{"id":206,"date":"2010-08-09T20:12:05","date_gmt":"2010-08-09T20:12:05","guid":{"rendered":"http:\/\/filmfestivalresearch.wordpress.com\/"},"modified":"2013-11-20T00:58:17","modified_gmt":"2013-11-19T23:58:17","slug":"syllabi-on-classes-teaching-film-festival-studies","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/additional-resources\/syllabi-on-classes-teaching-film-festival-studies\/","title":{"rendered":"Syllabi on classes teaching Film Festival Studies"},"content":{"rendered":"

Here you find a few syllabi for classes teaching film festivals at different institutions, levels and in different countries.<\/p>\n

Film Programming module in MA Film Studies<\/a>, winter 2013\/14 (Tom Vincent, University of Bradford)<\/p>\n

Independent Cinema @ Sundance<\/a>, Intersession 2012, Department of Communication (Dr. Eric Pierson &\u00a0Dr. Roger Pace,\u00a0University of San Diego)<\/p>\n

Film Festivals<\/a>, module in MA History of Film and Visual Media 2009-2010 (Dorota Ostrowska, Birkbeck College, Univ.\u00a0London)<\/p>\n

“Film Festivals: Theorien, \u00d6konomie und kulturelle Kontexte<\/a>” im Aufbaumodul A2 “Mediengeschichte und Mediengegenwart”, BA-Studiengang Medien- und Kommunikationswissenschaft, Winter 2011\/12 (Skadi Loist, Universit\u00e4t Hamburg)<\/p>\n

“Film Festivals: Theorien, \u00d6konomie und kulturelle Kontexte<\/a>” im Aufbaumodul A2 “Mediengeschichte und Mediengegenwart”, BA-Studiengang Medien- und Kommunikationswissenschaft, Winter 2010\/11 (Skadi Loist, Universit\u00e4t Hamburg)<\/p>\n

“Film Festivals: Theorien, \u00d6konomie und kulturelle Kontexte<\/a>” im Aufbaumodul A2 “Mediengeschichte und Mediengegenwart”, BA-Studiengang Medien- und Kommunikationswissenschaft, Summer 2008 (Skadi Loist, Universit\u00e4t Hamburg)<\/p>\n","protected":false},"excerpt":{"rendered":"

Here you find a few syllabi for classes teaching film festivals at different institutions, levels and in different countries. Film Programming module in MA Film Studies, winter 2013\/14 (Tom Vincent, University of Bradford) Independent Cinema @ Sundance, Intersession 2012, Department … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":255,"menu_order":2,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-206","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":12,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/206\/revisions"}],"predecessor-version":[{"id":1649,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/206\/revisions\/1649"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/255"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}