{"id":3224,"date":"2025-03-30T10:57:38","date_gmt":"2025-03-30T08:57:38","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3224"},"modified":"2025-05-16T16:47:38","modified_gmt":"2025-05-16T14:47:38","slug":"9-2-2-5-experimental-film-festival","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-b-type\/9-2-2-5-experimental-film-festival\/","title":{"rendered":"9.2.2.5 Experimental Film Festival"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Becker, Edith. 1992. \u201cThe New York Lesbian and Gay Experimental Film Festival.\u201d <em>Jump Cut <\/em>(No. 37): 74. http:\/\/www.ejumpcut.org\/archive\/onlinessays\/JC37folder\/NYexptlGayLesFest.html. Accessed May 31, 2020.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Klimek, Caroline. 2018. \u201cFrom Programmer to Curator: How Film Festivals Are Pushing the Boundaries of New Media and Expanded Cinema.\u201d <em>CJFS<\/em> 27 (1): 73\u201387. https:\/\/doi.org\/10.3138\/cjfs.27.1.2017-0016.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Teh, David. 2008. \u201cThe Art of Interruption: Notes on the 5th Bangkok Experimental Film Festival.\u201d <em>Theory, Culture &amp; Society<\/em> 25 (7-8): 309\u201320. https:\/\/doi.org\/10.1177\/0263276408097809.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Last updatet: 16. May 2025)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Becker, Edith. 1992. \u201cThe New York Lesbian and Gay Experimental Film Festival.\u201d Jump Cut (No. 37): 74. http:\/\/www.ejumpcut.org\/archive\/onlinessays\/JC37folder\/NYexptlGayLesFest.html. Accessed May 31, 2020. Klimek, Caroline. 2018. \u201cFrom Programmer to Curator: How Film Festivals Are Pushing the Boundaries of New Media and &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-b-type\/9-2-2-5-experimental-film-festival\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":138,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3224","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3224"}],"version-history":[{"count":2,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3224\/revisions"}],"predecessor-version":[{"id":3329,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3224\/revisions\/3329"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/138"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}