{"id":930,"date":"2011-06-10T13:44:36","date_gmt":"2011-06-10T11:44:36","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=930"},"modified":"2025-03-30T10:20:36","modified_gmt":"2025-03-30T08:20:36","slug":"7-2-interviews-with-programmers","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/7-programming\/7-2-interviews-with-programmers\/","title":{"rendered":"7.2 Interviews with Programmers"},"content":{"rendered":"<p>Barnes, Heather L. 2013. \u201cScreening the Past at the Museum of Modern Art: An Interview with Joshua Siegel, Associate Curator of Film at MoMA and Co-Founding Curator of to Save and Project: The MoMA International Festival of Film Preservation.\u201d In <i>Film Festival Yearbook 5: Archival Film Festivals<\/i>, edited by Alex Marlow-Mann, 265\u201370. St Andrews: St Andrews Film Books.<\/p>\n<p>Baumgarten, Oliver, and Svenja B\u00f6ttger. 2022. \u201cFilmfestival Max Oph\u00fcls Preis: Virale Filmfestivals. Zwei Pandemiebedingte Metamorphosen Eines Filmfestivals.\u201d In <i>Filmfestivals: Krisen, Chancen, Perspektiven<\/i>, edited by Tanja Krainh\u00f6fer and Joachim Kurz, 174\u201393. M\u00fcnchen: edition text + kritik.<\/p>\n<p>Boehm, Felix von, and Clemens von Lucius. 2011. \u201cEin Labor F\u00fcrs Kino: Wieland Speck, Leiter Des Berlinale-Panoramas, \u00dcber Die Bedeutung Von Filmfestivals.\u201d <i>Ray <\/i>(2): 78\u201380.<\/p>\n<p>Brooks, Brian. 2011. \u201cMeet the Toronto International Film Festival Programmers, in Their Own Words.\u201d <i>indieWIRE<\/i>, August 11, 2011. http:\/\/www.indiewire.com\/article\/toolkit_meet_the_toronto_international_film_festival_own_words\/.<\/p>\n<p>Brose, Sebastian, and Joachim Kurz. 2022. \u201cAchtung Berlin Filmfestival: &#8216;Wenn Du Zuh\u00f6rst, Lernst Du Was Neues, Wenn Du Sprichst, Wiederholst Du Nur, Was Du Schon Wei\u00dft.&#8217;.\u201d In <i>Filmfestivals: Krisen, Chancen, Perspektiven<\/i>, edited by Tanja Krainh\u00f6fer and Joachim Kurz, 260\u201371. M\u00fcnchen: edition text + kritik.<\/p>\n<p>Camporesi, Enrico. 2014. \u201cOberhausen: An Interview with Lars Henrik Gass.\u201d <i>NECSUS<\/i> 3 (1): 352\u201359. https:\/\/doi.org\/10.5117\/NECSUS2014.1.CAMP.<\/p>\n<p>Canciani, John. 2014. \u201cCuratorial Practices: A Debriefing of a Panel Discussion: Interview Part 3 with Lars Henrik Gass, Maike Mia H\u00f6hne, Jukka-Pekka Laakso, Laurence Raymond, Peter van Hoof.\u201d <i>On Curating <\/i>(23): 34\u201337. https:\/\/www.on-curating.org\/issue-23-reader\/curatorial-practices-interview-part-3.html. Accessed May 25, 2020.<\/p>\n<p>Chadwick, Samara. 2020. \u201cBuilding Networks: An Interview with Sandra J. Ruch, Director Emeritus of the International Documentary Association.\u201d In <i>Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives<\/i>, edited by Aida Vallejo and Ezra Winton, 167\u201374. New York: Palgrave Macmillan.<\/p>\n<p>Cheung, Ruby. 2011. \u201c&#8217;We Believe in &#8220;Film as Art&#8221;: An Interview with Li Cheuk-To, Artistic Director of the Hong Kong International Film Festival (HKIFF).\u201d In <i>Film Festival Yearbook 3: Film Festivals and East Asia<\/i>, edited by Dina Iordanova and Ruby Cheung, 196\u2013207. St. Andrews: St Andrews Film Studies.<\/p>\n<p>Cicchetti, Pasquale. 2013. \u201cThe Past Lives of Images: Curatorial Practices and Marketing Strategies in Archival Cinema. An Interview with Nick Varley, Managing Director of Park Circus.\u201d In <i>Film Festival Yearbook 5: Archival Film Festivals<\/i>, edited by Alex Marlow-Mann, 243\u201351. St Andrews: St Andrews Film Books.<\/p>\n<p>Corless, Kieron. 