{"id":1183,"date":"2012-05-25T14:27:31","date_gmt":"2012-05-25T12:27:31","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?p=1183"},"modified":"2012-05-25T14:38:44","modified_gmt":"2012-05-25T12:38:44","slug":"film-festival-research-at-necs-2012-in-lisbon-june-21-23","status":"publish","type":"post","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-research-at-necs-2012-in-lisbon-june-21-23\/","title":{"rendered":"Film Festival Research at NECS 2012 in Lisbon (June 21-23)"},"content":{"rendered":"<p><span style=\"color: #000000;\">The<a title=\"Preliminary Conference Program\" href=\"http:\/\/necs.org\/dateiholen.php?datei=X2Rva3VtZW50ZS9uZXcvMjEwMi9ORUNTLTIwMTItQ29uZmVyZW5jZS1QcmVsaW1pbmFyeS1Qcm9ncmFtbWUucGRm&amp;PHPSESSID=1ankr35u3ab0rvhit3dv7i9905\" target=\"_blank\"> preliminary conference program<\/a> for the upcoming NECS <\/span><a href=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2012\/05\/NECS_2012_Poster.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-1184\" title=\"NECS_2012_Poster\" src=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2012\/05\/NECS_2012_Poster-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2012\/05\/NECS_2012_Poster-212x300.jpg 212w, http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2012\/05\/NECS_2012_Poster-723x1024.jpg 723w, http:\/\/www.filmfestivalresearch.org\/wp-content\/uploads\/2012\/05\/NECS_2012_Poster.jpg 1000w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><span style=\"color: #000000;\">Conference h<\/span><span style=\"color: #000000;\">as been released. This year&#8217;s annual conference\u00a0\u201c<a href=\"http:\/\/necs.org\/\" target=\"_blank\">Time Networks: <\/a><\/span><span style=\"color: #000000;\"><a href=\"http:\/\/necs.org\/\" target=\"_blank\">Screen Media and Memory<\/a>\u201d takes place in Lisbon, Portugal, June 21-23, 2012 and is hosted by the New University of Lisbon and the University of Coimbra.<\/span><\/p>\n<p><span style=\"color: #000000;\">Film Festival Research again has a strong presence at NECS 2012.\u00a0 Here is a list of the announced panels, workshops and papers dedicated to film festivals:<\/span><\/p>\n<p><span style=\"color: #000000;\">Thursday, 21st June 2012, 09.00 \u2013 10.45 (Session A)<br \/>\nA10. POWER OF PROGRAMMING: FESTIVALS, IDENTITY AND POLITICS<strong><br \/>\n<\/strong>hair: t.b.a.<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Dunja Jelenkovic (Versailles): Role of Politics in Selection of Film Programs \u2013 Yugoslav Documentary and Short Film Festival in the Time of Wars of 1990s<\/span><\/li>\n<li><span style=\"color: #000000;\">Ger Zielinski (Trent): On Affect and Memory Traces Circulated in and around Identity Film Festivals<\/span><\/li>\n<li><span style=\"color: #000000;\">Maria-Paz Peirano (Kent): Reconstructing films and social memory in a film archive festival: The case of the \u201cFestival Internacional de Cine Recobrado\u201d of Valpara\u00edso<\/span><\/li>\n<li><span style=\"color: #000000;\">Cindy S.C. Chan (Houston): <\/span><em>Caf\u00e9 Lumi\u00e8re <\/em><span style=\"color: #000000;\">(2003). Taiwanese Identity between Japanese Cinema and International Film Festival<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">Thursday, 21st June 2012, 11.00 \u2013 12.45 (Session B) <strong><br \/>\n<\/strong>B10. FILM FESTIVALS AND THE INDUSTRY<strong><br \/>\n<\/strong>Chair: t.b.a.<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Sumanta Barua\/Finola Kerrigan (London): Importance and Facilitators of Networking in International Film-festivals<\/span><\/li>\n<li><span style=\"color: #000000;\">Marijke de Valck (Amsterdam): Film Business, Festival Business: The Growing Influence of Industry Partners<\/span><\/li>\n<li><span style=\"color: #000000;\">Minerva Campos (Madrid): Film Festivals\u2019 Memory: Festivals Trademark in \u201cVideo on Demand\u201d websites<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">Thursday, 21st June 2012, 13.45 \u2013 15.30 (Session C)<br \/>\nC10. KEY FESTIVAL CHALLENGES: PAST, PRESENT AND FUTURE<strong><br \/>\n<\/strong>Chair: t.b.a.