{"id":2144,"date":"2017-07-26T17:52:45","date_gmt":"2017-07-26T15:52:45","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=2144"},"modified":"2025-07-29T18:46:58","modified_gmt":"2025-07-29T16:46:58","slug":"9-2-d-4-indigenous-film-festivals","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-d-social-concern-festivals\/9-2-d-4-indigenous-film-festivals\/","title":{"rendered":"9.2.4.4 Indigenous Film Festivals"},"content":{"rendered":"<p>C\u00f3rdova, Amalia. 2012. \u201cTowards an Indigenous Film Festival Circuit.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 63\u201380. St Andrews: St Andrews Film Studies.<\/p>\n<p>G\u00f3mez Ruiz, Sebasti\u00e1n, and Izard Mart\u00ednez Gabriel. 2020. \u201cIndigeneidad Performada: Apuntes Etnogr\u00e1ficos De Dos Festivales De Cine Ind\u00edgena En Colombia Y Panam\u00e1.\u201d [Performed Indigineity. Ethnographic sketches on two indigenous festivals in Colombia and Panam\u00e1]. <em>Revista Espa\u00f1ola de Antropolog\u00eda Americana<\/em>, no. 50: 265\u201376. https:\/\/doi.org\/10.5209\/reaa.70379.<\/p>\n<p>Klimek, Caroline. 2018. \u201cFrom Programmer to Curator: How Film Festivals Are Pushing the Boundaries of New Media and Expanded Cinema.\u201d <i>CJFS<\/i> 27 (1): 73\u201387. https:\/\/doi.org\/10.3138\/cjfs.27.1.2017-0016.<\/p>\n<p>Monani, Salma. 2013. \u201cIndigenous Film Festival as Eco-Testimonial Encounter: The 2011 Native Film + Video Festival.\u201d <i>NECSUS<\/i> 2 (1 (#3)): 285\u201391. https:\/\/doi.org\/10.5117\/NECSUS2013.1.MONA.<\/p>\n<p>Monani, Salma, and Miranda Brady. 2013. \u201cImagineNATIVE 2012: Ecocinema and the Indigenous Film Festival.\u201d <i>Reconstruction<\/i> 13 (3\/4). https:\/\/cupola.gettysburg.edu\/cgi\/viewcontent.cgi?article=1069&amp;context=esfac. Accessed May 31, 2020.<\/p>\n<p>Peirano, Mar\u00eda Paz. 2016. \u201cNATIVe: A Journey into Indigenous Cinema at the 65th Berlin International Film Festival, 5th-15th February 2015. Focus Latin America.\u201d <i>Vis Anthropol Rev<\/i> 32 (1): 91\u201393. https:\/\/doi.org\/10.1111\/var.12099.<\/p>\n<p>Peirano, Mar\u00eda Paz. 2017. \u201cEthnographic and Indigenous Film Festivals in Latin America: Constructing Networks of Film Circulation.\u201d In <i>Film Festivals and Anthropology<\/i>, edited by Aida Vallejo and Maria-Paz Peirano, 73\u201387. Cambridge: Cambridge Scholars Publishing.<\/p>\n<p>Thornley, Davinia. 2017. \u201cImagineNATIVE Film + Media Arts Festival: Collaborative Criticism Through Curatorship.\u201d In <i>Activist Film Festivals: Towards a Political Subject<\/i>, edited by Sonia M. Tascon and Tyson Wils, 199\u2013212. London: intellect.<\/p>\n<p>Windolph, Janine, and Sheila Petty. 2025. \u201c&#8217;Stories Are in Our Bones!&#8217; from Mispon to \u0100cimowin: A Conversation with Janine Windolph, in Memory of Trudy Stewart.\u201d <i>Alphaville<\/i>, no. 28: 56\u201370. https:\/\/doi.org\/10.33178\/alpha.28.04.<\/p>\n<p>&nbsp;<\/p>\n<p>(Last updated: 30. March 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u00f3rdova, Amalia. 2012. \u201cTowards an Indigenous Film Festival Circuit.\u201d In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 63\u201380. St Andrews: St Andrews Film Studies. G\u00f3mez Ruiz, Sebasti\u00e1n, and Izard Mart\u00ednez Gabriel. 2020. &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-d-social-concern-festivals\/9-2-d-4-indigenous-film-festivals\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2144","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=2144"}],"version-history":[{"count":8,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2144\/revisions"}],"predecessor-version":[{"id":3360,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2144\/revisions\/3360"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=2144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}