2011. \u201cThe Viennale\u2019s Hans Hurch: \u201cI Sleep with a Gun Under My Pillow\u201d.\u201d A conversation with the curator of the much-admired Viennale festival. <i>Sight &amp; Sound<\/i>. https:\/\/www2.bfi.org.uk\/news-opinion\/sight-sound-magazine\/interviews\/viennale-s-hans-hurch-i-sleep-gun-under-my-pillow-festival-directors. Accessed June 27, 2024.<\/p>\n<p>Dovey, Lindiwe. 2013. \u201cInterview with Rasselas Lakew: Tarifa African Film Festival, May 2010.\u201d <i>Journal of African Cultural Studies<\/i> 25 (1): 107\u201313. https:\/\/doi.org\/10.1080\/13696815.2013.767189.<\/p>\n<p>Dovey, Lindiwe. 2020. \u201cPrecarity and Resistance: An Interview with Pedro Pimenta, Founder-Director of Dockanema Documentary Film Festival (Mozambique).\u201d In <i>Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives<\/i>, edited by Aida Vallejo and Ezra Winton, 147\u201356. New York: Palgrave Macmillan.<\/p>\n<p>Fischer, Alex. 2012. \u201cHot Docs: A Prescription for Reality: An Interview with Sean Farnell, Former Director of Programming at Hot Docs Canadian International Documentary Festival.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 225\u201334. St Andrews: St Andrews Film Studies.<\/p>\n<p>Fujiwara, Chris. 2011. \u201c&#8217;It&#8217;s Very Simple. We Like to Give the Audience the Chance to See Good Films&#8217;: An Interview with Hayashi Kanako and Ichiyama Shozo of TOKIO FILMeX.\u201d In <i>Film Festival Yearbook 3: Film Festivals and East Asia<\/i>, edited by Dina Iordanova and Ruby Cheung, 214\u201333. St. Andrews: St Andrews Film Studies.<\/p>\n<p>Gann, Jon. 2012. <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work. <\/i>Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Create a Great Experience.&#8217;: Jeannie Roshar, LA\u00a0Comedy Shorts Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 57\u201366. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Develop Meaningful Relationships&#8217;: Joanne Feinberg, Ashland Independent Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 167\u201378. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Dream Big. Never Settle. Give Everything.&#8217;: Roberta Marie Munroe, Producer and Film Consultant.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 191\u2013203. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Evaluate. Curate. Collect.&#8217;: Laura Henneman, Napa Valley Film\u00a0Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 7\u201326. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Fascinating. Challenging. Demanding.&#8217;: Susan Barocas, Washington Jewish Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 95\u2013106. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Film Fabulous Films&#8217;: Cevin Cathell, Sonoma International Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 27\u201338. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Inspire. Educate. Entertain.&#8217;: Dustin Kaspar and Beth Barrett, Seattle International Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 107\u201321. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Look. Worry. Interact.&#8217;: Helen Stephenson, Prescott Film\u00a0Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 179\u201390. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Mediate. Curate. Fascilitate.&#8217;: Sky Sitney, SILVERDOCS.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 149\u201365. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Select. Build. Party.&#8217;: Patrick Van Hauwaert, Razor Reel Fantastic Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 39\u201348. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Storyteller. Activist. Transformer.