{"id":102,"date":"2010-08-04T17:24:31","date_gmt":"2010-08-04T15:24:31","guid":{"rendered":"http:\/\/filmfestivalresearch.wordpress.com\/"},"modified":"2025-03-29T16:00:32","modified_gmt":"2025-03-29T15:00:32","slug":"1-1-2-reports-and-responses-to-film-festival-studies","status":"publish","type":"page","link":"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-1-film-festival-studies\/1-1-2-reports-and-responses-to-film-festival-studies\/","title":{"rendered":"1.1.2 Reports and Responses to Film Festival Studies"},"content":{"rendered":"<p>As more research on film festivals is being conducted, scholars and professionals have begun reflecting on definitions, methods and objectives. Is there a common agenda for this research that has been suggested to form an emerging field of film festival studies (De Valck\/Loist 2009, section 1.1 a)? The contributions in this section are reports on international meetings dedicated to film festival research and responses to the discussions.<\/p>\n<p>B\u00e2, Sa\u00ebr Maty. 2009. \u201cTransnational Mission, International Dynamics: A Report on the International Film Festival Workshop.\u201d <i>Senses of Cinema <\/i>(51). http:\/\/archive.sensesofcinema.com\/contents\/festivals\/09\/51\/film-festival-workshop.html. Accessed September 29, 2009.<\/p>\n<p>\u201cReport Talk Show \u201cThe Digital IFFR: Feed, Trust or Kill the Tiger?\u201d: 39th International Film Festival Rotterdam, Wednesday 3rd February 2010.\u201d Unpublished manuscript, last modified August 10, 2010. http:\/\/www.filmfestivalrotterdam.com\/Assets\/Uploads\/Documents\/Digital%20IFFR%20Report.pdf.<\/p>\n<p>Brown, William. 2009. \u201cThe Festival Syndrome: Report on the International Film\u00a0Festival Workshop, University of St\u00a0Andrews, 4 April 2009.\u201d In <i>Film\u00a0Festival Yearbook 1: The Festival Circuit<\/i>, edited by Dina Iordanova and Ragan Rhyne, 216\u201325. St. Andrews: St Andrews Film Studies.<\/p>\n<p>Chen, Yun-hua. 2009. \u201cInternational Film Festivals Workshop, University of St Andrews, April 4th 2009.\u201d Conference Report. <i>Scope <\/i>(14). http:\/\/www.scope.nottingham.ac.uk\/confreport.php?issue=14&amp;id=1134. Accessed June 09, 2009.<\/p>\n<p>de Valck, Marijke, and Skadi Loist. 2011. \u201cWhat Is New in Film Festivals Studies: Thematic Bibliography on Film Festival Research &#8211; Update 2010.\u201d In <i>Film Festival Yearbook 3: Film Festivals and East Asia<\/i>, edited by Dina Iordanova and Ruby Cheung, 276\u201392. St. Andrews: St Andrews Film Studies.<\/p>\n<p>Guillen, Michael. 2009. \u201cFILM FESTIVAL YEARBOOK 1\u2014A Response to Section One.\u201d Blog entry. <i>The Evening Class<\/i>. http:\/\/theeveningclass.blogspot.com\/2009\/09\/film-festival-yearbook-1a-response-to.html. Accessed September 29, 2009.<\/p>\n<p>Guillen, Michael. 2009. \u201cFILM FESTIVAL YEARBOOK 1\u2014A Response to Section Two.\u201d Blog entry. <i>The Evening Class<\/i>. http:\/\/theeveningclass.blogspot.com\/2009\/09\/film-festival-yearbook-1a-response-to.html. Accessed September 29, 2009.<\/p>\n<p>Lindner, Katharina. 2015. \u201cReview of Queer Film Culture: Queer Cinema &amp; Queer Film Festivals International Conference.\u201d <i>TRAC<\/i> 6 (1): 97\u2013103. https:\/\/doi.org\/10.1080\/20403526.2015.1014176.<\/p>\n<p>Loist, Skadi. 2014. \u201cCultural Transfer and Political Conflicts. Film Festivals During the Cold War: 09.05.2014-10.05.2014, Leipzig.\u201d Conference report. <i>H-Soz-Kult<\/i>, September 11, 2014. http:\/\/hsozkult.geschichte.hu-berlin.de\/tagungsberichte\/id=5533.<\/p>\n<p>Ostrowska, Dorota. 2010. \u201cFilm Festival Workshop, St Andrew&#8217;s University, Scotland, 4 April 2009.\u201d Conference Report. <i>Screen<\/i> 51 (1): 79\u201381.<\/p>\n<p>Pekerman, Serazer. 2009. \u201cInternational Film Festival Workshop, 4 April 2009, University of St Andrews.\u201d Conference Report. <i>Film International<\/i> 7 (3 (#39)): 94\u201397.<\/p>\n<p>Porton, Richard. 2009. \u201cThe Festival Whirl: The Utopian Possibilities\u2014And Dystopian Realities\u2014Of the Modern Film Festival.\u201d <i>Moving Image Source<\/i>. http:\/\/www.movingimagesource.us\/articles\/the-festival-whirl-20090908. Accessed September 29, 2009.<\/p>\n<p>Rodovalho, Beatriz. 2020. \u201cFestival Da Liberta\u00e7\u00e3o Tecnopobre: Sobre CachoeiraDoc.\u201d <i>Aniki<\/i> 7 (2): 245\u201352. https:\/\/doi.org\/10.14591\/aniki.v7n2.710.<\/p>\n<p>Valck, Marijke de, and Antoine Damiens. 2021. \u201cTen Years of Festival Reviews: Celebrating a Minor Academic Genre.\u201d <i>NECSUS<\/i> 10 (2 (#Futures)): 75\u201381. https:\/\/doi.org\/10.25969\/mediarep\/17273.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/vg07.met.vgwort.de\/na\/3f826869e33948e7b6acc5f1d7ab77ed\" alt=\"\" width=\"1\" height=\"1\" \/><\/p>\n<p>(Last updated: 28. March 2025)<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As more research on film festivals is being conducted, scholars and professionals have begun reflecting on definitions, methods and objectives. Is there a common agenda for this research that has been suggested to form an emerging field of film festival &hellip; <a href=\"http:\/\/www.filmfestivalresearch.org\/index.php\/ffrn-bibliography\/1-film-festivals-the-long-view\/1-1-film-festival-studies\/1-1-2-reports-and-responses-to-film-festival-studies\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":695,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-102","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/comments?post=102"}],"version-history":[{"count":19,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/102\/revisions"}],"predecessor-version":[{"id":3144,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/102\/revisions\/3144"}],"up":[{"embeddable":true,"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/pages\/695"}],"wp:attachment":[{"href":"http:\/\/www.filmfestivalresearch.org\/index.php\/wp-json\/wp\/v2\/media?parent=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}