{"id":2907,"date":"2022-03-14T22:59:17","date_gmt":"2022-03-14T21:59:17","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=2907"},"modified":"2022-03-14T23:00:55","modified_gmt":"2022-03-14T22:00:55","slug":"scms-conference-2022","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/scms-conference-2022\/","title":{"rendered":"SCMS Conference 2022"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\"><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">SCMS Conference 2022<br>March 31-April 3: Virtual Conference<\/h2>\n\n\n\n<p>At this year&#8217;s SCMS conference 2022, there are three preconstituted panels on film festivals, sponsored by the Film and Media Festival SIG:<\/p>\n\n\n\n<p>Saturday, April 2;<br>Session N \u2013 3:00 PM Central Time<\/p>\n\n\n\n<p><strong>N11: At the Intersection of Art and Industry: Historical Case Studies of Festival Circuits<\/strong><\/p>\n\n\n\n<p>Chair: Chelsea McCracken, SUNY Oneonta Respondent: Roya Rastegar<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Betsy Walters, Boston University, \u201cFestival Diplomacy: CINE, American Nontheatrical Cinema, and the Film Festival Network, 1957\u20131977\u201d<\/li><li>Chelsea McCracken, SUNY Oneonta, \u201c\u2018A Pragmatic Move\u2019: Festival Programming and LGBTQ Content\u201d<\/li><li>Matt St. John, University of Wisconsin, Madison, \u201cMovie-Made Utah: The Utah\/US Film Festival, Regional Programming, and the Origins of the Sundance Film Festival\u201d<\/li><\/ul>\n\n\n\n<p>Sunday, April 3;<br>Session P \u2013 9:00 AM Central Time<\/p>\n\n\n\n<p><strong>P11: Empirical Approaches to Film Festivals: Theory\/Method\/Practice<\/strong><\/p>\n\n\n\n<p>Chair: Antoine Damiens, York University<\/p>\n\n\n\n<p>Co-chair: Skadi Loist, Film University Babelsberg Konrad Wolf, Potsdam Respondent: Tamara Falicov, University of Kansas<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Skadi Loist, Film University Babelsberg Konrad Wolf, Potsdam and Katharina Burgdorf, University of Mannheim, \u201cAnalyzing the Film Festival Network: Methodological Challenges\u201d<\/li><li>Ritesh Mehta, Indian Film Festival of Los Angeles, \u201cDiasporic filmmakers and curators on the shift to hybrid festivals: The example of South Asian festivals in the US\u201d<\/li><li>Brad Limov, University of Texas at Austin, \u201cFilm Festivals and Community Activism: On the Potential for Affective Mobilizations\u201d<\/li><\/ul>\n\n\n\n<p>Sunday, April 3; <br>Session S \u2013 3:15 PM Central Time<\/p>\n\n\n\n<p><strong>S5: Critical Approaches to Online Film Festivals<\/strong><\/p>\n\n\n\n<p>Chair: Jonathan Petrychyn, Ryerson University<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Ger Zielinski, Ryerson University, \u201dPandemic Streaming: On COVID\u201319, Virtualized Film Festivals, and the Environmentalist Turn\u201d<\/li><li>Laura U. Marks, Simon Fraser University, \u201cThe Small File Media Festival\u201d<\/li><li>Jonathan Petrychyn, Ryerson University, \u201cStreaming Censorship: Social Media Platforms and Content Moderation at the Toronto Queer Film Festival\u201d<\/li><li>Antonio Pel\u00e1ez-Barcel\u00f3, CEU San Pablo University, \u201cOnline vs offline cultural diversity in film festivals: Toronto and San Sebastian\u201d<\/li><\/ul>\n\n\n\n<p>.<\/p>\n\n\n\n<p>And there are five panels with festival papers:<\/p>\n\n\n\n<p>Thursday, March 31; <br>Session D \u2013 3:00 PM Central Time<\/p>\n\n\n\n<p><strong>D18 Interrogating the \u201cVirtual\u201d: Case Studies of VR<\/strong><\/p>\n\n\n\n<p>Chair: Ivy Roberts, University of Maryland, College Park<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Ivy Roberts, University of Maryland, College Park, \u201c\u2018Virtual\u2019 Realities: Reclaiming VR for the cinema, a history to 1990\u201d<\/li><li><em>Da Ye Kim, New York University, \u201cCapitalizing on the Potential of Virtual Reality?: Film Festivals and the Rhetoric of VR as the \u2018New Cinematic Medium\u2019\u201d<\/em><\/li><li>Caroline Klimek, York University, \u201cArtist-Run Centres and XR Media: How Canadian Artists are Making Tech Accessible\u201d<\/li><\/ul>\n\n\n\n<p>Friday, April 1;<br>Session F \u2013 9:00 AM Central Time<\/p>\n\n\n\n<p><strong>F20 Beyond the Movie Theater: Questions of Cultural Legitimacy<\/strong><\/p>\n\n\n\n<p>Chair: Anthony Enns, Dalhousie University<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Tom Fallows, University of Maryland Global Campus, \u201c\u2018Netflix for Lunatics\u2019: Full Moon Features and the Non-Theatrical Business Model, from Video Store to Streaming Service\u201d<\/li><li><em>Eren Odabasi, Western Washington University, \u201cInstitutionalized Cultural Capital in Film Festivals: The Cannes 2020 \u2018Label\u2019\u201d<\/em><\/li><li>Anthony Enns, Dalhousie