{"id":1762,"date":"2014-03-22T13:29:37","date_gmt":"2014-03-22T12:29:37","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=1762"},"modified":"2014-03-24T13:29:22","modified_gmt":"2014-03-24T12:29:22","slug":"necs-2014-milan-preliminary-program-with-film-festival-research","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/necs-2014-milan-preliminary-program-with-film-festival-research\/","title":{"rendered":"NECS 2014 Milan: Preliminary Program with Film Festival Research"},"content":{"rendered":"<h2><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" alt=\"\" src=\"http:\/\/necs.org\/sites\/default\/files\/styles\/article-landscape\/public\/images\/news\/ceci_def2.png\" width=\"616\" height=\"234\" \/><\/h2>\n<h2>The NECS 2014 Conference<\/h2>\n<p>Creative Energies \u00bb Creative Industries<br \/>\nMilan, Italy; 19-21 June 2014<\/p>\n<h2><\/h2>\n<p>Hosted by the Universit\u00e0 Cattolica del Sacro Cuore<br \/>\nOrganized by the Universit\u00e0 Cattolica del Sacro Cuore and the University of Udine<\/p>\n<p>The preliminary program of the NECS 2014 conference in Milan is now <a href=\"http:\/\/necs.org\/conference\/programme\/index.php\" target=\"_blank\">online<\/a>: downoad the <a href=\"http:\/\/necs.org\/conference\/programme\/res\/NECS2014Preliminary.pdf\" target=\"_blank\">PDF here<\/a>.<\/p>\n<p>For the 2014 NECS edition we can happily report that there will be a record number of 28 papers presented on film festivals within 9 panels.\u00a0 For your conveniece here are all panels listed that feature film festival related research:<\/p>\n<h2>Film Festival Research at NECS 2014 Milan<\/h2>\n<p>Session E:\u00a0 Friday 20th \u00bb 9:00-10:45<\/p>\n<p><b>E01 Images on Display. New and Old Festivals<br \/>\n<\/b>Chair: tba<\/p>\n<ul>\n<li>Christel Taillibert, John W\u00e4fler (Universit\u00e9 Nice Sophia Antipolis): On the Emergence of Film Festivals: Insights From France, Italy and Switzerland<\/li>\n<li>Malte Hagener (Philipps-Universit\u00e4t Marburg): Towards an Expanded Cinema History. Expo 67 and the \u2018Invention of Creativity\u2019<\/li>\n<li>Murat Akser (University of Ulster): Rise of the Queer Shorts: Turkish LGBT Festivals and the Short Narrative Film<\/li>\n<li>Rosanna Maule (Concordia University): Women\u2019s Festival 2.0, Between Grassroots Globalization and Neoliberal Feminism: the Birdseyeview Festival<\/li>\n<\/ul>\n<p>Session F:\u00a0 Friday 20th \u00bb 11:00-12:45<\/p>\n<p><b>F01 Film Festival Origins<br \/>\n<\/b>Chair: \u00a0Lydia Papadimitriou (Liverpool John Moores University)<\/p>\n<ul>\n<li>James Udden (Gettysburg College): Festival des 3 Continents at Nantes: Expiation for the Sins of Omission<\/li>\n<li>Kirsten Stevens (The University of Melbourne): Enthusiastic Amateurs: the Origins and Evolution of the Melbourne International Film Festival as Grassroots Celebration<\/li>\n<li>Lydia Papadimitriou (Liverpool John Moores University): Thessaloniki (International) Film Festival: From Defining to Questioning Greek National Cinema<\/li>\n<\/ul>\n<p>Session G:\u00a0 Friday 20th \u00bb 13:45-15:30<\/p>\n<p><b>G01 Unmapped Creativity. Asian Cinema and the Alternative Film Festival Network<br \/>\n<\/b>Chair: \u00a0Ma Ran (Nagoya University)<\/p>\n<ul>\n<li>Eija Niskanen (Helsingin Ylopisto): Small Asias in Europe: Asian Film Festivals Outside of Asia<\/li>\n<li>Lydia Wu Dan (Newcastle University): Grassroots or International? The First China Women\u2019s Film Festival<\/li>\n<li>Ma Ran (Nagoya University): Kozoku and the Grassroots Film Network for Contemporary Japanese Independent Cinema<\/li>\n<li>Ruby Cheung (Independent Scholar): The Mapping of the East Asian-related Film Festivals in the UK<\/li>\n<\/ul>\n<p>Session H:\u00a0 Friday 20th \u00bb 15:45-17:30<\/p>\n<p><b>H01 Film Festivals and Politics: Challenges, Changes and Crises<br \/>\n<\/b>Chair: David Archibald (University of Glasgow)<\/p>\n<ul>\n<li>David Archibald (University of Glasgow): The Ethics and Politics of Human Rights Film Festivals<\/li>\n<li>Dunja Jelenkovic (Universit\u00e9 de Versailles Saint-Quentin-en-Yvelines): Yugoslav Documentary and Short Film Festival 1954-2000. From Yugoslav Socialism to Serbian Nationalism<\/li>\n<li>Ger Zielinski (Trent University): Weg zum Nachbarn: On the Oberhausen Festival, Its Politics, and Its Crises<\/li>\n<\/ul>\n<p>Session I:\u00a0 Saturday 21st \u00bb 9:00-10:45<\/p>\n<p><b>I01 Creative Energies and Queer Critical Voices: Alternative Frameworks of Cultural Production and Community Participation<br \/>\n<\/b>Chair : tba<\/p>\n<ul>\n<li>Yuriy Zikratyy (Concordia University): It\u2019s Free to Come Here\u2014but You Have to Pay Fifty Cents!