{"id":140,"date":"2010-08-09T18:39:52","date_gmt":"2010-08-09T18:39:52","guid":{"rendered":"http:\/\/filmfestivalresearch.wordpress.com\/"},"modified":"2025-03-30T11:12:00","modified_gmt":"2025-03-30T09:12:00","slug":"9-2-c-length","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/9-specialized-film-festivals\/9-2-genre-based-festivals\/9-2-c-length\/","title":{"rendered":"9.2.3 Length"},"content":{"rendered":"

Since most festivals show a range of films in different lengths, the most common distinction is that of short film festivals (Kelly 2000; AG Kurzfilm 2006, section 5.4; cf. Reichel-Heldt 2007, section 1.1; Hedling 2008, section 9.3).<\/p>\n

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K\u00f6tzing, Andreas. 2013. \u201cKultur- und Filmpolitik im Kalten Krieg: Die Filmfestivals von Oberhausen und Leipzig und die deutsch-deutschen Beziehungen.\u201d In Asymmetrisch verflochten? Neue Forschungen zur gesamtdeutschen Nachkriegsgeschichte<\/i>, edited by Detlev Brunner, Udo Grashoff, and Andreas K\u00f6tzing, 77\u201393. Berlin: Ch.Links.<\/p>\n

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Short Film Festivals
<\/em><\/strong><\/p>\n

Behnken, Klaus, ed. 2004. Kurz und klein: 50 Jahre Internationale Kurzfilmtage Oberhausen. <\/i>Ostfildern-Ruit: Hatje Cantz.<\/p>\n

Boyce, Laurence. 2011. \u201cGetting with the Programme.\u201d MovieScope <\/i>(22): 52\u201353.<\/p>\n

Budde, Kerstin. 2008. \u201cJede Mauer kann zur Leinwand werden: Filmpr\u00e4sentation im \u00f6ffentlichen Raum.\u201d Short Report<\/i> 2: 42\u201346.<\/p>\n

Denier, Christian. 2010. \u201cF\u00fcr die freie Verbreitung von Kurzfilmen.\u201d Short Report<\/i>, 27\u201329. https:\/\/www.shortfilm.de\/fuer-die-freie-verbreitung-von-kurzfilmen\/. Accessed May 31, 2020.<\/p>\n

Gann, Jon. 2012. \u201c’Create a Great Experience.’: Jeannie Roshar, LA\u00a0Comedy Shorts Film Festival.\u201d In Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 57\u201366. Washington, DC: Reel Plan Press.<\/p>\n

Gann, Jon. 2012. \u201c’Your Film Is Not for Every Festival.’: Jon Gann, DC\u00a0Shorts Film\u00a0Festival.\u201d In Behind the Screens: Programmers Reveal How Film Festivals Really Work<\/i>, 205\u201324. Washington, DC: Reel Plan Press.<\/p>\n

Gass, Lars Henrik. 2007. \u201cWie viel Kunst braucht der Film: How Much Art Does Film Need?\u201d Short Report<\/i>, 37\u201341.<\/p>\n

Gass, Lars Henrik, and Tanja C. Krainh\u00f6fer. 2022. \u201cInternationale Kurzfilmtage Oberhausen: ‘Unsere Vision Von Den Kurzfilmtagen Ist Etwas, Das Wir Noch Nicht Kennen’.\u201d In Filmfestivals: Krisen, Chancen, Perspektiven<\/i>, edited by Tanja Krainh\u00f6fer and Joachim Kurz, 284\u201397. M\u00fcnchen: edition text + kritik.<\/p>\n

H\u00f6hne, Maike Mia. 2010. \u201cLicht auf Film: Das erste Mal.\u201d Short Report<\/i>, 24\u201326. http:\/\/www.ag-kurzfilm.de\/shared\/doc\/upload\/page\/384\/page_de_384_a3.pdf. Accessed March 01, 2011.<\/p>\n

Jahn, Michael, Christina Kaminski, and Reinhard W. Wolf. 2006. \u201cKurzfilm in Deutschland: Studie zur Situation des kurzen Films.\u201d Unpublished manuscript, last modified April 24, 2020. https:\/\/cdn.ag-kurzfilm.de\/kurzfilmstudie.pdf.<\/p>\n

