{"id":107,"date":"2010-08-04T17:26:22","date_gmt":"2010-08-04T15:26:22","guid":{"rendered":"http:\/\/filmfestivalresearch.wordpress.com\/"},"modified":"2025-05-16T16:24:52","modified_gmt":"2025-05-16T14:24:52","slug":"1-3-general-academic-studies-on-festivals-not-only-film-festivals","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-3-general-academic-studies-on-festivals-not-only-film-festivals\/","title":{"rendered":"1.3 General Academic Studies on Festivals (Not only <i>Film<\/i> Festivals)"},"content":{"rendered":"<p>Allen, Johnny, William O&#8217;Toole, Ian McDonnell, and Robert Harris. 2002. <i>Festival and Special Event Management. <\/i>2. ed. Wiley Australian tourism series. Milton: Wiley. http:\/\/www.gbv.de\/dms\/bowker\/toc\/9780471421825.pdf.<\/p>\n<p>Autissier, Anne-Marie, ed. 2008. <i>L&#8217;Europe des festivals: De Zagreb \u00e0 Edimbourg, points de vue crois\u00e9s. <\/i>Toulouse, Saint-Denis: Attribut. [The Europe of Festivals: From Zagreb to Edinburgh. Intersecting Viewpoints].<\/p>\n<p>Autissier, Anne-Marie, ed. 2009. <i>The Europe of Festivals: From Zagreb to Edinburgh. Intersecting Viewpoints\u2026 <\/i>Toulouse, Paris: \u00e9ditions de l&#8217;\u00e1ttribut; Culture Europe International.<\/p>\n<p>Bennett, Andy, Jodie Taylor, and Ian Woodward, eds. 2014. <i>The Festivalization of Culture. <\/i>Farnham, Surrey, Burlington, VT: Ashgate.<\/p>\n<p>Bennett, Andy, and Ian Woodward. 2014. \u201cFestival Spaces, Identity, Experience and Belonging.\u201d In <i>The Festivalization of Culture<\/i>, edited by Andy Bennett, Jodie Taylor, and Ian Woodward, 11\u201325. Farnham, Surrey, Burlington, VT: Ashgate.<\/p>\n<p>Chalcraft, Jasper, Gerard Delanty, and Monica Sassatelli. 2014. \u201cVarieties of Cosmopolitanism in Art Festivals.\u201d In <i>The Festivalization of Culture<\/i>, edited by Andy Bennett, Jodie Taylor, and Ian Woodward, 109\u201329. Farnham, Surrey, Burlington, VT: Ashgate.<\/p>\n<p>Chalcraft, Jasper, and Paolo Magaudda. 2011. \u201c&#8217;Space Is the Place&#8217;: The Global Localities of the S\u00f3nar and WOMAD Music Festivals.\u201d In <i>Festivals and the Cultural Public Sphere<\/i>, edited by Liana Giorgi, Monica Sassatelli, and Gerard Delanty, 173\u201389. Abingdon, New York: Routledge.<\/p>\n<p>Crespi-Valbona, Montserrat, and Greg Richards. 2007. \u201cThe Meaning of Cultural Festivals: Stakeholder Perspectives in Catalunya.\u201d <i>International Journal of Cultural Policy<\/i> 13 (1): 103\u201322.<\/p>\n<p>Cudny, Waldemar. 2016. <i>Festivalisation of Urban Spaces: Factors, Processes and Effects: <\/i>Springer.<\/p>\n<p>Duvignaud, Jean. 1976. \u201cFestivals: A Sociological Approach.\u201d <i>Cultures<\/i> 3 (1): 13\u201328.<\/p>\n<p>Falassi, Alessandro. 1987. <i>Time Out of Time: Essays on the Festival. <\/i>Albuquerque, N.M. University of New Mexico Press.<\/p>\n<p>Finkel, Rebecca. 2009. \u201cA Picture of the Contemporary Combined Arts Festival Landscape.\u201d <i>Cultural Trends<\/i> 18 (1): 3\u201321.<\/p>\n<p>Fl\u00e9chet, Ana\u00efs, Pascale G\u0153tschel, Patricia Hidiroglou, Sophie Jacotot, Caroline Moine, and Julie Verlaine, eds. 2013. <i>Une histoire des festivals: XXe-XXIe si\u00e8cle. <\/i>Paris: Publications de la Sorbonne. [A History of Festivals: 20th &#8211; 21st Century].<\/p>\n<p>Fournier, Laurent S\u00e9bastien. 2019. \u201cTraditional Festivals: From European Ethnology to Festive Studies.\u201d <i>JFS<\/i> 1 (1): 11\u201326. https:\/\/doi.org\/10.33823\/jfs.2019.1.1.21.<\/p>\n<p>Getz, Donald, Tommy Andersson, and Mia Larson. 2007. \u201cFestival Stakeholder Roles: Concepts and Case Studies.