University, \u201cThe Half-Life of Ubik: Philip K. Dick\u2019s Unmade Film\u201d<\/li><li>Kaya Turan, Stony Brook University, \u201cAmbivalent Light: Spectatorial Models in Thomas Wilfred\u2019s Lumia Suite, Opus 158\u201d<\/li><\/ul>\n\n\n\n<p>Saturday, April 2; <br>Session K \u2013 9:00 AM Central Time<\/p>\n\n\n\n<p><strong>K15 Asian\/Pacific American Activism Deconstucting Naturalized Tropes<\/strong><\/p>\n\n\n\n<p>Chair: Heshen Xie, University of Nottingham<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Heshen Xie, University of Nottingham, \u201cReimagining Queer Asia and Rurality in Hong Kong: Examining Asia Pacific Queer Film Festival Alliance Shorts\u201d<\/em><\/li><li>Woori Han, University of Pennsylvania, \u201cSticky queer collectivity: Attachment and detachment in social media activism for LGBTQ rights in Korea\u201d<\/li><li>Hang Wu, University of Chicago, \u201cFrom Techno-Orientalism to Information Processing: On Asian Cyberscapes in the Cyberpunk New Wave\u201d<\/li><\/ul>\n\n\n\n<p>Saturday, April 2;<br>Session M \u2013 1:00 PM Central Time<\/p>\n\n\n\n<p><strong>M2 Speculative Methods of Feminist Film History<\/strong><\/p>\n\n\n\n<p>Chair: Catherine Russell, Concordia University<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jane Gaines, Columbia University, \u201cCounterfactual Speculation: What if Antonia Dickson Had Invented the Kinetoscope?\u201d<\/li><li><em>Hayley O\u2019Malley, University of Iowa, \u201cA Speculative History of the First Black Women\u2019s Film Festival\u201d<\/em><\/li><li>Aurore Spiers, University of Chicago, \u201c\u2018My Name Is Alice Guy:\u2019 Role-Playing and Women\u2019s Film History<\/li><li>Catherine Russell, Concordia University, \u201cThe File on Theresa Harris, Black Star of the Archive\u201d<\/li><\/ul>\n\n\n\n<p>Sunday, April 3;<br>Session R \u2013 1:15 PM Central Time<\/p>\n\n\n\n<p><strong>R18 Politics of Film Circuits International Production, Distribution and Festivals<\/strong><\/p>\n\n\n\n<p>Chair: Sangjoon Lee, Nanyang Technological University<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Kajsa Niehusen, University of California, Santa Barbara, \u201cVying for Access: German films in Turkey during World War II\u201d<\/li><li>Carol Chih-Ju Lin, Indiana University, Bloomington, \u201cRepresenting China in Taiwan: Hollywood Negotiating Locations and Cold War Politics in The Sand Pebbles and The Chairman\u201d<\/li><li>Sangjoon Lee, Nanyang Technological University, \u201cDestination Hawaii: Projecting Southeast Asian Cinema to the World\u201d<\/li><li><em>Jeff Solomon, Wake Forest University and Heather Barnes, Wake Forest University, \u201cThe Queer Repertory Project: Initial Findings\u201d<\/em><\/li><\/ul>\n\n\n\n<p>Sunday, April 3; <br>Session S \u2013 3:15 PM Central Time<\/p>\n\n\n\n<p><strong>S6 Global Voices of Women Auteurs<\/strong><\/p>\n\n\n\n<p>Chair: Yifen Beus, Brigham Young University-Hawaii<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Yifen Beus, Brigham Young University-Hawaii, \u201cFragmented Solidarity: Filming Oceanian Women in <em>Waru<\/em> (2017) and <em>Vai<\/em> (2019)\u201d<\/li><li>Carolyn Bailey, Harvard University, \u201cSelf-Circulation: Repetition and Reproduction in Julie Dash\u2019s <em>Daughters of the Dust<\/em>\u201d<\/li><li>Raha Shojaei, San Jose State University, \u201cThe Absence of Her Voice\u201d<ul><li>Aga Skrodzka, Clemson University, \u201cFeminist Worlding in World Cinema: The Case of Malgorzata Szumowska\u201d<\/li><\/ul><\/li><\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SCMS Conference 2022March 31-April 3: Virtual Conference At this year&#8217;s SCMS conference 2022, there are three preconstituted panels on film festivals, sponsored by the Film and Media Festival SIG: Saturday, April 2;Session N \u2013 3:00 PM Central Time N11: At &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/scms-conference-2022\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,43],"tags":[47,26,44],"class_list":["post-2907","post","type-post","status-publish","format-standard","hentry","category-conferences","category-scms-sig-film-and-media-festivals","tag-conference-panels","tag-scms","tag-sig-film-and-media-festivals"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/2907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=2907"}],"version-history":[{"count":2,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/2907\/revisions"}],"predecessor-version":[{"id":2909,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/2907\/revisions\/2909"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=2907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=2907"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=2907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}