Kanbur, Ayla. 2022. \u201cSinema Sanat\u0131 Ve Tarihsel Bir BParadoks Olarak Film Festivalleri: K\u0131sa Filmin Konumu Ve Kritik Bir D\u00f6neme\u00e7.\u201d In Film Festivalleri E-Kitabi 1: 10-11 Kasim 2021, Ankara<\/i>, edited by Hakan Erk\u0131l\u0131\u00e7, 197-222. Ankara: De Ki Basim Yayim. [Art of Cinema and Film Festivals as a Historical Paradox: The Position of Short FIlm at a Critical Moment].<\/p>\n

Kelly, Andrew. 2000. \u201cBriefly Encountering Short Films: Reflections on Running a Film Festival 1994-99.\u201d Journal of Media Practice<\/i> 1 (2): 108\u201313.<\/p>\n

Loist, Skadi. 2024. \u201cCollaborative Networks for Streaming Film Festivals as Crisis Responses in Germany.\u201d In Media Industries in Crisis: What COVID Unmasked<\/i>, edited by Vicki Mayer, Noa Lavie, and Miranda Banks, 170\u201379. New York: Routledge.<\/p>\n

Mediarta, Agus. 2007. \u201cKonfiden and the Promotion of Indonesian Short Films.\u201d Inter-Asia Cultural Stud<\/i> 8 (2): 308\u20139. https:\/\/doi.org\/10.1080\/14649370701238821.<\/p>\n

Ribas, Daniel, and Mario Micaelo, eds. 2012. Puro Cinema: Curtas Vila Do Conde 20 Anos Depois = Pure Cinema: Curtas Vila De Conde 20 Years After. <\/i>Vila do Conde: Curtas Metragens, CRL.<\/p>\n

S\u00f8renssen, Bj\u00f8rn. 2008. \u201cLe Giornate del Cinema Muto, Pordenone 2007.\u201d [The Days of Silent Cinema, Pordenone 2007]. Film International<\/i> 6 (4): 77\u201381.<\/p>\n

Walde, Laura, and John Canciani. 2018. \u201cTendenzen Im Kurzfilm Und Die Aufgabe Von Kurzfilmfestivals.\u201d shortfilm.de<\/i>, April 19, 2018. https:\/\/www.shortfilm.de\/tendenzen-im-kurzfilm-und-die-aufgabe-von-kurzfilmfestivals\/.<\/p>\n

Walde, Laura, and John Canciani. 2020. \u201cTendencies in Short Film and the Task and Mission of Short Film Festivals.\u201d shortfilm.de<\/i>, May 31, 2020. https:\/\/www.shortfilm.de\/en\/tendenzen-im-kurzfilm-und-die-aufgabe-von-kurzfilmfestivals\/.<\/p>\n

Wolf, Reinhard W. 2016. \u201cKurzfilm-Vorstellungen Programmieren Und Kuratieren Teil 1: Der Kurzfilm Im Festivalprogramm.\u201d shortfilm.de<\/i>, September 6, 2016. http:\/\/www.shortfilm.de\/kurzfilm-vorstellungen-programmieren-und-kuratieren-teil-1-der-kurzfilm-im-festivalprogramm\/.<\/p>\n

Wolf, Reinhard W. 2016. \u201cProgramming and Curating Short-Film Screenings Part 1: Short Film in a Festival Programme.\u201d shortfilm.de<\/i>, September 6, 2016. http:\/\/www.shortfilm.de\/en\/kurzfilm-vorstellungen-programmieren-und-kuratieren-teil-1-der-kurzfilm-im-festivalprogramm\/.<\/p>\n

Ziemann, Luc-Carolin. 2008. \u201cDie Berlinale und der Kurzfilm: Keine einfache Liebe.\u201d Short Report<\/i> 2: 26\u201336. http:\/\/www.shortfilm.de\/index.php?id=3437&L=0. Accessed February 21, 2009.<\/p>\n

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(Last updated: 30. March 2025)<\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Since most festivals show a range of films in different lengths, the most common distinction is that of short film festivals (Kelly 2000; AG Kurzfilm 2006, section 5.4; cf. Reichel-Heldt 2007, section 1.1; Hedling 2008, section 9.3).   K\u00f6tzing, Andreas. … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":133,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-140","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=140"}],"version-history":[{"count":23,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/140\/revisions"}],"predecessor-version":[{"id":3241,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/140\/revisions\/3241"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/133"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}