{"id":81,"date":"2010-08-02T20:10:56","date_gmt":"2010-08-02T20:10:56","guid":{"rendered":"http:\/\/filmfestivalresearch.wordpress.com\/"},"modified":"2025-03-30T11:26:20","modified_gmt":"2025-03-30T09:26:20","slug":"10-publications-dedicated-to-individual-film-festivals","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/10-publications-dedicated-to-individual-film-festivals\/","title":{"rendered":"10. Publications Dedicated to Individual Film\u00a0Festivals"},"content":{"rendered":"

The last section of our annotated film festival bibliography collects articles, book chapters and books that have been created with varying purposes. There are several books that have been edited to celebrate major anniversaries of festivals; some of those focus on the glamour and highlights (e.g. Baecque 2007; Toubiana 1997 etc.), while others strive for a contextualization and critical remembrance (e.g. Behnken 2004; Schenk 2007). Among the books, chapters, and articles are pieces collecting and describing a festival history (Stanfield 2008), or analyzing specific discourses and issues using a specific case study (e.g. Hope\/Dickerson 2006a, b, c; Martini 2007).<\/span><\/p>\n

10.1\u00a0 Festival Reviews<\/span><\/a><\/p>\n

 <\/p>\n

AHN, SooJeong. 2008. \u201cThe Pusan International Film Festival 1996-2005: South Korean Cinema in Local, Regional, and Global Context.\u201d PhD\u00a0Thesis, Faculty of Arts, School of American and Canadian Studies, Institute of Film Studies, University of Nottingham. Accessed July 02, 2021. http:\/\/eprints.nottingham.ac.uk\/10513\/1\/AHN_etheses_all.pdf.<\/p>\n

Ambrosioni, Dalmazio. 1998. Locarno citt\u00e0 del cinema: I cinquant\u2019anni del Festival internazionale del film. <\/i>Locarno: A. Dad\u00f2. [Locarno city of cinema: The 50th anniversary of the International Film Festival].<\/p>\n

Anderson, John. 2000. Sundancing: Hanging Out and Listening in at America’s Most Important Film Festival. <\/i>New York: Spike.<\/p>\n

Bart, Peter. 1997. Cannes: Fifty Years of Sun, Sex & Celluloid: Behind the Scenes at the World’s Most Famous Film Festival. <\/i>New York: Hyperion.<\/p>\n

Beauchamp, Cari, and Henri B\u00e9har. 1992. Hollywood on the Riviera: The Inside Story of the Cannes Film Festival. <\/i>New York: W. Morrow and Co.<\/p>\n

Behnken, Klaus, ed. 2004. Kurz und klein: 50 Jahre Internationale Kurzfilmtage Oberhausen. <\/i>Ostfildern-Ruit: Hatje Cantz.<\/p>\n

Bento Ribeiro, Ana. 2018. \u201cCinelink, Sarajevo: Interactions D\u2019un March\u00e9 R\u00e9gional Aux Marges De L\u2019europe.\u201d [Cinelink, Sarajevo: interactions of a regional market at the margins of Europe]. entrelacs<\/i>, no. 14. https:\/\/doi.org\/10.4000\/entrelacs.4246.<\/p>\n

Berry, Chris. 2007. \u201c10 Years Young: The Shanghai International Film Festival.\u201d Senses of Cinema <\/i>(45). http:\/\/www.sensesofcinema.com\/2007\/festival-reports\/shanghai-iff-2007\/. Accessed May 20, 2020.<\/p>\n

Beyer, Ren\u00e9, and Alfred Georg Frei, eds. 2008. Die Traumfabrik von gestern: Merseburger DEFA-Filmtage. <\/i>Halle: Projekte. [The Dream-Factory of Yesterday. Merseburger DEFA-Film-Days].<\/p>\n

Billard, Pierre. 1997. Le Festival de Cannes: D’or et de palmes. <\/i>D\u00e9couvertes Gallimard. Cin\u00e9ma 314. [France]: Gallimard. [Le Festival de Cannes: D’or et de palmes].<\/p>\n

Spur Der B\u00e4ren: 60 Jahre Berlinale<\/i>. 94 min, 2010.<\/p>\n

Bono, Francesco. 1991. \u201cLa Mostra del Cinema di Venezia: Nascita e Sviluppo nell\u2019Anteguerra (1932-1939).\u201d [The Venice Film Festival: Birth and Development in the Prewar Era (1932-1939)]. Storia Contemporanea<\/i> 22 (3): 513\u201349.<\/p>\n

