{"id":2958,"date":"2022-06-10T12:17:50","date_gmt":"2022-06-10T10:17:50","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=2958"},"modified":"2022-06-21T21:28:59","modified_gmt":"2022-06-21T19:28:59","slug":"film-festival-research-necs-bucharest-2022","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-research-necs-bucharest-2022\/","title":{"rendered":"Film Festival Research @ NECS Bucharest 2022"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">NECS Bucharest 2022<br><strong><em>Epistemic Media: Atlas, Archive, Network<\/em><\/strong><\/h1>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Main Conference Venue: Central Library of the Polytechnic University of Bucharest<\/strong>, Splaiul Independe\u021bei, no. 313, Bucharest, 060042, Romania<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At this year&#8217;s NECS conference, taking place again in-person in Bucharest, Romania, there will be 8 panels and workshops featuring film festival research. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Thursday, 23 June 2022 <\/strong>\u00bb<strong> 9:00\u201310:45 EEST<\/strong>, <strong>Room B 3.1<\/strong><br><strong>A9 Writing and Accessing Film Festivals\u2019 History: Difficulties, Goals, and Differences<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chair: Lucy Alejandra Piza\u00f1a Perez (Konrad Wolf Film University Babelsberg)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Lucia Leoni (University of Basel)<br><em>How to Work on Film Festivals Research: Cinematic Archives of Switzerland<\/em><\/li><li>Cyril Cordoba (University of Fribourg)<br><em>\u201cDon\u2019t Awaken a Sleeping Giant\u201d: How Can\/Should We Write about Locarno Film Festival\u2019s History?<\/em><\/li><li>Pablo La Parra-P\u00e9rez (Elias Querejeta Zine Eskola)<br><em>Out of the Box: Notes of the Archive and Research Project \u2018Zinemaldia 70: All Possible Histories\u2019 (2018-2022)<\/em><\/li><li>Juliana Muylaert (Federal Fluminense University)<br><em>Film Festivals\u2019 History and Studies in Brazil: An Overview<\/em><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Thursday, 23 June 2022 <\/strong>\u00bb<strong> 11:00\u201312:45 EEST, Room B 2.2<\/strong><br><strong>B2 Film Festivals<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chair: Alk\u0131m Kutlu (Heinrich Heine University D\u00fcsseldorf)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Andrea Gelardi (University of St. Andrews)<br><em>A Regional Archipelago: Mapping and Measuring the Apulian Film Festival System<\/em><\/li><li>Angela Bianca Saponari (University of Bari Aldo Moro)<br><em>A Global Film Literacy Project: the Apulia Region between Film Festivals and European Networks<\/em><\/li><li>Vejune Zemaityte (Tallinn University), Andres Karjus (Tallinn University) et al.<br><em>A Cultural Data Analysis of the International Film Festival Participation Network<\/em><\/li><li>Maria Francesca Piredda (Catholic University of the Sacred Heart)<br><em>Transcultural Class. Typologies and Impacts of FESCAAAL Film Festival\u2019s Educational Activities Aimed at Milanese Students<\/em><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Thursday, 23 June 2022 <\/strong>\u00bb<strong> 15:00\u201316:45 EEST, Room 2.2<\/strong><br><strong>C2 Critical Perspectives on Film Festivals: Care, Precarity, Minority Work<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chair: Marijke de Valck (Utrecht University)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Dorota Ostrowska (Birckbeck, University of London)<em> (virtual participation)<\/em><br><em>Tell Me Why You Care? Ethics &amp; Aesthetics of Care and Film Festival Cultures<\/em><\/li><li>T\u00e2nia Le\u00e3o (University of Porto)<br><em>Can we Openly Talk about Precarious and Voluntary Work at Film Festivals? Reflections on the Portuguese Case<\/em><\/li><li>Feng-Mei Heberer (New York University)<br><em>The Power of Transcience: Film Festivals and Migrant Organizing<\/em><\/li><li>Siddharth Chadha (Uppsala University)<br><em>Curating Precarity: Re-Thinking Queer Film Festivals Beyond Identity Politics<\/em><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Friday 24 June 2022 <\/strong>\u00bb <strong>11:00\u201312:45 EEST, Room A 2.1<\/strong><br><strong>E8<\/strong> <strong>Community-based Film Festivals: From National to Transnational Networks<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chair: Juliana Muylaert (Federal Fluminense University)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Lucy Alejandra Piza\u00f1a Perez (Film University Babelsberg Konrad Wolf)<br><em>Jewish Film Festivals: Network Nodes and the Development of \u2018Jewish Film\u2019<\/em><\/li><li>Egemen Kepek\u00e7i (University of Bayreuth<em>)<br>Counterhegemonic Potentials of Pembe Hayat KuirFest with its Function as a Transnational Network<\/em><\/li><li>Fatma Edemen (Jagiellonian University Krak\u00f3w<em>)<br>Global Kurdish Film Festival: Opportunities and Challenges for a National Claim in an Online Transnational