10. Publications Dedicated to Individual Film Festivals

The last section of our annotated film festival bibliography collects articles, book chapters and books that have been created with varying purposes. There are several books that have been edited to celebrate major anniversaries of festivals; some of those focus on the glamour and highlights (e.g. Baecque 2007; Toubiana 1997 etc.), while others strive for a contextualization and critical remembrance (e.g. Behnken 2004; Schenk 2007). Among the books, chapters, and articles are pieces collecting and describing a festival history (Stanfield 2008), or analyzing specific discourses and issues using a specific case study (e.g. Hope/Dickerson 2006a, b, c; Martini 2007).

 

Ambrosioni, Dalmazio. Locarno città del cinema: I cinquant’anni del Festival internazionale del film. [Locarno city of cinema: The 50th anniversary of the International Film Festival], A. Dadò, 1998.

Anderson, John. Sundancing: Hanging Out and Listening in at America’s Most Important Film Festival, Spike, 2000.

Baecque, Antoine de. Les leçons de cinéma du Festival de Cannes. [Film lessons at the Cannes Film Festival], Panama, 2007.

Bart, Peter (1997): Cannes: Fifty Years of Sun, Sex & Celluloid. Behind the Scenes at the World’s Most Famous Film Festival. New York: Hyperion.

Beauchamp, Cari, and Henri Béhar. Hollywood on the Riviera: The Inside Story of the Cannes Film Festival, W. Morrow and Co., 1992.

Behnken, Klaus, editor. Kurz und klein: 50 Jahre Internationale Kurzfilmtage Oberhausen, Hatje Cantz, 2004.

Bento Ribeiro, Ana. “Cinelink, Sarajevo: interactions d’un marché régional aux marges de l’Europe.” [Cinelink, Sarajevo: interactions of a regional market at the margins of Europe]. Entrelacs, no. 14, 2018, doi:10.4000/entrelacs.4246.

Berry, Chris. “10 Years Young: The Shanghai International Film Festival.” Senses of Cinema, no. 45, 2007, www.sensesofcinema.com​/​2007/​festival-​reports/​shanghai-​iff-​2007/​.

Beyer, René, and Alfred Georg Frei, editors. Die Traumfabrik von gestern: Merseburger DEFA-Filmtage, Projekte, 2008.

Billard, Pierre. Le Festival de Cannes: D’or et de palmes. [Le Festival de Cannes: D’or et de palmes], Gallimard, 1997. Découvertes Gallimard. Cinéma 314.

Bono, Francesco. “EXTASE am Lido: Chronik eines Skanals.” Ekstase, edited by Armin Loacker, Filmarchiv Austria, 2001, pp. 115–45. Edition Film und Text 4.

Bono, Francesco. “La Mostra del Cinema di Venezia: Nascita e Sviluppo nell’Anteguerra (1932-1939).” [The Venice Film Festival: Birth and Development in the Prewar Era (1932-1939)]. Storia Contemporanea, vol. 22, no. 3, 1991, pp. 513–49.

Bono, Francesco. “Venezia 1932: Il Cinema Diverta Arte.” Biennale, Fabbri Editori, 1992, pp. 91–109.

Cascais, António Fernando, and João Ferreira, editors. Cinema e Cultura Queer | Queer Film and Culture: Queer Lisboa – Festival Internacional de Cinema Queer | International Queer Film Festival. 2014.

Cazzaro, Davide, and Darcy Paquet. BIFF x BIFF. Foreword by Lee Chang-dong, Busan International Film Festival, 2015.

Cheung, Ruby. “Corporatising a Film Festival: Hong Kong.” Film Festival Yearbook 1: The Festival Circuit, edited by Dina Iordanova and Ragan Rhyne, St Andrews Film Studies, 2009, pp. 99–115.

Corless, Kieron, and Chris Darke. Cannes: Inside the World’s Premier Film Festival, Faber & Faber, 2007.

Cortés-Selva, Laura; Jurado-Martín, Montserrat; Ostrovskaya, Luidmila. “European Jewels:

Camerimage, the Uniqueness of a Festival Devoted to the Art of Cinematography.” Revista Latina de Comunicación Social, no. 73, 2018, pp. 614–32. doi:10.4185/RLCS-2018-1272en.