Bono, Francesco. 1992. \u201cVenezia 1932: Il Cinema Diverta Arte.\u201d In Biennale<\/i>, 91\u2013109. Venice: Fabbri Editori.<\/p>\n

Bono, Francesco. 2001. \u201cEXTASE am Lido: Chronik eines Skanals.\u201d In Ekstase<\/i>, edited by Armin Loacker, 115\u201345. Edition Film und Text 4. Wien: Filmarchiv Austria.<\/p>\n

Bossa, Roberto. 2013. \u201cThe Busan International Film Festival as a Field-Configuring Event: How a Festival Redefined Korea\u2019s Film Culture Both Locally and Globally.\u201d Master Thesis, Concordia University.<\/p>\n

Brinkmann, Jens. 2011. \u201cDas Internationale Forum Des Jungen Films: Vom ‘Anti-Festival’ Zur Profiliertesten Sektion Der Berlinale.\u201d Zeitgeschichte-online<\/i>, August 2011. https:\/\/zeitgeschichte-online.de\/film\/das-internationale-forum-des-jungen-films.<\/p>\n

Broe, Dennis. 2011. \u201cThe Film Festival as a Site of Resistance: Pro or Cannes.\u201d Situations: Project of the Radical Imagination<\/i> 4 (1): 33\u201352. https:\/\/www.google.com\/url?sa=t&source=web&rct=j&opi=89978449&url=https:\/\/radicalimagination.institute\/wp-content\/uploads\/2017\/02\/broe-2011.pdf&ved=2ahUKEwi08beX78KIAxUl_QIHHSY8DMUQFnoECCIQAQ&usg=AOvVaw13PuozFuiZMaqYqzW8SzNS. Accessed September 14, 2024.<\/p>\n

Brooks, Brian. 2011. \u201cMeet the Toronto International Film Festival Programmers, in Their Own Words.\u201d indieWIRE<\/i>, August 11, 2011. http:\/\/www.indiewire.com\/article\/toolkit_meet_the_toronto_international_film_festival_own_words\/.<\/p>\n

Cascais, Ant\u00f3nio Fernando, and Jo\u00e3o Ferreira, eds. 2014. Cinema e Cultura Queer | Queer Film and Culture: Queer Lisboa \u2013 Festival Internacional de Cinema Queer | International Queer Film\u00a0Festival. <\/i>Lisboa.<\/p>\n

Cazzaro, Davide, and Darcy Paquet. 2015. BIFF X BIFF. <\/i>Busan: Busan International Film Festival. Foreword by Lee Chang-dong.<\/p>\n

Cheung, Ruby. 2009. \u201cCorporatising a Film Festival: Hong Kong.\u201d In Film\u00a0Festival Yearbook 1: The Festival Circuit<\/i>, edited by Dina Iordanova and Ragan Rhyne, 99\u2013115. St. Andrews: St Andrews Film Studies.<\/p>\n

Corless, Kieron, and Chris Darke. 2007. Cannes: Inside the World’s Premier Film Festival. <\/i>London: Faber & Faber.<\/p>\n

Cort\u00e9s-Selva, Laura, Montserrat Jurado-Mart\u00edn, and Luidmila Ostrovskaya. 2018. \u201cEuropean Jewels: Camerimage, the Uniqueness of a Festival Devoted to the Art of Cinematography.\u201d Revista Latina de Comunicaci\u00f3n Social<\/i>, no. 73: 614\u201332. https:\/\/doi.org\/10.4185\/RLCS-2018-1272en.<\/p>\n

Cowie, Peter. 2010. Die Berlinale: Das Festival: <\/i>Bertz + Fischer.<\/p>\n

Cowie, Peter. 2010. The Berlinale: The Festival. <\/i>Berlin: Bertz + Fischer.<\/p>\n

\u010cul\u00edk, Jan, and Emma \u010cul\u00edk. 2010. \u201cKarlovy Vary International Film Festival 2009: A Remarkable Showcase of Contemporary Cinema.\u201d Studies in Eastern European Cinema<\/i> 1 (1): 119\u201326.<\/p>\n

Deleau, Pierre-Henri, ed. 1993. La Quinzaine Des R\u00e9alisateurs \u00c0 Cannes: Cin\u00e9ma En Libert\u00e9 (1969-1993). <\/i>Paris: \u00c9ditions de La Martini\u00e8re.<\/p>\n

