{"id":3208,"date":"2025-03-30T10:24:27","date_gmt":"2025-03-30T08:24:27","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3208"},"modified":"2025-05-16T16:39:09","modified_gmt":"2025-05-16T14:39:09","slug":"8-2-reception-studies-of-film-festivals","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/8-reception-audiences-communities-and-cinephiles\/8-2-reception-studies-of-film-festivals\/","title":{"rendered":"8.2 Reception Studies of Film Festivals"},"content":{"rendered":"\n<p>Ahmed, K., D. M. Bennett, N. Halder, and P. Byrne. 2015. \u201cMedfest: The Effect of a National Medical Film Festival on Attendees&#8217; Attitudes to Psychiatry and Psychiatrists and Medical Students&#8217; Attitudes to a Career in Psychiatry.\u201d <em>Academic psychiatry : the journal of the American Association of Directors of Psychiatric Residency Training and the Association for Academic Psychiatry<\/em> 39 (3): 335\u201338. https:\/\/doi.org\/10.1007\/s40596-014-0184-x.<\/p>\n\n\n\n<p>Dickson, Lesley-Ann. 2017. \u201c\u2018Beyond Film\u2019 Experience: Festivalizing Practices and Shifting Spectatorship at Glasgow Film Festival.\u201d In <em>Live Cinema: Cultures, Economies, Aesthetics<\/em>, edited by Sarah Atkinson and Helen W. Kennedy, 83\u2013100. New York: Bloomsbury Academic &amp; Professional.<\/p>\n\n\n\n<p>Lee, Gyehee, Tae-II Pae, and Lawrence J. Bendle. 2016. \u201cThe Role of Identity Salience in the Leisure Behavior of Film Festival Participants: The Case of the Busan International Film Festival.\u201d <em>Journal of Leisure Research<\/em> 48 (2): 156\u201377. https:\/\/doi.org\/10.18666\/jlr-2016-v48-i2-4687.<\/p>\n\n\n\n<p>Puccia, Angelo, L. Javier Cabeza-Ram\u00edrez, Manuel M\u00e1rquez de los Santos, and Miguel Gonz\u00e1lez-Moh\u00edno. 2025. \u201cBridging Cultural Capital: Youth-Driven Communication as a Catalyst for Well-Being in Film Festival Participation.\u201d <em>Social Sciences<\/em> 14 (1): 26. https:\/\/doi.org\/10.3390\/socsci14010026.<\/p>\n\n\n\n<p>Stevens, Kirsten. 2017. \u201cBetween Like and Love: Cinephilia and Connected Viewing in Film Festival Audiences.\u201d <em>Participations<\/em> 14 (2): 660\u201381. http:\/\/www.participations.org\/Volume%2014\/Issue%202\/34.pdf. Accessed June 22, 2021.<\/p>\n\n\n\n<p>Vivar, Rosana. 2019. \u201c\u2018You\u2019re Sick If That Turns You on!\u2019: Female Participation and Gender Identities at San Sebastian Horror and Fantasy Film Festival.\u201d In <em>Gender and Contemporary Horror in Comics, Games and Transmedia<\/em>, edited by Robert Shail, Steven Gerrard, and Samantha Holland, 151\u201365: Emerald Publishing Limited.<\/p>\n\n\n\n<p>(Last updatet: 16. May 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ahmed, K., D. M. Bennett, N. Halder, and P. Byrne. 2015. \u201cMedfest: The Effect of a National Medical Film Festival on Attendees&#8217; Attitudes to Psychiatry and Psychiatrists and Medical Students&#8217; Attitudes to a Career in Psychiatry.\u201d Academic psychiatry : the &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/8-reception-audiences-communities-and-cinephiles\/8-2-reception-studies-of-film-festivals\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":77,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3208","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3208"}],"version-history":[{"count":3,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3208\/revisions"}],"predecessor-version":[{"id":3316,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3208\/revisions\/3316"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/77"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}