{"id":3050,"date":"2024-04-09T14:32:39","date_gmt":"2024-04-09T12:32:39","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3050"},"modified":"2025-03-29T15:32:28","modified_gmt":"2025-03-29T14:32:28","slug":"1-2-1-1-covid-19","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-2-political-aspects-of-film-festivals-history\/1-2-1-film-festivals-facing-crises\/1-2-1-1-covid-19\/","title":{"rendered":"1.2.1.1 Covid-19"},"content":{"rendered":"\n<p>Alieva, Sitora, and Anton Dolin. 2021. \u201c2021: How Film Festivals and Women Will Defeat COVID-19.\u201d <em>Critical Quarterly<\/em> 63 (3): 10\u201322. https:\/\/doi.org\/10.1111\/criq.12623.<\/p>\n\n\n\n<p>Ayd\u0131n, Tuncer Mert. 2022. \u201cCovid-19 Pandemisi S\u00fcrecinde Almanya Ve Amerika Birle\u015fik Devletleri&#8217;nde Ulus\u00f6tesi T\u00fcrk Film Festivallerinin Yap\u0131s\u0131.\u201d In <em>Film Festivalleri E-Kitabi 1: 10-11 Kasim 2021, Ankara<\/em>, edited by Hakan Erk\u0131l\u0131\u00e7, 99\u2013118. Ankara: De Ki Basim Yayim. [The Structure of Transnational Turkish Film Festivals in Germany and the United States of America during the Covid-19 Pandemic].<\/p>\n\n\n\n<p>Bachman, Jarrett R., and John S. Hull. 2022. \u201cFrom the Theatre to the Living Room: Comparing Queer Film Festival Patrons and Outcomes Before and During the COVID-19 Pandemic.\u201d <em>Annals of Leisure Research<\/em>, no. ##: #1\u201320. https:\/\/doi.org\/10.1080\/11745398.2022.2055585.<\/p>\n\n\n\n<p>Binark, Mutlu. 2022. \u201cPandemi D\u00f6neminde G\u00fcney Kore&#8217;de Sinema End\u00fcstrisi Ve Film Festivalleri: Seyirciyle Sinema Salonunda Bulu\u015fma Yollar\u0131.\u201d In <em>Film Festivalleri E-Kitabi 1: 10-11 Kasim 2021, Ankara<\/em>, edited by Hakan Erk\u0131l\u0131\u00e7, 119\u201348. Ankara: De Ki Basim Yayim. [Film Industry and Film Festivals in South Korea during the Pandemic: Ways to Meet with the Audience in the Movie Theater].<\/p>\n\n\n\n<p>Cable, Umayyah. 2021. \u201cCinematic Activism: Grassroots Film Festivals and Social Movements in Pandemic Times.\u201d <em>Framework<\/em> 62 (2): 298\u2013316. https:\/\/muse.jhu.edu\/article\/839460.<\/p>\n\n\n\n<p>Chambers, Jamie, and Will Higbee. 2021. \u201cUtopian Montage: Exploring Transnational Folk Cinemas Online During the Covid-19 Pandemic as Part of the 2020 Folk Film Gathering Film Festival.\u201d <em>Open Screens<\/em> 4 (2): 1\u201332. https:\/\/doi.org\/10.16995\/OS.8009.<\/p>\n\n\n\n<p>Damiens, Antoine. 2023. \u201cFestivals, Covid-19, and the Crisis of Archiving.\u201d In <em>Rethinking Film Festivals in the Pandemic Era and After<\/em>, edited by Marijke de Valck and Antoine Damiens, 291\u2013305. Cham: Palgrave Macmillan.<\/p>\n\n\n\n<p>de Valck, Marijke, and Antoine Damiens, eds. 2023. <em>Rethinking Film Festivals in the Pandemic Era and After. <\/em>Cham: Palgrave Macmillan.<\/p>\n\n\n\n<p>de Witt, Helen, Maria M. Delgado, Aduke King, Sarah Lutton, and Leigh Singer. 2022. \u201cSixteen Things We Learned About Programming for Film Festivals Under COVID.\u201d <em>Contemporary Theatre Review<\/em> 32 (3-4): 305\u20139. https:\/\/doi.org\/10.1080\/10486801.2022.2119225.<\/p>\n\n\n\n<p>Dramani-Issifou, Farah Cl\u00e9mentine. 