&#8217;: John Scagliotti, Director, Film Festival Founder and Organizer.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 49\u201356. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;the Film History Business.&#8217;: Richard Pe\u00f1a, New York Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 83\u201393. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Watch. Feel. Think.&#8217;: J&#8217;aimee Skippon-Volke, Byron Bay International Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 135\u201348. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Watch. Plan. Party.&#8217;: Lela Meadow-Conner and Gretchen Mitchell,\u00a0Tallgrass Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 67\u201382. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201cWhy Did My Film Not Get in?!\u201d. In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 5\u20136. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Woman on Tightrope&#8217;: Amy Ettinger, Scottsdale Film Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 123\u201334. Washington, DC: Reel Plan Press.<\/p>\n<p>Gann, Jon. 2012. \u201c&#8217;Your Film Is Not for Every Festival.&#8217;: Jon Gann, DC\u00a0Shorts Film\u00a0Festival.\u201d In <i>Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 205\u201324. Washington, DC: Reel Plan Press.<\/p>\n<p>Gass, Lars Henrik, and Tanja C. Krainh\u00f6fer. 2022. \u201cInternationale Kurzfilmtage Oberhausen: &#8216;Unsere Vision Von Den Kurzfilmtagen Ist Etwas, Das Wir Noch Nicht Kennen&#8217;.\u201d In <i>Filmfestivals: Krisen, Chancen, Perspektiven<\/i>, edited by Tanja Krainh\u00f6fer and Joachim Kurz, 284\u201397. M\u00fcnchen: edition text + kritik.<\/p>\n<p>Gramann, Karola. 2008. \u201c&#8221;Man nehme\u2026&#8221;: Ein Gespr\u00e4ch mit Heide Schl\u00fcpmann.\u201d In <i>&#8220;The Art of Programming&#8221;: Film, Programm Und Kontext<\/i>, edited by Heike Klippel, 127\u201340. M\u00fcnster: LIT.<\/p>\n<p>Han, Ju Hui Judy, and Marie K. Morohoshi. 1998. \u201cCreating, Curating, and Consuming Queer Asian American Cinema.\u201d In <i>Q &amp; a: Queer in Asian America<\/i>, edited by David L. Eng and Alice Y. Hom, 81\u201394. Philadelphia: Temple Univ. Press.<\/p>\n<p>Harris, Audrey A. 2018. \u201cPerspectives from a Mexican Newcomer: An Interview with Daniela Michel and Chlo\u00eb Roddick of the Morelia International Film Festival.\u201d In <i>International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes<\/i>, edited by Tricia Jenkins, 237\u201357. London, New York: I.B.Tauris.<\/p>\n<p>Helwig, Matthias, and Joachim Kurz. 2022. \u201cF\u00fcnf Seen Filmfestival: &#8216;Es Ist Definitiv Einfacher, Ein Filmfestival Im Urbanen Raum Zu Etablieren&#8217;.\u201d In <i>Filmfestivals: Krisen, Chancen, Perspektiven<\/i>, edited by Tanja Krainh\u00f6fer and Joachim Kurz, 120\u201331. M\u00fcnchen: edition text + kritik.<\/p>\n<p>Homrighausen, Hanne, Joachim Post, and Jan K\u00fcnemund. 2022. \u201cHamburg International Queer Film Festival: &#8216;Tanzen Und Weiterdiskutieren!&#8217;.\u201d In <i>Filmfestivals: Krisen, Chancen, Perspektiven<\/i>, edited by Tanja Krainh\u00f6fer and Joachim Kurz, 94\u2013101. M\u00fcnchen: edition text + kritik.<\/p>\n<p>Iordanova, Dina. 2008. \u201cEvery Time the Curtain Is Going Up, We Are Hoping and Longing\u2026\u201d. Interview with Ulrich and Erika Gregor. <i>Film International<\/i> 6 (4): 72\u201376.<\/p>\n<p>Jenkins, Tricia. 2018. \u201cBuilding IFF Panama from the Ground up: An Interview with Executive Director Pituka Ortega-Heilbron and Artistic Director Diana S\u00e1nchez.