{"id":2139,"date":"2017-07-26T17:49:16","date_gmt":"2017-07-26T15:49:16","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=2139"},"modified":"2025-03-30T11:16:15","modified_gmt":"2025-03-30T09:16:15","slug":"9-2-d-3-human-rights-film-festivals","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-d-social-concern-festivals\/9-2-d-3-human-rights-film-festivals\/","title":{"rendered":"9.2.4.3 Human Rights Film Festivals"},"content":{"rendered":"<p>Bla\u017eevi\u0107, Igor. 2012. \u201cFilm Festivals as a Human Rights Awareness Building Tool: Experiences of the Prague One World Festival.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 109\u201320. St Andrews: St Andrews Film Studies.<\/p>\n<p>Bowles, Ryan. 2013. \u201cScreening Human Rights: A Media Ethnography of the Human Rights Film Network and Its Festivals.\u201d PhD Thesis, Film and Media Studies, University of California, Santa Barbara.<\/p>\n<p>Bowles Eagle, Ryan. 2021. \u201cHow to Start a Human Rights Film Festival: Expertise, Training and Collective Media Activism.\u201d <i>European Journal of Cultural Studies<\/i> 24 (2): 373-393. https:\/\/doi.org\/10.1177\/1367549418821842.<\/p>\n<p>Colta, Alexandra Maria. 2019. \u201cCreative and Emotional Labour: Programming Human Rights Film Festivals as Practice-Led Ethnography.\u201d <i>Alphaville<\/i>, no. 17: 128\u201345. https:\/\/doi.org\/10.33178\/alpha.17.08.<\/p>\n<p>Colta, Alexandra-Maria. 2019. \u201cPolitics and Programming Practices at Human Rights Film Festivals: A Study of Document Human Rights Film Festival.\u201d PhD Thesis, School of Culture and Creative Arts, College of Arts, University of Glasgow.<\/p>\n<p>de Jong, Matthea, and Daan Bronkhorst. 2017. \u201cHuman Rights Film Festivals: Different Approaches to Change the World.\u201d In <i>Activist Film Festivals: Towards a Political Subject<\/i>, edited by Sonia M. Tascon and Tyson Wils, 105\u201320. London: intellect.<\/p>\n<p>Fales, Ludovica. 2014. \u201cLandscapes of Creative Dissent, Protest and Freedom of Speech: Witnessing, Testifying and Narrating Dissent in Human Rights Film Network Between 2011-2013.\u201d <i>Cinergie <\/i>(6): 34\u201341. http:\/\/www.cinergie.it\/?p=4983. Accessed May 15, 2015.<\/p>\n<p>Fischer, Alex. 2012. \u201cFrom Local to Global: The Growing Pains of the Human Rights Watch International Film Festival: An Interview with Bruni Burres, Festival Director (1991-2008).\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 201\u201314. St Andrews: St Andrews Film Studies.<\/p>\n<p>Grassilli, Mariagiulia. 2012. \u201cHuman Rights Film Festivals: Global\/Local Networks for Advocacy.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 31\u201347. St Andrews: St Andrews Film Studies.<\/p>\n<p>Iacob, Raluca. 2012. \u201cCombining the Foreign with the Familiar: An Interview with Jasmina Bojic, Founder and Director of the United Nations Association Film Festival.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 215\u201323. St Andrews: St Andrews Film Studies.<\/p>\n<p>Killick, Anthony. 2020. \u201cRe-Thinking Human Rights Film Festivals: A Radical Perspective.\u201d In <i>Contemporary Radical Film Culture: Networks, Organisations and Activists<\/i>, edited by Steve Presence, Mike Wayne, and Jack Newsinger, 163\u201374. London, New York: Routledge.<\/p>\n<p>Kulh\u00e1nkov\u00e1, Hana, Matthea de Jong, Mar\u00eda Carri\u00f3n, and Ryan Bowles Eagle, eds. 2015. <i>Setting up a Human Rights Film Festival, Vol. 2. <\/i>Prague: People in Need. Accessed May 31, 2020. http:\/\/www.moviesthatmatter.nl\/media\/documenten\/film-festival-guide-vol-2.pdf.<\/p>\n<p>Muller, Clare. 