Deleau, Pierre-Henri. 1998. Les r\u00e9alisateurs de la Quinzaine: Festival de Cannes 20e anniversaire. <\/i>Paris: Asni\u00e8res.<\/p>\n

Diepenbroick, Doroth\u00e9e von, and Skadi Loist, eds. 2009. Bildsch\u00f6n: 20 Jahre Lesbisch Schwule Filmtage Hamburg. <\/i>Hamburg: M\u00e4nnerschwarm.<\/p>\n

Diestro-D\u00f3pido, Mar. 2021. \u201cBAFICI, Buenos Aires Festival Internacional De Cine Independiente: The Festival as International Platform.\u201d In Film Festivals: Cinema and Cultural Exchange<\/i>, 33\u201386. Cambridge: Legenda; Modern Humanities Research Association.<\/p>\n

Diestro-D\u00f3pido, Mar. 2021. \u201cFestival De San Sebasti\u00e1n\/Donostia Zinemaldia\/International Film Festival: A Film Festival of Contrasts.\u201d In Film Festivals: Cinema and Cultural Exchange<\/i>, 87\u2013140. Cambridge: Legenda; Modern Humanities Research Association.<\/p>\n

Diestro-D\u00f3pido, Mar. 2021. \u201cThe BFI London Film Festival: A Public Festival of Festivals.\u201d In Film Festivals: Cinema and Cultural Exchange<\/i>, 141\u201393. Cambridge: Legenda; Modern Humanities Research Association.<\/p>\n

Fehrenbach, Heide. 2020. \u201cThe Berlin International Film Festival: Between Cold War Politics and Postwar Reorientation.\u201d Studies in European Cinema<\/i> 17 (2): 81\u201396. https:\/\/doi.org\/10.1080\/17411548.2019.1631533.<\/p>\n

Francia, Aldo. 1990. Nuevo cine latinoamericano en Vi\u00f1a del Mar: [New Latin American cinema in Vi\u00f1a del Mar]. <\/i>Santiago de Chile: CESOC Ediciones ChileAm\u00e9rica. https:\/\/books.google.de\/books?id=zMYuAAAAYAAJ.<\/p>\n

Friers, Pamela, ed. 1998. Abgezoomt – das Buch zum Festival: Filme, MacherInnen und Entwu\u0308rfe. <\/i>M\u00fcnchen: KoP\u00e4d-Verl. 10 Jahre Kinder- und Jugendfilm in Hamburg, Dokumentation der Hamburger Film- und Videoschau Abgezoomt – das Festival des J\u00fcngsten Films.<\/p>\n

Gal\u00e1n, Diego. 2001. Jack Lemmon nunca cen\u00f3 aqu\u00ed: Trece a\u00f1os y un d\u00eda en el Festival de Cine de San Sebasti\u00e1n. <\/i>Barcelona: Plaza & Jan\u00e9s. [Jack Lemmon never dined here: Thirteen years and one day at the San Sebastian Film Festival].<\/p>\n

Gal\u00e1n, Diego. 2002. 50 a\u00f1os de rodaje. Festival de Cine de San\u00a0Sebasti\u00e1n = 50 urte jardunean. Donostiako nazioarteko zinemaldia. <\/i>Donostia-San Sebasti\u00e1n, Madrid: Festival Internacional de Cine de San Sebasti\u00e1n; Ocho y Medio, Libros de Cine. [50 years of filming. San Sebastian Film Festival].<\/p>\n

Galliner, Nicola, ed. 2004. Jewish Film Festival Berlin: Filme, Bilder, Geschichten. Die ersten zehn Jahre. <\/i>Berlin: be.bra.<\/p>\n

Galliner, Nicola, and J\u00fcdisches Kulturinstitut in Deutschland e.V., eds. 2019. Celebration! 25 Jahre J\u00fcdisches Filmfestival Berlin & Brandenburg: 25 Years Jewish Film Festival Berlin & Brandenburg. <\/i>Berlin: Neofelis. Accessed February 10, 2020. https:\/\/neofelis-verlag.de\/verlagsprogramm\/film-medien\/984\/celebration.<\/p>\n

