{"id":1344,"date":"2012-10-25T23:37:00","date_gmt":"2012-10-25T21:37:00","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=1344"},"modified":"2012-10-25T23:40:18","modified_gmt":"2012-10-25T21:40:18","slug":"screen-industries-in-east-central-europe-theorizing-screenwriting-brno-22-25-nov-2012","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/screen-industries-in-east-central-europe-theorizing-screenwriting-brno-22-25-nov-2012\/","title":{"rendered":"Screen Industries in East-Central Europe &#038; Theorizing Screenwriting, BRNO 22-25 Nov 2012"},"content":{"rendered":"<p>The <a href=\"http:\/\/www.cefs.cz\/konference.html\" target=\"_blank\">Second Annual Screen Industries in East-Central Europe Conference<\/a> investigates historical and contemporary dimensions of the region\u2019s audiovisual media industries from all angles \u2013 local, transnational, economic, cultural, social, and political \u2013 and through a broad range of original scholarship delivered in the form of conceptual papers and empirical case-studies. The workshop Theorizing Screenwriting Practice brings together scholars of film and television, practicing screenwriters, and other media professionals to discuss changing practices, institutional frameworks, and the social status of screenwriting in contemporary screen media.<\/p>\n<p>The conference features a panel on \u201cFilm Festivals and the Cold War\u201d<\/p>\n<p>DAY 2: FRIDAY, 23 NOVEMBER<br \/>\n9:00 PANEL 1: FILM FESTIVALS AND THE COLD WAR (SIECE)<\/p>\n<p>Chair: Lucie \u010ces\u00e1lkov\u00e1<\/p>\n<p>1. Dorota Ostrowska (Birkbeck College, University of London, UK): Polish Cinema at International Film Festivals<\/p>\n<p>2. Stefano Pisu (University of Cagliari, Italy): International Cultural Relations between WWII and the Cold War: USSR at the Venice Film Festival (1946-1953)<\/p>\n<p>3. Jind\u0159i\u0161ka Bl\u00e1hov\u00e1 (Independent Scholar, Czech Rep.): Marty (1955), the International Film Festival Karlovy Vary, and Hollywood-Czechoslovak Cold-War Relations<\/p>\n<p>4. Aida Vallejo (University of the Basque Country and Universidad Aut\u00f3noma de Madrid, Spain): Industry Sections: Documentary Festivals between Production and Distribution<\/p>\n<p>Respondent: Melis Behlil<\/p>\n<p>The full program is available for download <a href=\"http:\/\/issuu.com\/petrszczepanik\/docs\/siece_sw_poster_and_program_leaflet_final\" target=\"_blank\">here<\/a>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Second Annual Screen Industries in East-Central Europe Conference investigates historical and contemporary dimensions of the region\u2019s audiovisual media industries from all angles \u2013 local, transnational, economic, cultural, social, and political \u2013 and through a broad range of original scholarship &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/screen-industries-in-east-central-europe-theorizing-screenwriting-brno-22-25-nov-2012\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,9],"tags":[],"class_list":["post-1344","post","type-post","status-publish","format-standard","hentry","category-conferences","category-film-festival-studies"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=1344"}],"version-history":[{"count":3,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1344\/revisions"}],"predecessor-version":[{"id":1346,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1344\/revisions\/1346"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=1344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=1344"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=1344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}