9.2 b) Type

By ‘type’ we mean festivals featuring films defined by stylistic or narrative feature, such as animation, experimental film (Becker 1992, section 9.1.1), fiction, documentary (Kötzing 2004; Martini 2007, both section 10), archival film or silent film (Sørenssen 2008).

 

Animation Film Festivals

Děcká, Eliška (2014). “Karnevaly animátorské komunity: České a slovenské festivaly nezávislé animované tvorby a jejich role pro animátorskou obec.” [Carnivals for the Animation Community. Czech and Slovak Festivals of Independent Animation Films and their Role in the Animation Community.]  Filmove Festivaly | Film Festivals. Spec. Issue of Iluminace: časopis pro teorii, historii a estetiku filmu = Journal for Film Theory, History, and Aesthetics 26:1. Ed. Jindřiška Bláhová. Prague. pp. 83–96.

Gizycki, Marcin (2012). “Just What Is It That Makes Today’s Animation Festivals So Different, So Appealing?” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 59–68.

Kinoshita, Sayoko (2012). “The Spirit of the Hiroshima International Animation Festival, 1985-2010.” Coming Soon to a Festival Near You: Programming Film Festivals. Ed. Jeffrey Ruoff. St. Andrews: St Andrews Film Books. pp. 201–213.

Leca, Bernard, Charles-Clemens Rüling, and Dominique Puthod (2015). “Animated Times: Critical Transitions and the Maintenance of Field-Configuring Events.” Industry and Innovation  22:3 (2015): 173–192.

Rüling, Charles-Clemens (2009). “Festivals as Field-Configuring Events: The Annecy International Animated Film Festival and Market.” Film Festival Yearbook 1: The Festival Circuit. Eds. Dina Iordanova with Ragan Rhyne. St. Andrews: St. Andrews Film Studies. pp. 49–66.

Rüling, Charles-Clemens (2011). “Event Institutionalization and Maintenance:: The Annecy Animation Festival 1960-2010.” Negotiating Values in the Creative Industries: Fairs, Festivals and Competitive Events. Eds. Brian Moeran, and Jesper Strandgaard Pedersen. Cambridge; New York: Cambridge Univ. Press. pp. 197–223.

Schenk, Ralf (2007). Bilder einer gespaltenen Welt: 50 Jahre Leipziger Dokumentar- und Animationsfilmfestival. Berlin: Bertz+Fischer.

 

Archival Film Festivals

Barnes, Heather L. (2013). “Screening the Past at the Museum of Modern Art: An Interview with Joshua Siegel, Associate Curator of Film at MoMA and Co-founding Curator of To Save and Project: The MoMA International Festival of Film Preservation.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 265–270.

Cherchi Usai, Paolo (2013). “The Archival Film Festival as a ‘Special Event’: A Framework for Analysis.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 21–40.

Christie, Ian (2013). “New Lamps for Old: What Can We Expect from Archival Film Festivals?.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 41–53.

Cicchetti, Pasquale (2013). “The Past Lives of Images: Curatorial Practices and Marketing Strategies in Archival Cinema. An Interview with Nick Varley, Managing Director of Park Circus.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 243–251.

Dixon, Bryony (2013). “The Relationship between Archives and Festivals: Reflections on the British Silent Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 105–115.

Drubek-Meyer, Natascha (2010). “Do We Need Archive Film Festivals?” Art Margins: Contemporary Central & East European Visual Culture 6 (2010). <http://www.artmargins.com/index.php/6-film-a-video/585-do-we-need-archive-film-festivals-film-review-article>. (31. Mar. 2011)

Drubek, Natascha (2013). “Accessing the Russian State Film Archive: The Belye Stolby Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 129–139.

Farinelli, Gian Luca (2013). “A Passion for Cinema in All Its Myriad Forms: Il Cinema Ritrovato, Bologna.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 93–103.

Gerow, Aaron (2013). “Retrospective Irony: Film Festivals and Japanese Cinema History.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 189–199.