\u201d In <i>International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes<\/i>, edited by Tricia Jenkins, 223\u201336. London, New York: I.B.Tauris.<\/p>\n<p>Lee, Seunghee. 2011. \u201cA Platform to the World: An Interview with Kim Ji-Seok, Programme Director of the Pusan International Film Festival (PIFF).\u201d In <i>Film Festival Yearbook 3: Film Festivals and East Asia<\/i>, edited by Dina Iordanova and Ruby Cheung, 208\u201313. St. Andrews: St Andrews Film Studies.<\/p>\n<p>Loist, Skadi, and Marijke de Valck. 2013. \u201cTrans*\u00a0Film\u00a0Festivals: An Interview with Eliza Steinbock.\u201d <i>NECSUS<\/i> 2 (2 (#4)): 579\u201388. https:\/\/doi.org\/10.5117\/NECSUS2013.2.LOIS.<\/p>\n<p>Mansouri, Hassouna. 2020. \u201cNotes on Disenchantment: A Conversation with Amir Al-Emary, Former Director of the Ismailia International Film Festival for Documentaries and Shorts (Egypt).\u201d In <i>Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives<\/i>, edited by Aida Vallejo and Ezra Winton, 157\u201365. New York: Palgrave Macmillan.<\/p>\n<p>Mitchell, Sarah Elaine Dillard. 2017. \u201cProgrammer as Festival Spokesperson: Information Management Strategies at the Toronto International Film Festival.\u201d In <i>Film Festivals and Anthropology<\/i>, edited by Aida Vallejo and Maria-Paz Peirano, 305\u201321. Cambridge: Cambridge Scholars Publishing.<\/p>\n<p>Niederer, Sabine. 2008. \u201cThe Future of Festivals: Interview with Arjon Dunnewind.\u201d In <i>Video Vortex Reader: Responses to YouTube<\/i>, edited by Geert Lovink and Sabine Niederer, 203\u20136. Amsterdam: Institute of Network Cultures.<\/p>\n<p>Noll Brinkmann, Christine. 1990. \u201cThe Art of Programming: An Interview with Alf Bold, July 1989.\u201d <i>Millennium Film Journal <\/i>(23\/24): 86\u2013100.<\/p>\n<p>O\u2019Connell, Jennifer M. J., and Annelies van Noortwijk. 2020. \u201cSelecting Films for Festivals and Documentary Funds: An Interview with Independent Film Programmer and Advisor Rada \u0160e\u0161i\u0107.\u201d In <i>Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives<\/i>, edited by Aida Vallejo and Ezra Winton, 175\u201384. New York: Palgrave Macmillan.<\/p>\n<p>Peirano, Maria-Paz. 2013. \u201c\u2018Each Piece of Film Helps Us to Reconstruct History\u2019: An Interview with Alfredo Barr\u00eda, Founder and Artistic Director, and Jaime C\u00f3rdova, Technical Director of the Cine Recobrado Valpara\u00edso Film Festival.\u201d In <i>Film Festival Yearbook 5: Archival Film Festivals<\/i>, edited by Alex Marlow-Mann, 253\u201363. St Andrews: St Andrews Film Books.<\/p>\n<p>Peyer, Siri. 2010. \u201cUnreal Asia: Interview with Gridithiya Gaweewong and David Teh.\u201d <i>OnCurating.org <\/i>(3): 7\u20139. https:\/\/www.on-curating.org\/files\/oc\/dateiverwaltung\/old%20Issues\/ONCURATING_Issue3.pdf. Accessed May 20, 2020.<\/p>\n<p>Popescu, Stefan. 2015. \u201cFestival Director&#8217;s Report: Sydney Underground Film Festival \u2013 a Community of Cinema Junkies.\u201d <i>Studies in Australasian Cinema<\/i> 9 (2): 205\u201310.<\/p>\n<p>Rangan, Pooja. 2010. \u201cSome Annotations on the Film Festival as an Emerging Medium in India.\u201d <i>South Asian Popular Culture<\/i> 8 (2): 123\u201341.<\/p>\n<p>Robbins, Papagena, and Viviane Saglier. 2015. \u201cInterview with Deirdre Haj, Director of Full Frame Documentary Film Festival.\u201d <i>Synoptique<\/i> 3 (2): 49\u201367. https:\/\/synoptiqueblog.files.wordpress.com\/2018\/07\/4-papagena-robbins-viviane-saglier-interview-with-deirdre-haj-director-of-full-frame-documentary-film-festival.pdf. Accessed May 25, 2020.<\/p>\n<p>Robbins, Papagena, and Viviane Saglier. 