{"id":1942,"date":"2015-06-18T10:50:12","date_gmt":"2015-06-18T08:50:12","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=1942"},"modified":"2015-06-18T10:51:46","modified_gmt":"2015-06-18T08:51:46","slug":"necs-2015-update","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/necs-2015-update\/","title":{"rendered":"NECS 2015 Update"},"content":{"rendered":"<p>The <a href=\"http:\/\/necs.org\/conference\/\" target=\"_blank\">NECS 2015 Conference<\/a> &#8220;Archives of\/for the Future&#8221; taking place in <span lang=\"EN-GB\"> \u0141\u00f3d\u017a,<\/span> Poland, June 18-20, 2015 is featuring a number of papers and panels by members of the NECS Film Festival Research workgroup.<\/p>\n<p>The final program finds some changes to the preliminary program published earlier.\u00a0 Please refer to the <a href=\"http:\/\/www.necs.org\/conference\/The_NECS_2015_Conference_Programme_Lodz.pdf\" target=\"_blank\">final program here<\/a>.<\/p>\n<p>Please take note of the <span style=\"color: #0000ff;\">Film Festival Research workgroup meeting on Saturday, June 20, 11:00-12:45 in room 2.55<\/span>, which was added after program finalization and is not listed in the printed program.<\/p>\n<p><a href=\"http:\/\/necs.org\/conference\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1935\" src=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2015\/06\/necs2015.png\" alt=\"necs2015\" width=\"960\" height=\"334\" srcset=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2015\/06\/necs2015.png 960w, http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2015\/06\/necs2015-300x104.png 300w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/p>\n<p>Here is a thematic schedule:<\/p>\n<p><strong>Festival-related papers and panels<\/strong><\/p>\n<p><strong>C 07 Politics of Archiving and the Writing of Transnational Cultural History<br \/>\n<\/strong>Thursday, June 18, 13:45-15:30h, room 2.51<\/p>\n<ul>\n<li>Petr Szczepanik &#8211; Chair<\/li>\n<li>Rosa Olmos (Biblioth\u00e8que de Documentation Internationale Contemporaine): The Living Memories. Audio-Visual Archives of the BDIC Library, Research Material on International Conflicts<\/li>\n<li>Caroline Moine (University of Versailles Saint-Quentin-en-Yvelines): Transnational History of Solidarity Movements in Europe during the Cold War: New Sources, New Archives<\/li>\n<li><em>Viviane Saglier (Concordia University): Diasporic Film Festivals and Trans-Historical Film Economies<\/em><\/li>\n<li><em>Dunja Jelenkovic (University of Versailles Saint-Quentin-en-Yvelines): The Politics of Archiving \u2013 The Politics and Archiving: The Case of Yugoslav Documentary and Short Film Festival (1954-today)<\/em><\/li>\n<\/ul>\n<p><strong>F 01 Queer Cinema<br \/>\n<\/strong>Friday, June 19, 11:00-12:45h, room 2.20<\/p>\n<ul>\n<li>Dagmara Rode &#8211; chair<\/li>\n<li>Katharina Lindner (University of Stirling): Intangible Archives? Queer Embodiment and Affect in Cinema<\/li>\n<li><em>Antoine Damiens (Concordia University, Montreal): The Festivals that did not Matter: Queer Film Festivals and their Scattered Archives<\/em><\/li>\n<li>Nanna Heidenreich (HBK Braunschweig): \u201cOnce upon a Future\u201d. Traversing the Archive<\/li>\n<\/ul>\n<p><strong>H 07 Personal Archives and Documentary Practice<br \/>\n<\/strong>Friday, June 19, 15:45-17:30h, room 2.51<\/p>\n<ul>\n<li>Andrea P\u00f3csik &#8211; Chair<\/li>\n<li>Efr\u00e9n \u00c1lvarez (Universidad de Navarra, Spain): The Archive Effect in the Appropriation of Home Movies in Documentary Films. The Case of &#8220;Stories We Tell&#8221;<\/li>\n<li>Debra Beattie (Griffith University, Australia): The New Woman and Gender Disruption: On Researching the Archives of Daphne Mayo<\/li>\n<li>Andrea P\u00f3csik (P\u00e1zm\u00e1ny P\u00e9ter Catholic University, Budapest): Installing, &#8220;Inscening&#8221; Found Footages<\/li>\n<li><em>Aida Vallejo (University of the Basque Country(UPV\/EHU)): Film Festivals and the Documentary Archive<\/em><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff;\">Added after program finalization:<\/span><\/p>\n<p><span style=\"color: #0000ff;\"><strong>J\u00a0 Film Festival Research workgroup meeting<\/strong><\/span><\/p>\n<p><span style=\"color: #0000ff;\">Saturday, June 20, 11:00-12:45h<\/span><br \/>\n<span style=\"color: #0000ff;\">Room 2.55<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>K 09 Spaces, Bodies, and Things: On Archives of Emotions<br \/>\n<\/strong>Saturday, June 20, 13:45-15:30h, room 2.54<\/p>\n<ul>\n<li>Skadi Loist &#8211; Chair<\/li>\n<li>Tomasz Basiuk (University of Warsaw): Body&#8217;s Archive: Karol Radziszewski&#8217;s Homage to Andy Warhol<\/li>\n<li>Saige Walton (University of South Australia): Versailles: Archives of Luxury in \u201cMarie Antoinette\u201d (2006) and \u201cThe Bling Ring\u201d (2013)<\/li>\n<li><em>Ger Zielinski (Trent University): On Queer Film Festivals as Archives of Feelings<\/em><\/li>\n<\/ul>\n<p><strong>L 04 Critical Film Festival Studies<br \/>\n<\/strong>Saturday, June 20, 15:45-17:30h, room 2.33<\/p>\n<ul>\n<li><em>Liz Czach &#8211; Chair<\/em><\/li>\n<li><em>Skadi Loist (University of Rostock): Mapping the Circuit: Methodological Considerations of New Empiricism and the Spatial Turn<\/em><\/li>\n<li><em>Kirsten Stevens (RMIT): Clutching at Ephemera: Archives, Big Data and Methodological Challenges in Multi-Event Film Festival Research<\/em><\/li>\n<li><em>Liz Czach (University of Alberta): Affective Labour and the Work of Film Festival Programming<\/em><\/li>\n<li><em>Tess Van Hemert (QUT): Farewelling the Regent: Considering &#8216;Festival Memory&#8217; in the Face of Change and Innovation<\/em><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The NECS 2015 Conference &#8220;Archives of\/for the Future&#8221; taking place in \u0141\u00f3d\u017a, Poland, June 18-20, 2015 is featuring a number of papers and panels by members of the NECS Film Festival Research workgroup. The final program finds some changes to &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/necs-2015-update\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1942","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=1942"}],"version-history":[{"count":3,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1942\/revisions"}],"predecessor-version":[{"id":1945,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1942\/revisions\/1945"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=1942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=1942"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=1942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}