Traditionally film festivals have been influenced by, or only exist due to, geopolitics. Festivals do more than just showcase films an audience would otherwise not have a chance to see. The film festival circuit as an alternative distribution network has a strong influence on the status of a film, the attention it receives and potentially the commercial life it has. Thus, many regional festivals \u2013 financed by the regional municipalities \u2013 are expected to weigh in their influence to highlight national and regional works and further the region’s (film) economy (cf. Reichel-Heldt 2007, section 1.1).<\/p>\n
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AHN, SooJeong. 2008. \u201cThe Pusan International Film Festival 1996-2005: South Korean Cinema in Local, Regional, and Global Context.\u201d PhD\u00a0Thesis, Faculty of Arts, School of American and Canadian Studies, Institute of Film Studies, University of Nottingham. Accessed July 02, 2021. http:\/\/eprints.nottingham.ac.uk\/10513\/1\/AHN_etheses_all.pdf.<\/p>\n
Cesar, Amaranta, Ana Rosa Marques, Fernanda Pimenta, and Leonardo Costa, eds. 2020. Desaguar em cinema: Document\u00e1rio, mem\u00f3ria e a\u00e7\u00e3o com o CachoeiraDoc. <\/i>Salvador: EDUFBA. [‘Desaguar Em Cinema’: Documentary, Memory and Action with CachoeiraDoc].<\/p>\n
Ciecko, Anne. 2006. \u201cBridges Between: Reflections on Dubai and Its International Film Festival.\u201d Asian Cinema<\/i> 17 (2): 17\u201325. https:\/\/doi.org\/10.1386\/ac.17.2.17_5.<\/p>\n
Cotrim, Tamara Ch\u00e9quer. 2017. \u201cFestivais E Mostras De Cinema Na Bahia Contempor\u00e2nea: Mem\u00f3ria E Processos De Forma\u00e7\u00e3o Cultural.\u201d Masterarbeit, Mem\u00f3ria, Cultura e Educa\u00e7\u00e3o, Universidade Estadual do Sudoeste da Bahia. Accessed November 21, 2022. http:\/\/www2.uesb.br\/ppg\/ppgmls\/wp-content\/uploads\/2017\/07\/Dissert.-Tamara-Chequer-Cotrim.pdf.<\/p>\n
Duarte, Durango. 2017. A S\u00e9tima Arte Em Manaus. <\/i>1st ed. Manaus: DDC Comunica\u00e7\u00f5es LTDA. [The Seventh Art in ManausThe Seventh Art in Manaus]. Accessed November 25, 2022. https:\/\/idd.org.br\/livros-durango-duarte\/a-setima-arte-em-manaus-durango-duarte.pdf.<\/p>\n
Fechine, Mariana Quirino. 2016. \u201cAs Rela\u00e7\u00f5es Entre Cultura E Desenvolvimento a Partir Dos Festivais De Cinema Da Para\u00edba: [The Relationship Between Culture and Development Through the Film Festivals in Para\u00edba].\u201d Universidade Estadual Da Para\u00edba. Accessed November 13, 2022. https:\/\/node1.123dok.com\/dt05pdf\/123dok_br\/original\/2021\/01_29\/v0amyx1611896048.pdf?X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=7PKKQ3DUV8RG19BL%2F20221113%2F%2Fs3%2Faws4_request&X-Amz-Date=20221113T203528Z&X-Amz-SignedHeaders=host&X-Amz-Expires=600&X-Amz-Signature=b2eb86d7136b0e238ac7e60e07f813805d53ef2bb0548697366f30cc7309ced3.<\/p>\n
Hedling, Olof. 2008. \u201c\u2018Detta d\u00e5liga samvete\u2019: om kortfilmen, regionerna och filmfestivalerna.\u201d In V\u00e4lf\u00e4rdsbilder: Svensk film utanf\u00f6r biografen<\/i>, edited by Erik Hedling, 261\u201381. Mediehistoriskt arkiv 5. Stockholm: Statens ljud- och bildarkiv. [\u2018This bad conscience\u2019: On short film, regions and film festivals].<\/p>\n
Hongisto, Ilona, Kaisu Hynn\u00e4-Granberg, and Annu Suvanto. 2020. \u201cThe Invention of Northeastern Europe: The Geopolitics of Programming at Documentary Film Festivals.\u201d In Documentary Film Festivals Vol. 2: Changes, Challenges, Professional Perspectives<\/i>, edited by Aida Vallejo and Ezra Winton, 73\u201391. New York: Palgrave Macmillan.<\/p>\n
Oliveira, Ma\u00edra Zenun de. 2017. \u201cSobre a Colonialidade Do Pensamento Em Imagens E a Reinven\u00e7\u00e3o Da Negritude No Fespaco: Maior Festival De Cinema Africano.\u201d [On the Coloniality of Thought in Images and the Reinvention of Negritude at Fespaco: The Largest African Film Festival]. REBECA<\/i> 5 (2). https:\/\/doi.org\/10.22475\/rebeca.v5n2.384.<\/p>\n
Peralta-Garc\u00eda, Lidia, Raquel G\u00f3mez-Rosado, and Clara L\u00f3pez-Cantos. 2023. \u201cFestivales De Cine Rural: Funciones Sociales, Obst\u00e1culos Y Retos.\u201d Communication & Society<\/i> 36 (4): 135\u201353. https:\/\/doi.org\/10.15581\/003.36.4.135-153.<\/p>\n
Peralta-Garc\u00eda, Lidia, Raquel G\u00f3mez-Rosado, and Clara L\u00f3pez-Cantos. 2023. \u201cRural Film Festivals: Social Functions, Obstacles and Challenges.\u201d Communication & Society<\/i> 36 (4): 135\u201353. https:\/\/doi.org\/10.15581\/003.36.4.135-153.<\/p>\n
Vieira, Mariella Pitombo, and Milene de C\u00e1ssia Silveira Gusm\u00e3o. 2017. \u201cO Mercado Audiovisual Brasileiro, O Circuito Alternativo De Exibi\u00e7\u00e3o, as Mostras E Festivais De Cinema Na Bahia Contempor\u00e2nea.\u201d [The Brazilian Audiovisual Market, Alternative Circuit of Exhibition, Shows and Movie Festivals in Contemporary Bahia]. Ci\u00eancias Sociais Unisinos<\/i> 53 (1). https:\/\/doi.org\/10.4013\/csu.2017.53.1.04.<\/p>\n
Zanetti, Daniel. 2010. \u201cO \u201cCinema De Periferia\u201d E Os Festivais: Pr\u00e1ticas Audiovisuais E Organiza\u00e7\u00e3o Discursiva.\u201d [The \u201cFilm Periphery” and the Festivals: Audiovisual Practices and Discoursive Organization]. Comunica\u00e7\u00e3o & Sociedade<\/i> 31 (53): 191\u2013214. https:\/\/doi.org\/10.15603\/2175-7755\/cs.v31n53p191-214.
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(Last updated: 30. April 2024)<\/p>\n\n\n
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Traditionally film festivals have been influenced by, or only exist due to, geopolitics. Festivals do more than just showcase films an audience would otherwise not have a chance to see. The film festival circuit as an alternative distribution network has … Continue reading