{"id":3034,"date":"2024-03-07T11:42:05","date_gmt":"2024-03-07T10:42:05","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=3034"},"modified":"2025-05-16T16:21:56","modified_gmt":"2025-05-16T14:21:56","slug":"1-2-1-film-festivals-facing-crises","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-2-political-aspects-of-film-festivals-history\/1-2-1-film-festivals-facing-crises\/","title":{"rendered":"1.2.1 Film Festivals Facing Crises"},"content":{"rendered":"\n<p>Peralta Garc\u00eda, Lidia, and Lhoussain Simour, eds. 2025. <em>Migration Film Festivals: Social Functions, Expectations and Challenges. <\/em>Framing Film Festivals. Cham: Palgrave Macmillan <\/p>\n\n\n\n<p>Cham.Teh, David. 2008. \u201cThe Art of Interruption: Notes on the 5th Bangkok Experimental Film Festival.\u201d <em>Theory, Culture &amp; Society<\/em> 25 (7-8): 309\u201320. https:\/\/doi.org\/10.1177\/0263276408097809.<\/p>\n\n\n\n<p>(Last updatet: 15. May 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peralta Garc\u00eda, Lidia, and Lhoussain Simour, eds. 2025. Migration Film Festivals: Social Functions, Expectations and Challenges. Framing Film Festivals. Cham: Palgrave Macmillan Cham.Teh, David. 2008. \u201cThe Art of Interruption: Notes on the 5th Bangkok Experimental Film Festival.\u201d Theory, Culture &amp; &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-2-political-aspects-of-film-festivals-history\/1-2-1-film-festivals-facing-crises\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":105,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3034","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=3034"}],"version-history":[{"count":2,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3034\/revisions"}],"predecessor-version":[{"id":3286,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/3034\/revisions\/3286"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/105"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=3034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}