary Gold. New York: Film Society of Lincoln Center.

Kötzing, Andreas (2004). Die Internationale Leipziger Dokumentar- und Kurzfilmwoche in den 1970er Jahren. Leipzig: Leipziger Univ.-Verlag.

KurzFilmAgentur, ed. (2002). Festschrift 10 Jahre KurzFilmAgentur Hamburg. Hamburg. <http://agentur.shortfilm.com/uploads/media/festschrift_KFA.pdf>. (7 Dec. 2008)

Ledergerber, Norbert, and Urs Jaeggi (1985). Solothurner Filmtage 1966–1985: Geschichte und Entwicklung: aus Anlass der 20. Filmtage. Freiburg, Schweiz: Universitätsverlag.

Latil, Loredana (2005). Le festival de Cannes sur la scène internationale. Paris: Nouveau Monde.

Lloyd, Matthew (2011). How the Movie Brats Took Over Edinburgh: The Impact of Cinéphilia on Edinburgh International Film Festival, 1968-1980. St. Andrews: St Andrews Film Studies.

Lucchini, Domenico, and Gian Carlo Bertelli, eds. (1987). Festival internazionale del film Locarno: 40 ans | 40 anni | 40 Jahre: Six essais critiques | Sei saggi critici | Sechs kritische Essays. Locarno.

Manciet, Yves and Jean-Claude Carrière (2004). Cannes: Premières années du Festival. Roanne: Thoba’s.

Martini, Heidi (2007). Dokumentarfilm-Festival Leipzig: Filme und Politik im Blick und Gegenblick. Berlin: DEFA-Stiftung.

McArthur, Colin (1990). “The Rises and Falls of the Edinburgh International Film Festival.” From Limelight to Satellite: A Scottish Film Book. Ed. Eddie Dick. Edinburgh: Scottish Film Council and British Film Institute. pp. 91–102.

Mitterrand, Frédéric (2007). Le Festival de Cannes. Paris: Robert Laffont.

Moller, Olaf (2009). “Bagatelle for Kino Otek and i 1000 occhi.” Dekalog 3: On Film Festivals. Ed. Richard Porton. London: Wallflower. pp. 143–150.

Mouzaki, Despina, ed. (2009). 1960-2009: πενήντα χρόνια Φεστιβάλ Κινηματογράφου Θεσσαλονίκης [1960-2009: Fifty Years of Thessaloniki Film Festival]. Thessaloniki: Ianos.

Museum of Modern Art, ed. (1992). Cannes 45 Years: Festival International du Film. Published on occasion of the exhibition. New York: Museum of Modern Art.

Pascal, Michel (1997). Cannes: Cris et Chuchotements. Paris: N.I.L éditions.

Paulon, Flavia (1971). La dogaressa contestata: La favolosa storia della mostra di Venezia: dalle regine alla contestazione. Mestre: Trevisanstampa.

Philippe, Claude-Jean (1987). Cannes, le festival. Paris: Nathan Sipa.

Pisu, Stefano (2013). Stalin a Venezia: L’Urss alla Mostra del cinema fra diplomazia culturale e scontro ideologico (1932-1953). Prefazione di by Pierre Sorlin. Intervista a Gian Liugi Rondi. Soveria Mannelli: Rubbettino.

Ponomareva, Galina (2014). Das internationale lesbisch-schwule Filmfestival “Bok o Bok”: Zur Konstruktion von LGBT-Öffentlichkeit im politischen Kontext der Russischen Föderation. Berlin: Avinus.

Porton, Richard (2010). “The Toronto International Film Festival at the Crossroads.” Cineaste 36:1 (2010): 32–35. <http://www.cineaste.com/articles/the-toronto-international-film-festival-at-the-crossroads>. (5 Jan. 2011)

Quin, Élisabeth, and Noël Simsolo, eds. (2007). Cannes: Elles/Ils ont Fait le Festival. Paris: Cahiers du cinéma.

