{"id":3174,"date":"2025-03-29T15:50:55","date_gmt":"2025-03-29T14:50:55","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3174"},"modified":"2025-05-16T16:27:26","modified_gmt":"2025-05-16T14:27:26","slug":"3-4-film-festival-geographies","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/3-festival-space-cities-tourism-and-publics\/3-4-film-festival-geographies\/","title":{"rendered":"3.4 Film Festival Geographies"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Dylan, Emerson, and Luis Ferla. 2021. \u201cFestivais De Cinema E Georreferenciamento: Um Estudo Sobre O Territ\u00f3rio Ocupado Pela Mostra Internacional De Cinema De S\u00e3o Paulo Em Seus Primeiros Anos.\u201d [Film festivals and georeferencing: A study on the territory occupied by Mostra S\u00e3o Paulo International Film Festival in its first years]. <em>REBECA<\/em> 10 (2): 99\u2013122. https:\/\/doi.org\/10.22475\/rebeca.v10n2.791.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fenwick, James. 2021. \u201cUrban Regeneration and Stakeholder Dynamics in the Formation, Growth and Maintenance of the Sheffield International Documentary Festival in the 1990s.\u201d <em>Historical Journal of Film, Radio and Television<\/em> 41 (4): 838\u201363. https:\/\/doi.org\/10.1080\/01439685.2021.1922035.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Heath, Theresa. 2025. <em>Queer Film Festivals and Urban Space: Reclaiming the City. <\/em>Abingdon, Oxon, New York, NY: Routledge.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Parra-P\u00e9rez, Pablo, and Ekain Olaizola Lizarralde. 2021. \u201cReinventing Film Festival Space: Notes on the Radical Geography of the Barrios Y Pueblos Project at the San Sebastian Film Festival (1977\u20131985).\u201d <em>Mediapolis: A Journal of Cities and Culture<\/em> 6 (1). https:\/\/www.mediapolisjournal.com\/2021\/02\/reinventing-film-festival-space\/.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Li, Peize. 2023. \u201cWhen the Place Speaks: An Analysis of the Use of Venues and Locations in the International Film Festival Circuit.\u201d PhD Thesis, University of St Andrews.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vivar Navas, Rosana, and Lu\u00eds Rom\u00e1n Su\u00e1rez-Canedo. 2020. \u201cFestival De Cans: Rethinking the Film Festival Through Parody in Rural Galicia.\u201d [Festival de Cans: Repensando o Festival de Cibnema atrav\u00e9s da Par\u00f3dia na Galiza Rural]. <em>Cinema &amp; Territ\u00f3rio<\/em> 1 (5): 122\u201338. https:\/\/doi.org\/10.34640\/52020CTRVNFES.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Last updatet: 16. May 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dylan, Emerson, and Luis Ferla. 2021. \u201cFestivais De Cinema E Georreferenciamento: Um Estudo Sobre O Territ\u00f3rio Ocupado Pela Mostra Internacional De Cinema De S\u00e3o Paulo Em Seus Primeiros Anos.\u201d [Film festivals and georeferencing: A study on the territory occupied by &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/3-festival-space-cities-tourism-and-publics\/3-4-film-festival-geographies\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":61,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3174","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3174"}],"version-history":[{"count":2,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3174\/revisions"}],"predecessor-version":[{"id":3296,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3174\/revisions\/3296"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/61"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}