{"id":905,"date":"2011-06-10T00:16:44","date_gmt":"2011-06-09T22:16:44","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=905"},"modified":"2011-06-16T16:55:26","modified_gmt":"2011-06-16T14:55:26","slug":"film-festival-dossier-in-the-new-issue-of-screen","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-dossier-in-the-new-issue-of-screen\/","title":{"rendered":"Film Festival Dossier in the new issue of Screen<\/i>"},"content":{"rendered":"

\"\"<\/a>The recent issue of leading film studies journal Screen <\/em>features The Film Festival Dossier<\/a>, edited by David Archibald and Mitch Miller\u00a0 and includes these six pieces:<\/p>\n

David Archibald and Mitchell Miller. “The Film Festivals dossier: Introduction.” Screen<\/abbr><\/em> (2011) 52(2): 249-252.<\/p>\n

Felicia Chan. “The international film festival and the making of a national cinema.” Screen<\/abbr><\/em> (2011) 52(2): 253-260.<\/p>\n

Miriam Ross. “The film festival as producer: Latin American Films and Rotterdam’s Hubert Bals Fund.” Screen<\/abbr> <\/em>(2011) 52(2): 261-267.<\/p>\n

Skadi Loist. “Precarious cultural work: about the organization of (queer) film festivals.” Screen<\/abbr> <\/em>(2011) 52(2): 268-273.<\/p>\n

David Archibald and Mitchell Miller. “From Rennes to Toronto: anatomy of a boycott.” Screen<\/abbr> <\/em>(2011) 52(2): 274-279.<\/p>\n

Hannah McGill. “Film festivals: a view from the inside.” Screen<\/abbr> <\/em>(2011) 52(2): 280-285.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The recent issue of leading film studies journal Screen features The Film Festival Dossier, edited by David Archibald and Mitch Miller\u00a0 and includes these six pieces: David Archibald and Mitchell Miller. “The Film Festivals dossier: Introduction.” Screen (2011) 52(2): 249-252. … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,27],"tags":[107,109,46],"class_list":["post-905","post","type-post","status-publish","format-standard","hentry","category-film-festival-studies","category-publication","tag-film-festival-research","tag-publication","tag-screen"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=905"}],"version-history":[{"count":5,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/905\/revisions"}],"predecessor-version":[{"id":960,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/905\/revisions\/960"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=905"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}