{"id":2364,"date":"2021-01-28T12:08:22","date_gmt":"2021-01-28T11:08:22","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=2364"},"modified":"2025-03-30T10:44:51","modified_gmt":"2025-03-30T08:44:51","slug":"9-1-4-childrens-film-festivals","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-1-identity-based-festivals\/9-1-4-childrens-film-festivals\/","title":{"rendered":"9.1.4 Children\u2019s Film Festivals"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<p class=\"wp-block-paragraph\">Bisschoff, Lizelle, and Isabel Moura Mendes. 2012. \u201cAfrica in Motion (AiM) Film Festival 2011: Children and Youth in Africa.\u201d <em>Journal of African Cultural Studies<\/em> 24 (1): 107\u201312.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bueno, Zuleika de Paula. 2021. \u201cOlhares Para a Inf\u00e2ncia E Juventude: Os Festivais De Cinema Para Crian\u00e7as E Jovens Na Am\u00e9rica Do Sul.\u201d In <em>NUEVAS MUTACIONES DEL CONSUMO CULTURAL EN EL SIGLO XXI: TECNOLOG\u00cdAS, ESPACIOS Y EXPERIENCIAS<\/em>, edited by Rosario Radakovich and Ana Wortman, 107\u201316. Lima, Peru: Asociaci\u00f3n Latinoamericana de Sociolog\u00eda. [Looking at Childhood and Youth: Film Festivals for Children and Youth in South America].<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Felsmann, Barbara, and Renate Zylla. 2002. <em>25 Jahre Kinderfilmfest: Blicke, Begegnungen, Ber\u00fchrungen \/ Moments, Meetings, Emotions. <\/em>Berlin: Jovis. [bilingual].<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Felsmann, Klaus-Dieter. 2002. \u201cEine feste Bank: DEFA-Kinderfilme in 25 Berlinale-Jahren.\u201d In <em>Apropos Film 2002: Das Jahrbuch Der DEFA-Stiftung<\/em>, edited by DEFA-Stiftung, 190\u201398. Berlin: Bertz.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jones, Nicola, and Barbara Felsmann. 2022. \u201cDeutsches Kinder Medien Festival Goldener Spatz: Digitaler Wandel Braucht Nachhaltige Strukturen.\u201d In <em>Filmfestivals: Krisen, Chancen, Perspektiven<\/em>, edited by Tanja Krainh\u00f6fer and Joachim Kurz, 132\u201351. M\u00fcnchen: edition text + kritik.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vallejo, Aida, and Mar\u00eda Paz Peirano-Olate. 2021. \u201cIniciativas De Educaci\u00f3n Cinematogr\u00e1fica En Los Festivales De Cine De Iberoam\u00e9rica (2005-2019).\u201d [Initiatives of Film Education in Iberoamerica 2005-2019]. <em>Arte, Individuo y Sociedad<\/em> 33 (3): 791\u2013818. https:\/\/doi.org\/10.5209\/aris.70186.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">(Last updated: 30. March 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bisschoff, Lizelle, and Isabel Moura Mendes. 2012. \u201cAfrica in Motion (AiM) Film Festival 2011: Children and Youth in Africa.\u201d Journal of African Cultural Studies 24 (1): 107\u201312. Bueno, Zuleika de Paula. 2021. \u201cOlhares Para a Inf\u00e2ncia E Juventude: Os Festivais &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-1-identity-based-festivals\/9-1-4-childrens-film-festivals\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"parent":124,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2364","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=2364"}],"version-history":[{"count":5,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2364\/revisions"}],"predecessor-version":[{"id":3218,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2364\/revisions\/3218"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/124"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=2364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}