Cowie, Peter. The Berlinale: The Festival | Die Berlinale: Das Festival. (bilingual), Bertz + Fischer, 2010.

Čulík, Jan, and Emma Čulík. “Karlovy Vary International Film Festival 2009: A Remarkable Showcase of Contemporary Cinema.” Studies in Eastern European Cinema, vol. 1, no. 1, 2010, pp. 119–26.

Deleau, Pierre-Henri, editor. La Quinzaine des Réalisateurs à Cannes: Cinéma en Liberté (1969-1993), Éditions de La Martinière, 1993.

Deleau, Pierre-Henri. Les réalisateurs de la Quinzaine: Festival de Cannes 20e anniversaire, Asnières, 1998.

Diepenbroick, Dorothée von, and Skadi Loist, editors. Bildschön: 20 Jahre Lesbisch Schwule Filmtage Hamburg, Männerschwarm, 2009.

Francia, Aldo. Nuevo cine latinoamericano en Viña del Mar: [New Latin American cinema in Viña del Mar], CESOC Ediciones ChileAmérica, 1990, books.google.de​/​books​?​id=​zMYuAAAAYAAJ.

Friers, Pamela, editor. Abgezoomt – das Buch zum Festival: Filme, MacherInnen und Entwürfe. 10 Jahre Kinder- und Jugendfilm in Hamburg, Dokumentation der Hamburger Film- und Videoschau Abgezoomt – das Festival des Jüngsten Films, KoPäd-Verl., 1998.

Galán, Diego. 50 años de rodaje. Festival de Cine de San Sebastián = 50 urte jardunean. Donostiako nazioarteko zinemaldia. [50 years of filming. San Sebastian Film Festival], Festival Internacional de Cine de San Sebastián; Ocho y Medio, Libros de Cine, 2002.

Galán, Diego. Jack Lemmon nunca cenó aquí: Trece años y un día en el Festival de Cine de San Sebastián. [Jack Lemmon never dined here: Thirteen years and one day at the San Sebastian Film Festival], Plaza & Janés, 2001.

Galliner, Nicola, editor. Jewish Film Festival Berlin: Filme, Bilder, Geschichten. Die ersten zehn Jahre, be.bra, 2004.

Gehler, Fred, editor. Dialog mit einem Mythos: Ästhetische und politische Entwicklungen des Leipziger Dokumentarfilm-Festivals in vier Jahrzehnten. Vorträge und Diskussionen des Symposiums anläßlich des 40. Festivals 1997, zugleich VII. Hochschultage für Medien und Kommunikation, Leipziger Univ.-Verl., 1998.

Gimello-Mesplomb, Frédéric. Objectif 49: Cocteau et la nouvelle avant-garde. [Objectife 49: Cocteau and the new avant-garde], Séguier, 2014.

Hamid, Rahul. “From Urban Bohemia to Euro Glamour: The Establishment and Early Years of the New York Film Festival.” Film Festival Yearbook 1: The Festival Circuit, edited by Dina Iordanova and Ragan Rhyne, St Andrews Film Studies, 2009, pp. 67–81.

Hardy, Forsyth. Slightly Mad and Full of Dangers: The Story of the Edinburgh Film Festival, Ramsay Head Press, 1992.

Hope, Cathy, and Adam Dickerson. “‘Give It a Go You Apes’: Relations Between the Sydney and Melbourne Film Festivals, and the Early Australian Film Industry (1954–1970).” Screening the Past, no. 30, 2011, screeningthepast.com​/​?​p=​256.

Hope, Cathy, and Adam Dickerson. “’Films for the intelligent layman’: The origins of the Sydney and Melbourne Film Festivals (1952-1958).” Screening the Past, no. 19, 2006, www.latrobe.edu.au​/​screeningthepast/​19/​sydney-​melbourne-​film-​festivals.html.

Hope, Cathy, and Adam Dickerson. “’Ill-will with the trade’: The Sydney and Melbourne Film Festivals (1959-1964).” Screening the Past, no. 20, 2006, www.latrobe.edu.au​/​screeningthepast/​20/​sydney-​melbourne-​film-​festivals-​1959-​1964.html.