Gehler, Fred, ed. 1998. Dialog mit einem Mythos: \u00c4sthetische und politische Entwicklungen des Leipziger Dokumentarfilm-Festivals in vier Jahrzehnten. <\/i>Leipzig: Leipziger Univ.-Verl. Vortr\u00e4ge und Diskussionen des Symposiums anl\u00e4\u00dflich des 40. Festivals 1997, zugleich VII. Hochschultage f\u00fcr Medien und Kommunikation.<\/p>\n

Gimello-Mesplomb, Fr\u00e9d\u00e9ric. 2014. Objectif 49: Cocteau et la nouvelle avant-garde. <\/i>Paris: S\u00e9guier. [Objectife 49: Cocteau and the new avant-garde].<\/p>\n

Hamid, Rahul. 2009. \u201cFrom Urban Bohemia to Euro Glamour: The Establishment and Early Years of the New York Film Festival.\u201d In Film\u00a0Festival Yearbook 1: The Festival Circuit<\/i>, edited by Dina Iordanova and Ragan Rhyne, 67\u201381. St. Andrews: St Andrews Film Studies.<\/p>\n

Hardy, Forsyth. 1992. Slightly Mad and Full of Dangers: The Story of the Edinburgh Film Festival. <\/i>Edinburgh: Ramsay Head Press.<\/p>\n

Hope, Cathy, and Adam Dickerson. 2006. \u201c’Films for the Intelligent Layman’: The Origins of the Sydney and Melbourne Film Festivals (1952-1958).\u201d Screening the Past <\/i>(19). http:\/\/www.latrobe.edu.au\/screeningthepast\/19\/sydney-melbourne-film-festivals.html. Accessed March 16, 2008.<\/p>\n

Hope, Cathy, and Adam Dickerson. 2006. \u201c’Ill-Will with the Trade’: The Sydney and Melbourne Film Festivals (1959-1964).\u201d Screening the Past <\/i>(20). http:\/\/www.latrobe.edu.au\/screeningthepast\/20\/sydney-melbourne-film-festivals-1959-1964.html. Accessed March 16, 2008.<\/p>\n

Hope, Cathy, and Adam Dickerson. 2006. \u201c’Separating the Sheep from the Goats’: The Sydney and Melbourne Film Festivals (1965-1972).\u201d Screening the Past <\/i>(20). http:\/\/www.screeningthepast.com\/2014\/12\/separating-the-sheep-from-the-goats-the-sydney-and-melbourne-film-festivals-1965-1972\/. Accessed May 22, 2020.<\/p>\n

Hope, Cathy, and Adam Dickerson. 2011. \u201c\u2018Give It a Go You Apes\u2019: Relations Between the Sydney and Melbourne Film Festivals, and the Early Australian Film Industry (1954\u20131970).\u201d Screening the Past <\/i>(30). http:\/\/www.screeningthepast.com\/2011\/04\/%e2%80%98give-it-a-go-you-apes%e2%80%99-relations-between-the-sydney-and-melbourne-film-festivals-and-the-early-australian-film-industry-1954%e2%80%931970\/. Accessed May 22, 2020.<\/p>\n

Huber, Christoph. 2009. \u201cStatus Quo and Beyond: The Viennale, a Success Story.\u201d In Dekalog 3: On\u00a0Film Festivals<\/i>, edited by Richard Porton, 131\u201342. London: Wallflower.<\/p>\n

Die Berlinale<\/i>. 2010. M\u00fcnchen: S\u00fcddeutsche Zeitung.<\/p>\n

Jacob, Gilles. 2011. Citizen Cannes: The Man Behind the Cannes Film Festival. <\/i>Berlin: Phaidon.<\/p>\n

Jacobsen, Wolfgang. 1990. Berlinale: [40 Jahre] Internationale Filmfestspiele Berlin; [1951 – 1990]. <\/i>Berlin: Argon.<\/p>\n

Jelenkovi\u0107, Dunja, ed. 2013. Festival Kratkog Metra \u2013 60 Godina. Monografija Beogradskog Festivala Dokumentarnog I Kratkometra\u017enog Filma: The Short Film Fest – 60 Years. Monograph on the Belgrade Documentary and Short Film Festival. <\/i>Belgrade: FEST Head Office. Serbian\/English.<\/p>\n

Johnson, Brian D. 2000. Brave Films, Wild Nights: 25 Years of Festival Fever. <\/i>Toronto: Random House Canada.<\/p>\n

