{"id":3264,"date":"2025-03-30T11:46:21","date_gmt":"2025-03-30T09:46:21","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3264"},"modified":"2025-05-16T16:29:08","modified_gmt":"2025-05-16T14:29:08","slug":"5-6-film-festivals-and-policy","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/5-business-matters-industries-distribution-and-markets\/5-6-film-festivals-and-policy\/","title":{"rendered":"5.6 Film Festivals and Policy"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Sicondolfo, Claudia Francesca. 2024. \u201cProgramming Process Pedagogy: Towards Meaningful Audience Engagement and Public Participation Models Within Contemporary Canadian Media Arts Festival, 2012-2024.\u201d PhD, Graduate Program in Cinema and Media Arts, York University. Accessed 31.02.2023. https:\/\/yorkspace.library.yorku.ca\/bitstreams\/3acd29b2-fc48-47a7-947c-139adc308438\/download.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Last updatet: 16. May 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sicondolfo, Claudia Francesca. 2024. \u201cProgramming Process Pedagogy: Towards Meaningful Audience Engagement and Public Participation Models Within Contemporary Canadian Media Arts Festival, 2012-2024.\u201d PhD, Graduate Program in Cinema and Media Arts, York University. Accessed 31.02.2023. https:\/\/yorkspace.library.yorku.ca\/bitstreams\/3acd29b2-fc48-47a7-947c-139adc308438\/download. (Last updatet: 16. May 2025)<\/p>\n","protected":false},"author":10,"featured_media":0,"parent":65,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3264","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3264"}],"version-history":[{"count":2,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3264\/revisions"}],"predecessor-version":[{"id":3297,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3264\/revisions\/3297"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/65"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}