Network<\/em><\/li><li>Maja Korbecka (Free University of Berlin)<br><em>A Leopard Sitting Still on the Yellow Earth: China\u2019s Art Cinema at Locarno Film Festival<\/em><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Friday 24 June 2022 <\/strong>\u00bb <strong>14.15\u201316.00 EEST, Room B 4.3<\/strong><br><strong>F7&nbsp; Film Festivals in Transformation: Audiences, Programming, Cinephilia<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chair: Sebasti\u00e1n Gonz\u00e1lez Itier (Universidad de los Andes)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Mar\u00eda Paz Peirano (University of Chile)<br><em>Transformations in documentary film festivals audiences: the case of FIDOCS<\/em><\/li><li>Eija Niskanen (University of Helsinki)<br><em>Not Rivals, But Co-operators \u2013 Asian Cinema Education Project as a Film Festivals\u2019 Co-Project<\/em><\/li><li>Csilla Kat\u00f3 (Babes Bolyai University)<br><em>Programming Documentary Films for Film Festivals: Practices, Challenges, Perspectives<\/em><\/li><li>Sebasti\u00e1n Gonz\u00e1lez Itier (University of the Andes)<br><em>National Film Festivals Circuits in the Latin American Sphere: Discussing Film Canon, Film Culture and Cinephilia<\/em><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Friday 24 June 2022 <\/strong>\u00bb <strong>16.15\u201318.00 EEST, Room B 2.1<\/strong><br><strong>G1&nbsp; Network Epistemologies: Using Network Analysis to Analyze Film Industry Phenomena<\/strong><br>(sponsored by the Film Festival Research Workgroup &amp; the Media Industries Workgroup)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chair: Vejune Zemaityte (Tallinn University)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Skadi Loist (Film University Babelsberg Konrad Wolf) &amp; Zhenya Samoilova (Film University Babelsberg Konrad Wolf)<br><em>From Film Circulation to Network Analysis: Using Social Network Analysis to Study the Film Festival Sector<\/em><\/li><li>Katharina Burgdorf (University of Mannheim)<br><em>Empirical Approaches to the Study of Film Movements: The Case of the New Hollywood Movement<\/em><\/li><li>Deb Verhoeven (University of Alberta) &amp; Pete Jones (University of Alberta) <em>(virtual participation)<\/em><br><em>Through a Glass Darkly: Gender Equity Policies and the Camera Department<\/em><\/li><li>Martha Emilie Ehrich (Film University Babelsberg Konrad Wolf), Elizabeth Prommer (University of Rostock) &amp; Franziska Thiele (University of Greifswald)<br><em>Gender Inequality in the Screen Industries: A Network Analysis of the Film Distribution Sector in Germany<\/em><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Saturday Lunch, 25 June 2022 <\/strong>\u00bb <strong>12:45\u201314:00 EEST, Room B 2.2<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Film Festival Research Work Group<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Saturday, 25 June 2022 <\/strong>\u00bb <strong>14:15\u201316:00 EEST, B 2.3<\/strong><br><strong>J3 <em>(merged with K3)<\/em><\/strong> <strong>Roundtable: Rethinking Film Festivals in the Pandemic Era<\/strong> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chair: Estrella Sendra (SOAS University of London)<a href=\"Chair: Estrella Sendra (SOAS University of London)\"> <\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Antoine Damiens (York University)<\/li><li>Skadi Loist (Film University Babelsberg Konrad Wolf)<\/li><li>Mar\u00eda Paz Peirano (University of Chile)<\/li><li>Alanna Thain (McGill University) <em>(virtual participation)<\/em><\/li><li>Marijke de Valck (Utrecht University)<\/li><li>Aida Vellejo (University of the Basque Country UPV\/EHU) <em>(virtual participation)<\/em> <\/li><li>Ger Zielinksi (Ryerson University)<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>NECS Bucharest 2022Epistemic Media: Atlas, Archive, Network Main Conference Venue: Central Library of the Polytechnic University of Bucharest, Splaiul Independe\u021bei, no. 313, Bucharest, 060042, Romania At this year&#8217;s NECS conference, taking place again in-person in Bucharest, Romania, there will be &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-research-necs-bucharest-2022\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20,48],"tags":[25,45],"class_list":["post-2958","post","type-post","status-publish","format-standard","hentry","category-conferences","category-ffrn","category-necs-film-festival-research-workgroup","tag-necs","tag-necs-workgroup-film-festival-research"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/2958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=2958"}],"version-history":[{"count":5,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/2958\/revisions"}],"predecessor-version":[{"id":2967,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/2958\/revisions\/2967"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=2958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=2958"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=2958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}