2023. \u201cCurating as Care: La Semaine De La Critique and the Marrakech International Film Festival in the Age of Covid-19.\u201d In <em>Rethinking Film Festivals in the Pandemic Era and After<\/em>, edited by Marijke de Valck and Antoine Damiens, 255\u201366. Cham: Palgrave Macmillan.<\/p>\n\n\n\n<p>Erkin, Onur. 2022. \u201cSalg\u0131n D\u00f6neminde Film Festivallerinin D\u00f6n\u00fc\u015f\u00fcm\u00fc Ve Paravan Film Festivalleri.\u201d In <em>Film Festivalleri E-Kitabi 1: 10-11 Kasim 2021, Ankara<\/em>, edited by Hakan Erk\u0131l\u0131\u00e7, 149\u201369. Ankara: De Ki Basim Yayim. [The Transformation of Film Festivals during the Pandemic and Mock Film Festivals].<\/p>\n\n\n\n<p>Formenti, Cristina, Francesco Pitassio, and Sara Sampietro. 2022. \u201c\u201cWhat Am I Doing Here?\u201d: Film Festivals, Awards Shows, and Stars During the COVID-19 Emergency.\u201d Cinergie \u2013 Il Cinema e le altre Arti, no. 21: 21\u201333. https:\/\/doi.org\/10.6092\/issn.2280-9481\/14491.<\/p>\n\n\n\n<p>Hanzl\u00edk, Jan, and Ewa Mazierska. 2022. \u201cEastern European Film Festivals: Streaming Through the Covid-19 Pandemic.\u201d <em>Studies in Eastern European Cinema<\/em> 13 (1): 38-55. https:\/\/doi.org\/10.1080\/2040350X.2021.1964218.<\/p>\n\n\n\n<p>Jurado Mart\u00edn, Montserrat. 2023. \u201cStrategies of Film Festivals in a Pandemic Context: Spanish Adaptation in Alicante Region.\u201d <em>Journal of Cultural and Creative Industries<\/em> 4 (1): 86\u2013104. https:\/\/doi.org\/10.21134\/jcci.v4i1.1752.<\/p>\n\n\n\n<p>Jurado-Martin, Montserrat. 2023. \u201cFilm Festivals in Times of COVID-19: Online Vs. Live Events &#8211; the Case of Alicante Region.\u201d <em>Catalan Journal of Communication &amp; Cultural Studies<\/em> 15 (1): 143\u201350. https:\/\/doi.org\/10.1386\/cjcs_00082_7.<\/p>\n\n\n\n<p>Koivunen, Anu, Katariina Kyr\u00f6l\u00e4, and Ingrid Ryberg. 2020. \u201cQueer Film Culture in the Covid-19 Era: Nordic and Baltic LGBTQAI+ Film Festival Survey.\u201d <em>Lambda Nordica<\/em> 25 (3-4): 141\u201354. https:\/\/doi.org\/10.34041\/ln.v25.712.<\/p>\n\n\n\n<p>Kredell, Brendan. 2023. \u201cScarcity, Ubiquity, and the Film Festival After Covid.\u201d In <em>Rethinking Film Festivals in the Pandemic Era and After<\/em>, edited by Marijke de Valck and Antoine Damiens, 41\u201358. Cham: Palgrave Macmillan.<\/p>\n\n\n\n<p>Loist, Skadi. 2023. \u201cStopping the Flow: Film Circulation in the Festival Ecosystem at a Moment of Disruption.\u201d In <em>Rethinking Film Festivals in the Pandemic Era and After<\/em>, edited by Marijke de Valck and Antoine Damiens, 17\u201340. Cham: Palgrave Macmillan.<\/p>\n\n\n\n<p>Loist, Skadi. 2024. \u201cCollaborative Networks for Streaming Film Festivals as Crisis Responses in Germany.\u201d In <em>Media Industries in Crisis: What COVID Unmasked<\/em>, edited by Vicki Mayer, Noa Lavie, and Miranda Banks, 170\u201379. New York: Routledge.<\/p>\n\n\n\n<p>Olibet, Ylenia, and Alanna Thain. 2023. \u201cVid\u00e9o De Femmes Dans Le Parc: Feminist Rhythms and Festival Times Under Covid.\u201d In <em>Rethinking Film Festivals in the Pandemic Era and After<\/em>, edited by Marijke de Valck and Antoine Damiens, 155\u201375. Cham: Palgrave Macmillan.<\/p>\n\n\n\n<p>Petrychyn, Jonathan. 