2015. \u201cInterview with Ezra Winton, Director of Programming at Cinema Politica.\u201d <i>Synoptique<\/i> 3 (2): 68\u201385. https:\/\/synoptiqueblog.files.wordpress.com\/2018\/07\/5-papagena-robbins-viviane-saglier-interview-with-ezra-winton-director-of-programming-at-cinema-politica.pdf. Accessed May 25, 2020.<\/p>\n<p>Straayer, Chris, and Thomas Waugh. 2005. \u201cQueer Film and Video Festival Forum, Take One: Curators Speak Out.\u201d <i>GLQ<\/i> 11 (4): 579\u2013603.<\/p>\n<p>Torchin, Leshu. 2012. \u201cHow to Leverage a Film Festival: An Interview with Judith Helfand, Filmmaker and Co-Founder of Chicken &amp; Egg Pictures and Working Films.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 253\u201362. St Andrews: St Andrews Film Studies.<\/p>\n<p>Torchin, Leshu. 2012. \u201cJust Vision and the Uses of a Festival Circuit: An Interview with Ronit Avni, Executive Director of Just Vision.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 235\u201343. St Andrews: St Andrews Film Studies.<\/p>\n<p>Vallejo, Aida. 2020. \u201cAdapting to New Times: An Interview with Ernesto Del R\u00edo, Director of the Zinebi International Documentary and Short Film Festival of Bilbao (2000-2017).\u201d In <i>Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives<\/i>, edited by Aida Vallejo and Ezra Winton, 137\u201345. New York: Palgrave Macmillan.<\/p>\n<p>Wagner, Brigitta B. 2013. \u201cRevival on the Mountain: The Politics of Cinematic Rediscovery at the Telluride Film Festival. An Interview with Tom Luddy, Festival Co-Founder and Co-Director.\u201d In <i>Film Festival Yearbook 5: Archival Film Festivals<\/i>, edited by Alex Marlow-Mann, 233\u201342. St Andrews: St Andrews Film Books.<\/p>\n<p>Wessels, Chelsea. 2013. \u201cNavigating the Archive of Red Westerns: An Interview with Ludmila Cvikova, Head of International Programming, Doha Film Institute.\u201d In <i>Film Festival Yearbook 5: Archival Film Festivals<\/i>, edited by Alex Marlow-Mann, 271\u201376. St Andrews: St Andrews Film Books.<\/p>\n<p>Winton, Ezra. 2020. \u201cIntroduction to Part II, Vol. 2: Professional Perspectives.\u201d In <i>Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives<\/i>, edited by Aida Vallejo and Ezra Winton, 133\u201336. New York: Palgrave Macmillan.<\/p>\n<p>Zielinski, Ger. 2010. \u201cGer Zielinski in Conversation with Stephen Kent Jusick, Executive Director of MIX Festival of Queer Experimental Film and Video.\u201d <i>Fuse<\/i> 33 (3): 16\u201322.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/vg07.met.vgwort.de\/na\/70a4d39ceb4e4ebea6944eba59d82202\" alt=\"\" width=\"1\" height=\"1\" \/><span style=\"color: #000000;\">(Last updated: 30. March 2025)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barnes, Heather L. 2013. \u201cScreening the Past at the Museum of Modern Art: An Interview with Joshua Siegel, Associate Curator of Film at MoMA and Co-Founding Curator of to Save and Project: The MoMA International Festival of Film Preservation.\u201d In &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/7-programming\/7-2-interviews-with-programmers\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":75,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-930","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=930"}],"version-history":[{"count":41,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/930\/revisions"}],"predecessor-version":[{"id":3202,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/930\/revisions\/3202"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/75"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}