Reinhardt, Thomas (1998). 20 Jahre Filmfestival Max-Ophüls-Preis. Sulzbach: Moviestore-Co.

Ribas, Daniel, and Mario Micaelo, eds. (2012). Puro Cinema: Curtas Vila do Conde 20 anos depois = Pure Cinema: Curtas Vila de Conde 20 Years After. [Bilingual Portuguese | English] Vila do Conde: Curtas Metragens, CRL.

Riskala, Tuomas (2004). “A Report on the Espoo Ciné Festival.” Alternative Europe: Eurotrash and Exploitation Cinema Since 1945. Eds. Ernest Mathijs, and Xavier Mendik. London: Wallflower. pp. 228–231.

Rithdee, Kong (2009). “The Sad Case of the Bangkok Film Festival.” Dekalog 3: On Film Festivals. Ed. Richard Porton. London: Wallflower. pp. 122–130.

Roddolo, Enrica (2003). La Biennale: Arte, Scandali e Storie in Laguna. Venezia: Marsilio.

Romer, Jean-Claude (2002). Cannes Memories 1932–2002: La Grande Histoire du Festival. Montreuil: Media Business & Partners.

Schenk, Ralf (2007). Bilder einer gespaltenen Welt: 50 Jahre Leipziger Dokumentar- und Animationsfilmfestival. Berlin: Bertz+Fischer.

Schröder, Nicholaus, ed. (2000). Zwischen Barrikade und Elfenbeinturm: Zur Geschichte des unabhängigen Kinos. 30 Jahre Internationales Forum des Jungen Films. Freunde der Deutschen Kinemathek. Berlin: Henschel.

Segal, Jérôme, and Christine Blumauer (2011). “Cannes: A French International Festival.” Festivals and the Cultural Public Sphere. Eds. Gerard Delanty, Liana Giorgi, and Monica Sassatelli. Abingdon, New York: Routledge. pp. 156–172.

Servat, Henry-Jean (2007). Si le festival de Cannes m’était conté… Paris: Filipacchi.

Smith, Lory (1999). Party in a Box: The Story of the Sundance Film Festival. Salt Lake City, UT: Gibbs Smith.

Stanfield, Peter (2008). “Notes Toward a History of the Edinburgh International Film Festival, 1969–77.” Film International 6:4 (2008): 62–71.

Steinmetz, Rüdiger, and Hans-Jörg Stiehler (1997). Das Leipziger Dokfilm-Festival und sein Publikum: Eine Studie zu Image, Akzeptanz und Resonanz 1993-1996. Leipzig: Leipziger Univ.-Verl.

Steinmetz, Rüdiger, Hans-Jörg Stiehler, and Johanna Wank (2007). Das Leipziger Dokfilm-Festival und sein Publikum II: Eine Nachfolge-Studie 2006 zu Image, Akzeptanz und Resonanz. Leipzig: Leipziger Univ.-Verl.

Thévenin, Olivier (2008). La S.R.F. [Société des réalisateurs de films] et la Quinzaine des réalisateurs 1968-2008: Une construction d’identités collectives. Montreuil: Aux lieux d’être.

Toubiana, Serge (1997). Cannes Cinéma: 50 ans de festival vus par Traverso. Editions du Seuil.

Triana Toribio, Nuria (2007). “El festival de los cinéfilos transnacionales: Festival Cinematográfico Internacional de la República Argentina en Mar del Plata, 1959-1970.” Secuencias: Revista de Historia del Cine 25 (2007): 25–45.

Uféras, Gérard and Marc Bessou (2005). Les coulisses du festival: Cannes. Carlton: Flammarion.

Volonterio, Guglielmo (1997). Dalle suggestioni del Parco alla Grande Festa del Cinema: Storia del Festival di Locarno 1946–1997. Venezia: Marsilio.

 

(Last updated: 31 October 2015)