{"id":3153,"date":"2025-03-29T15:34:54","date_gmt":"2025-03-29T14:34:54","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3153"},"modified":"2025-05-16T16:23:08","modified_gmt":"2025-05-16T14:23:08","slug":"1-2-2-cold-war","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-2-political-aspects-of-film-festivals-history\/1-2-2-cold-war\/","title":{"rendered":"1.2.2 Cold War"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Fenwick, James. 2021. \u201c&#8217;Une publicit\u00e9 pour Dieu et pour le progamme spatial&#8217;.\u201d [&#8216;A commercial for God and the space program&#8217;: 2001: A Space Odyssey and the 1969 Moscow International Film Festival]. In <em>2001, l&#8217;odyss\u00e9e de l&#8217;espace: Au carrefour des arts et des sciences<\/em>, edited by Christopher L. Robinson and Sam Azulys, 55\u201370. Palaiseau: Les \u00e9ditions de l&#8217;\u00c9cole polytechnique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Iordanova, Dina. 2025. \u201cCold War and Film Festivals in the Aftermath of 1968.\u201d In <em>Rethinking the Cinematic Cold War: The Struggle for Hearts and Minds Goes Global<\/em>, edited by Stefano Pisu, Francesco Pitassio, and Maurizio Zinni, 179\u2013200: Berghahn Books.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00f6tzing, Andreas. 2017. \u201cCultural and Film Policy in the Cold War: The Film Festivals of Oberhausen and Leipzig and German-German Relations.\u201d In <em>Cultural Transfer and Political Conflicts: Film Festivals in the Cold War<\/em>, edited by Andreas K\u00f6tzing and Caroline Moine, 31\u201346. G\u00f6ttingen: Vandenhoeck &amp; Ruprecht; V&amp;R unipress.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Razlogova, Elena. 2025. \u201cThe Rise and Fall of Sino-Soviet Film Festival Diplomacy (1957\u20131966).\u201d In <em>Rethinking the Cinematic Cold War: The Struggle for Hearts and Minds Goes Global<\/em>, edited by Stefano Pisu, Francesco Pitassio, and Maurizio Zinni, 99\u2013115: Berghahn Books.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Walters, Elizabeth. 2024. \u201cFestival Diplomacy: CINE, American Nontheatrical Cinema, and the Film Festival Network.\u201d <em>JCMS: Journal of Cinema &amp; Media Studies<\/em> 63 (4): 121\u201346. https:\/\/doi.org\/10.1353\/cj.2024.a934550.Ward, Elizabeth M. 2015. \u201cScreening Out the East: The Playing Out of Inter-German Relations at the Cannes Film Festival.\u201d <em>Ger. Life Lett.<\/em> 68 (1): 37\u201353. https:\/\/doi.org\/10.1111\/glal.12067.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Last updated: 16. May 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fenwick, James. 2021. \u201c&#8217;Une publicit\u00e9 pour Dieu et pour le progamme spatial&#8217;.\u201d [&#8216;A commercial for God and the space program&#8217;: 2001: A Space Odyssey and the 1969 Moscow International Film Festival]. In 2001, l&#8217;odyss\u00e9e de l&#8217;espace: Au carrefour des arts &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-2-political-aspects-of-film-festivals-history\/1-2-2-cold-war\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":105,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3153","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3153"}],"version-history":[{"count":2,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3153\/revisions"}],"predecessor-version":[{"id":3288,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3153\/revisions\/3288"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/105"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}