2012. \u201cHuman Rights Film Festivals and Human Rights Education: The Human Rights Arts and Film Festival (HRAFF), Australia.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 165\u201373. St Andrews: St Andrews Film Studies.<\/p>\n<p>P\u00f3csik, Andrea. 2008. \u201cTheir Life and Our Vicarious Experiences: On Human Rights Films and Festivals.\u201d <i>Politics and Culture <\/i>(2). http:\/\/aspen.conncoll.edu\/politicsandculture\/page.cfm?key=623. Accessed January 09, 2009.<\/p>\n<p>Rosenstone, Robert A. 2012. \u201cMediterranean Encounters in Rabat: Rencontres m\u00e9diterran\u00e9ennes cin\u00e9ma et droits de I&#8217;Homme.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 157\u201363. St Andrews: St Andrews Film Studies.<\/p>\n<p>Stancu, Radu. 2009. \u201cFestivalul De Film Documentar Dedicat Drepturilor Omului One World Romania Sau &#8216;Republica Oamenilor Bine Inten\u0163iona\u0163i&#8217;.\u201d [Documentary Film Festival of Human Rights One World Romania or &#8216;Republic of well-intentioned people&#8217;]. <i>Revista Arhivelor | Archives Review <\/i>(1): 363\u201368.<\/p>\n<p>Tadeo Fuica, Beatriz. 2012. \u201cTable 1: Human Rights Film Festivals.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 281\u201385. St Andrews: St Andrews Film Studies. Listing.<\/p>\n<p>Tascon, Sonia M. 2012. \u201cConsidering Human Rights Films,Representation, and Ethics: Whose Face?\u201d <i>Human Rights Quarterly<\/i> 34 (3): 864\u201383.<\/p>\n<p>Tascon, Sonia M. 2015. <i>Human Rights Film\u00a0Festivals: Activism in Context. <\/i>London, New York: Palgrave Macmillan.<\/p>\n<p>Torchin, Leshu. 2010. \u201cTraffic Jam: Film, Activism and Human Trafficking.\u201d In <i>Moving People, Moving Images: Cinema and Trafficking in the New Europe<\/i>, edited by William Brown, Dina Iordanova, and Leshu Torchin, 218\u201336. St. Andrews: Univ. of St. Andrews.<\/p>\n<p>Torchin, Leshu. 2012. \u201cJust Vision and the Uses of a Festival Circuit: An Interview with Ronit Avni, Executive Director of Just Vision.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 235\u201343. St Andrews: St Andrews Film Studies.<\/p>\n<p>Torchin, Leshu. 2012. \u201cTraffic Jam Revisited: Film Festivals, Activism and Human Trafficking.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 95\u2013106. St Andrews: St Andrews Film Studies.<\/p>\n<p>Wils, Tyson. 2017. \u201cRefusal to Know the Place of Human Rights: Dissensus and the Human Rights Art and Film Festival.\u201d In <i>Activist Film Festivals: Towards a Political Subject<\/i>, edited by Sonia M. Tascon and Tyson Wils, 121\u201337. London: intellect.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/vg07.met.vgwort.de\/na\/b631d4ae7fe94e618f227a779b4caf3b\" alt=\"\" width=\"1\" height=\"1\" \/>(Last updated: 30. March 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bla\u017eevi\u0107, Igor. 2012. \u201cFilm Festivals as a Human Rights Awareness Building Tool: Experiences of the Prague One World Festival.\u201d In Film Festival Yearbook 4: Film Festivals and Activism, edited by Dina Iordanova and Leshu Torchin, 109\u201320. St Andrews: St Andrews &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-d-social-concern-festivals\/9-2-d-3-human-rights-film-festivals\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2139","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=2139"}],"version-history":[{"count":7,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2139\/revisions"}],"predecessor-version":[{"id":3245,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2139\/revisions\/3245"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=2139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}