Junior, Erly Vieria. 2018. \u201cPor Um Cinema Com Arestas: A Experi\u00eancia Da Mostra Cors\u00e1ria No Festival De Cinema De Vit\u00f3ria (2012-2016).\u201d In Curadoria, Cinema E Outros Modos De Dar a Ver<\/i>, edited by Gabriel Menotti, 117\u201332. Vit\u00f3ria, Spain: EDUFES. [For a Cinema with Edges: the Experience of the Corsair Showcase at the Vit\u00f3ria Film Festival (2012-2016)].<\/p>\n

Kern, Laura, Joanne Koch, and Richard Pe\u00f1a, eds. 2012. New York Film Festival Anniversary Gold. <\/i>New York: Film Society of Lincoln Center.<\/p>\n

Killick, Anthony. 2014. \u201cFilm Festivals and the Neo-Liberal City.\u201d Dialectical Films: Radical Film Theory And Practice in Association with the Bristol Radical Film Festival<\/i>, June 3, 2014. online.<\/p>\n

K\u00f6tzing, Andreas. 2004. Die Internationale Leipziger Dokumentar- und Kurzfilmwoche in den 1970er Jahren. <\/i>Media Studien 12. Leipzig: Leipziger Univ.-Verl.<\/p>\n

\u201cFestschrift 10 Jahre KurzFilmAgentur Hamburg.\u201d 2002. Unpublished manuscript, last modified June 02, 2008. http:\/\/agentur.shortfilm.com\/uploads\/media\/festschrift_KFA.pdf.<\/p>\n

Latil, Loredana. 2005. Le festival de Cannes sur la sc\u00e8ne internationale. <\/i>Paris: Nouveau monde.<\/p>\n

Ledergerber, Norbert, and Urs Jaeggi. 1985. Solothurner Filmtage 1966-1985: Geschichte und Entwicklung:\u00a0aus Anlass der. 20. Filmtage. <\/i>Freiburg, Schweiz: Universit\u00e4tsverlag.<\/p>\n

Lloyd, Matthew. 2011. How the Movie Brats Took over Edinburgh: The Impact of Cin\u00e9philia on Edinburgh International Film Festival, 1968-1980. <\/i>St. Andrews: St Andrews Film Studies.<\/p>\n

Lobo, Juliana Campos. 2018. \u201cA Preserva\u00e7\u00e3o Da Mem\u00f3ria Cultural: Prototipagem De Uma Plataforma Digital Colaborativa Para O Festival Guarnic\u00ea De Cinema.\u201d Doktorarbeit, Departamento de Comunica\u00e7\u00e3o e Arte; Faculdade de Letras, Universidade de Aveiro; Universidade do Porto.<\/p>\n

Lucchini, Domenico, Martin Schlappner, Virgilio Gilardoni, Freddy Buache, Sandro Bianconi, Martin Schaub, and Guglielmo Volonterio, eds. 1987. Festival internazionale del film Locarno: 40 ans | 40 anni | 40 Jahre: Six essais critiques | Sei saggi critici | Sechs kritische Essays<\/i>. With the assistance of D. Lucchini and G. C. Bertelli. Locarno.<\/p>\n

Ma, Ran. 2018. \u201cAsian Documentary Connections and \u201cThe International Film Festival Short Circuit\u201d: Yamagata International Documentary Film Festival (YIDFF) As a Case Study.\u201d In The Palgrave Handbook of Asian Cinema<\/i>, edited by Aaron H. J. Magnan-Park, Gina Marchetti, and See K. Tan, 171\u201389. London: Palgrave Macmillan.<\/p>\n

Macleod, Allison. 2016. \u201cEmbodying Counter-Public Space and Performing Queer Culture: The Inaugural Scottish Queer International Film Festival 2015.\u201d Screen Bodies<\/i> 1 (2): 92\u201398. https:\/\/doi.org\/10.3167\/screen.2016.010207.<\/p>\n

Manciet, Yves. 2004. Cannes: Premi\u00e8res Ann\u00e9es Du Festival. <\/i>Roanne: Thoba\u2019s.<\/p>\n

Martini, Heidi. 2007. Dokumentarfilm-Festival Leipzig: Filme und Politik im Blick und Gegenblick. <\/i>1. Aufl. Schriftenreihe der DEFA-Stiftung. Berlin: DEFA-Stiftung.<\/p>\n

