{"id":3168,"date":"2025-03-29T15:49:02","date_gmt":"2025-03-29T14:49:02","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3168"},"modified":"2025-07-29T18:38:55","modified_gmt":"2025-07-29T16:38:55","slug":"3-1-festival-space","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/3-festival-space-cities-tourism-and-publics\/3-1-festival-space\/","title":{"rendered":"3.1 Festival Space"},"content":{"rendered":"\n<p>Aguilar, Gonzalo. 2019. \u201cEl BAFICI: Festivales y transformaciones urbanas.\u201d [BAFICI. Festivals and Urban Transformations]. In <em>Ciudades Sudamericanas como arenas culturales: Artes y medios, barrios de \u00e9lite y villas miseria, intelectuales y urbanistas c\u00f3mo ciudad y cultura se activan mutuamente<\/em>, edited by Adri\u00e1n Gorelik and Fernanda A. Peixoto, 405\u201323. Buenos Aires, Argentina: Siglo Veintiuno Editores.<\/p>\n\n\n\n<p>Campos Rabad\u00e1n, Minerva. 2024. \u201cLa Festivalizaci\u00f3n On\/off-Line De La Cultura Cinematogr\u00e1fica: Una Tendencia Afectada Por Las Plataformas Y La COVID-19.\u201d [The on\/off-line festivalization of film culture: A trend affected by platforms and COVID-19]. In <em>Redes Sociales Y Medios Digitales En Iberoam\u00e9rica: Las Nuevas Tendencias Comunicacionales<\/em> [Social Networks and Digital Media in Ibero-America. New Communication Trends], edited by Karen Pinto-Garz\u00f3n, Jorge L. C. Dur\u00e1n, and Julia Fontenla, 257\u201375: Tirant lo Blanch.<\/p>\n\n\n\n<p>de Molli, Federica, Jeanne Mengis, and Alfons van Marrewijk. 2020. \u201cThe Aestheticization of Hybrid Space: The Atmosphere of the Locarno Film Festival.\u201d <em>Organization Studies<\/em> 41 (11): 1491\u20131512. https:\/\/doi.org\/10.1177\/0170840619867348.<\/p>\n\n\n\n<p>Heath, Theresa. 2025. <em>Queer Film Festivals and Urban Space: Reclaiming the City. <\/em>Abingdon, Oxon, New York, NY: Routledge.<\/p>\n\n\n\n<p>La Parra-P\u00e9rez, Pablo, and Ekain Olaizola Lizarralde. 2021. \u201cReinventing Film Festival Space: Notes on the Radical Geography of the Barrios Y Pueblos Project at the San Sebastian Film Festival (1977\u20131985).\u201d <em>Mediapolis: A Journal of Cities and Culture<\/em> 6 (1). https:\/\/www.mediapolisjournal.com\/2021\/02\/reinventing-film-festival-space\/.<\/p>\n\n\n\n<p>Li, Peize. 2023. \u201cWhen the Place Speaks: An Analysis of the Use of Venues and Locations in the International Film Festival Circuit.\u201d PhD Thesis, University of St Andrews.Vivar Navas, Rosana, and Lu\u00eds Rom\u00e1n Su\u00e1rez-Canedo. 2020. \u201cFestival De Cans: Rethinking the Film Festival Through Parody in Rural Galicia.\u201d [Festival de Cans: Repensando o Festival de Cibnema atrav\u00e9s da Par\u00f3dia na Galiza Rural]. <em>Cinema &amp; Territ\u00f3rio<\/em> 1 (5): 122\u201338. https:\/\/doi.org\/10.34640\/52020CTRVNFES.<\/p>\n\n\n\n<p>(Last updatet: 16. May 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aguilar, Gonzalo. 2019. \u201cEl BAFICI: Festivales y transformaciones urbanas.\u201d [BAFICI. Festivals and Urban Transformations]. In Ciudades Sudamericanas como arenas culturales: Artes y medios, barrios de \u00e9lite y villas miseria, intelectuales y urbanistas c\u00f3mo ciudad y cultura se activan mutuamente, edited &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/3-festival-space-cities-tourism-and-publics\/3-1-festival-space\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":61,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3168","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3168"}],"version-history":[{"count":3,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3168\/revisions"}],"predecessor-version":[{"id":3357,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3168\/revisions\/3357"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/61"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}