{"id":3166,"date":"2025-03-29T15:48:05","date_gmt":"2025-03-29T14:48:05","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3166"},"modified":"2025-03-29T15:52:09","modified_gmt":"2025-03-29T14:52:09","slug":"2-3-film-criticism","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/2-festival-time-awards-juries-and-critics\/2-3-film-criticism\/","title":{"rendered":"2.3 Film Criticism"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Rueda, Amanda. 2023. \u201c\u00bfFestivales Suspendidos, Pr\u00e1ctica Cr\u00edtica Distendida? Alianzas Cin\u00e9filas Transatl\u00e1nticas.\u201d [Suspended festivals, relaxed critical practice? Transatlantic film alliances]. <em>cinelatino<\/em> 31:166\u201377. https:\/\/doi.org\/10.4000\/1386e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Last updatet: 28. March 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rueda, Amanda. 2023. \u201c\u00bfFestivales Suspendidos, Pr\u00e1ctica Cr\u00edtica Distendida? Alianzas Cin\u00e9filas Transatl\u00e1nticas.\u201d [Suspended festivals, relaxed critical practice? Transatlantic film alliances]. cinelatino 31:166\u201377. https:\/\/doi.org\/10.4000\/1386e. (Last updatet: 28. March 2025)<\/p>\n","protected":false},"author":10,"featured_media":0,"parent":59,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3166","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3166"}],"version-history":[{"count":1,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3166\/revisions"}],"predecessor-version":[{"id":3167,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3166\/revisions\/3167"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/59"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}