\u201d <i>Event Management<\/i> 10 (2): 103\u201322.<\/p>\n<p>\u201cEuropean Arts Festivals: Cultural Pragmatics and Discursive Identity Frames.\u201d 2010. Unpublished manuscript, last modified April 07, 2020. http:\/\/community.iknowfutures.eu\/action\/file\/download?file_guid=8885. WP3 Main Report.<\/p>\n<p>Giorgi, Liana, ed. 2011. <i>European Arts Festivals: Strengthening Cultural Diversity. <\/i>Luxembourg: Publications Office of the European Union. Accessed April 07, 2020. https:\/\/ec.europa.eu\/research\/social-sciences\/pdf\/policy_reviews\/euro-festival-report_en.pdf.<\/p>\n<p>Giorgi, Liana, Monica Sassatelli, and Gerard Delanty, eds. 2011. <i>Festivals and the Cultural Public Sphere. <\/i>Abingdon, New York: Routledge.<\/p>\n<p>G\u0153tschel, Pascale, and Patricia Hidiroglou. 2013. \u201cIntroduction: Le festival, objet d\u2019histoire.\u201d [Introduction: The festival, object of history]. In <i>Une histoire des festivals: XXe-XXIe si\u00e8cle<\/i>, edited by Ana\u00efs Fl\u00e9chet, Pascale G\u0153tschel, Patricia Hidiroglou, Sophie Jacotot, Caroline Moine, and Julie Verlaine, 7\u201315. Paris: Publications de la Sorbonne.<\/p>\n<p>Hagan, Cara. 2018. \u201cCuratorial Practices for Intersectional Programming.\u201d <i>IJSD<\/i> 9:133\u201351. https:\/\/doi.org\/10.18061\/ijsd.v9i0.6046.<\/p>\n<p>Harris, Neil. 2007. \u201cFestival Culture, American Style.\u201d In <i>The Arts of Democracy: Art, Public Culture, and the State<\/i>, edited by Casey N. Blake, 11\u201329. Washington, DC, Philadelphia, PA: Woodrow Wilson Center Press; Univ. of Pennsylvania Press.<\/p>\n<p>Hauptfleisch, Temple, Shulamith Lev-Aladgem, Jacqueline Martin, Willmar Sauter, and Henri Schoenmakers, eds. 2007. <i>Festivalising: Theatrical Events, Politics and Culture. <\/i>Themes in theatre &#8211; collective Approaches to theatre and Performance 3. Amsterdam, New York, NY: Rodopi.<\/p>\n<p>Jaeger, Kari, and Reidar Mykletun. 2009. \u201cThe Festivalscape of Finnmark.\u201d <i>Scand. J. of Hospitality &amp; Tourism<\/i> 9 (2-3): 327\u201348. https:\/\/doi.org\/10.1080\/15022250903119520.<\/p>\n<p>Limov, Brad. 2024. \u201cMedia Industry Events as Platforms for Social Justice: Moving from Inspiration to Impact in Creative Production.\u201d PhD Thesis, Journalism and Media, The University of Texas at Austin.<\/p>\n<p>Lundberg, Erik, John Armbrecht, Tommy D. Andersson, and Donald Getz, eds. 2017. <i>The Value of Events. <\/i>Routledge Advances in Event Research Series. London: Routledge.<\/p>\n<p>MacAloon, John J., ed. 1984. <i>Rite, Drama, Festival, Spectacle: Rehearsals toward a Theory of Cultural Performance. <\/i>Philadelphia: Institute for the Study of Human Issues.<\/p>\n<p>Mair, Judith, ed. 2019. <i>The Routledge Handbook of Festivals: <\/i>Routledge.<\/p>\n<p>Moeran, Brian, and Jesper Strandgaard Pedersen, eds. 2011. <i>Negotiating Values in the Creative Industries: Fairs, Festivals and Competitive Events. <\/i>Cambridge, New York: Cambridge University Press.<\/p>\n<p>N\u00e9grier, Emmanuel, and Marie-Th\u00e9rese Jourda. 2007. <i>Les nouveaux territoires des festivals. <\/i>Paris: Michel de Maule. [The new festival territories].<\/p>\n<p>Peaslee, Robert Moses. 2013. \u201cMedia Conduction: Festivals, Networks, and Boundaried Spaces.\u201d <i>IJoC <\/i>(7): 811\u201330.<\/p>\n<p>Poirrier, Philippe, ed. (http:\/\/tristan.u-bourgogne.fr\/CGC\/publications\/Festivals_societes\/Festivals.html) 2012. \u201cFestivals &amp; soci\u00e9t\u00e9s en Europe, XIXe-XXIe si\u00e8cles.\u201d Special issue, <i>Territoires contemporains<\/i>, no. 3.<\/p>\n<p>Richards, Greg, and Alba Colombo. 