9.2 b) Type

By ‘type’ we mean festivals featuring films defined by stylistic or narrative feature, such as animation, experimental film (Becker 1992, section 9.1.1), fiction, documentary (Kötzing 2004; Martini 2007, both section 10), or silent film (Sørenssen 2008).

 

Archive Film Festivals

Drubek-Meyer, Natascha (2010). “Do We Need Archive Film Festivals?” Art Margins: Contemporary Central & East European Visual Culture 6 (2010). <http://www.artmargins.com/index.php/6-film-a-video/585-do-we-need-archive-film-festivals-film-review-article>. (31. Mar. 2011)

Documentary Film Festivals

De Valck, Marijke, and Mimi Soeteman (2010). “‘And the Winner is…’: Looking Behind the Scenes of Film Festival Competitions.” International Journal of Cultural Studies 13:3 (2010): 290–307.

Kötzing, Andreas (2004). Die Internationale Leipziger Dokumentar- und Kurzfilmwoche in den 1970er Jahren. Leipzig: Leipziger Univ.-Verlag.

Martini, Heidi (2007). Dokumentarfilm-Festival Leipzig: Filme und Politik im Blick und Gegenblick. Berlin: DEFA-Stiftung.

Moine, Caroline (2009). “Une Allemagne malgré tout? Le festival international du film documentaire de Leipzig, 1955-1990.” Une Europe malgré tout, 1945-1990: Contacts et réseaux culturels, intellectuels et scientifiques entre Européens dans la guerre froide. Eds. Antoine Fleury, and Lubor Jílek. Bruxelles; Berlin; Frankfurt/M: Lang. pp. 297–316.

Moine, Caroline (2005). “Le fascisme ordinaire au festival de Leipzig: Documentaire et déstalinisation en RDA.” Caméra politique: Cinéma et stalinisme. Ed. Kristian Feigelson. Theorem 8. Paris: Presse Sorbonne nouvelle. pp. 228–239.

Moine, Caroline (2004). “Gone with the Eastern Wind: Glasnost in 1980s East European Film.” Film International 2:2 (2004): 6–13.

Moine, Caroline (2003). “Le festival du film documentaire de Leipzig, un lieu d’échanges culturels international? Entre mythe et réalité.” Relations internationales 116 (2003): 559–571.

Nornes, Abé Mark (2011). “Bulldozers, Bibles and Very Sharp Knives: The Chinese Independent Documentary Scene.” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 101–109.

Nornes, Abé Mark (2011). “Table 11: Documentary Film Festivals in Asia.” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 263.

Steinmetz, Rüdiger, and Hans-Jörg Stiehler (1997). Das Leipziger Dokfilm-Festival und sein Publikum: Eine Studie zu Image, Akzeptanz und Resonanz 1993-1996. Leipzig: Leipziger Univ.-Verl.

Steinmetz, Rüdiger, Hans-Jörg Stiehler, and Johanna Wank (2007). Das Leipziger Dokfilm-Festival und sein Publikum II: Eine Nachfolge-Studie 2006 zu Image, Akzeptanz und Resonanz. Leipzig: Leipziger Univ.-Verl.

Experimental Film Festivals

Becker, Edith (1992). “The New York Lesbian and Gay Experimental Film Festival.” Jump Cut: A Review of Contemporary Media no. 37. <http://www.ejumpcut.org/archive/onlinessays/JC37folder/NYexptlGayLesFest.html>. (7 Dec. 2008)

Silent Film Festivals

Silent Movie Festivals, festival listing. <http://www.stummfilm.info/festival/index_en.html>

Sørenssen, Bjørn (2008). “Le giornate del cinema muto: Pordenone.” Film International 6:4 (2008): 77–81.

 

(Last updated: 2 December 2011)

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