McArthur, Colin. 1990. \u201cThe Rises and Falls of the Edinburgh International Film Festival.\u201d In From Limelight to Satellite: A Scottish Film Book<\/i>, edited by Eddie Dick, 91\u2013102. London.<\/p>\n

Miliokas, Lydia. 2018. \u201cUnder \u201cThe Half-Lit Moon\u201d: Theories of Expanded Cinema and Nuit Blanche Edmonton 2015.\u201d CJFS<\/i> 27 (1): 31\u201343. https:\/\/doi.org\/10.3138\/cjfs.27.1.2017-0013.<\/p>\n

Mitterrand, Fr\u00e9d\u00e9ric. 2007. Le Festival De Cannes. <\/i>Paris: Laffont.<\/p>\n

Moine, Caroline. 2014. Cin\u00e9ma et guerre froide: Histoire du festival de films documentaires de Leipzig (1955-1990). <\/i>Histoire contemporaine. Paris: Publications Sorbonne. [Cinema and Cold War: History of the Leipzig Documentary Film Festival (1955-1990)].<\/p>\n

Moller, Olaf. 2009. \u201cBagatelle for Kino Otek and I 1000 Occhi.\u201d In Dekalog 3: On\u00a0Film Festivals<\/i>, edited by Richard Porton, 143\u201350. London: Wallflower.<\/p>\n

Mouzaki, Despina, ed. 2009. 1960-2009: \u03a0\u03b5\u03bd\u03ae\u03bd\u03c4\u03b1 \u03a7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5 \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2 | 1960-2009: Fifty Years of Thessaloniki Film Festival. <\/i>Thessaloniki: Ianos. [In Greek].<\/p>\n

Museum of Modern Art, New York. 1992. Cannes 45 Years: Festival International Du Film. <\/i>New York: The Museum. “Published on the occasion of the exhibition “.<\/p>\n

Paillard, J\u00e9r\u00f4me, and H\u00e9l\u00e8ne Laurichesse. 2018. \u201cLe March\u00e9 Du Film Du Festival De Cannes.\u201d [The Cannes Festival Film Market]. entrelacs<\/i>, no. 14. https:\/\/doi.org\/10.4000\/entrelacs.4325.<\/p>\n

Pascal, Michel. 1997. Cannes, cris et chuchotements. <\/i>Paris: NiL \u00e9ditions; Diffusion, Seuil.<\/p>\n

Paulon, Flavia. 1971. La dogaressa contestata: La favolosa storia della mostra di Venezia: dalle regine alla contestazione. <\/i>Mestre: Trevisanstampa.<\/p>\n

Philippe, Claude-Jean. 1987. Cannes, Le Festival. <\/i>Paris: Nathan Sipa.<\/p>\n

Pisu, Stefano. 2013. Stalin a Venezia: L’Urss alla Mostra del cinema fra diplomazia culturale e scontro ideologico (1932-1953). <\/i>Soveria Mannelli: Rubbettino. [Stalin in Venice: The USSR at the Venice Film Festival between cultural diplomacy and ideological clash (1932-1953)].<\/p>\n

Ponomareva, Galina. 2014. Das internationale lesbisch-schwule Filmfestival “Bok o Bok”: Zur Konstruktion von LGBT-\u00d6ffentlichkeit im politischen Kontext der Russischen F\u00f6deration. <\/i>Berlin: Avinus.<\/p>\n

Porton, Richard. 2010. \u201cThe Toronto International Film Festival at the Crossroads.\u201d Cineaste<\/i> 36 (1): 32\u201335. http:\/\/www.cineaste.com\/articles\/the-toronto-international-film-festival-at-the-crossroads. Accessed January 05, 2011.<\/p>\n

Quin, \u00c9lisabeth, and No\u00ebl Simsolo, eds. 2007. Cannes: Elles\/Ils ont Fait le Festival. <\/i>Paris: Cahiers du cin\u00e9ma.<\/p>\n

Rae, Ian, and Jessica Thom. 2016. \u201cThe Rise and Fall of the Stratford International Film Festival.\u201d CJFS<\/i> 25 (1): 67\u201387.<\/p>\n

Reinhardt, Thomas. 1998. 20 Jahre Filmfestival Max-Oph\u00fcls-Preis. <\/i>Sulzbach: Moviestore-Co.-Verl. http:\/\/www.agi-imc.de\/intelligentSEARCH.nsf\/alldocs\/A302CEEF39D22873C12571B100521BB5\/.<\/p>\n