Grgic, Ana (2013). “Archival Film Festivals as Sites of Memory.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 55–66.

Gustafsson, Fredrik (2013). “Celebrating the Past while Looking to the Future: The Bergman Week.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 141–149.

Haggith, Toby (2013). “Archival Footage – New Films: Screening Student and Amateur Work at the Imperial War Museum Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 219–230.

Horak, Jan Christopher (2013). “Out of the Past: UCLA Festival of Film Preservation.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 207–217.

Marlow-Mann, Alex, ed. (2013). Film Festival Yearbook 5: Archival Film Festivals. St Andrews: St Andrews Film Books.

Marlow-Mann, Alex (2013). “Archival Film Festivals at the Crossroads.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 3–19.

Mazdon, Lucy (2013). “The Festival de Cannes: Archive or Archivist?.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 117–127.

Murphy, David (2013). “Lost and Found: Screening the ‘Lost Classics’ of African Cinema at the Africa in Motion Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 177–188.

Peirano, Maria-Paz (2013). “‘Each Piece of Film Helps Us to Reconstruct History’: An Interview with Alfredo Barría, Founder and Artistic Director, and Jaime Córdova, Technical Director of the Cine Recobrado Valparaíso Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 253–263.

Peirano, Maria-Paz (2013). “Table 1: Archival Film Festivals.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 287–294.

Peirano, Maria-Paz (2013). “Table 2: Archival Sidebars of Major Film Festivals.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 295–300.

Riley, John (2013). “Live Cinema: Silent Film, Orchestral Accompaniment and the Special Event.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 67–77.

Robinson, David (2013). “The Charm of Cinematic Rediscovery: Le Giornate del Cinema Muto / The Pordenone Silent Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 81–92.

Sarkisova, Oksana (2013). “Conflicting Pasts: Programming Retrospectives at the Verzio Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 151–162.

Streible, Dan (2013). “Saving, Studying and Screening: A History of the Orphan Film Symposium.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 163–176.

Taylor, Giles (2013). “Select Bibliography: Archival Film Festivals.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 277–286.

Uabumrungjit, Chalida (2013). “Projecting the Thai Film Archive Collection.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 201–206.

Wagner, Brigitta B. (2013). “Revival on the Mountain: The Politics of Cinematic Rediscovery at the Telluride Film Festival. An Interview with Tom Luddy, Festival Co-Founder and Co-Director.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 233–242.

Wessels, Chelsea (2013). “Navigating the Archive of Red Westerns: An Interview with Ludmila Cvikova, Head of International Programming, Doha Film Institute.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 271–276.

 

Documentary Film Festivals

Cheung, Tit Leung (2012). “Extending the Local: Documentory Film Festivals in East Asia as Sites of Connection and Communication.” PhD Thesis. Hong Kong: Lingnan University. (2012). <http://commons.ln.edu.hk/vs_etd/5/>. (13 Mar. 2014)

De Valck, Marijke, and Mimi Soeteman (2010). “‘And the Winner is…’: Looking Behind the Scenes of Film Festival Competitions.” International Journal of Cultural Studies 13:3 (2010): 290–307.

Gann, Jon (2012). “‘Mediate. Curate. Fascilitate.’: Sky Sitney, SILVERDOCS.” Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington, DC: Reel Plan Press. pp. 149–165.

Gehler, Fred, ed. (1998). Dialog mit einem Mythos: Ästhetische und politische Entwicklungen des Leipziger Dokumentarfilm-Festivals in vier Jahrzehnten. Leipzig: Leipziger Univ.-Verl.

Fischer, Alex (2012). “Hot Docs: A Prescription for Reality: An Interview with Sean Farnell, Former Director of Programming at Hot Docs Canadian International Documentary Festival.” Film Festival Yearbook 4: Film Festivals and Activism. Eds. Dina Iordanova and Leshu Torchin. St Andrews: St Andrews Film Studies. pp. 225–234.

