{"id":1645,"date":"2013-11-20T00:54:48","date_gmt":"2013-11-19T23:54:48","guid":{"rendered":"http:\/\/www.filmfestivalresearch.org\/?page_id=1645"},"modified":"2013-11-20T01:00:22","modified_gmt":"2013-11-20T00:00:22","slug":"film-programming-module-in-ma-film-studies-tom-vincent-mark-goodall-university-of-bradford-201314","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/additional-resources\/syllabi-on-classes-teaching-film-festival-studies\/film-programming-module-in-ma-film-studies-tom-vincent-mark-goodall-university-of-bradford-201314\/","title":{"rendered":"Film Programming module in MA Film Studies (Tom Vincent &#038; Mark Goodall, University of Bradford, 2013\/14)"},"content":{"rendered":"<p>University of Bradford, Bradford School of Media<br \/>\n<a href=\"http:\/\/scim.brad.ac.uk\/modules\/EM\/EM-4059D.htm\" target=\"_blank\">EM4059D Film Programming<\/a><br \/>\nLevel 7: 20 credits<br \/>\nSemester 1 &#8211; 2013\/14<br \/>\nModule Co-ordinator: Mark Goodall<br \/>\nModule Associate: Tom Vincent<\/p>\n<h2>Schedule of Work\/Topics<\/h2>\n<ol>\n<li>Introduction to Module<\/li>\n<li>Lecture: Screening and programming task<\/li>\n<li>Lecture: Programmers in context: Henri Langlois and Amos Vogel<\/li>\n<li>Lecture: Film Festival programme case studies<\/li>\n<li>Tutorials<\/li>\n<li>Screening (LAPI), programming practice in the digital age<\/li>\n<li>Film festivals in context, geopolitics and curation<\/li>\n<li>Distribution and sales (Universal)<\/li>\n<li>Reading tutorials<\/li>\n<li>Discussion of programme ideas, consultation<\/li>\n<li>Presentations<\/li>\n<li>Presentations<\/li>\n<\/ol>\n<h2>Key Texts<\/h2>\n<ul>\n<li>Mark Jancovich, <i>The Place of the Audience: Cultural Geographies of Film Consumption <\/i>(London: BFI Modern Classics)<\/li>\n<li>Alex Marlow-Mann, <i>Film Festival Yearbook 5: Archival Film Festivals<\/i> (St Andrews Film Studies)<\/li>\n<li>Scott MacDonald, Amos Vogel, <i>Cinema 16: Documents Toward a History of the Film Society: Documents Towards a History of the Film Society<\/i> (Philadelphia: Temple University Press)<\/li>\n<li>Richard Roud,\u00a0 <i>A Passion for Films: Henri Langlois and the Cin\u00e9math\u00e8que Fran\u00e7aise<\/i>, (Baltimore: Johns Hopkins University Press)<\/li>\n<li>Richard Porton (ed), <i>On Film Festivals: 03<\/i> (Dekalog) (London: Wallflower Press)<\/li>\n<li>Marijke de Valck, <i>Film Festivals: From European Geopolitics to Global Cinephilia<\/i>, (Amsterdam University Press)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>University of Bradford, Bradford School of Media EM4059D Film Programming Level 7: 20 credits Semester 1 &#8211; 2013\/14 Module Co-ordinator: Mark Goodall Module Associate: Tom Vincent Schedule of Work\/Topics Introduction to Module Lecture: Screening and programming task Lecture: Programmers in &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/additional-resources\/syllabi-on-classes-teaching-film-festival-studies\/film-programming-module-in-ma-film-studies-tom-vincent-mark-goodall-university-of-bradford-201314\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":206,"menu_order":1,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1645","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/1645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=1645"}],"version-history":[{"count":3,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/1645\/revisions"}],"predecessor-version":[{"id":1651,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/1645\/revisions\/1651"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/206"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=1645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}