Ribas, Daniel, and Mario Micaelo, eds. 2012. Puro Cinema: Curtas Vila Do Conde 20 Anos Depois = Pure Cinema: Curtas Vila De Conde 20 Years After. <\/i>Vila do Conde: Curtas Metragens, CRL.<\/p>\n

Rich, B. Ruby. 2018. \u201cFilm Festival, Fall Launch, 2018: The TIFF Edition.\u201d Film Quarterly<\/i> 72 (2): 92\u201399. https:\/\/doi.org\/10.1525\/fq.2018.72.2.92.<\/p>\n

Riskala, Tuomas. 2004. \u201cA Report on the Espoo Cin\u00e9 Festival.\u201d In Alternative Europe: Eurotrash and Exploitation Cinema Since 1945<\/i>, edited by Ernest Mathijs and Xavier Mendik, 228\u201331. London: Wallflower.<\/p>\n

Rithdee, Kong. 2009. \u201cThe Sad Case of the Bangkok Film Festival.\u201d In Dekalog 3: On\u00a0Film Festivals<\/i>, edited by Richard Porton, 122\u201330. London: Wallflower.<\/p>\n

Roddolo, Enrica. 2003. La Biennale: Arte, polemiche, scandali e storie in Laguna. <\/i>Gli specchi della memoria. Venezia: Marsilio.<\/p>\n

Romer, Jean-Claude. 2002. Cannes Memories, 1939-2002: La Grande Histoire Du Festival L’album Officiel Du 55e Anniversaire. <\/i>Montreuil: Media Business & Partners.<\/p>\n

Rueda, Amanda. 2018. \u201cFestival Et March\u00e9: Le R\u00f4le Du Festival Cin\u00e9latino De Toulouse Dans L\u2019industrie Du \u00ab Cin\u00e9ma D\u2019auteur \u00bb.\u201d [Festival and markets: The role of the Toulouse Cin\u00e9latino Festival in the “auteur cinema” industry]. entrelacs<\/i>, no. 14: 1\u201312. https:\/\/doi.org\/10.4000\/entrelacs.4265.<\/p>\n

Schenk, Ralf. 2007. Bilder einer gespaltenen Welt: 50 Jahre Leipziger Dokumentar- und Animationsfilmfestival. <\/i>Berlin: Bertz + Fischer. http:\/\/deposit.d-nb.de\/cgi-bin\/dokserv?id=2975391&prov=M&dok_var=1&dok_ext=htm.<\/p>\n

Scherrer, Jean-Baptiste. 2018. \u201cLe Festival Et Le March\u00e9 International Du Film D\u2019animation D\u2019annecy, Un Exemple De R\u00e9conciliation Entre La Loi Du March\u00e9 Et L\u2019intervention Institutionnelle: [The Annecy International Animation Film Festival and Its Market (Mifa), an Example of Reconciliation Between the Law of the Market and Institutional Intervention].\u201d entrelacs<\/i>, no. 14. https:\/\/doi.org\/10.4000\/entrelacs.4290.<\/p>\n

Schr\u00f6der, Nicolaus. 2000. Zwischen Barrikade und Elfenbeinturm: Zur Geschichte des unabh\u00e4ngigen Kinos. 30 Jahre Internationales Forum des Jungen Films<\/i>. Edited by Freunde der Deutschen Kinemathek. Berlin: Henschel.<\/p>\n

Segal, J\u00e9r\u00f4me, and Christine Blumauer. 2011. \u201cCannes: A\u00a0French International Festival.\u201d In Festivals and the Cultural Public Sphere<\/i>, edited by Liana Giorgi, Monica Sassatelli, and Gerard Delanty, 156\u201372. Abingdon, New York: Routledge.<\/p>\n

Servat, Henry-Jean. 2007. Si le festival de Cannes m’\u00e9tait cont\u00e9\u2026 <\/i>Paris: Filipacchi.<\/p>\n

Smith, Lory. 1999. Party in a Box: The Story of the Sundance Film Festival. <\/i>1st ed. Salt Lake City, Utah: Gibbs Smith.<\/p>\n

Stanfield, Peter. 2008. \u201cNotes Toward a History of the Edinburgh International Film Festival, 1969-1977.\u201d Film International<\/i> 6 (4): 63\u201371.<\/p>\n