<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Dorota Ostrowska (London): International film festivals as descendants of universal exhibitions<\/span><\/li>\n<li><span style=\"color: #000000;\">Laura Rodr\u00edguez Isaza (Leeds): Touring the Film Festival Circuit:<\/span><span style=\"color: #000000;\"> Migrating Patterns of Latin American Cinema<\/span><\/li>\n<li><span style=\"color: #000000;\">Aida Vallejo Vallejo (Madrid): Festival Dependencies. Documentary, Europe and the Crisis<\/span><\/li>\n<li><span style=\"color: #000000;\">Gavin Wilson (York): Cell Cinema Festivals: Showing, Sharing and Exhibitin<\/span><span style=\"color: #000000;\">g Mobile Phone Films<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">Friday, 22nd June 2012, 09.00 \u2013 10.45\u00a0 (Session E)<br \/>\nE10. ACADEMICS AND FESTIVALS: ON THE FLOW OF LABOUR, EXPERTISE AND INFLUENCE BETWEEN<br \/>\nWorkshop \u2013 Film Festival Research Workgroup<strong> <\/strong><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Chair: Skadi Loist (Junior researcher, University of Hamburg<\/span><span style=\"color: #000000;\">, Germany, Lesbisch Schwule Filmtage Hamburg)<\/span><\/li>\n<li><span style=\"color: #000000;\">Greg de Cuir, Jr. (Selector\/Programmer, Alternative Film\/Video Belgrade; Managing Editor, NECSUS: European Journal of Media Studies)<\/span><\/li>\n<li><span style=\"color: #000000;\">Gavin Wilson (York St John University, UK, former cameramen, writer, sector manager Screen Yorkshire)<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">Friday, 22nd June 2012, 11.00 \u2013 12.45 (Session F)<br \/>\nF10. FILM FESTIVALS<br \/>\nChair: t.b.a.<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Przemyslaw Suwart (Weimar): Programming Film History at Film Festivals<\/span><\/li>\n<li><span style=\"color: #000000;\">Christel Taillibert (Nice): Film Festivals and Digitization of Motion Picture Films<\/span><\/li>\n<li><span style=\"color: #000000;\">Julian Stringer and Nikki J. Y. Lee (Nottingham): Counter-Programming and the Udine Far East Film Festival<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">Saturday, 23rd June 2012, 09.00 \u2013 10.45 (Session I)<br \/>\nI8. HOW BRITAIN LEARNED TO LOVE EUROPE: BRITISH TELEVISION AND EUROPEAN FILM CULTURE, 1982-1996<br \/>\nChair: t.b.a.<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Justin Smith (Portsmouth): British television and European film co-production policy<\/span><\/li>\n<li><span style=\"color: #000000;\">Rachael Keene (Portsmouth): Channel 4\u2019s Visions: a European style of film programme?<\/span><\/li>\n<li><span style=\"color: #000000;\">Laura Mayne (Portsmouth): From Cannes to Berlin: Examining the importance of film festivals in promoting Channel 4 films in Europe<\/span><\/li>\n<li><span style=\"color: #000000;\">Anne Woods (Portsmouth): No Cannes Do<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The preliminary conference program for the upcoming NECS Conference has been released. This year&#8217;s annual conference\u00a0\u201cTime Networks: Screen Media and Memory\u201d takes place in Lisbon, Portugal, June 21-23, 2012 and is hosted by the New University of Lisbon and the &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/film-festival-research-at-necs-2012-in-lisbon-june-21-23\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,7],"tags":[47,106,25,45],"class_list":["post-1183","post","type-post","status-publish","format-standard","hentry","category-conferences","category-film-festival-research","tag-conference-panels","tag-conferences","tag-necs","tag-necs-workgroup-film-festival-research"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=1183"}],"version-history":[{"count":4,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1183\/revisions"}],"predecessor-version":[{"id":1188,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/posts\/1183\/revisions\/1188"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=1183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/categories?post=1183"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/tags?post=1183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}