2017. \u201cCreating Network Value the Barcelona S\u00f3nar Festival as a Global Events Hub.\u201d In <i>The Value of Events<\/i>, edited by Erik Lundberg, John Armbrecht, Tommy D. Andersson, and Donald Getz, 73\u201386. Routledge Advances in Event Research Series. London: Routledge.<\/p>\n<p>\u201cEuropean Public Culture and Aesthetic Cosmopolitanism: Main Report.\u201d 2008. Report completed in the framework of the EURO-FESTIVAL project.<\/p>\n<p>\u201cEuropean Arts Festivals from a Historical Perspective: Main Report 2.\u201d 2009. Report completed in the framework of the EURO-FESTIVAL project.<\/p>\n<p>Sicondolfo, Claudia Francesca. 2024. \u201cProgramming Process Pedagogy: Towards Meaningful Audience Engagement and Public Participation Models Within Contemporary Canadian Media Arts Festival, 2012-2024.\u201d PhD, Graduate Program in Cinema and Media Arts, York University. Accessed 31.02.2023. https:\/\/yorkspace.library.yorku.ca\/bitstreams\/3acd29b2-fc48-47a7-947c-139adc308438\/download.<\/p>\n<p>Siro\u010di\u0107, Zorica. 2025. \u201cAnger in Festivals: Contradiction in Terms or a Desirable Part of the Program?\u201d <i>Emotion, Space and Society<\/i> 55:101087. https:\/\/doi.org\/10.1016\/j.emospa.2025.101087.<\/p>\n<p>Taylor, Jodie. 2014. \u201cFestivalizing Sexualities: Discourses of &#8216;Pride&#8217;, Counter-Discourses of &#8216;Shame&#8217;.\u201d In <i>The Festivalization of Culture<\/i>, edited by Andy Bennett, Jodie Taylor, and Ian Woodward, 27\u201348. Farnham, Surrey, Burlington, VT: Ashgate.<\/p>\n<p>Teissl, Verena. 2013. <i>Kulturveranstaltung Festival: Formate, Entstehung und Potenziale. <\/i>Bielefeld: transcript.<\/p>\n<p>Twaalfhoven, Anita, ed. 2010. \u201cFestivals.\u201d Special issue, <i>Boekman<\/i>, no. 83.<\/p>\n<p>Wallin, Mark Rowell, Billy Collins, and John S. Hull. 2013. \u201cIt&#8217;s Not Just About the Film: Festivals, Sustainability, and Small Cities.\u201d In <i>Events, Society and Sustainability: Critical and Contemporary Approaches<\/i>, edited by Tomas Pernecky and Michael L\u00fcck, 229\u201343. Routledge Advances in Event Research Series. London: Routledge.<\/p>\n<p>Williams, Michael, and Glenn A. J. Bowdin. 2007. \u201cFestival Evaluation: An Exploration of Seven UK Arts Festivals.\u201d <i>Managing Leisure<\/i> 12 (2-3): 187\u2013203. https:\/\/doi.org\/10.1080\/13606710701339520.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/vg07.met.vgwort.de\/na\/1ff835b89e334489a8bef566dea13616\" alt=\"\" width=\"1\" height=\"1\" \/><\/p>\n<p><span style=\"color: #000000;\">(Last updated: 16. May 2025)<\/span><\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Allen, Johnny, William O&#8217;Toole, Ian McDonnell, and Robert Harris. 2002. Festival and Special Event Management. 2. ed. Wiley Australian tourism series. Milton: Wiley. http:\/\/www.gbv.de\/dms\/bowker\/toc\/9780471421825.pdf. Autissier, Anne-Marie, ed. 2008. L&#8217;Europe des festivals: De Zagreb \u00e0 Edimbourg, points de vue crois\u00e9s. Toulouse, &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-3-general-academic-studies-on-festivals-not-only-film-festivals\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":57,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-107","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":34,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/107\/revisions"}],"predecessor-version":[{"id":3291,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/107\/revisions\/3291"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/57"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}