\u2019: Money, Audience and Creative Energies in Jack Smith\u2019s Artistic Practice<\/li>\n<li>Giampaolo Marzi (Concordia University): The Crowd and the Community: Festival Crowd-Funding and the Communal Modes of Engaging Film Audiences<\/li>\n<li>Antoine Damiens (Concordia University) Where\u2019s the Audience? Understanding the Lesbian &amp; Gay Film Festival Experience<\/li>\n<li>Fulvia Massimi (Concordia University): \u2018A Boy\u2019s Best Friend is his Mother\u2019: Quebec Matriarchy and Queer Nationalism in the Cinema of Xavier Dolan<\/li>\n<\/ul>\n<p><b><br \/>\nI10 New Creativities: Visual Media Strategies in the Middle East and North Africa<br \/>\n<\/b>Chair: \u00a0tba<\/p>\n<ul>\n<li>Murat Akser (University of Ulster) New Media and Film Festivals in the Middle East<\/li>\n<li>Alena Strohmaier (Philipps-Universit\u00e4t Marburg): Visual Media Strategies of the Iranian Diaspora<\/li>\n<li>Stefanie Van de Peer (University of Stirling): New Media and Mainstream Cinema in Revolutionary North Africa<\/li>\n<\/ul>\n<p>Session J:\u00a0 Saturday 21st \u00bb 11:00-12:45<\/p>\n<p><b>J01 Film Trade(s) at Film Festivals [2]<br \/>\n<\/b>Chair: \u00a0Marijke de Valck (Universiteit van Amsterdam)<\/p>\n<ul>\n<li>Cindy Wong (The City University of New York): Co-Production Markets in the Asian Context<\/li>\n<li>Maria Paz-Peirano (University of Kent): Industry Labs and Markets: the Case of the \u2018Newest\u2019 Chilean Cinema in the International Film Festival Circuit<\/li>\n<li>Dorota Ostrowska (Birkbeck, University of London) Producers\u2019 Playground: the British Film Producers Association and International Film Festivals in the Post-war Period<\/li>\n<li>Antonio Falduto (Universita degli Studi Internazionali di Roma): How Important are Film Festivals for Careers of Auteur Directors?<\/li>\n<\/ul>\n<p>Session K:\u00a0 Saturday 21st \u00bb 13:45-15:30<\/p>\n<p><b>K01 Film Trade(s) at Film Festivals [1]<br \/>\n<\/b>Chair: \u00a0Dorota Ostrowska (Birkbeck, University of London)<\/p>\n<ul>\n<li>Marijke de Valck (Universiteit van Amsterdam): What About Screening Fees? Film Festivals as Revenue Stream<\/li>\n<li>Enrico Vannucci (Oxford Brookes University): Mapping Hubs and Flows: Distribution and Trade Systems in the Short Film Festival Network<\/li>\n<li>Skadi Loist (Universit\u00e4t Rostock): Methodological Challenges in the Study of Film Circulation on the International Film Festival Circuit<\/li>\n<\/ul>\n<p>Session L: Saturday 21st \u00bb 15:45-17:30<\/p>\n<p><b>L01 Geopolitical Strategies in Film Festival Between Activism and Cinephilia<br \/>\n<\/b>Chair : tba<\/p>\n<ul>\n<li>Monia Acciari (University of Oxford): The Socio-Cultural Activism of Film Festivals: the Fluid Spaces of London and Florence<\/li>\n<li>Ludovica Fales (Universit\u00e0 degli Studi di Udine): Landscapes of Creative Dissent, Protest and Freedom of Speech. Witnessing, Testifying and Narrating Dissent in Human Rights Film Network Between 2011 and 2013<\/li>\n<li>Giacomo Di Foggia (Universit\u00e0 di Bologna): On the Need to Analyze the Lives and Ideas of Festival Founders<\/li>\n<li>Roy Menarini (Universit\u00e0 di Bologna): Respondent<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The NECS 2014 Conference Creative Energies \u00bb Creative Industries Milan, Italy; 19-21 June 2014 Hosted by the Universit\u00e0 Cattolica del Sacro Cuore Organized by the Universit\u00e0 Cattolica del Sacro Cuore and the University of Udine The preliminary program of the &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/necs-2014-milan-preliminary-program-with-film-festival-research\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20,48],"tags":[47,25,45],"class_list":["post-1762","post","type-post","status-publish","format-standard","hentry","category-conferences","category-ffrn","category-necs-film-festival-research-workgroup","tag-conference-panels","tag-necs","tag-necs-workgroup-film-festival-research"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=1762"}],"version-history":[{"count":3,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1762\/revisions"}],"predecessor-version":[{"id":1779,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1762\/revisions\/1779"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=1762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=1762"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=1762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}