{"id":1997,"date":"2016-03-29T19:12:19","date_gmt":"2016-03-29T17:12:19","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=1997"},"modified":"2016-03-29T19:12:39","modified_gmt":"2016-03-29T17:12:39","slug":"film-festival-research-at-2016-scms-conference-atlanta","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-research-at-2016-scms-conference-atlanta\/","title":{"rendered":"Film Festival Research at 2016 SCMS Conference Atlanta"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-803\" src=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2011\/03\/SCMS.png\" alt=\"SCMS\" width=\"185\" height=\"88\" \/>At the 2016 SCMS conference, happening in Atlanta March 30-April 3, there are a number of panels and events related to film festival research.\u00a0 Here are the events endorsed by the Film and Media Festivals SIG of SCMS:<\/p>\n<p>The <strong>annual business meeting<\/strong> of the Film and Media festivals SIG will be held on Wednesday, March 30 from 2:00pm-3:45pm in Room 410 (Fourth Floor).<\/p>\n<p><a href=\"https:\/\/www.routledge.com\/products\/9780415712477\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1998 alignright\" src=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2016\/03\/9780415712477_FFs.jpg\" alt=\"9780415712477_FFs\" width=\"104\" height=\"157\" srcset=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2016\/03\/9780415712477_FFs.jpg 283w, http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2016\/03\/9780415712477_FFs-200x300.jpg 200w\" sizes=\"auto, (max-width: 104px) 100vw, 104px\" \/><\/a>The <strong>Film and Media festivals SIG<\/strong> will be hosting a<strong> happy hour<\/strong> on Thursday, March 31 at 5:30pm at Max Lager&#8217;s Wood-Fired Grill &amp; Brewery (a short walk from the conference hotel), at which we will toast the <strong>release<\/strong> of <strong><em>Film Festivals: History, Theory, Method, Practice<\/em><\/strong>, edited by Marijke de Valck, Brendan Kredell, and Skadi Loist.<\/p>\n<p>We encourage you to check out the following Film &amp; Media Festival SIG-sponsored panels at SCMS 2016:<\/p>\n<p><strong>B3: Festival Mobilities: Movement, Movements, Publics<\/strong><\/p>\n<ul>\n<li>CHAIR Bernard Cook \u2022 Georgetown University<\/li>\n<li>Vincent Pham \u2022 California State University San Marcos \u2022 \u201cDrive Outs to \u2018Drive By Cinema\u2019: Public Modality and Space in an Irregular Film Festival Project\u201d<\/li>\n<li>Ran Ma \u2022 Nagoya University \u2022 \u201cThe Asian Documentary Connections: From Yamagata International Documentary Film Festival (YIDFF) to Asian Network of Documentary (AND)\u201d<\/li>\n<li>Bernard Cook \u2022 Georgetown University \u2022 \u201cReality Circuits: The Documentary Film Festival and the Mode of Production of Documentary\u201d<\/li>\n<li>Olivier Thevenin \u2022 University of Upper Alsace \u2022 \u201cAuteur Cinema at Cannes Film Festival and the Directors\u2019 Fortnight\u201d<\/li>\n<\/ul>\n<p><strong>K15: Film Festivals, Cultural Memory, and Politics of the (In)visible<\/strong><\/p>\n<ul>\n<li>CHAIR Antoine Damiens \u2022 Concordia University<br \/>\nCO-CHAIR John Lessard \u2022 University of the Pacific<\/li>\n<li>John Lessard \u2022 University of the Pacific \u2022 \u201cThe East German Amateur Film Festival as Archive\u201d<\/li>\n<li>Kristine Kotecki \u2022 Ball State University \u2022 \u201cRe-collecting Yugoslavia: Curatorial Politics at Regional Film Festivals\u201d<\/li>\n<li>Beth Tsai \u2022 SUNY, University at Stony Brook \u2022 \u201cVisible Art, Invisible Nations?: On the Politics in Film Festivals and the Case of Taiwanese Cinema\u201d<\/li>\n<li>Antoine Damiens \u2022 Concordia University \u2022 \u201cScreening Festivals: Queer Film Festivals as Visual Architecture\u201d<\/li>\n<\/ul>\n<p>While not officially sponsored by the SIG, we also encourage you to check out the following festival-related panels:<\/p>\n<p><strong>C19: Strange Bedfellows: Questioning the Strategic Value of Intra-Industry Relationships<\/strong><\/p>\n<ul>\n<li>Chair: Joshua Coonrod (Indiana University)<\/li>\n<li>Joshua