Kötzing, Andreas (2004). Die Internationale Leipziger Dokumentar- und Kurzfilmwoche in den 1970er Jahren. Leipzig: Leipziger Univ.-Verlag.

Kötzing, Andreas (2007). “Zeigen oder nicht zeigen? Das ‘Prinzip der Selbstnominierung’ sozialistischer Filme auf der Leipziger Dokumentarfilmwoche.” Leinwand zwischen Tauwetter und Frost: Der osteuropäische Spiel- und Dokumentarfilm im Kalten Krieg. Ed. Lars Karl. Berlin: Metropol. pp. 299–316.

Kötzing, Andreas (2013). Kultur- und Filmpolitik im Kalten Krieg: Die Filmfestivals von Leipzig und Oberhausen in gesamtdeutscher Perspektive, 1954-1972. Göttingen: Wallstein.

Kötzing, Andreas, ed. (2014). ‘Die Sicherheit des Festivals ist zu gewährleisten!’: Kritische Jugend, die Leipziger Dokfilmwoche und das Ministerium für Staatssicherheit. Halle (Saale): Mitteldeutscher Verlag.

Martini, Heidi (2007). Dokumentarfilm-Festival Leipzig: Filme und Politik im Blick und Gegenblick. Berlin: DEFA-Stiftung.

Moine, Caroline (2009). “Une Allemagne malgré tout? Le festival international du film documentaire de Leipzig, 1955-1990.” Une Europe malgré tout, 1945-1990: Contacts et réseaux culturels, intellectuels et scientifiques entre Européens dans la guerre froide. Eds. Antoine Fleury, and Lubor Jílek. Bruxelles; Berlin; Frankfurt/M: Lang. pp. 297–316.

Moine, Caroline (2005). “Le fascisme ordinaire au festival de Leipzig: Documentaire et déstalinisation en RDA.” Caméra politique: Cinéma et stalinisme. Ed. Kristian Feigelson. Theorem 8. Paris: Presse Sorbonne nouvelle. pp. 228–239.

Moine, Caroline (2004). “Gone with the Eastern Wind: Glasnost in 1980s East European Film.” Film International 2:2 (2004): 6–13.

Moine, Caroline (2003). “Le festival du film documentaire de Leipzig, un lieu d’échanges culturels international? Entre mythe et réalité.” Relations internationales 116 (2003): 559–571.

Nornes‌, Abé Mark (2014). “Yamagata–Asia–Europe: The International Film Festival Short Circuit.” The Oxford Handbook of Japanese Cinema. Ed. Daisuke Miyao. Oxford, New York: Oxford University Press. pp. 251–268.

Nornes, Abé Mark (2011). “Bulldozers, Bibles and Very Sharp Knives: The Chinese Independent Documentary Scene.” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 101–109.

Nornes, Abé Mark (2011). “Table 11: Documentary Film Festivals in Asia.” Film Festival Yearbook 3: Film Festivals and East Asia. Eds. Dina Iordanova, and Ruby Cheung. St. Andrews: St Andrews Film Studies. pp. 263.

Robbins, Papagena, and Viviane Saglier (2015). “Interview with Deirdre Haj, Director of Full Frame Documentary Film Festival.” Synoptique 3:2 (2015): 49–67. <http://synoptique.hybrid.concordia.ca/index.php/main/article/view/88>. (12 Mar. 2015)

Robbins, Papagena, and Viviane Saglier (2015). “Interview with Ezra Winton, Director of Programming at Cinema Politica.” Synoptique 3:2 (2015): 68–85. <http://synoptique.hybrid.concordia.ca/index.php/main/article/view/74/>. (12 Mar. 2015)

Russell, Catherine (2015). “DMZ International Documentary Film Festival: Film, Peace, and the Cold War Industry.” Synoptique 3:2 (2015): 86–92. <http://synoptique.hybrid.concordia.ca/index.php/main/article/view/84>. (12 Mar. 2015)

Roy, Carole (2012). “‘Why Don’t They Show those on TV?’: Documentary Film Festivals, Media and Community.” International Journal of Lifelong Education  31:3 (2012): 293–307.

