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The NECS 2018 Conference “media tactics and engagement” taking place in Amsterdam, Netherlands \u00bb June 27-29, 2018 is only a few days away.<\/p>\n
Here is a list of all festival related papers and panels at this year’s NECS conference.<\/p>\n
Panels Sponsored by Film Festival Research Workgroup<\/strong><\/p>\n A7 Festivals\u2019 History from 1950s to 1970s B7\u00a0 Festival Strategies: Top down \/ Bottom up C7\u00a0 Film Festivals in the Global South D8\u00a0 Queer Film Festivals E2\u00a0 Film Festivals after Netflix F\u00a0 Film Festival Research Workgroup meeting I13\u00a0 Film Festivals\u00a0 (H<\/strong>oMER) <\/p>\n Panels and Papers that might also be of Interest<\/strong><\/p>\n F3\u00a0 Queer Tactics, On and Behind the Screen: Practices of Coalition and Refusal in Cinema\u2019s Queer Commons G1\u00a0 How to Teach European Cinema: the European University Film Award and Beyond G7\u00a0 Engaging in Cultural Democracy: Pedagogy, Curatorship, Artistic Practice<\/strong><\/p>\n Thursday 28th \u00bb 13.45-15.30, UvA OMHP D1.18A<\/p>\n The NECS 2018 Conference “media tactics and engagement” taking place in Amsterdam, Netherlands \u00bb June 27-29, 2018 is only a few days away. Here is a list of all festival related papers and panels at this year’s NECS conference. Panels … Continue reading
\n<\/strong>Wednesday 27th \u00bb 9.00-10.45; UvA OMHP D1.18A<\/p>\n\n
\nThe International Federation of Film Producers Associations Backstage at International Film Festivals during the Cold War<\/li>\n
\nThe \u201cGiornata del film europeo\u201d in Venice: Between Film Festivals and European Media Policies, 1956-1960<\/li>\n
\nAfrican and Arab Filmmakers at Moscow and Tashkent Film Festivals: Foreign Policy and Professional Strategy during the Cold War<\/li>\n
\nTranslation as Surveillance and Curation at the Moscow International Film Festival in the 1960s<\/li>\n<\/ul>\n
\n<\/strong>Wednesday 27th \u00bb 11.00-12.45, UvA OMHP D1.18A<\/p>\n\n
\nAntalya in Istanbul: An Alternative \u201cNational Competition\u201d<\/li>\n
\nSightlines and Shadows: Citizen Jane, Activism, and Women\u2019s Film Festivals<\/li>\n
\n#SeeTheNorth: Re-curating the National After TIFF at Canada\u2019s Top Ten Film Festival<\/li>\n
\nFilm Festivals as Media Practice: On Community Tactics and Strategies of Influence<\/li>\n<\/ul>\n
\n<\/strong>Wednesday 27th \u00bb 13.45-15.30, UvA OMHP D1.18A<\/p>\n\n
\nEuropean Film Festivals\u2019 production strategies in the Global South<\/li>\n
\nBrazilian documentaries in IDFA\u2019s Bertha Fund: discussing the place for non-European cinemas in a globalized film festivals circuit<\/li>\n
\nTimely opportunities or poisoned gifts? The New Argentine Cinema, the Greek New Wave & the festival funding\/prod. Instruments<\/li>\n<\/ul>\n
\n<\/strong>Wednesday 27th \u00bb 15.45-17.00, UvA OMHP E0.12<\/p>\n\n
\nModerately Queer Programming at an Established LGBTQ Film Festival: A case study of BFI Flare-London LGBT Film Festival<\/li>\n
\n\u2018Revolution sometimes happens because everyone refuses to go home\u2019 Precarity and resistance at queer film festivals<\/li>\n
\nHappy Queers in a \u2018Market without Imagination\u2019: Canadian Queer Film Festival Programming Tactics, 1995-2005<\/li>\n<\/ul>\n
\n<\/strong>Thursday 28th \u00bb 9.00-10.45, UvA OMHP A1.18D<\/p>\n\n
\n(Re)thinking Distribution, Exhibition and Spectatorship: Sustainability of Balkan Film Festivals<\/li>\n
\nPositing animation film festivals in the film festival circle<\/li>\n
\nOkja, satire, and Netflix: this giant piggy went to market; this giant piggy came home<\/li>\n
\nFilm Festivals After Netflix: Rethinking contemporary film festival engagement and programming tactics<\/li>\n<\/ul>\n
\nThursday, 28 June 2018, 11-12.45, <\/strong>UvA OMHP D0.0<\/strong><\/p>\n
\n<\/strong>Friday 29th \u00bb 11.00-12.45, VU Main Building 14A20<\/p>\n\n
\nAlternative Exhibition Strategies of Film Festivals in Turkey<\/li>\n
\nAudience Formation\u201d: Film Festivals and the Expansion of the Cinematic Field in Chile<\/li>\n
\nCurated Circulation: Exploring the Consecutive Dissemination of Feature Films by Festivals, Distributors and Cinemas<\/li>\n
\nFringe festivals and DIY film exhibition in Scotland<\/li>\n<\/ul>\n
\n<\/strong>Thursday 28th \u00bb 11.00-12.45, UvA OMHP C1.05<\/p>\n\n
\nCineffable\u2019s invisible labour: Paris International lesbian film festivals\u2019 subtitles, translation, and solidarity<\/li>\n
\nScreening the Tear: Black Counter-Cinema, Bad Parolees, and Spectatorships of Empathy<\/li>\n
\nMurderers of the Patriarchy: Reframing the (Queer) Nation in Romas Zabarauskas\u2019 Porno Melodrama and You Can\u2019t Escape Lithuania<\/li>\n<\/ul>\n
\n<\/strong>Thursday 28th \u00bb 13.45-15.30, UvA OMHP A1.18C<\/p>\n\n
\nKathrin Kohlstedde \u00bbFilmfest Hamburg<\/li>\n\n
\n\u201cWe, Europeans…\u201d Challenges of socially engaged art, curatorship and teaching practice<\/li>\n
\nCurating Moving Images in the Postdigital Age<\/li>\n
\nBeyond the Violet End of the Spectrum \u2013 Specter Visualization in the Age of CCTV and Drones<\/li>\n
\nEmbodying Pedagogy and Contradiction in Film Festival Planning and Curation<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"