Coonrod (Indiana University), &#8220;&#8221;I Wanted To See Your Movie, But The Line To Meet Tom Savini Was SO LONG&#8221;: Intersections of Film Festivals and Fan Conventions&#8221;<\/li>\n<li>Anne Major (University of Texas, Austin), &#8220;Powering Premium Content: An Analysis of Ooyala\u2019s Online Video Services&#8221;<\/li>\n<li>Jesse Balzer (Indiana University), &#8220;\u201cHonoring the Stars Who Make the Stars Shine\u201d: The Prestige Economy and Labor of The Hollywood Reporter\u2019s Key Art Awards&#8221;<\/li>\n<\/ul>\n<p><strong>F15: Paratextual Analysis and Global Circulation<\/strong><\/p>\n<ul>\n<li>Chair: Lisa Patti (Hobart and William Smith Colleges)<br \/>\nCo-Chair: David Richler (Carleton University)<\/li>\n<li>David Richler (Carleton University), &#8220;Film Festival Paratexts, Digital Circulation, and the Idea of World Cinema&#8221;<\/li>\n<li>Pavitra Sundar (Kettering University), &#8220;Sound and Subtitles: The Paratexts of Lunchbox&#8221;<\/li>\n<li>Melissa Gelinas (University of Michigan, Ann Arbor), &#8220;Trailers and the Transnational Circulation of Multilingual Films&#8221;<\/li>\n<li>Fan Yang (University of Maryland, Baltimore County), &#8220;House of Cards in China: Paratexts and Transnational Circulation\u201d<\/li>\n<\/ul>\n<p><strong>M15: French Cinema at the Margins: Forgotten Sites, Practices, and Discourses, 1920-1960<\/strong><\/p>\n<ul>\n<li>Chair: Eric Smoodin (University of California, Davis)<\/li>\n<li>Eric Smoodin (University of California, Davis), &#8220;The Last Amateurs of Pure Cinema: Cin\u00e9-Clubs and French Film Culture, 1927-1945&#8221;<\/li>\n<li>Annie Fee (University of Washington, Seattle), &#8220;Educational Cinema Between Art and Social Activism: Competing Cinephilias in 1920s Paris&#8221;<\/li>\n<li>Jennifer Wild (University of Chicago), &#8220;Beyond the Margin: Against Avant-Garde Film c. 1930&#8221;<\/li>\n<li>Brian Jacobson (University of Toronto), &#8220;Industrial Film Festivals and the Cultural Politics of Postwar Business\u201d<\/li>\n<\/ul>\n<p><strong>N11: British Film Cultures<\/strong><\/p>\n<ul>\n<li>Chair: Lindsey Decker (Syracuse University)<\/li>\n<li>Robert Shail (Leeds Beckett University), &#8220;John Krish and British Art Cinema&#8221;<\/li>\n<li>Rachel Fabian (University of California, Santa Barbara), &#8220;\u201cWhat Are We Left With?\u201d: The London Women\u2019s Film Group and the Limits of 1970s British Alternative Film Culture&#8221;<\/li>\n<li>Lindsey Decker (Syracuse University), &#8220;The British Are (or Aren\u2019t) Coming: Transnational Influence, Film Festivals, and Middle-Class British Film Culture&#8221;<\/li>\n<li>Justin Smith (University of Portsmouth), &#8220;Ploughing a lonely furrow?: \u201cA Field in England\u201d (2013) and alternative distribution in the UK\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>At the 2016 SCMS conference, happening in Atlanta March 30-April 3, there are a number of panels and events related to film festival research.\u00a0 Here are the events endorsed by the Film and Media Festivals SIG of SCMS: The annual &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-research-at-2016-scms-conference-atlanta\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20,7,43],"tags":[47,106,108,107,109,26],"class_list":["post-1997","post","type-post","status-publish","format-standard","hentry","category-conferences","category-ffrn","category-film-festival-research","category-scms-sig-film-and-media-festivals","tag-conference-panels","tag-conferences","tag-ffrn","tag-film-festival-research","tag-publication","tag-scms"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=1997"}],"version-history":[{"count":2,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1997\/revisions"}],"predecessor-version":[{"id":2000,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1997\/revisions\/2000"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=1997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=1997"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=1997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}