Hope, Cathy, and Adam Dickerson. “’Separating the Sheep from the Goats’: The Sydney and Melbourne Film Festivals (1965-1972).” Screening the Past, no. 20, 2006, www.latrobe.edu.au​/​screeningthepast/​20/​sydney-​melbourne-​film-​festivals-​1965-​1972.html.

Huber, Christoph. “Status Quo and Beyond: The Viennale, A Success Story.” Dekalog 3: On Film Festivals, edited by Richard Porton, Wallflower, 2009, pp. 131–42.

Internationale Filmfestspiele Berlin, and Stiftung Deutsche Kinematik. Die Berlinale, Süddeutsche Zeitung, 2010.

Jacob, Gilles. Citizen Cannes: The Man behind the Cannes Film Festival, Phaidon, 2011.

Jacobsen, Wolfgang, editor. 50 Years Berlinale. Internationale Filmfestspiele Berlin, Nicolai, 2000.

Jacobsen, Wolfgang. Berlinale: [40 Jahre] Internationale Filmfestspiele Berlin; [1951 – 1990], Argon, 1990.

Jelenković, Dunja, editor. Festival Kratkog metra – 60 godina. Monografija Beogradskog festivala dokumentarnog i kratkometražnog filma: The Short Film Fest – 60 Years. Monograph on the Belgrade Documentary and Short Film Festival. Serbian/English, FEST Head Office, 2013.

Johnson, Brian D. Brave Films, Wild Nights: 25 Years of Festival Fever, Random House Canada, 2000.

Kern, Laura; Koch, Joanne; Peña, Richard., editors. New York Film Festival Anniversary Gold, Film Society of Lincoln Center, 2012.

Kötzing, Andreas. Die Internationale Leipziger Dokumentar- und Kurzfilmwoche in den 1970er Jahren, Leipziger Univ.-Verl., 2004. Media Studien 12.

KurzFilmAgentur Hamburg, editor. Festschrift 10 Jahre KurzFilmAgentur Hamburg. 2002. Accessed 2 June 2008. agentur.shortfilm.com​/​uploads/​media/​festschrift_​KFA.pdf.

Kykillus, Fabian, and Ulrich Ortlieb. Filmfest Hamburg. Michael Töteberg. Edited by Michael Töteberg, 1st ed., Junius, 2012.

Latil, Loredana, and Sonia Bruneau. La S.R.F. [Société des réalisateurs de films] et la Quinzaine des réalisateurs 1968-2008: Une construction d’identités collectives. By Olivier Thévenin, Aux lieux d’être, 2008.

Latil, Loredana. Le festival de Cannes sur la scène internationale, Nouveau monde, 2005.

Ledergerber, Norbert, and Urs Jaeggi. Solothurner Filmtage 1966-1985: Geschichte und Entwicklung: aus Anlass der. 20. Filmtage, Universitätsverlag, 1985.

Lloyd, Matthew. How the Movie Brats Took Over Edinburgh: The Impact of Cinéphilia on Edinburgh International Film Festival, 1968-1980, St Andrews Film Studies, 2011.

Lucchini, Domenico, and Gian Carlo Bertelli. Festival internazionale del film Locarno: 40 ans | 40 anni | 40 Jahre: Six essais critiques | Sei saggi critici | Sechs kritische Essays. Edited by Domenico Lucchini et al., 1987.

Macleod, Allison. “Embodying Counter-Public Space and Performing Queer Culture: The Inaugural Scottish Queer International Film Festival 2015.” Screen Bodies, vol. 1, no. 2, 2016, pp. 92–98. doi:10.3167/screen.2016.010207.

Ma, Ran. “Asian Documentary Connections and “The International Film Festival Short Circuit”: Yamagata International Documentary Film Festival (YIDFF) as a Case Study.” The Palgrave Handbook of Asian Cinema, edited by Aaron Han Joon Magnan-Park et al., Palgrave Macmillan, 2018, pp. 171–89.

Manciet, Yves. Cannes: Premières années du festival, Thoba’s, 2004.

