{"id":3313,"date":"2025-05-16T16:38:40","date_gmt":"2025-05-16T14:38:40","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3313"},"modified":"2025-05-16T16:41:58","modified_gmt":"2025-05-16T14:41:58","slug":"8-4-audience-engagement","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/8-reception-audiences-communities-and-cinephiles\/8-4-audience-engagement\/","title":{"rendered":"8.4 Audience Engagement"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Chura, Claudia, \u00c1ngel Torres Toukoumidis, Gerardo Karbaum, and Andrea de Jes\u00fas Or\u00e9. 2024. \u201cInnovative Strategies for Audiovisual Literacy at Film Festivals: The Case of Peru.\u201d <em>Proceedings of the International Conference on Communication and Applied Technologies 2024 (ICOMTA 2024)<\/em> 28:480\u201392. https:\/\/doi.org\/10.2991\/978-94-6463-596-6_42.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sicondolfo, Claudia Francesca. 2024. \u201cProgramming Process Pedagogy: Towards Meaningful Audience Engagement and Public Participation Models Within Contemporary Canadian Media Arts Festival, 2012-2024.\u201d PhD, Graduate Program in Cinema and Media Arts, York University. Accessed 31.02.2023. https:\/\/yorkspace.library.yorku.ca\/bitstreams\/3acd29b2-fc48-47a7-947c-139adc308438\/download.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Last updatet: 16. May 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chura, Claudia, \u00c1ngel Torres Toukoumidis, Gerardo Karbaum, and Andrea de Jes\u00fas Or\u00e9. 2024. \u201cInnovative Strategies for Audiovisual Literacy at Film Festivals: The Case of Peru.\u201d Proceedings of the International Conference on Communication and Applied Technologies 2024 (ICOMTA 2024) 28:480\u201392. https:\/\/doi.org\/10.2991\/978-94-6463-596-6_42. &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/8-reception-audiences-communities-and-cinephiles\/8-4-audience-engagement\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":77,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3313","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3313"}],"version-history":[{"count":1,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3313\/revisions"}],"predecessor-version":[{"id":3314,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3313\/revisions\/3314"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/77"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}