Schenk, Ralf (2007). Bilder einer gespaltenen Welt: 50 Jahre Leipziger Dokumentar- und Animationsfilmfestival. Berlin: Bertz+Fischer.

Steinmetz, Rüdiger, and Hans-Jörg Stiehler (1997). Das Leipziger Dokfilm-Festival und sein Publikum: Eine Studie zu Image, Akzeptanz und Resonanz 1993-1996. Leipzig: Leipziger Univ.-Verl.

Steinmetz, Rüdiger, Hans-Jörg Stiehler, and Johanna Wank (2007). Das Leipziger Dokfilm-Festival und sein Publikum II: Eine Nachfolge-Studie 2006 zu Image, Akzeptanz und Resonanz. Leipzig: Leipziger Univ.-Verlag.

Vallejo, Aida (2012). “Festivales de cine documental: Redes de circulación cultural en el este del continente europeo. (Documentary Film Festivals: Networks of Cultural Circulation in the Eastern Part of Europe).” PhD Thesis. Madrid: Universidad Autónoma de Madrid, Facultad de Folosofía y Letras.

Vallejo, Aida (2013). “Festivales temáticos y géneros cinematográficos: Del cine fantástico al documental contemporáneo.” [“Thematic Festivals and Film Genres. From Fantastic Film to Contemporary Documentary”.]. De cimientos y contrafuertes: El papel de los géneros en el cine Español. Eds. Julio Pérez Perucha, and Agustín Rubio Alcover. Bilbao. pp. 246–257.

Vallejo, Aida (2014). “Industry Sections: Documentary Film Festivals between Production and Distribution.” Filmove Festivaly | Film Festivals. Spec. Issue of Iluminace: časopis pro teorii, historii a estetiku filmu = Journal for Film Theory, History, and Aesthetics 26:1. Ed. Jindřiška Bláhová. Prague. pp. 65–81.

Vallejo, Aida (2015). “Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace.” Post-1990 Documentary: Reconfiguring Independence. Eds. Camille Deprez, and Judith Pernin. Edinburgh: Edinburgh University Press. pp. 171–187.

Winton, Ezra (2013). “Hot Docs Turns Twenty.” Art Threat  Apr. 24, 2013. <http://artthreat.net/2013/04/hot-docs-2013/>. (12 May 2013)

Winton, Ezra (2013). “Good for the Heart and Soul, Good for Business: The Cultural Politics of Documentary at the Hot Docs Film Festival.” PhD Thesis. Ottawa, ON: Carleton University, Communication. (2013). <http://curve.carleton.ca/system/files/theses/27612.pdf>. (10 Mar. 2014)

 

Experimental Film Festivals

Becker, Edith (1992). “The New York Lesbian and Gay Experimental Film Festival.” Jump Cut: A Review of Contemporary Media no. 37. <http://www.ejumpcut.org/archive/onlinessays/JC37folder/NYexptlGayLesFest.html>. (7 Dec. 2008)

 

Silent Film Festivals

Dixon, Bryony (2013). “The Relationship between Archives and Festivals: Reflections on the British Silent Film Festival.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 105–115.

Riley, John (2013). “Live Cinema: Silent Film, Orchestral Accompaniment and the Special Event.” Film Festival Yearbook 5: Archival Film Festivals. Ed. Alex Marlow-Mann. St Andrews: St Andrews Film Books. pp. 67–77.

Silent Movie Festivals, festival listing. <http://www.stummfilm.info/festival/index_en.html>

Sørenssen, Bjørn (2008). “Le giornate del cinema muto: Pordenone.” Film International 6:4 (2008): 77–81.

 

(Last updated:  6 September 2015)