2023. \u201cCinephilia, Publics, Cinegoraphilia: Surveying the Short-Term Effects of Covid-19 on Community-Based Festivals in Toronto.\u201d In <em>Rethinking Film Festivals in the Pandemic Era and After<\/em>, edited by Marijke de Valck and Antoine Damiens, 193\u2013210. Cham: Palgrave Macmillan.<\/p>\n\n\n\n<p>Rueda, Amanda. 2023. \u201c\u00bfFestivales Suspendidos, Pr\u00e1ctica Cr\u00edtica Distendida? Alianzas Cin\u00e9filas Transatl\u00e1nticas.\u201d [Suspended festivals, relaxed critical practice? Transatlantic film alliances]. <em>cinelatino<\/em> 31:166\u201377. https:\/\/doi.org\/10.4000\/1386e.<\/p>\n\n\n\n<p>Salti, Rasha. 2020. \u201cDo Not Go Gentle into That Good Night: Film Festivals, Pandemic, Aftermath.\u201d <em>Film Quarterly<\/em> 74 (1): 88\u201396. https:\/\/doi.org\/10.1525\/fq.2020.74.1.88.<\/p>\n\n\n\n<p>Strauven, Wanda. 2020. \u201cLet\u00b4s Go to Oberhausen! Some Notes on an Online Film Festival Experience.\u201d In <em>Pandemic Media: Preliminary Notes Toward an Inventory<\/em>, edited by Philipp D. Keidl, Laliv Melamed, Vinzenz Hediger, and Antonio Somaini, 287\u201391. Configurations of Film 3. L\u00fcneburg: meson press.<\/p>\n\n\n\n<p>Uygun, Zeynep Merve, and Metin \u00c7avu\u015f. 2022. \u201cT\u00fcrkiye&#8217;de Covid-19 Sonras\u0131 Film Festivalleri.\u201d In <em>Film Festivalleri E-Kitabi 1: 10-11 Kasim 2021, Ankara<\/em>, edited by Hakan Erk\u0131l\u0131\u00e7, 171\u201395. Ankara: De Ki Basim Yayim. [Post-Covid-19 Film Festivals in Turkey].<\/p>\n\n\n\n<p>Vallejo, Aida, and Andy Moore. 2022. \u201cThe Post-Pandemic Festival: Identity, Crisis, and Curation at Sheffield DocFest 2022.\u201d <em>NECSUS_European Journal of Media Studies<\/em> 11 (2): 288\u2013300. https:\/\/doi.org\/10.25969\/mediarep\/19188.<\/p>\n\n\n\n<p>Vallejo, Aida, and Christel Taillibert. 2023. \u201cFinding Allies in Pandemic Times: Documentary Film Festivals and Streaming Platforms.\u201d In <em>Rethinking Film Festivals in the Pandemic Era and After<\/em>, edited by Marijke de Valck and Antoine Damiens, 101\u201327. Cham: Palgrave Macmillan.<br><br><br>(Last updatet: 28. March 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alieva, Sitora, and Anton Dolin. 2021. \u201c2021: How Film Festivals and Women Will Defeat COVID-19.\u201d Critical Quarterly 63 (3): 10\u201322. https:\/\/doi.org\/10.1111\/criq.12623. Ayd\u0131n, Tuncer Mert. 2022. \u201cCovid-19 Pandemisi S\u00fcrecinde Almanya Ve Amerika Birle\u015fik Devletleri&#8217;nde Ulus\u00f6tesi T\u00fcrk Film Festivallerinin Yap\u0131s\u0131.\u201d In Film &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-2-political-aspects-of-film-festivals-history\/1-2-1-film-festivals-facing-crises\/1-2-1-1-covid-19\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":3034,"menu_order":-1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3050","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3050"}],"version-history":[{"count":3,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3050\/revisions"}],"predecessor-version":[{"id":3151,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3050\/revisions\/3151"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3034"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}