Andrews, David. 2010. \u201cArt Cinema as Institution, Redux: Art Houses, Film Festivals, and Film Studies.\u201d Scope <\/i>(18). https:\/\/www.nottingham.ac.uk\/scope\/documents\/2010\/october-2010\/andrews.pdf. Accessed April 14, 2020.<\/p>\n
Andrews, David. 2013. Theorizing Art Cinemas: Foreign, Cult, Avant-Garde, and Beyond. <\/i>Austin, TX: Univ. of Texas Press.<\/p>\n
de Molli, Federica, Jeanne Mengis, and Alfons van Marrewijk. 2020. \u201cThe Aestheticization of Hybrid Space: The Atmosphere of the Locarno Film Festival.\u201d Organization Studies<\/i> 41 (11): 1491\u20131512. https:\/\/doi.org\/10.1177\/0170840619867348.<\/p>\n
de Valck, Marijke. 2014. \u201cSupporting Art Cinema at a Time of Commercialization: Principles and Practices, the Case of the International Film Festival Rotterdam.\u201d Poetics<\/i>, no. 42: 40\u201359. https:\/\/doi.org\/10.1016\/j.poetic.2013.11.004.<\/p>\n
Falicov, Tamara Leah. 2013. \u201c\u2018Cine En Construcci\u00f3n\u2019\/\u2018Films in Progress\u2019: How Spanish and Latin American Film-Makers Negotiate the Construction of a Globalized Art-House Aesthetic.\u201d TRAC<\/i> 4 (2): 253\u201371. https:\/\/doi.org\/10.1386\/trac.4.2.253_1.<\/p>\n
Frodon, Jean-Michel. 2022. \u201cWho\u2019s Choice? Who\u2019s Voice? Can Festival Programmers and Film Critics Stand Away from the Market Diktats but Not from Societal Issues?\u201d Cinergie<\/i> 11 (22): 97\u2013103. https:\/\/doi.org\/10.6092\/issn.2280-9481\/15640.<\/p>\n
Majumdar, Neepa. 2011. \u201cImporting Neorealism, Exporting Cinema: Indian Cinema and Film Festivals in the 1950s.\u201d In Global Neorealism: The Transnational History of a Film Style<\/i>, edited by Saverio Giovacchini and Robert Sklar, 178\u201393. Jackson: University Press of Mississippi.<\/p>\n
Pabi\u015b-Orzeszyna, Micha\u0142. 2015. \u201cConflict Management: The Camerimage Festival and the Dialectics of Prestige.\u201d Iluminace<\/i> 27 (3): 7\u201322.<\/p>\n
Rastegar, Roya Zahra. 2013. \u201cAuthenticity, Biography, and Race: A Critique of the 2013 Film Festival Circuit.\u201d American Quarterly<\/i> 65 (4): 905\u201313. https:\/\/doi.org\/10.1353\/aq.2013.0053.<\/p>\n
Tzouflas, Konstantinos. 2022. \u201cFilms from Countries in Crisis and Switzerland: The New Argentine Cinema<\/i>, Greek New Wave <\/i>and Swiss Film Institutions.\u201d Cinergie<\/i> 11 (22): 69\u201382. https:\/\/doi.org\/10.6092\/issn.2280-9481\/14341.<\/p>\n
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(Last updated: 30. March 2025)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Andrews, David. 2010. \u201cArt Cinema as Institution, Redux: Art Houses, Film Festivals, and Film Studies.\u201d Scope (18). https:\/\/www.nottingham.ac.uk\/scope\/documents\/2010\/october-2010\/andrews.pdf. Accessed April 14, 2020. Andrews, David. 2013. Theorizing Art Cinemas: Foreign, Cult, Avant-Garde, and Beyond. Austin, TX: Univ. of Texas Press. de … Continue reading