Martini, Heidi. Dokumentarfilm-Festival Leipzig: Filme und Politik im Blick und Gegenblick. 1. Aufl., DEFA-Stiftung, 2007. Schriftenreihe der DEFA-Stiftung.

McArthur, Colin. “The Rises and Falls of the Edinburgh International Film Festival.” From Limelight to Satellite: A Scottish Film Book, edited by Eddie Dick, 1990, pp. 91–102.

Miliokas, Lydia. “Under “The Half-Lit Moon”: Theories of Expanded Cinema and Nuit Blanche Edmonton 2015.” Canadian Journal of Film Studies | Revue Canadienne d’Études Cinématographiques, vol. 27, no. 1, 2018, pp. 31–43. doi:10.3138/cjfs.27.1.2017-0013.

Mitterrand, Frédéric. Le festival de Cannes, Laffont, 2007.

Moine, Caroline. Cinéma et guerre froide: Histoire du festival de films documentaires de Leipzig (1955-1990), Publications Sorbonne, 2014.

Moller, Olaf. “Bagatelle for Kino Otek and i 1000 occhi.” Dekalog 3: On Film Festivals, edited by Richard Porton, Wallflower, 2009, pp. 143–50.

Mouzaki, Despina, editor. 1960-2009: πενήντα χρόνια Φεστιβάλ Κινηματογράφου Θεσσαλονίκης | 1960-2009: Fifty Years of Thessaloniki Film Festival. [In Greek], Ianos, 2009.

Museum of Modern Art, New York. Cannes 45 years: Festival International du Film. “Published on the occasion of the exhibition “, 1992.

Paillard, Jérôme, and Hélène Laurichesse. “Le marché du film du Festival de Cannes.” [The Cannes Festival Film Market]. Entrelacs, no. 14, 2018, doi:10.4000/entrelacs.4325.

Pascal, Michel. Cannes, cris et chuchotements, NiL éditions; Diffusion, Seuil, 1997.

Paulon, Flavia. La dogaressa contestata: La favolosa storia della mostra di Venezia: dalle regine alla contestazione, Trevisanstampa, 1971.

Philippe, Claude-Jean. Cannes, le festival, Nathan Sipa, 1987.

Pisu, Stefano. Stalin a Venezia: L’Urss alla Mostra del cinema fra diplomazia culturale e scontro ideologico (1932-1953). Prefazione di by Pierre Sorlin. Intervista a Gian Liugi Rondi, Rubbettino, 2013.

Ponomareva, Galina. Das internationale lesbisch-schwule Filmfestival “Bok o Bok”: Zur Konstruktion von LGBT-Öffentlichkeit im politischen Kontext der Russischen Föderation, Avinus, 2014.

Porton, Richard. “The Toronto International Film Festival at the Crossroads.” Cineaste, vol. 36, no. 1, 2010, pp. 32–35. www.cineaste.com​/​articles/​the-​toronto-​international-​film-​festival-​at-​the-​crossroads.

Quin, Élisabeth, and Noël Simsolo, editors. Cannes: Elles/Ils ont Fait le Festival, Cahiers du cinéma, 2007.

Rae, Ian, and Jessica Thom. “The Rise and Fall of the Stratford International Film Festival.” Canadian Journal of Film Studies | Revue Canadienne d’Études Cinématographiques, vol. 25, no. 1, 2016, pp. 67–87.

Reinhardt, Thomas (1998): 20 Jahre Filmfestival Max-Ophüls-Preis. Sulzbach: Moviestore-Co.-Verl. Online verfügbar unter http://www.agi-imc.de/intelligentSEARCH.nsf/alldocs/A302CEEF39D22873C12571B100521BB5/.

Ribas, Daniel, and Mario Micaelo, editors. Puro Cinema: Curtas Vila do Conde 20 anos depois = Pure Cinema: Curtas Vila de Conde 20 years after, Curtas Metragens, CRL, 2012.

Riskala, Tuomas. “A Report on the Espoo Ciné Festival.” Alternative Europe: Eurotrash and Exploitation Cinema Since 1945, edited by Ernest Mathijs and Xavier Mendik, Wallflower, 2004, pp. 228–31.

Rithdee, Kong. “The Sad Case of the Bangkok Film Festival.” Dekalog 3: On Film Festivals, edited by Richard Porton, Wallflower, 2009, pp. 122–30.

