{"id":1481,"date":"2013-04-07T00:11:04","date_gmt":"2013-04-06T22:11:04","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=1481"},"modified":"2013-06-09T14:15:03","modified_gmt":"2013-06-09T12:15:03","slug":"film-festival-studies-at-necs-2013-prague","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-studies-at-necs-2013-prague\/","title":{"rendered":"Film Festival Studies at NECS 2013 Prague"},"content":{"rendered":"<p>The or<b><a href=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2012\/11\/NECS04.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1403\" alt=\"NECS04\" src=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2012\/11\/NECS04.gif\" width=\"212\" height=\"180\" \/><\/a><\/b>ganizing team of the <a title=\"NECS 2013 Conference\" href=\"http:\/\/necs.org\/node\/61451\">NECS Conference 2013<\/a> &#8220;Media Politics &#8211; Political Media&#8221; in Prague (20-22 June 2013) have sent out the conference program.\u00a0 These are the panels that feature one or more papers related to film festival studies.<a href=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2013\/04\/prague_0.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-1482\" alt=\"prague_0\" src=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2013\/04\/prague_0.jpg\" width=\"290\" height=\"110\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Wednesday, 19.6.2013, 17-19h<br \/>\nThe Faculty of Arts in is Jana Palacha 2, 11638, Prague 1.<\/p>\n<p>Pre-Conference Workshop<\/p>\n<p><strong>RESEARCHING DOCUMENTARY FILM FESTIVALS.<br \/>\nAcademics vs Professionals<\/strong><br \/>\nParticipants:<\/p>\n<ul>\n<li>Aida Vallejo (researcher on European Documentary Film Festivals)<\/li>\n<li>Skadi Loist (co-founder of Film Festival Research Network)<\/li>\n<li>Marek Hovorka (Jihlava Documentary Festival Director, Czech Republic)<\/li>\n<li>Miriam \u0160imkov\u00e1 (Manager of East Silver Video Library -specialized in documentary from Eastern and Central Europe-Czech Republic)<\/li>\n<li>Hanka Rezkov\u00e1 (project manager of Institute of Documentary Film &#8211; Czech Republic)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>NECS Conference Panels:<\/p>\n<p>Thursday, 20.6.2013, Slot A, 9:00-10:45<br \/>\n<b>Panel A4:\u00a0 Modes and Practices of Participatory Engagement<br \/>\n<\/b>Chair: n.n.<\/p>\n<ul>\n<li>Leshu Torchin (University of St Andrews): Advance Engagement: Crowd Funding and Publics Production for &#8220;The Yes Men Are Revolting&#8221;<\/li>\n<li>Ryan Shand (University of Glasgow): Excitement Lies Elsewhere: Teenage Digital Moviemakers and Commercial Culture<\/li>\n<li>Allister Gall (Plymouth University): Imperfect Makes Practice<\/li>\n<li>Aleksandra Sekulic (University of Arts in Belgrade): Low-Fi Video Festivals as Performance of Microcinema and Yugoslav Cine-Amateurism<\/li>\n<\/ul>\n<p>Friday, 21.6.2013, Slot E, 9:00-10:45<br \/>\n<b>Panel 6E: Questions of Method? Diagramming Unofficial Versions of Cinema (London and Mumbai)<br \/>\n<\/b>Chair: Janet Harbord (Queen Mary, University of London)<\/p>\n<ul>\n<li>Gil Toffell (Queen Mary, University of London): Intergenerational Knowledge, Local Space and New Media<\/li>\n<li>Amit Rai (Queen Mary, University of London): Knowledge or Diagram? Or How to do Things with Film Festivals<\/li>\n<li>Janet Harbord (Queen Mary, University of London): The Trouble with Cinephilia: Doing Unofficial Things with Film in London and Mumbai Neighborhoods<\/li>\n<\/ul>\n<p>Friday, 21.6.2013, Slot H, 15:45-17:30<br \/>\n<b>Panel 3H: Alternative Film, Specialized Festivals: On the Politics of Festivals<br \/>\n<\/b>Chair: Ger Zielinski (Trent University)<\/p>\n<ul>\n<li>Ger Zielinski (Trent University): Sexual Identities, Liberal Rights, Difference: On the Cosmopolitan Aspects of LGBT Film Festivals Here and There<\/li>\n<li>Ana Gilbert (Federal University of Rio de Janeiro): Disability Film Festivals: Territories of Biological Identity(ies)<\/li>\n<li>Greg de Cuir (University of Arts in Belgrade): The Fractured History of Avant-garde Film Festivals<\/li>\n<li>Mattias Frey (University of Kent): Cosmopolitanism, Exoticism and the &#8220;Sandwich Process&#8221;: The Programming and Discourse of Extreme Cinema at Film Festivals<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Friday, 21.6.2013, 21.00 (after the NECS General Members Assembly 2013)<br \/>\n<span style=\"color: #000080;\"><strong>FFRN Get-together at a bar\/restaurant near the conference location<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Saturday, 22.6.2013, Slot I, 9:00-10:45<br \/>\n<b>Panel 3I: Media Industry and &#8220;Economic Censorship&#8221; in Post-authoritarian\/Transitional Economies<br \/>\n<\/b>Chair: Ann Vogel (Humboldt University of Berlin)<\/p>\n<ul>\n<li>Valeria Zanier (Ca&#8217; Foscari University of Venice): United We Win: The Delicate Balance of State and Private in China\u2019s Media Industry<\/li>\n<li>Elena Pollacchi (Stockholm University): Glamour and Ruins: The Chinese Obsession to Walk the Red Carpet<\/li>\n<li>Dunja Jelenkovic (Versailles Saint-Quentin-en-Yvelines University): Use of Images for Political Purposes: Documentary Production of Radio Television of Serbia during the NATO Bombing of Yugoslavia in 1999<\/li>\n<li>Dennis Broe (Long Island University): Runaway Realism: How Italian Cinema Learned to Stop Worrying and Love the Box Office<\/li>\n<\/ul>\n<p>Saturday, 22.6.2013, Slot I, 9:00-10:45<br \/>\n<b>Panel 7I: The Politics in\/of Chinese Alternative Media Culture<br \/>\n<\/b>Chair: Victor Ho Lok Fan (King&#8217;s College London)<\/p>\n<ul>\n<li>Luke Robinson (University of Nottingham): The Body Politic(s) of Chinese Activist Documentary<\/li>\n<li>Jenny Chio (Emory University): Video Documentary and Public Culture in Rural, Ethnic China<\/li>\n<li>Hongwei Bao (Nottingham Trent University): &#8220;Guerrilla Warfare&#8221;: Spatial Politics and Socialist Tactics in the Organisation of the Beijing Queer Film Festival<\/li>\n<li>Qi Wang (Georgia Institute of Technology): The Concept of Surface in the Cinema of Jia Zhangke<\/li>\n<\/ul>\n<p>Saturday, 22.6.2013, Slot K, 13:45-15:30<br \/>\n<b>Panel 3K: Politics of Documentary Exhibition<br \/>\n<\/b>Chair: Lucie \u010ces\u00e1lkov\u00e1 (Masaryk University \/ National Film Archive, Prague)<\/p>\n<ul>\n<li>Aida Vallejo Vallejo (University of the Basque Country \/ Autonomous University of Madrid): The Rise of Documentary Festivals<\/li>\n<li>Andrea Slov\u00e1kov\u00e1 (Charles University): Jury&#8217;s(diction) \u2013 Hit Making \u2013 The Internal Structures of a Festival Jury&#8217;s Decision-making<\/li>\n<li>Veronika Klusakova (Palacky University in Olomouc): The Role and Purpose of Science Film Festivals<\/li>\n<li>Anna Wiehl (University of Bayreuth): Beyond Observation: Interactive Documentary, Perception and Participatory Culture<\/li>\n<\/ul>\n<p>Saturday, 22.6.2013, Slot L, 15:45-17:30<br \/>\n<b>Panel 1L: The Film Festival Circuit: The Role of Festivals for Global Film Circulation<br \/>\n<\/b>Chair: Elena Pollacchi (Ca&#8217; Foscari University of Venice)<\/p>\n<ul>\n<li>Skadi Loist (University of Hamburg): Network Exchange: The International Film Festival Circuit and Global Film Circulation<\/li>\n<li>Marijke de Valck (University of Amsterdam): Circulation and Promotion of Alternative Filmmaking through Film Festivals<\/li>\n<li>Maria-Paz Peirano (University of Kent): Making the Festival &#8220;Home&#8221;: Chilean Cinema and its Circulation in European Film Festivals<\/li>\n<\/ul>\n<p>Saturday, 22.6.2013, Slot L, 15:45-17:30<br \/>\n<b>Panel 3L: Trasforming Reality: Screenwriting and Development in Creative Documentary Filmmaking<br \/>\n<\/b>Chair: Aida Vellejo Vallejo (University of the Basque Country \/ Autonomous University of Madrid)<\/p>\n<ul>\n<li>Jan Gogola (FAMU): &#8220;Documentary&#8221; is not the Twin of the World: Understanding Reality as a Genre Structure \u2013 Contemporary Tendencies in Creative Documentary Screenwriting<\/li>\n<li>Hana Rezkova (Institute of Documentary Film): Self-constituted Buffer: Documentary Film Development and National Film Policies in Visegrad Countries<\/li>\n<li>Marek Hovorka (Director of Jihlava International Documentary Film Festival): Deepening the Structure of Documentary Film Development: Innovative Industry Projects of Documentary Film Festivals<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The organizing team of the NECS Conference 2013 &#8220;Media Politics &#8211; Political Media&#8221; in Prague (20-22 June 2013) have sent out the conference program.\u00a0 These are the panels that feature one or more papers related to film festival studies. &nbsp; &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-studies-at-necs-2013-prague\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,48],"tags":[47,25,45],"class_list":["post-1481","post","type-post","status-publish","format-standard","hentry","category-conferences","category-necs-film-festival-research-workgroup","tag-conference-panels","tag-necs","tag-necs-workgroup-film-festival-research"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=1481"}],"version-history":[{"count":8,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1481\/revisions"}],"predecessor-version":[{"id":1495,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1481\/revisions\/1495"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=1481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=1481"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=1481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}