Steinmetz, R\u00fcdiger, and Hans-J\u00f6rg Stiehler. 1997. Das Leipziger Dokfilm-Festival und sein Publikum: Eine Studie zu Image, Akzeptanz und Resonanz 1993-1996. <\/i>Leipzig: Leipziger Univ.-Verl. http:\/\/www.gbv.de\/dms\/ilmenau\/toc\/235127558.PDF.<\/p>\n

Steinmetz, R\u00fcdiger, Hans-J\u00f6rg Stiehler, and Johanna Wank. 2007. Das Leipziger Dokfilm-Festival und sein Publikum II: Eine Nachfolge-Studie 2006 zu Image, Akzeptanz und Resonanz. <\/i>Leipzig: Leipziger Univ.-Verl. http:\/\/d-nb.info\/987320238.<\/p>\n

Th\u00e9venin, Olivier. 2008. La S.R.F. [Soci\u00e9t\u00e9 des r\u00e9alisateurs de films] et la Quinzaine des r\u00e9alisateurs 1968-2008: Une construction d’identit\u00e9s collectives<\/i>. With the assistance of L. Latil and S. Bruneau. Montreuil: Aux lieux d’\u00eatre.<\/p>\n

T\u00f6teberg, Michael, ed. 2012. Filmfest Hamburg<\/i>. With the assistance of F. Kykillus and U. Ortlieb. 1st ed. Hamburg: Junius. Michael T\u00f6teberg.<\/p>\n

Toubiana, Serge. 1997. Cannes cinema: Cinquante ans de festival vus par traverso. <\/i>Paris: Cahiers du cinema.<\/p>\n

Triana Toribio, Nuria. 2007. \u201cEl festival de los cin\u00e9filos transnacionales: Festival Cinematogr\u00e1fico Internacional de la Rep\u00fablica Argentina en Mar del Plata, 1959-1970.\u201d [The Festival of Transnational Filmmakers: International Film Festival of the Argentine Republic in Mar del Plata, 1959-1970]. Secuencias: Revista de Historia del Cine <\/i>(25): 25\u201345.<\/p>\n

Uf\u00e9ras, G\u00e9rard, and Marc Bessou. 2005. Les Coulisses Du Festival: Cannes, Carlton. <\/i>Paris: Flammarion. [Behind the scenes of the festival: Cannes, Carlton].<\/p>\n

Velisavljevi\u0107, Ivan. 2014. \u201cInitiating Regional Talents: 2013 Sarajevo Film Festival.\u201d NECSUS<\/i> 3 (1): 371\u201377. https:\/\/doi.org\/10.25969\/mediarep\/15127.<\/p>\n

Veras de Souza, Jo\u00e3o Jos\u00e9. 2017. \u201cO Festival De Cinema Pachamama E a Condi\u00e7\u00e3o Colonial Do Audiovisual No Acre.\u201d [The Pachamama Film\u00a0Festival and the Colonial Condition of the Audiovisual Production in Acre.]. Muiraquit\u00e3<\/i> 5 (1): 244\u201349.<\/p>\n

Vinuela, Ana. 2018. \u201cLe March\u00e9 De La Coproduction De La Berlinale Dans L\u2019univers Du Cin\u00e9ma Du Monde.\u201d [The Berlinale co-production market within global cinema]. entrelacs<\/i>, no. 14: 1\u201311. https:\/\/doi.org\/10.4000\/entrelacs.4332.<\/p>\n

Volonterio, Guglielmo. 1997. Dalle suggestioni del Parco alla Grande Festa del Cinema: Storia del Festival di Locarno 1946-1997. <\/i>Venezia: Marsilio. [From the fascination of the Park to the Great Film Festival: History of the Locarno Film Festival 1946-1997].<\/p>\n

Winton, Ezra. 2020. \u201cMainstreaming Documentary and Activism at Toronto\u2019s Hot Docs Festival.\u201d In Documentary Film Festivals Vol. 1: Methods, History, Politics<\/i>, edited by Aida Vallejo and Ezra Winton, 193\u2013220. New York: Palgrave Macmillan.<\/p>\n

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(Last updated: 30. March 2025)
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The last section of our annotated film festival bibliography collects articles, book chapters and books that have been created with varying purposes. There are several books that have been edited to celebrate major anniversaries of festivals; some of those focus … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-81","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":38,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/81\/revisions"}],"predecessor-version":[{"id":3261,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/81\/revisions\/3261"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/6"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}