Roddolo, Enrica. La Biennale: Arte, polemiche, scandali e storie in Laguna, Marsilio, 2003. Gli specchi della memoria.

Romer, Jean-Claude. Cannes memories, 1939-2002: La grande histoire du festival l’album officiel du 55e anniversaire, Media Business & Partners, 2002.

Rueda, Amanda. “Festival et marché: le rôle du festival Cinélatino de Toulouse dans l’industrie du « cinéma d’auteur ».” [Festival and markets: the role of the Toulouse Cinélatino Festival in the “auteur cinema” industry]. Entrelacs, no. 14, 2018, doi:10.4000/entrelacs.4265.

Schenk, Ralf. Bilder einer gespaltenen Welt: 50 Jahre Leipziger Dokumentar- und Animationsfilmfestival, Bertz + Fischer, 2007, deposit.d-nb.de​/​cgi-​bin/​dokserv​?​id=​2975391&​prov=​M&​dok_var=​1&​dok_ext=​htm.

Scherrer, Jean-Baptiste. “Le Festival et le Marché international du film d’animation d’Annecy, un exemple de réconciliation entre la loi du marché et l’intervention institutionnelle: [The Annecy International Animation Film Festival and its Market (Mifa), an example of reconciliation between the law of the market and institutional intervention].” Entrelacs, no. 14, 2018, doi:10.4000/entrelacs.4290.

Schröder, Nicolaus. Zwischen Barrikade und Elfenbeinturm: Zur Geschichte des unabhängigen Kinos. 30 Jahre Internationales Forum des Jungen Films. Edited by Freunde der Deutschen Kinemathek, Henschel, 2000.

Segal, Jérôme, and Christine Blumauer. “Cannes: A French International Festival.” Festivals and the Cultural Public Sphere, edited by Liana Giorgi et al., Routledge, 2011, pp. 156–72.

Servat, Henry-Jean. Si le festival de Cannes m’était conté…, Filipacchi, 2007.

Smith, Lory. Party in a Box: The Story of the Sundance Film Festival. 1st ed., Gibbs Smith, 1999.

Stanfield, Peter. “Notes Toward a History of the Edinburgh International Film Festival, 1969-1977.” Film International, vol. 6, no. 4, 2008, pp. 63–71.

Steinmetz, Rüdiger, and Hans-Jörg Stiehler. Das Leipziger Dokfilm-Festival und sein Publikum: Eine Studie zu Image, Akzeptanz und Resonanz 1993-1996, Leipziger Univ.-Verl., 1997, www.gbv.de​/​dms/​ilmenau/​toc/​235127558.PDF.

Steinmetz, Rüdiger; Stiehler, Hans-Jörg; Wank, Johanna. Das Leipziger Dokfilm-Festival und sein Publikum II: Eine Nachfolge-Studie 2006 zu Image, Akzeptanz und Resonanz, Leipziger Univ.-Verl., 2007, d-nb.info​/​987320238.

Toubiana, Serge. Cannes cinema: Cinquante ans de festival vus par traverso, Cahiers du cinema, 1997.

Triana Toribio, Nuria. “El festival de los cinéfilos transnacionales: Festival Cinematográfico Internacional de la República Argentina en Mar del Plata, 1959-1970.” Secuencias: Revista de Historia del Cine, no. 25, 2007, pp. 25–45.

Uféras, Gérard, and Marc Bessou. Les Coulisses Du Festival: Cannes, Carlton. [Behind the scenes of the festival: Cannes, Carlton], Flammarion, 2005.

Volonterio, Guglielmo. Dalle suggestioni del Parco alla Grande Festa del Cinema: Storia del Festival di Locarno 1946-1997. [From the fascination of the Park to the Great Film Festival: History of the Locarno Film Festival 1946-1997], Marsilio, 1997.

Vinuela, Ana. “Le marché de la coproduction de la Berlinale dans l’univers du cinéma du monde.” [The Berlinale co-production market within global cinema]. Entrelacs, no. 14, 2018, pp. 1–11. doi:10.4000/entrelacs.4332.

 

(Last updated: 20 January 2021)