{"id":2133,"date":"2017-07-26T17:43:26","date_gmt":"2017-07-26T15:43:26","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=2133"},"modified":"2025-03-30T11:14:54","modified_gmt":"2025-03-30T09:14:54","slug":"9-2-d-1-disability-film-festivals","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-d-social-concern-festivals\/9-2-d-1-disability-film-festivals\/","title":{"rendered":"9.2.4.1 Disability Film Festivals"},"content":{"rendered":"<p>Allsopp, Jenna. 2022. \u201cBuilding Community Through Queer Learning Disability Amateur Filmmaking: Oska Bright Film Festival and Queer Freedom.\u201d <i>Journal of Cultural Analysis and Social Change<\/i> 7 (2): 14. https:\/\/doi.org\/10.20897\/jcasc\/12755.<\/p>\n<p>Gilbert, Ana Cristina Bohrer. 2017. \u201cDisability Film Festivals: Biological Identity(Ies) And Heterotopia.\u201d In <i>Activist Film Festivals: Towards a Political Subject<\/i>, edited by Sonia M. Tascon and Tyson Wils, 213\u2013227. London: intellect.<\/p>\n<p>Gilbert, Ana Cristina Bohrer. 2017. \u201cNarrativas Sobre S\u00edndrome De down No Festival Internacional De Filmes Sobre Defici\u00eancia Assim Vivemos.\u201d <i>Interface (Botucatu)<\/i> 21 (60): 111\u201321. https:\/\/doi.org\/10.1590\/1807-57622015.0958.<\/p>\n<p>Mitchell, David, and Sharon L. Snyder. 2012. \u201cPermutations of the Species: Independent Disability Cinema and the Critique of National Normativity.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 81\u201393. St Andrews: St Andrews Film Studies.<\/p>\n<p>Snyder, Sharon L., and David T. Mitchell. 2008. \u201cHow Do We Get All These Disabilities in Here? Disability Film Festivals and the Politics of Atypicality.\u201d <i>CJFS<\/i> 17 (1): 11\u201329.<\/p>\n<p>Tadeo Fuica, Beatriz. 2012. \u201cTable 5: Disability and Health-Related Festivals.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 299\u2013300. St Andrews: St Andrews Film Studies.<\/p>\n<p>Tadeo Fuica, Beatriz. 2012. \u201cTable 5a: Deaf Film Festivals.\u201d In <i>Film Festival Yearbook 4: Film Festivals and Activism<\/i>, edited by Dina Iordanova and Leshu Torchin, 301. St Andrews: St Andrews Film Studies.<\/p>\n<p>Tracton, Sarah. 2008. \u201cFinding an(Other) Audience: Accessible Cinema and the Other Film Festival.\u201d <i>Metro <\/i>(159): 50\u201353.<\/p>\n<p>Uzzo, Gabriele. 2024. \u201cAccessibility at Film Festivals: Guidelines for Inclusive Subtitling.\u201d PhD Thesis, Universit\u00e0 degli Studi di Palermo. Accessed April 29, 2024. https:\/\/core.ac.uk\/download\/599094067.pdf.<\/p>\n<p>&nbsp;<\/p>\n<p>(Last updated: 30. March 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Allsopp, Jenna. 2022. \u201cBuilding Community Through Queer Learning Disability Amateur Filmmaking: Oska Bright Film Festival and Queer Freedom.\u201d Journal of Cultural Analysis and Social Change 7 (2): 14. https:\/\/doi.org\/10.20897\/jcasc\/12755. Gilbert, Ana Cristina Bohrer. 2017. \u201cDisability Film Festivals: Biological Identity(Ies) And &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-d-social-concern-festivals\/9-2-d-1-disability-film-festivals\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":143,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2133","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=2133"}],"version-history":[{"count":6,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2133\/revisions"}],"predecessor-version":[{"id":3243,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/2133\/revisions\/3243"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/143"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=2133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}